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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #299D5D it is the complementary color #D662A2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #299D5D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #299D5D shade: #2E9D58, #3FAF6B, #50C17E, #61D391 and #72E5A4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #299D5D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #299D5D shade: #299D5D, #188B4A, #077937, #006724 and #005511

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #299D5D shade: #289E5D, #289E3D, #339E28, #539E28 and #729E28

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #299D5D shade: #289E5D, #289E7D, #289E9C, #287F9E and #28609E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #299D5D shade matches the following richer shades: #289E5D, #18AE5B and #08BE5A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #299D5D shade: #289E5D, #388E5F, #487D60, #596D62 and #695D64

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #299D5D shade: #349E28, #289E3C, #289E5B, #289E7A and #289E9A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #299D5D shade: #175C36, #207D4A, #289E5D, #31BE70 and #49D085

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #299D5D shade: #299D5D, #28539E and #9E2C28

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #299D5D shade: #299D5D, #5B289E and #9E5B28

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #299D5D shade: #299D5D, #28539E, #9E286B and #9E7328

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #299D5D shade: #299D5D, #28309E, #9E286B and #9E9628

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 74 / 0 / 41 / 38

HEX #299D5D

RGB 41 157 93

HSL 146.9, 0.59%, 0.39%

LAB 57.44, -46.67, 24.57

 

Complementary color

CMYK 0 / 54 / 24 / 16

HEX #D662A2

RGB 214 98 162

HSL 326.9, 0.59%, 0.61%

LAB 57.69, 52.69, -12.63

 

CMYK 71 / 0 / 44 / 38

HEX #2E9D58

RGB 46 157 88

HSL 142.7, 0.55%, 0.4%

LAB 57.46, -46.78, 27.31

 

CMYK 64 / 0 / 39 / 31

HEX #3FAF6B

RGB 63 175 107

HSL 143.57, 0.47%, 0.47%

LAB 63.98, -47.18, 25.78

 

CMYK 59 / 0 / 35 / 24

HEX #50C17E

RGB 80 193 126

HSL 144.42, 0.48%, 0.54%

LAB 70.42, -47.33, 24.38

 

CMYK 54 / 0 / 31 / 17

HEX #61D391

RGB 97 211 145

HSL 145.26, 0.56%, 0.6%

LAB 76.78, -47.33, 23.09

 

CMYK 50 / 0 / 28 / 10

HEX #72E5A4

RGB 114 229 164

HSL 146.09, 0.69%, 0.67%

LAB 83.07, -47.22, 21.89

 

CMYK 74 / 0 / 41 / 38

HEX #299D5D

RGB 41 157 93

HSL 146.9, 0.59%, 0.39%

LAB 57.44, -46.67, 24.57

 

CMYK 83 / 0 / 47 / 45

HEX #188B4A

RGB 24 139 74

HSL 146.09, 0.71%, 0.32%

LAB 50.87, -45.7, 26.26

 

CMYK 94 / 0 / 55 / 53

HEX #077937

RGB 7 121 55

HSL 145.26, 0.89%, 0.25%

LAB 44.23, -44.05, 28.09

 

CMYK 100 / 0 / 65 / 60

HEX #006724

RGB 0 103 36

HSL 140.97, 1%, 0.2%

LAB 37.53, -41.31, 29.98

 

CMYK 100 / 0 / 80 / 67

HEX #005511

RGB 0 85 17

HSL 132, 1%, 0.17%

LAB 30.73, -37.49, 31.42

 

CMYK 75 / 0 / 41 / 38

HEX #289E5D

RGB 40 158 93

HSL 146.95, 0.6%, 0.39%

LAB 57.75, -47.21, 24.97

 

CMYK 75 / 0 / 61 / 38

HEX #289E3D

RGB 40 158 61

HSL 130.68, 0.6%, 0.39%

LAB 57.31, -52.29, 40.75

 

CMYK 68 / 0 / 75 / 38

HEX #339E28

RGB 51 158 40

HSL 114.41, 0.6%, 0.39%

LAB 57.38, -52.38, 49.75

 

