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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #29B5E9 it is the complementary color #D64A16. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #29B5E9. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #29B5E9 shade: #2EB5E4, #3FC7F7, #50D9FF, #61EBFF and #72FDFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #29B5E9. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #29B5E9 shade: #29B5E9, #18A3D6, #0791C3, #007FB0 and #006D9D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #29B5E9 shade: #2AB5E8, #2A82E8, #2A4EE8, #392AE8 and #6D2AE8

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #29B5E9 shade: #2AB5E8, #2A82E8, #2A4EE8 and #2A2AE8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #29B5E9 shade matches the following richer shades: #2AB5E8 and #17BDFB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #29B5E9 shade: #2AB5E8, #3DACD5, #50A3C2, #639BAF and #76929C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #29B5E9 shade: #2AE8B6, #2AE8E8, #2AB6E8, #2A83E8 and #2A50E8

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #29B5E9 shade: #1284AE, #16A0D3, #2AB5E8, #50C2EC and #75CFF0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #29B5E9 shade: #29B5E9, #832AE8 and #E8CF2A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #29B5E9 shade: #29B5E9, #E82AB6 and #B6E82A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #29B5E9 shade: #29B5E9, #832AE8, #E85D2A and #90E82A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #29B5E9 shade: #29B5E9, #BC2AE8, #E85D2A and #57E82A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 82 / 22 / 0 / 9

HEX #29B5E9

RGB 41 181 233

HSL 196.25, 0.81%, 0.54%

LAB 69.04, -18.19, -36.08

 

Complementary color

CMYK 0 / 65 / 90 / 16

HEX #D64A16

RGB 214 74 22

HSL 16.25, 0.81%, 0.46%

LAB 50.98, 52.95, 55.92

 

CMYK 80 / 21 / 0 / 11

HEX #2EB5E4

RGB 46 181 228

HSL 195.49, 0.77%, 0.54%

LAB 68.92, -19.45, -33.54

 

CMYK 74 / 19 / 0 / 3

HEX #3FC7F7

RGB 63 199 247

HSL 195.65, 0.92%, 0.61%

LAB 75.21, -20.79, -34.05

 

CMYK 69 / 15 / 0 / 0

HEX #50D9FF

RGB 80 217 255

HSL 193.03, 1%, 0.66%

LAB 81.04, -25.24, -29.32

 

CMYK 62 / 8 / 0 / 0

HEX #61EBFF

RGB 97 235 255

HSL 187.59, 1%, 0.69%

LAB 86.59, -31.47, -20.83

 

CMYK 55 / 1 / 0 / 0

HEX #72FDFF

RGB 114 253 255

HSL 180.85, 1%, 0.72%

LAB 92.15, -36.99, -12.42

 

CMYK 82 / 22 / 0 / 9

HEX #29B5E9

RGB 41 181 233

HSL 196.25, 0.81%, 0.54%

LAB 69.04, -18.19, -36.08

 

CMYK 89 / 24 / 0 / 16

HEX #18A3D6

RGB 24 163 214

HSL 196.11, 0.8%, 0.47%

LAB 62.71, -16.33, -35.49

 

CMYK 96 / 26 / 0 / 24

HEX #0791C3

RGB 7 145 195

HSL 195.96, 0.93%, 0.4%

LAB 56.32, -14.03, -34.83

 

CMYK 100 / 28 / 0 / 31

HEX #007FB0

RGB 0 127 176

HSL 196.7, 1%, 0.35%

LAB 49.87, -11.2, -34.06

 

CMYK 100 / 31 / 0 / 38

HEX #006D9D

RGB 0 109 157

HSL 198.34, 1%, 0.31%

LAB 43.32, -7.99, -33.24

 

CMYK 82 / 22 / 0 / 9

HEX #2AB5E8

RGB 42 181 232

HSL 196.11, 0.81%, 0.54%

LAB 69.02, -18.45, -35.57

 

