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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #29C4A0 it is the complementary color #D63B5F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #29C4A0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #29C4A0 shade: #2EC49B, #3FD6AE, #50E8C1, #61FAD4 and #72FFE7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #29C4A0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #29C4A0 shade: #29C4A0, #18B28D, #07A07A, #008E67 and #007C54

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #29C4A0 shade: #29C19E, #29C174, #29C14B, #2FC129 and #58C129

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #29C4A0 shade: #29C19E, #29BBC1, #2992C1, #2969C1 and #2940C1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #29C4A0 shade matches the following richer shades: #29C19E, #16D4A8 and #03E7B2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #29C4A0 shade: #29C19E, #3CAE93, #4F9B89, #61887F and #747575

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #29C4A0 shade: #29C14C, #29C175, #29C19D, #29BCC1 and #2993C1

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #29C4A0 shade: #1A7D66, #219F82, #29C19E, #3DD6B2 and #5FDDC0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #29C4A0 shade: #29C4A0, #292EC1 and #C16029

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #29C4A0 shade: #29C4A0, #9D29C1 and #C19D29

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #29C4A0 shade: #29C4A0, #292EC1, #C1294C and #C1BC29

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #29C4A0 shade: #29C4A0, #5129C1, #C1294C and #98C129

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 79 / 0 / 18 / 23

HEX #29C4A0

RGB 41 196 160

HSL 166.06, 0.65%, 0.46%

LAB 71.21, -47.21, 7.07

 

Complementary color

CMYK 0 / 72 / 56 / 16

HEX #D63B5F

RGB 214 59 95

HSL 346.06, 0.65%, 0.54%

LAB 49.8, 61.89, 15.74

 

CMYK 77 / 0 / 21 / 23

HEX #2EC49B

RGB 46 196 155

HSL 163.6, 0.62%, 0.47%

LAB 71.16, -47.91, 9.73

 

CMYK 71 / 0 / 19 / 16

HEX #3FD6AE

RGB 63 214 174

HSL 164.11, 0.65%, 0.54%

LAB 77.4, -48.59, 8.46

 

CMYK 66 / 0 / 17 / 9

HEX #50E8C1

RGB 80 232 193

HSL 164.61, 0.77%, 0.61%

LAB 83.58, -49.04, 7.31

 

CMYK 61 / 0 / 15 / 2

HEX #61FAD4

RGB 97 250 212

HSL 165.1, 0.94%, 0.68%

LAB 89.7, -49.32, 6.25

 

CMYK 55 / 0 / 9 / 0

HEX #72FFE7

RGB 114 255 231

HSL 169.79, 1%, 0.72%

LAB 92.07, -43.88, -0.11

 

CMYK 79 / 0 / 18 / 23

HEX #29C4A0

RGB 41 196 160

HSL 166.06, 0.65%, 0.46%

LAB 71.21, -47.21, 7.07

 

CMYK 87 / 0 / 21 / 30

HEX #18B28D

RGB 24 178 141

HSL 165.58, 0.76%, 0.4%

LAB 64.93, -46.06, 8.47

 

CMYK 96 / 0 / 24 / 37

HEX #07A07A

RGB 7 160 122

HSL 165.1, 0.92%, 0.33%

LAB 58.59, -44.47, 10.03

 

CMYK 100 / 0 / 27 / 44

HEX #008E67

RGB 0 142 103

HSL 163.52, 1%, 0.28%

LAB 52.2, -42.3, 11.8

 

CMYK 100 / 0 / 32 / 51

HEX #007C54

RGB 0 124 84

HSL 160.65, 1%, 0.24%

LAB 45.71, -39.73, 13.73

 

CMYK 79 / 0 / 18 / 24

HEX #29C19E

RGB 41 193 158

HSL 166.18, 0.65%, 0.46%

LAB 70.23, -46.47, 6.76

 

CMYK 79 / 0 / 40 / 24

HEX #29C174

RGB 41 193 116

HSL 149.61, 0.65%, 0.46%

LAB 69.38, -55.82, 28.09

 