CMYK 47 / 0 / 75 / 38

HEX #539E28

RGB 83 158 40

HSL 98.14, 0.6%, 0.39%

LAB 58.46, -43.85, 51.19

 

CMYK 28 / 0 / 75 / 38

HEX #729E28

RGB 114 158 40

HSL 82.37, 0.6%, 0.39%

LAB 60.05, -32.68, 53.3

 

CMYK 75 / 0 / 41 / 38

HEX #289E5D

RGB 40 158 93

HSL 146.95, 0.6%, 0.39%

LAB 57.75, -47.21, 24.97

 

CMYK 75 / 0 / 21 / 38

HEX #289E7D

RGB 40 158 125

HSL 163.22, 0.6%, 0.39%

LAB 58.4, -40.07, 8.12

 

CMYK 75 / 0 / 1 / 38

HEX #289E9C

RGB 40 158 156

HSL 178.98, 0.6%, 0.39%

LAB 59.26, -31.5, -8.18

 

CMYK 75 / 20 / 0 / 38

HEX #287F9E

RGB 40 127 158

HSL 195.76, 0.6%, 0.39%

LAB 49.62, -14.83, -23.96

 

CMYK 75 / 39 / 0 / 38

HEX #28609E

RGB 40 96 158

HSL 211.53, 0.6%, 0.39%

LAB 40.06, 3.72, -38.95

 

CMYK 75 / 0 / 41 / 38

HEX #289E5D

RGB 40 158 93

HSL 146.95, 0.6%, 0.39%

LAB 57.75, -47.21, 24.97

 

CMYK 86 / 0 / 48 / 32

HEX #18AE5B

RGB 24 174 91

HSL 146.8, 0.76%, 0.39%

LAB 62.69, -55.29, 32.37

 

CMYK 96 / 0 / 53 / 25

HEX #08BE5A

RGB 8 190 90

HSL 147.03, 0.92%, 0.39%

LAB 67.74, -61.77, 39.14

 

CMYK 75 / 0 / 41 / 38

HEX #289E5D

RGB 40 158 93

HSL 146.95, 0.6%, 0.39%

LAB 57.75, -47.21, 24.97

 

CMYK 61 / 0 / 33 / 44

HEX #388E5F

RGB 56 142 95

HSL 147.21, 0.43%, 0.39%

LAB 52.96, -37.22, 17.53

 

CMYK 42 / 0 / 23 / 51

HEX #487D60

RGB 72 125 96

HSL 147.17, 0.27%, 0.39%

LAB 48.12, -24.73, 10.36

 

CMYK 18 / 0 / 10 / 57

HEX #596D62

RGB 89 109 98

HSL 147, 0.1%, 0.39%

LAB 44.15, -9.89, 3.67

 

CMYK 0 / 11 / 5 / 59

HEX #695D64

RGB 105 93 100

HSL 325, 0.06%, 0.39%

LAB 40.82, 6.2, -2.23

 

CMYK 67 / 0 / 75 / 38

HEX #349E28

RGB 52 158 40

HSL 113.9, 0.6%, 0.39%

LAB 57.4, -52.17, 49.78

 

CMYK 75 / 0 / 62 / 38

HEX #289E3C

RGB 40 158 60

HSL 130.17, 0.6%, 0.39%

LAB 57.3, -52.41, 41.2

 

CMYK 75 / 0 / 42 / 38

HEX #289E5B

RGB 40 158 91

HSL 145.93, 0.6%, 0.39%

LAB 57.71, -47.59, 26

 

CMYK 75 / 0 / 23 / 38

HEX #289E7A

RGB 40 158 122

HSL 161.69, 0.6%, 0.39%

LAB 58.33, -40.82, 9.71

 

CMYK 75 / 0 / 3 / 38

HEX #289E9A

RGB 40 158 154

HSL 177.97, 0.6%, 0.39%

LAB 59.19, -32.09, -7.14

 

