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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #299CBB it is the complementary color #D66344. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #299CBB. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #299CBB shade: #2E9CB6, #3FAEC9, #50C0DC, #61D2EF and #72E4FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #299CBB. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #299CBB shade: #299CBB, #188AA8, #077895, #006682 and #00546F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #299CBB shade: #299DBC, #2975BC, #294DBC, #2C29BC and #5429BC

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #299CBB shade: #299DBC, #2975BC, #294DBC and #2929BC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #299CBB shade matches the following richer shades: #299DBC, #16A7CE and #04B2E1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #299CBB shade: #299DBC, #3B92A9, #4E8797, #617C84 and #737271

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #299CBB shade: #29BC8B, #29BCB2, #299EBC, #2977BC and #2950BC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #299CBB shade: #1A6478, #21809A, #299DBC, #3AB3D3 and #5CC0DB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #299CBB shade: #299CBB, #6429BC and #BC9E29

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #299CBB shade: #299CBB, #BC299E and #9EBC29

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #299CBB shade: #299CBB, #6429BC, #BC4629 and #81BC29

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #299CBB shade: #299CBB, #9029BC, #BC4629 and #55BC29

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 78 / 17 / 0 / 27

HEX #299CBB

RGB 41 156 187

HSL 192.74, 0.64%, 0.45%

LAB 59.74, -20.53, -24.98

 

Complementary color

CMYK 0 / 54 / 68 / 16

HEX #D66344

RGB 214 99 68

HSL 12.74, 0.64%, 0.55%

LAB 55.72, 43.11, 38.93

 

CMYK 75 / 14 / 0 / 29

HEX #2E9CB6

RGB 46 156 182

HSL 191.47, 0.6%, 0.45%

LAB 59.65, -21.62, -22.29

 

CMYK 69 / 13 / 0 / 21

HEX #3FAEC9

RGB 63 174 201

HSL 191.74, 0.56%, 0.52%

LAB 66.17, -22.57, -22.89

 

CMYK 64 / 13 / 0 / 14

HEX #50C0DC

RGB 80 192 220

HSL 192, 0.67%, 0.59%

LAB 72.61, -23.29, -23.43

 

CMYK 59 / 12 / 0 / 6

HEX #61D2EF

RGB 97 210 239

HSL 192.25, 0.82%, 0.66%

LAB 78.96, -23.84, -23.93

 

CMYK 55 / 11 / 0 / 0

HEX #72E4FF

RGB 114 228 255

HSL 191.49, 1%, 0.72%

LAB 85.14, -25.1, -22.98

 

CMYK 78 / 17 / 0 / 27

HEX #299CBB

RGB 41 156 187

HSL 192.74, 0.64%, 0.45%

LAB 59.74, -20.53, -24.98

 

CMYK 86 / 18 / 0 / 34

HEX #188AA8

RGB 24 138 168

HSL 192.5, 0.75%, 0.38%

LAB 53.17, -19.02, -24.31

 

CMYK 95 / 19 / 0 / 42

HEX #077895

RGB 7 120 149

HSL 192.25, 0.91%, 0.31%

LAB 46.51, -17.02, -23.53

 

CMYK 100 / 22 / 0 / 49

HEX #006682

RGB 0 102 130

HSL 192.92, 1%, 0.25%

LAB 39.77, -14.37, -22.61

 

CMYK 100 / 24 / 0 / 56

HEX #00546F

RGB 0 84 111

HSL 194.59, 1%, 0.22%

LAB 32.89, -11.23, -21.6

 

CMYK 78 / 16 / 0 / 26

HEX #299DBC

RGB 41 157 188

HSL 192.65, 0.64%, 0.45%

LAB 60.08, -20.73, -25.01

 

CMYK 78 / 38 / 0 / 26

HEX #2975BC

RGB 41 117 188

HSL 208.98, 0.64%, 0.45%

LAB 48.04, 2.06, -43.85

 

