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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #29A73A it is the complementary color #D658C5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #29A73A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #29A73A shade: #2EA735, #3FB948, #50CB5B, #61DD6E and #72EF81

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #29A73A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #29A73A shade: #29A73A, #189527, #078314, #007101 and #005F00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #29A73A shade: #28A839, #39A828, #5CA828, #7EA828 and #A1A828

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #29A73A shade: #28A839, #28A85C, #28A87E, #28A8A1 and #288DA8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #29A73A shade matches the following richer shades: #28A839, #17B92D and #06CA21

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #29A73A shade: #28A839, #399746, #4A8652, #5B755F and #6C646B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #29A73A shade: #5BA828, #39A828, #28A839, #28A85B and #28A87D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #29A73A shade: #186523, #20872E, #28A839, #30C945 and #4FD461

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #29A73A shade: #29A73A, #287DA8 and #A8284A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #29A73A shade: #29A73A, #3928A8 and #A83928

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #29A73A shade: #29A73A, #287DA8, #A82897 and #A85328

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #29A73A shade: #29A73A, #2857A8, #A82897 and #A87928

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 75 / 0 / 65 / 35

HEX #29A73A

RGB 41 167 58

HSL 128.1, 0.61%, 0.41%

LAB 60.26, -55.56, 45.44

 

Complementary color

CMYK 0 / 59 / 8 / 16

HEX #D658C5

RGB 214 88 197

HSL 308.1, 0.61%, 0.59%

LAB 57.37, 62.44, -33.29

 

CMYK 72 / 0 / 68 / 35

HEX #2EA735

RGB 46 167 53

HSL 123.47, 0.57%, 0.42%

LAB 60.32, -55.26, 47.66

 

CMYK 66 / 0 / 61 / 27

HEX #3FB948

RGB 63 185 72

HSL 124.43, 0.49%, 0.49%

LAB 66.69, -56.23, 46.58

 

CMYK 61 / 0 / 55 / 20

HEX #50CB5B

RGB 80 203 91

HSL 125.37, 0.54%, 0.55%

LAB 73.01, -56.79, 45.31

 

CMYK 56 / 0 / 50 / 13

HEX #61DD6E

RGB 97 221 110

HSL 126.29, 0.65%, 0.62%

LAB 79.26, -57.06, 43.98

 

CMYK 52 / 0 / 46 / 6

HEX #72EF81

RGB 114 239 129

HSL 127.2, 0.8%, 0.69%

LAB 85.45, -57.15, 42.67

 

CMYK 75 / 0 / 65 / 35

HEX #29A73A

RGB 41 167 58

HSL 128.1, 0.61%, 0.41%

LAB 60.26, -55.56, 45.44

 

CMYK 84 / 0 / 74 / 42

HEX #189527

RGB 24 149 39

HSL 127.2, 0.72%, 0.34%

LAB 53.85, -53.86, 46.38

 

CMYK 95 / 0 / 85 / 49

HEX #078314

RGB 7 131 20

HSL 126.29, 0.9%, 0.27%

LAB 47.4, -51.19, 46.49

 

CMYK 100 / 0 / 99 / 56

HEX #007101

RGB 0 113 1

HSL 120.53, 1%, 0.22%

LAB 40.92, -47.24, 45.39

 

CMYK 100 / 0 / 100 / 63

HEX #005F00

RGB 0 95 0

HSL 120, 1%, 0.19%

LAB 34.36, -41.84, 40.38

 

CMYK 76 / 0 / 66 / 34

HEX #28A839

RGB 40 168 57

HSL 127.97, 0.62%, 0.41%

LAB 60.56, -56.16, 46.2

 

CMYK 66 / 0 / 76 / 34

HEX #39A828

RGB 57 168 40

HSL 112.03, 0.62%, 0.41%

LAB 60.81, -54.57, 53.22

 

CMYK 45 / 0 / 76 / 34

HEX #5CA828

RGB 92 168 40

HSL 95.63, 0.62%, 0.41%

LAB 62.03, -45, 54.83

 