CMYK 75 / 0 / 41 / 64

HEX #175C36

RGB 23 92 54

HSL 146.96, 0.6%, 0.23%

LAB 34.2, -30.95, 15.9

 

CMYK 74 / 0 / 41 / 51

HEX #207D4A

RGB 32 125 74

HSL 147.1, 0.59%, 0.31%

LAB 46.27, -39.12, 20.3

 

CMYK 75 / 0 / 41 / 38

HEX #289E5D

RGB 40 158 93

HSL 146.95, 0.6%, 0.39%

LAB 57.75, -47.21, 24.97

 

CMYK 74 / 0 / 41 / 25

HEX #31BE70

RGB 49 190 112

HSL 146.81, 0.59%, 0.47%

LAB 68.5, -54.43, 29.04

 

CMYK 65 / 0 / 36 / 18

HEX #49D085

RGB 73 208 133

HSL 146.67, 0.59%, 0.55%

LAB 74.96, -53.42, 26.78

 

CMYK 74 / 0 / 41 / 38

HEX #299D5D

RGB 41 157 93

HSL 146.9, 0.59%, 0.39%

LAB 57.44, -46.67, 24.57

 

CMYK 75 / 47 / 0 / 38

HEX #28539E

RGB 40 83 158

HSL 218.14, 0.6%, 0.39%

LAB 36.19, 12.19, -45.13

 

CMYK 0 / 72 / 75 / 38

HEX #9E2C28

RGB 158 44 40

HSL 2.03, 0.6%, 0.39%

LAB 36.41, 46.58, 30.11

 

CMYK 74 / 0 / 41 / 38

HEX #299D5D

RGB 41 157 93

HSL 146.9, 0.59%, 0.39%

LAB 57.44, -46.67, 24.57

 

CMYK 42 / 75 / 0 / 38

HEX #5B289E

RGB 91 40 158

HSL 265.93, 0.6%, 0.39%

LAB 29.94, 47.45, -55.08

 

CMYK 0 / 42 / 75 / 38

HEX #9E5B28

RGB 158 91 40

HSL 25.93, 0.6%, 0.39%

LAB 45.5, 23.22, 39.98

 

CMYK 74 / 0 / 41 / 38

HEX #299D5D

RGB 41 157 93

HSL 146.9, 0.59%, 0.39%

LAB 57.44, -46.67, 24.57

 

CMYK 75 / 47 / 0 / 38

HEX #28539E

RGB 40 83 158

HSL 218.14, 0.6%, 0.39%

LAB 36.19, 12.19, -45.13

 

CMYK 0 / 75 / 32 / 38

HEX #9E286B

RGB 158 40 107

HSL 325.93, 0.6%, 0.39%

LAB 37.57, 53.62, -10.68

 

CMYK 0 / 27 / 75 / 38

HEX #9E7328

RGB 158 115 40

HSL 38.14, 0.6%, 0.39%

LAB 51.48, 9.56, 46.08

 

CMYK 74 / 0 / 41 / 38

HEX #299D5D

RGB 41 157 93

HSL 146.9, 0.59%, 0.39%

LAB 57.44, -46.67, 24.57

 

CMYK 75 / 70 / 0 / 38

HEX #28309E

RGB 40 48 158

HSL 235.93, 0.6%, 0.39%

LAB 26.83, 35.45, -60.35

 

CMYK 0 / 75 / 32 / 38

HEX #9E286B

RGB 158 40 107

HSL 325.93, 0.6%, 0.39%

LAB 37.57, 53.62, -10.68

 

CMYK 0 / 5 / 75 / 38

HEX #9E9628

RGB 158 150 40

HSL 55.93, 0.6%, 0.39%

LAB 60.99, -9.83, 55.33

 

Description

Color code: HEX #299D5D | qconv.com Color code: HEX #299D5D | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 41 red, 157 green and 93 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
41 157 93 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 74 cyan, none magenta, 41 yellow and 38 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
74% 0% 41% 38% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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