CMYK 78 / 59 / 0 / 26

HEX #294DBC

RGB 41 77 188

HSL 225.31, 0.64%, 0.45%

LAB 36.76, 27.83, -62.01

 

CMYK 77 / 78 / 0 / 26

HEX #2C29BC

RGB 44 41 188

HSL 241.22, 0.64%, 0.45%

LAB 28.78, 49.98, -75.13

 

CMYK 55 / 78 / 0 / 26

HEX #5429BC

RGB 84 41 188

HSL 257.55, 0.64%, 0.45%

LAB 32.04, 53.99, -69.64

 

CMYK 78 / 16 / 0 / 26

HEX #299DBC

RGB 41 157 188

HSL 192.65, 0.64%, 0.45%

LAB 60.08, -20.73, -25.01

 

CMYK 78 / 38 / 0 / 26

HEX #2975BC

RGB 41 117 188

HSL 208.98, 0.64%, 0.45%

LAB 48.04, 2.06, -43.85

 

CMYK 78 / 59 / 0 / 26

HEX #294DBC

RGB 41 77 188

HSL 225.31, 0.64%, 0.45%

LAB 36.76, 27.83, -62.01

 

CMYK 78 / 78 / 0 / 26

HEX #2929BC

RGB 41 41 188

HSL 240, 0.64%, 0.45%

LAB 28.61, 49.77, -75.41

 

CMYK 78 / 16 / 0 / 26

HEX #299DBC

RGB 41 157 188

HSL 192.65, 0.64%, 0.45%

LAB 60.08, -20.73, -25.01

 

CMYK 89 / 19 / 0 / 19

HEX #16A7CE

RGB 22 167 206

HSL 192.72, 0.81%, 0.45%

LAB 63.56, -21.34, -29.74

 

CMYK 98 / 21 / 0 / 12

HEX #04B2E1

RGB 4 178 225

HSL 192.76, 0.97%, 0.45%

LAB 67.5, -21.17, -34.12

 

CMYK 78 / 16 / 0 / 26

HEX #299DBC

RGB 41 157 188

HSL 192.65, 0.64%, 0.45%

LAB 60.08, -20.73, -25.01

 

CMYK 65 / 14 / 0 / 34

HEX #3B92A9

RGB 59 146 169

HSL 192.55, 0.48%, 0.45%

LAB 56.44, -18.64, -19.79

 

CMYK 48 / 11 / 0 / 41

HEX #4E8797

RGB 78 135 151

HSL 193.15, 0.32%, 0.45%

LAB 53.15, -14.19, -14.37

 

CMYK 27 / 6 / 0 / 48

HEX #617C84

RGB 97 124 132

HSL 193.71, 0.15%, 0.45%

LAB 50.24, -7.72, -7.54

 

CMYK 0 / 1 / 2 / 55

HEX #737271

RGB 115 114 113

HSL 30, 0.01%, 0.45%

LAB 48.1, 0.18, 0.68

 

CMYK 78 / 0 / 26 / 26

HEX #29BC8B

RGB 41 188 139

HSL 160, 0.64%, 0.45%

LAB 68.24, -49.04, 14.27

 

CMYK 78 / 0 / 5 / 26

HEX #29BCB2

RGB 41 188 178

HSL 175.92, 0.64%, 0.45%

LAB 69.22, -38.92, -5.65

 

CMYK 78 / 16 / 0 / 26

HEX #299EBC

RGB 41 158 188

HSL 192.24, 0.64%, 0.45%

LAB 60.39, -21.25, -24.55

 

CMYK 78 / 37 / 0 / 26

HEX #2977BC

RGB 41 119 188

HSL 208.16, 0.64%, 0.45%

LAB 48.63, 0.84, -42.91

 

CMYK 78 / 57 / 0 / 26

HEX #2950BC

RGB 41 80 188

HSL 224.08, 0.64%, 0.45%

LAB 37.55, 25.86, -60.72

 