CMYK 25 / 0 / 76 / 34

HEX #7EA828

RGB 126 168 40

HSL 79.69, 0.62%, 0.41%

LAB 63.83, -32.57, 57.19

 

CMYK 4 / 0 / 76 / 34

HEX #A1A828

RGB 161 168 40

HSL 63.28, 0.62%, 0.41%

LAB 66.32, -17.89, 60.41

 

CMYK 76 / 0 / 66 / 34

HEX #28A839

RGB 40 168 57

HSL 127.97, 0.62%, 0.41%

LAB 60.56, -56.16, 46.2

 

CMYK 76 / 0 / 45 / 34

HEX #28A85C

RGB 40 168 92

HSL 144.38, 0.62%, 0.41%

LAB 60.98, -51.17, 29.71

 

CMYK 76 / 0 / 25 / 34

HEX #28A87E

RGB 40 168 126

HSL 160.31, 0.62%, 0.41%

LAB 61.62, -44.06, 12.12

 

CMYK 76 / 0 / 4 / 34

HEX #28A8A1

RGB 40 168 161

HSL 176.72, 0.62%, 0.41%

LAB 62.53, -34.75, -6.13

 

CMYK 76 / 16 / 0 / 34

HEX #288DA8

RGB 40 141 168

HSL 192.66, 0.62%, 0.41%

LAB 54.37, -19.06, -22.42

 

CMYK 76 / 0 / 66 / 34

HEX #28A839

RGB 40 168 57

HSL 127.97, 0.62%, 0.41%

LAB 60.56, -56.16, 46.2

 

CMYK 88 / 0 / 76 / 27

HEX #17B92D

RGB 23 185 45

HSL 128.15, 0.78%, 0.41%

LAB 65.8, -64.53, 56.26

 

CMYK 97 / 0 / 84 / 21

HEX #06CA21

RGB 6 202 33

HSL 128.27, 0.94%, 0.41%

LAB 71.14, -71.09, 64.8

 

CMYK 76 / 0 / 66 / 34

HEX #28A839

RGB 40 168 57

HSL 127.97, 0.62%, 0.41%

LAB 60.56, -56.16, 46.2

 

CMYK 62 / 0 / 54 / 41

HEX #399746

RGB 57 151 70

HSL 128.3, 0.45%, 0.41%

LAB 55.53, -45.14, 34.34

 

CMYK 45 / 0 / 39 / 47

HEX #4A8652

RGB 74 134 82

HSL 128, 0.29%, 0.41%

LAB 50.82, -31.26, 22.08

 

CMYK 22 / 0 / 19 / 54

HEX #5B755F

RGB 91 117 95

HSL 129.23, 0.13%, 0.41%

LAB 46.68, -14.26, 9.08

 

CMYK 0 / 7 / 1 / 58

HEX #6C646B

RGB 108 100 107

HSL 307.5, 0.04%, 0.41%

LAB 43.31, 4.57, -2.81

 

CMYK 46 / 0 / 76 / 34

HEX #5BA828

RGB 91 168 40

HSL 96.09, 0.62%, 0.41%

LAB 61.98, -45.33, 54.77

 

CMYK 66 / 0 / 76 / 34

HEX #39A828

RGB 57 168 40

HSL 112.03, 0.62%, 0.41%

LAB 60.81, -54.57, 53.22

 

CMYK 76 / 0 / 66 / 34

HEX #28A839

RGB 40 168 57

HSL 127.97, 0.62%, 0.41%

LAB 60.56, -56.16, 46.2

 

CMYK 76 / 0 / 46 / 34

HEX #28A85B

RGB 40 168 91

HSL 143.91, 0.62%, 0.41%

LAB 60.97, -51.34, 30.21

 

CMYK 76 / 0 / 26 / 34

HEX #28A87D

RGB 40 168 125

HSL 159.84, 0.62%, 0.41%

LAB 61.6, -44.3, 12.64

 