CMYK 82 / 44 / 0 / 9

HEX #2A82E8

RGB 42 130 232

HSL 212.21, 0.81%, 0.54%

LAB 54.33, 10.7, -58.77

 

CMYK 82 / 66 / 0 / 9

HEX #2A4EE8

RGB 42 78 232

HSL 228.63, 0.81%, 0.54%

LAB 40.84, 43.41, -80.68

 

CMYK 75 / 82 / 0 / 9

HEX #392AE8

RGB 57 42 232

HSL 244.74, 0.81%, 0.54%

LAB 34.71, 63.6, -90.81

 

CMYK 53 / 82 / 0 / 9

HEX #6D2AE8

RGB 109 42 232

HSL 261.16, 0.81%, 0.54%

LAB 39.13, 67.97, -83.35

 

CMYK 82 / 22 / 0 / 9

HEX #2AB5E8

RGB 42 181 232

HSL 196.11, 0.81%, 0.54%

LAB 69.02, -18.45, -35.57

 

CMYK 82 / 44 / 0 / 9

HEX #2A82E8

RGB 42 130 232

HSL 212.21, 0.81%, 0.54%

LAB 54.33, 10.7, -58.77

 

CMYK 82 / 66 / 0 / 9

HEX #2A4EE8

RGB 42 78 232

HSL 228.63, 0.81%, 0.54%

LAB 40.84, 43.41, -80.68

 

CMYK 82 / 82 / 0 / 9

HEX #2A2AE8

RGB 42 42 232

HSL 240, 0.81%, 0.54%

LAB 33.93, 62.85, -92.12

 

CMYK 82 / 22 / 0 / 9

HEX #2AB5E8

RGB 42 181 232

HSL 196.11, 0.81%, 0.54%

LAB 69.02, -18.45, -35.57

 

CMYK 91 / 25 / 0 / 2

HEX #17BDFB

RGB 23 189 251

HSL 196.32, 0.97%, 0.54%

LAB 71.92, -17.33, -41.37

 

CMYK 82 / 22 / 0 / 9

HEX #2AB5E8

RGB 42 181 232

HSL 196.11, 0.81%, 0.54%

LAB 69.02, -18.45, -35.57

 

CMYK 71 / 19 / 0 / 16

HEX #3DACD5

RGB 61 172 213

HSL 196.18, 0.64%, 0.54%

LAB 65.98, -17.98, -29.82

 

CMYK 59 / 16 / 0 / 24

HEX #50A3C2

RGB 80 163 194

HSL 196.32, 0.48%, 0.54%

LAB 63.17, -16.09, -23.54

 

CMYK 43 / 11 / 0 / 31

HEX #639BAF

RGB 99 155 175

HSL 195.79, 0.32%, 0.54%

LAB 60.95, -13.02, -16.19

 

CMYK 24 / 6 / 0 / 39

HEX #76929C

RGB 118 146 156

HSL 195.79, 0.16%, 0.54%

LAB 58.8, -7.47, -8.53

 

CMYK 82 / 0 / 22 / 9

HEX #2AE8B6

RGB 42 232 182

HSL 164.21, 0.81%, 0.54%

LAB 82.69, -56.23, 11.72

 

CMYK 82 / 0 / 0 / 9

HEX #2AE8E8

RGB 42 232 232

HSL 180, 0.81%, 0.54%

LAB 83.98, -43.07, -12.75

 

CMYK 82 / 22 / 0 / 9

HEX #2AB6E8

RGB 42 182 232

HSL 195.79, 0.81%, 0.54%

LAB 69.31, -18.98, -35.12

 

CMYK 82 / 44 / 0 / 9

HEX #2A83E8

RGB 42 131 232

HSL 211.89, 0.81%, 0.54%

LAB 54.61, 10.09, -58.32

 

CMYK 82 / 66 / 0 / 9

HEX #2A50E8

RGB 42 80 232

HSL 228, 0.81%, 0.54%

LAB 41.3, 42.18, -79.92

 