CMYK 78 / 17 / 0 / 53

HEX #1A6478

RGB 26 100 120

HSL 192.77, 0.64%, 0.29%

LAB 39.05, -14.82, -17.6

 

CMYK 79 / 17 / 0 / 40

HEX #21809A

RGB 33 128 154

HSL 192.89, 0.65%, 0.37%

LAB 49.61, -17.63, -21.65

 

CMYK 78 / 16 / 0 / 26

HEX #299DBC

RGB 41 157 188

HSL 192.65, 0.64%, 0.45%

LAB 60.08, -20.73, -25.01

 

CMYK 73 / 15 / 0 / 17

HEX #3AB3D3

RGB 58 179 211

HSL 192.55, 0.63%, 0.53%

LAB 67.9, -22.66, -25.76

 

CMYK 58 / 12 / 0 / 14

HEX #5CC0DB

RGB 92 192 219

HSL 192.76, 0.64%, 0.61%

LAB 72.95, -21.48, -22.34

 

CMYK 78 / 17 / 0 / 27

HEX #299CBB

RGB 41 156 187

HSL 192.74, 0.64%, 0.45%

LAB 59.74, -20.53, -24.98

 

CMYK 47 / 78 / 0 / 26

HEX #6429BC

RGB 100 41 188

HSL 264.08, 0.64%, 0.45%

LAB 33.83, 56.18, -66.63

 

CMYK 0 / 16 / 78 / 26

HEX #BC9E29

RGB 188 158 41

HSL 47.76, 0.64%, 0.45%

LAB 65.99, -0.67, 60.65

 

CMYK 78 / 17 / 0 / 27

HEX #299CBB

RGB 41 156 187

HSL 192.74, 0.64%, 0.45%

LAB 59.74, -20.53, -24.98

 

CMYK 0 / 78 / 16 / 26

HEX #BC299E

RGB 188 41 158

HSL 312.24, 0.64%, 0.45%

LAB 45.28, 67.36, -29.67

 

CMYK 16 / 0 / 78 / 26

HEX #9EBC29

RGB 158 188 41

HSL 72.24, 0.64%, 0.45%

LAB 71.82, -28.97, 65.07

 

CMYK 78 / 17 / 0 / 27

HEX #299CBB

RGB 41 156 187

HSL 192.74, 0.64%, 0.45%

LAB 59.74, -20.53, -24.98

 

CMYK 47 / 78 / 0 / 26

HEX #6429BC

RGB 100 41 188

HSL 264.08, 0.64%, 0.45%

LAB 33.83, 56.18, -66.63

 

CMYK 0 / 63 / 78 / 26

HEX #BC4629

RGB 188 70 41

HSL 11.84, 0.64%, 0.45%

LAB 45.95, 46.03, 41.4

 

CMYK 31 / 0 / 78 / 26

HEX #81BC29

RGB 129 188 41

HSL 84.08, 0.64%, 0.45%

LAB 70.03, -40.38, 62.77

 

CMYK 78 / 17 / 0 / 27

HEX #299CBB

RGB 41 156 187

HSL 192.74, 0.64%, 0.45%

LAB 59.74, -20.53, -24.98

 

CMYK 23 / 78 / 0 / 26

HEX #9029BC

RGB 144 41 188

HSL 282.04, 0.64%, 0.45%

LAB 39.83, 63.42, -56.6

 

CMYK 0 / 63 / 78 / 26

HEX #BC4629

RGB 188 70 41

HSL 11.84, 0.64%, 0.45%

LAB 45.95, 46.03, 41.4

 

CMYK 55 / 0 / 78 / 26

HEX #55BC29

RGB 85 188 41

HSL 102.04, 0.64%, 0.45%

LAB 68.06, -54.74, 60.21

 

Description

Color code: HEX #299CBB | qconv.com Color code: HEX #299CBB | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 41 red, 156 green and 187 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
41 156 187 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 78 cyan, 17 magenta, none yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
78% 17% 0% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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