CMYK 79 / 0 / 61 / 24

HEX #29C14B

RGB 41 193 75

HSL 133.42, 0.65%, 0.46%

LAB 68.84, -62.19, 47.57

 

CMYK 76 / 0 / 79 / 24

HEX #2FC129

RGB 47 193 41

HSL 117.63, 0.65%, 0.46%

LAB 68.68, -64.46, 60.46

 

CMYK 54 / 0 / 79 / 24

HEX #58C129

RGB 88 193 41

HSL 101.45, 0.65%, 0.46%

LAB 69.74, -55.75, 61.83

 

CMYK 79 / 0 / 18 / 24

HEX #29C19E

RGB 41 193 158

HSL 166.18, 0.65%, 0.46%

LAB 70.23, -46.47, 6.76

 

CMYK 79 / 3 / 0 / 24

HEX #29BBC1

RGB 41 187 193

HSL 182.37, 0.65%, 0.46%

LAB 69.37, -34.06, -13.67

 

CMYK 79 / 24 / 0 / 24

HEX #2992C1

RGB 41 146 193

HSL 198.55, 0.65%, 0.46%

LAB 56.96, -13.07, -32.67

 

CMYK 79 / 46 / 0 / 24

HEX #2969C1

RGB 41 105 193

HSL 214.74, 0.65%, 0.46%

LAB 44.84, 11.48, -51.86

 

CMYK 79 / 67 / 0 / 24

HEX #2940C1

RGB 41 64 193

HSL 230.92, 0.65%, 0.46%

LAB 33.96, 38.07, -69.53

 

CMYK 79 / 0 / 18 / 24

HEX #29C19E

RGB 41 193 158

HSL 166.18, 0.65%, 0.46%

LAB 70.23, -46.47, 6.76

 

CMYK 90 / 0 / 21 / 17

HEX #16D4A8

RGB 22 212 168

HSL 166.11, 0.81%, 0.46%

LAB 76.12, -53.11, 9.76

 

CMYK 99 / 0 / 23 / 9

HEX #03E7B2

RGB 3 231 178

HSL 166.05, 0.97%, 0.46%

LAB 82.05, -58.69, 12.87

 

CMYK 79 / 0 / 18 / 24

HEX #29C19E

RGB 41 193 158

HSL 166.18, 0.65%, 0.46%

LAB 70.23, -46.47, 6.76

 

CMYK 66 / 0 / 16 / 32

HEX #3CAE93

RGB 60 174 147

HSL 165.79, 0.49%, 0.46%

LAB 64.43, -38.47, 4.52

 

CMYK 49 / 0 / 12 / 39

HEX #4F9B89

RGB 79 155 137

HSL 165.79, 0.32%, 0.46%

LAB 58.89, -28.11, 2.19

 

CMYK 29 / 0 / 7 / 47

HEX #61887F

RGB 97 136 127

HSL 166.15, 0.17%, 0.46%

LAB 53.69, -15.58, 0.46

 

CMYK 1 / 0 / 0 / 54

HEX #747575

RGB 116 117 117

HSL 180, 0%, 0.46%

LAB 49.15, -0.38, -0.14

 

CMYK 79 / 0 / 61 / 24

HEX #29C14C

RGB 41 193 76

HSL 133.82, 0.65%, 0.46%

LAB 68.85, -62.07, 47.13

 

CMYK 79 / 0 / 39 / 24

HEX #29C175

RGB 41 193 117

HSL 150, 0.65%, 0.46%

LAB 69.4, -55.63, 27.59

 

CMYK 79 / 0 / 19 / 24

HEX #29C19D

RGB 41 193 157

HSL 165.79, 0.65%, 0.46%

LAB 70.21, -46.72, 7.27

 

CMYK 79 / 3 / 0 / 24

HEX #29BCC1

RGB 41 188 193

HSL 181.97, 0.65%, 0.46%

LAB 69.67, -34.53, -13.22

 

CMYK 79 / 24 / 0 / 24

HEX #2993C1

RGB 41 147 193

HSL 198.16, 0.65%, 0.46%

LAB 57.26, -13.63, -32.2

 