CMYK 90 / 24 / 0 / 32

HEX #1284AE

RGB 18 132 174

HSL 196.15, 0.81%, 0.38%

LAB 51.48, -13.98, -30.38

 

CMYK 90 / 24 / 0 / 17

HEX #16A0D3

RGB 22 160 211

HSL 196.19, 0.81%, 0.46%

LAB 61.67, -15.88, -35.46

 

CMYK 82 / 22 / 0 / 9

HEX #2AB5E8

RGB 42 181 232

HSL 196.11, 0.81%, 0.54%

LAB 69.02, -18.45, -35.57

 

CMYK 66 / 18 / 0 / 7

HEX #50C2EC

RGB 80 194 236

HSL 196.15, 0.8%, 0.62%

LAB 73.77, -19.43, -30.32

 

CMYK 51 / 14 / 0 / 6

HEX #75CFF0

RGB 117 207 240

HSL 196.1, 0.8%, 0.7%

LAB 78.87, -18.13, -24.55

 

CMYK 82 / 22 / 0 / 9

HEX #29B5E9

RGB 41 181 233

HSL 196.25, 0.81%, 0.54%

LAB 69.04, -18.19, -36.08

 

CMYK 44 / 82 / 0 / 9

HEX #832AE8

RGB 131 42 232

HSL 268.11, 0.81%, 0.54%

LAB 41.7, 70.59, -79.02

 

CMYK 0 / 11 / 82 / 9

HEX #E8CF2A

RGB 232 207 42

HSL 52.11, 0.81%, 0.54%

LAB 82.89, -7.04, 76.8

 

CMYK 82 / 22 / 0 / 9

HEX #29B5E9

RGB 41 181 233

HSL 196.25, 0.81%, 0.54%

LAB 69.04, -18.19, -36.08

 

CMYK 0 / 82 / 22 / 9

HEX #E82AB6

RGB 232 42 182

HSL 315.79, 0.81%, 0.54%

LAB 54.23, 79.79, -29.31

 

CMYK 22 / 0 / 82 / 9

HEX #B6E82A

RGB 182 232 42

HSL 75.79, 0.81%, 0.54%

LAB 85.92, -39.58, 77.95

 

CMYK 82 / 22 / 0 / 9

HEX #29B5E9

RGB 41 181 233

HSL 196.25, 0.81%, 0.54%

LAB 69.04, -18.19, -36.08

 

CMYK 44 / 82 / 0 / 9

HEX #832AE8

RGB 131 42 232

HSL 268.11, 0.81%, 0.54%

LAB 41.7, 70.59, -79.02

 

CMYK 0 / 60 / 82 / 9

HEX #E85D2A

RGB 232 93 42

HSL 16.11, 0.81%, 0.54%

LAB 57.22, 51.47, 54.33

 

CMYK 38 / 0 / 82 / 9

HEX #90E82A

RGB 144 232 42

HSL 87.79, 0.81%, 0.54%

LAB 83.87, -53.36, 75.35

 

CMYK 82 / 22 / 0 / 9

HEX #29B5E9

RGB 41 181 233

HSL 196.25, 0.81%, 0.54%

LAB 69.04, -18.19, -36.08

 

CMYK 19 / 82 / 0 / 9

HEX #BC2AE8

RGB 188 42 232

HSL 286.11, 0.81%, 0.54%

LAB 49.71, 78.99, -65.63

 

CMYK 0 / 60 / 82 / 9

HEX #E85D2A

RGB 232 93 42

HSL 16.11, 0.81%, 0.54%

LAB 57.22, 51.47, 54.33

 

CMYK 63 / 0 / 82 / 9

HEX #57E82A

RGB 87 232 42

HSL 105.79, 0.81%, 0.54%

LAB 81.79, -69.35, 72.7

 

Description

Color code: HEX #29B5E9 | qconv.com Color code: HEX #29B5E9 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 41 red, 181 green and 233 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
41 181 233 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 82 cyan, 22 magenta, none yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
82% 22% 0% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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