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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #29BEC6 it is the complementary color #D64139. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #29BEC6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #29BEC6 shade: #2EBEC1, #3FD0D4, #50E2E7, #61F4FA and #72FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #29BEC6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #29BEC6 shade: #29BEC6, #18ACB3, #079AA0, #00888D and #00767A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #29BEC6 shade: #28BEC6, #2894C6, #2869C6, #283EC6 and #3D28C6

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #29BEC6 shade: #28BEC6, #2894C6, #2869C6, #283EC6 and #2828C6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #29BEC6 shade matches the following richer shades: #28BEC6, #15D0DA and #01E1ED

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #29BEC6 shade: #28BEC6, #3CADB3, #4F9CA0, #628A8C and #767979

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #29BEC6 shade: #28C67A, #28C6A4, #28BFC6, #2894C6 and #286AC6

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #29BEC6 shade: #1A7D82, #219EA4, #28BEC6, #40D0D8 and #63D8DF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #29BEC6 shade: #29BEC6, #5028C6 and #C68F28

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #29BEC6 shade: #29BEC6, #C628BF and #BFC628

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #29BEC6 shade: #29BEC6, #5028C6, #C63028 and #9FC628

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #29BEC6 shade: #29BEC6, #7F28C6, #C63028 and #6FC628

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 79 / 4 / 0 / 22

HEX #29BEC6

RGB 41 190 198

HSL 183.06, 0.66%, 0.47%

LAB 70.44, -33.97, -14.81

 

Complementary color

CMYK 0 / 70 / 73 / 16

HEX #D64139

RGB 214 65 57

HSL 3.06, 0.66%, 0.53%

LAB 49.94, 57.55, 38.37

 

CMYK 76 / 2 / 0 / 24

HEX #2EBEC1

RGB 46 190 193

HSL 181.22, 0.62%, 0.47%

LAB 70.36, -34.98, -12.18

 

CMYK 70 / 2 / 0 / 17

HEX #3FD0D4

RGB 63 208 212

HSL 181.61, 0.63%, 0.54%

LAB 76.63, -35.88, -13.06

 

CMYK 65 / 2 / 0 / 9

HEX #50E2E7

RGB 80 226 231

HSL 181.99, 0.76%, 0.61%

LAB 82.84, -36.56, -13.86

 

CMYK 61 / 2 / 0 / 2

HEX #61F4FA

RGB 97 244 250

HSL 182.35, 0.94%, 0.68%

LAB 88.99, -37.07, -14.6

 

CMYK 55 / 0 / 0 / 0

HEX #72FFFF

RGB 114 255 255

HSL 180, 1%, 0.72%

LAB 92.71, -37.9, -11.58

 

CMYK 79 / 4 / 0 / 22

HEX #29BEC6

RGB 41 190 198

HSL 183.06, 0.66%, 0.47%

LAB 70.44, -33.97, -14.81

 

CMYK 87 / 4 / 0 / 30

HEX #18ACB3

RGB 24 172 179

HSL 182.71, 0.76%, 0.4%

LAB 64.12, -32.59, -13.84

 

CMYK 96 / 4 / 0 / 37

HEX #079AA0

RGB 7 154 160

HSL 182.35, 0.92%, 0.33%

LAB 57.75, -30.8, -12.75

 

CMYK 100 / 4 / 0 / 45

HEX #00888D

RGB 0 136 141

HSL 182.13, 1%, 0.28%

LAB 51.3, -28.5, -11.52

 

CMYK 100 / 3 / 0 / 52

HEX #00767A

RGB 0 118 122

HSL 181.97, 1%, 0.24%

LAB 44.75, -25.87, -10.19

 

CMYK 80 / 4 / 0 / 22

HEX #28BEC6

RGB 40 190 198

HSL 183.04, 0.66%, 0.47%

LAB 70.42, -34.06, -14.83

 

CMYK 80 / 25 / 0 / 22

HEX #2894C6

RGB 40 148 198

HSL 198.99, 0.66%, 0.47%

LAB 57.76, -12.53, -34.25

 