CMYK 79 / 0 / 18 / 51

HEX #1A7D66

RGB 26 125 102

HSL 166.06, 0.66%, 0.3%

LAB 46.77, -33.29, 4.72

 

CMYK 79 / 0 / 18 / 38

HEX #219F82

RGB 33 159 130

HSL 166.19, 0.66%, 0.38%

LAB 58.72, -40.08, 5.75

 

CMYK 79 / 0 / 18 / 24

HEX #29C19E

RGB 41 193 158

HSL 166.18, 0.65%, 0.46%

LAB 70.23, -46.47, 6.76

 

CMYK 71 / 0 / 17 / 16

HEX #3DD6B2

RGB 61 214 178

HSL 165.88, 0.65%, 0.54%

LAB 77.46, -47.88, 6.4

 

CMYK 57 / 0 / 13 / 13

HEX #5FDDC0

RGB 95 221 192

HSL 166.19, 0.65%, 0.62%

LAB 80.71, -41.89, 3.75

 

CMYK 79 / 0 / 18 / 23

HEX #29C4A0

RGB 41 196 160

HSL 166.06, 0.65%, 0.46%

LAB 71.21, -47.21, 7.07

 

CMYK 79 / 76 / 0 / 24

HEX #292EC1

RGB 41 46 193

HSL 238.03, 0.65%, 0.46%

LAB 30.1, 48.73, -75.9

 

CMYK 0 / 50 / 79 / 24

HEX #C16029

RGB 193 96 41

HSL 21.71, 0.65%, 0.46%

LAB 51.68, 35.22, 47.39

 

CMYK 79 / 0 / 18 / 23

HEX #29C4A0

RGB 41 196 160

HSL 166.06, 0.65%, 0.46%

LAB 71.21, -47.21, 7.07

 

CMYK 19 / 79 / 0 / 24

HEX #9D29C1

RGB 157 41 193

HSL 285.79, 0.65%, 0.46%

LAB 42.16, 66.75, -55.65

 

CMYK 0 / 19 / 79 / 24

HEX #C19D29

RGB 193 157 41

HSL 45.79, 0.65%, 0.46%

LAB 66.22, 2.09, 61.05

 

CMYK 79 / 0 / 18 / 23

HEX #29C4A0

RGB 41 196 160

HSL 166.06, 0.65%, 0.46%

LAB 71.21, -47.21, 7.07

 

CMYK 79 / 76 / 0 / 24

HEX #292EC1

RGB 41 46 193

HSL 238.03, 0.65%, 0.46%

LAB 30.1, 48.73, -75.9

 

CMYK 0 / 79 / 61 / 24

HEX #C1294C

RGB 193 41 76

HSL 346.18, 0.65%, 0.46%

LAB 43.43, 60.27, 18.13

 

CMYK 0 / 3 / 79 / 24

HEX #C1BC29

RGB 193 188 41

HSL 58.03, 0.65%, 0.46%

LAB 74.49, -14.16, 68.47

 

CMYK 79 / 0 / 18 / 23

HEX #29C4A0

RGB 41 196 160

HSL 166.06, 0.65%, 0.46%

LAB 71.21, -47.21, 7.07

 

CMYK 58 / 79 / 0 / 24

HEX #5129C1

RGB 81 41 193

HSL 255.79, 0.65%, 0.46%

LAB 32.23, 55, -72.29

 

CMYK 0 / 79 / 61 / 24

HEX #C1294C

RGB 193 41 76

HSL 346.18, 0.65%, 0.46%

LAB 43.43, 60.27, 18.13

 

CMYK 21 / 0 / 79 / 24

HEX #98C129

RGB 152 193 41

HSL 76.18, 0.65%, 0.46%

LAB 72.88, -33.74, 65.89

 

Description

Color code: HEX #29C4A0 | qconv.com Color code: HEX #29C4A0 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 41 red, 196 green and 160 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
41 196 160 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 79 cyan, none magenta, 18 yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
79% 0% 18% 23% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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