CMYK 76 / 0 / 65 / 60

HEX #186523

RGB 24 101 35

HSL 128.57, 0.62%, 0.25%

LAB 37.16, -37.7, 30.15

 

CMYK 76 / 0 / 66 / 47

HEX #20872E

RGB 32 135 46

HSL 128.16, 0.62%, 0.33%

LAB 49.29, -47.35, 38.58

 

CMYK 76 / 0 / 66 / 34

HEX #28A839

RGB 40 168 57

HSL 127.97, 0.62%, 0.41%

LAB 60.56, -56.16, 46.2

 

CMYK 76 / 0 / 66 / 21

HEX #30C945

RGB 48 201 69

HSL 128.24, 0.61%, 0.49%

LAB 71.44, -64.51, 53.1

 

CMYK 63 / 0 / 54 / 17

HEX #4FD461

RGB 79 212 97

HSL 128.12, 0.61%, 0.57%

LAB 75.83, -59.5, 45.86

 

CMYK 75 / 0 / 65 / 35

HEX #29A73A

RGB 41 167 58

HSL 128.1, 0.61%, 0.41%

LAB 60.26, -55.56, 45.44

 

CMYK 76 / 26 / 0 / 34

HEX #287DA8

RGB 40 125 168

HSL 200.16, 0.62%, 0.41%

LAB 49.43, -10.17, -30.08

 

CMYK 0 / 76 / 56 / 34

HEX #A8284A

RGB 168 40 74

HSL 344.06, 0.62%, 0.41%

LAB 38.44, 53.24, 11.81

 

CMYK 75 / 0 / 65 / 35

HEX #29A73A

RGB 41 167 58

HSL 128.1, 0.61%, 0.41%

LAB 60.26, -55.56, 45.44

 

CMYK 66 / 76 / 0 / 34

HEX #3928A8

RGB 57 40 168

HSL 247.97, 0.62%, 0.41%

LAB 27.34, 45.36, -65.53

 

CMYK 0 / 66 / 76 / 34

HEX #A83928

RGB 168 57 40

HSL 7.97, 0.62%, 0.41%

LAB 40.25, 44.63, 34.88

 

CMYK 75 / 0 / 65 / 35

HEX #29A73A

RGB 41 167 58

HSL 128.1, 0.61%, 0.41%

LAB 60.26, -55.56, 45.44

 

CMYK 76 / 26 / 0 / 34

HEX #287DA8

RGB 40 125 168

HSL 200.16, 0.62%, 0.41%

LAB 49.43, -10.17, -30.08

 

CMYK 0 / 76 / 10 / 34

HEX #A82897

RGB 168 40 151

HSL 307.97, 0.62%, 0.41%

LAB 41.34, 62.13, -31.89

 

CMYK 0 / 51 / 76 / 34

HEX #A85328

RGB 168 83 40

HSL 20.16, 0.62%, 0.41%

LAB 45.17, 31.85, 40.09

 

CMYK 75 / 0 / 65 / 35

HEX #29A73A

RGB 41 167 58

HSL 128.1, 0.61%, 0.41%

LAB 60.26, -55.56, 45.44

 

CMYK 76 / 48 / 0 / 34

HEX #2857A8

RGB 40 87 168

HSL 217.97, 0.62%, 0.41%

LAB 38.01, 13.42, -48.18

 

CMYK 0 / 76 / 10 / 34

HEX #A82897

RGB 168 40 151

HSL 307.97, 0.62%, 0.41%

LAB 41.34, 62.13, -31.89

 

CMYK 0 / 28 / 76 / 34

HEX #A87928

RGB 168 121 40

HSL 37.97, 0.62%, 0.41%

LAB 54.19, 10.7, 49.15

 

Description

Color code: HEX #29A73A | qconv.com Color code: HEX #29A73A | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 41 red, 167 green and 58 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
41 167 58 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 75 cyan, none magenta, 65 yellow and 35 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
75% 0% 65% 35% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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