CMYK 80 / 47 / 0 / 22

HEX #2869C6

RGB 40 105 198

HSL 215.32, 0.66%, 0.47%

LAB 45.13, 13.29, -54.28

 

CMYK 80 / 69 / 0 / 22

HEX #283EC6

RGB 40 62 198

HSL 231.65, 0.66%, 0.47%

LAB 33.93, 41.02, -72.51

 

CMYK 69 / 80 / 0 / 22

HEX #3D28C6

RGB 61 40 198

HSL 247.97, 0.66%, 0.47%

LAB 30.85, 54.87, -77.56

 

CMYK 80 / 4 / 0 / 22

HEX #28BEC6

RGB 40 190 198

HSL 183.04, 0.66%, 0.47%

LAB 70.42, -34.06, -14.83

 

CMYK 80 / 25 / 0 / 22

HEX #2894C6

RGB 40 148 198

HSL 198.99, 0.66%, 0.47%

LAB 57.76, -12.53, -34.25

 

CMYK 80 / 47 / 0 / 22

HEX #2869C6

RGB 40 105 198

HSL 215.32, 0.66%, 0.47%

LAB 45.13, 13.29, -54.28

 

CMYK 80 / 69 / 0 / 22

HEX #283EC6

RGB 40 62 198

HSL 231.65, 0.66%, 0.47%

LAB 33.93, 41.02, -72.51

 

CMYK 80 / 80 / 0 / 22

HEX #2828C6

RGB 40 40 198

HSL 240, 0.66%, 0.47%

LAB 29.53, 53.38, -79.78

 

CMYK 80 / 4 / 0 / 22

HEX #28BEC6

RGB 40 190 198

HSL 183.04, 0.66%, 0.47%

LAB 70.42, -34.06, -14.83

 

CMYK 90 / 5 / 0 / 15

HEX #15D0DA

RGB 21 208 218

HSL 183.05, 0.82%, 0.47%

LAB 76.27, -37.58, -16.89

 

CMYK 100 / 5 / 0 / 7

HEX #01E1ED

RGB 1 225 237

HSL 183.05, 0.99%, 0.47%

LAB 81.82, -40.14, -18.67

 

CMYK 80 / 4 / 0 / 22

HEX #28BEC6

RGB 40 190 198

HSL 183.04, 0.66%, 0.47%

LAB 70.42, -34.06, -14.83

 

CMYK 66 / 3 / 0 / 30

HEX #3CADB3

RGB 60 173 179

HSL 183.03, 0.5%, 0.47%

LAB 65.04, -29.21, -12.39

 

CMYK 51 / 2 / 0 / 37

HEX #4F9CA0

RGB 79 156 160

HSL 182.96, 0.34%, 0.47%

LAB 59.87, -22.56, -9.42

 

CMYK 30 / 1 / 0 / 45

HEX #628A8C

RGB 98 138 140

HSL 182.86, 0.18%, 0.47%

LAB 54.73, -13.23, -5.53

 

CMYK 2 / 0 / 0 / 53

HEX #767979

RGB 118 121 121

HSL 180, 0.01%, 0.47%

LAB 50.58, -1.13, -0.4

 

CMYK 80 / 0 / 38 / 22

HEX #28C67A

RGB 40 198 122

HSL 151.14, 0.66%, 0.47%

LAB 71.04, -56.6, 27.16

 

CMYK 80 / 0 / 17 / 22

HEX #28C6A4

RGB 40 198 164

HSL 167.09, 0.66%, 0.47%

LAB 71.91, -47.13, 5.91

 

CMYK 80 / 4 / 0 / 22

HEX #28BFC6

RGB 40 191 198

HSL 182.66, 0.66%, 0.47%

LAB 70.73, -34.53, -14.37

 

CMYK 80 / 25 / 0 / 22

HEX #2894C6

RGB 40 148 198

HSL 198.99, 0.66%, 0.47%

LAB 57.76, -12.53, -34.25

 

CMYK 80 / 46 / 0 / 22

HEX #286AC6

RGB 40 106 198

HSL 214.94, 0.66%, 0.47%

LAB 45.41, 12.65, -53.82

 

CMYK 80 / 4 / 0 / 49

HEX #1A7D82

RGB 26 125 130

HSL 182.88, 0.67%, 0.31%

LAB 47.62, -24.88, -10.58

 

CMYK 80 / 4 / 0 / 36

HEX #219EA4

RGB 33 158 164

HSL 182.75, 0.66%, 0.39%

LAB 59.4, -29.81, -12.52

 

CMYK 80 / 4 / 0 / 22

HEX #28BEC6

RGB 40 190 198

HSL 183.04, 0.66%, 0.47%

LAB 70.42, -34.06, -14.83

 

CMYK 70 / 4 / 0 / 15

HEX #40D0D8

RGB 64 208 216

HSL 183.16, 0.66%, 0.55%

LAB 76.78, -34.6, -15

 

CMYK 56 / 3 / 0 / 13

HEX #63D8DF

RGB 99 216 223

HSL 183.39, 0.66%, 0.63%

LAB 80.23, -30.89, -13.47

 

CMYK 79 / 4 / 0 / 22

HEX #29BEC6

RGB 41 190 198

HSL 183.06, 0.66%, 0.47%

LAB 70.44, -33.97, -14.81

 

CMYK 60 / 80 / 0 / 22

HEX #5028C6

RGB 80 40 198

HSL 255.19, 0.66%, 0.47%

LAB 32.48, 56.71, -74.8

 

CMYK 0 / 28 / 80 / 22

HEX #C68F28

RGB 198 143 40

HSL 39.11, 0.66%, 0.47%

LAB 63.18, 11.87, 58.83

 

CMYK 79 / 4 / 0 / 22

HEX #29BEC6

RGB 41 190 198

HSL 183.06, 0.66%, 0.47%

LAB 70.44, -33.97, -14.81

 

CMYK 0 / 80 / 4 / 22

HEX #C628BF

RGB 198 40 191

HSL 302.66, 0.66%, 0.47%

LAB 48.62, 74.5, -43.77

 

CMYK 4 / 0 / 80 / 22

HEX #BFC628

RGB 191 198 40

HSL 62.66, 0.66%, 0.47%

LAB 77.05, -20.06, 70.95

 

CMYK 79 / 4 / 0 / 22

HEX #29BEC6

RGB 41 190 198

HSL 183.06, 0.66%, 0.47%

LAB 70.44, -33.97, -14.81

 

CMYK 60 / 80 / 0 / 22

HEX #5028C6

RGB 80 40 198

HSL 255.19, 0.66%, 0.47%

LAB 32.48, 56.71, -74.8

 

CMYK 0 / 76 / 80 / 22

HEX #C63028

RGB 198 48 40

HSL 3.04, 0.66%, 0.47%

LAB 44.62, 57.9, 41.18

 

CMYK 20 / 0 / 80 / 22

HEX #9FC628

RGB 159 198 40

HSL 74.81, 0.66%, 0.47%

LAB 74.77, -33.29, 68.05

 

CMYK 79 / 4 / 0 / 22

HEX #29BEC6

RGB 41 190 198

HSL 183.06, 0.66%, 0.47%

LAB 70.44, -33.97, -14.81

 

CMYK 36 / 80 / 0 / 22

HEX #7F28C6

RGB 127 40 198

HSL 273.04, 0.66%, 0.47%

LAB 38.03, 63.02, -65.48

 

CMYK 0 / 76 / 80 / 22

HEX #C63028

RGB 198 48 40

HSL 3.04, 0.66%, 0.47%

LAB 44.62, 57.9, 41.18

 

CMYK 44 / 0 / 80 / 22

HEX #6FC628

RGB 111 198 40

HSL 93.04, 0.66%, 0.47%

LAB 72.18, -50.85, 64.73

 

Description

Color code: HEX #29BEC6 | qconv.com Color code: HEX #29BEC6 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 41 red, 190 green and 198 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
41 190 198 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 79 cyan, 4 magenta, none yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
79% 4% 0% 22% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

31% - Home
Link: http://www.kukac.com.br

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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