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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #29C0DF it is the complementary color #D63F20. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #29C0DF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #29C0DF shade: #2EC0DA, #3FD2ED, #50E4FF, #61F6FF and #72FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #29C0DF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #29C0DF shade: #29C0DF, #18AECC, #079CB9, #008AA6 and #007893

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #29C0DF shade: #2AC0DF, #2A8FDF, #2A5EDF, #2A2DDF and #572ADF

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #29C0DF shade: #2AC0DF, #2A8FDF, #2A5EDF, #2A2DDF and #2A2ADF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #29C0DF shade matches the following richer shades: #2AC0DF and #16CDF2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #29C0DF shade: #2AC0DF, #3DB3CB, #51A6B7, #6599A3 and #798C8F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #29C0DF shade: #2ADF9C, #2ADFCD, #2AC0DF, #2A90DF and #2A60DF

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #29C0DF shade: #17879E, #1DA6C2, #2AC0DF, #4DCAE4 and #71D5E9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #29C0DF shade: #29C0DF, #6C2ADF and #DFB42A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #29C0DF shade: #29C0DF, #DF2AC0 and #C0DF2A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #29C0DF shade: #29C0DF, #6C2ADF, #DF482A and #9CDF2A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #29C0DF shade: #29C0DF, #A22ADF, #DF482A and #66DF2A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 82 / 14 / 0 / 13

HEX #29C0DF

RGB 41 192 223

HSL 190.22, 0.74%, 0.52%

LAB 71.89, -27.13, -26.23

 

Complementary color

CMYK 0 / 71 / 85 / 16

HEX #D63F20

RGB 214 63 32

HSL 10.22, 0.74%, 0.48%

LAB 49.44, 57.48, 50.71

 

CMYK 79 / 12 / 0 / 15

HEX #2EC0DA

RGB 46 192 218

HSL 189.07, 0.7%, 0.52%

LAB 71.79, -28.28, -23.67

 

CMYK 73 / 11 / 0 / 7

HEX #3FD2ED

RGB 63 210 237

HSL 189.31, 0.83%, 0.59%

LAB 78.03, -29.42, -24.37

 

CMYK 69 / 11 / 0 / 0

HEX #50E4FF

RGB 80 228 255

HSL 189.26, 1%, 0.66%

LAB 84.18, -30.61, -24.53

 

CMYK 62 / 4 / 0 / 0

HEX #61F6FF

RGB 97 246 255

HSL 183.42, 1%, 0.69%

LAB 89.71, -36.63, -16.13

 

CMYK 55 / 0 / 0 / 0

HEX #72FFFF

RGB 114 255 255

HSL 180, 1%, 0.72%

LAB 92.71, -37.9, -11.58

 

CMYK 82 / 14 / 0 / 13

HEX #29C0DF

RGB 41 192 223

HSL 190.22, 0.74%, 0.52%

LAB 71.89, -27.13, -26.23

 

CMYK 88 / 15 / 0 / 20

HEX #18AECC

RGB 24 174 204

HSL 190, 0.79%, 0.45%

LAB 65.61, -25.5, -25.46

 

CMYK 96 / 16 / 0 / 27

HEX #079CB9

RGB 7 156 185

HSL 189.78, 0.93%, 0.38%

LAB 59.27, -23.47, -24.6

 

CMYK 100 / 17 / 0 / 35

HEX #008AA6

RGB 0 138 166

HSL 190.12, 1%, 0.33%

LAB 52.87, -20.95, -23.62

 

CMYK 100 / 18 / 0 / 42

HEX #007893

RGB 0 120 147

HSL 191.02, 1%, 0.29%

LAB 46.36, -18.1, -22.58

 

CMYK 81 / 14 / 0 / 13

HEX #2AC0DF

RGB 42 192 223

HSL 190.28, 0.74%, 0.52%

LAB 71.91, -27.04, -26.21

 

CMYK 81 / 36 / 0 / 13

HEX #2A8FDF

RGB 42 143 223

HSL 206.52, 0.74%, 0.52%

LAB 57.53, -0.47, -48.64

 

CMYK 81 / 58 / 0 / 13

HEX #2A5EDF

RGB 42 94 223

HSL 222.76, 0.74%, 0.52%

LAB 43.98, 30.06, -70.44

 

CMYK 81 / 80 / 0 / 13

HEX #2A2DDF

RGB 42 45 223

HSL 239.01, 0.74%, 0.52%

LAB 33.34, 58.79, -87.95

 

CMYK 61 / 81 / 0 / 13

HEX #572ADF

RGB 87 42 223

HSL 254.92, 0.74%, 0.52%

LAB 36, 63.39, -83.44

 

CMYK 81 / 14 / 0 / 13

HEX #2AC0DF

RGB 42 192 223

HSL 190.28, 0.74%, 0.52%

LAB 71.91, -27.04, -26.21

 

CMYK 81 / 36 / 0 / 13

HEX #2A8FDF

RGB 42 143 223

HSL 206.52, 0.74%, 0.52%

LAB 57.53, -0.47, -48.64

 

CMYK 81 / 58 / 0 / 13

HEX #2A5EDF

RGB 42 94 223

HSL 222.76, 0.74%, 0.52%

LAB 43.98, 30.06, -70.44

 

CMYK 81 / 80 / 0 / 13

HEX #2A2DDF

RGB 42 45 223

HSL 239.01, 0.74%, 0.52%

LAB 33.34, 58.79, -87.95

 

CMYK 81 / 81 / 0 / 13

HEX #2A2ADF

RGB 42 42 223

HSL 240, 0.74%, 0.52%

LAB 32.87, 60.18, -88.74

 

CMYK 81 / 14 / 0 / 13

HEX #2AC0DF

RGB 42 192 223

HSL 190.28, 0.74%, 0.52%

LAB 71.91, -27.04, -26.21

 

CMYK 91 / 15 / 0 / 5

HEX #16CDF2

RGB 22 205 242

HSL 190.09, 0.89%, 0.52%

LAB 76.22, -28.54, -29.87

 

CMYK 81 / 14 / 0 / 13

HEX #2AC0DF

RGB 42 192 223

HSL 190.28, 0.74%, 0.52%

LAB 71.91, -27.04, -26.21

 

CMYK 70 / 12 / 0 / 20

HEX #3DB3CB

RGB 61 179 203

HSL 190.14, 0.58%, 0.52%

LAB 67.68, -24.78, -21.69

 

CMYK 56 / 9 / 0 / 28

HEX #51A6B7

RGB 81 166 183

HSL 190, 0.41%, 0.52%

LAB 63.71, -20.75, -16.58

 

CMYK 38 / 6 / 0 / 36

HEX #6599A3

RGB 101 153 163

HSL 189.68, 0.25%, 0.52%

LAB 60.06, -14.62, -10.72

 

CMYK 15 / 2 / 0 / 44

HEX #798C8F

RGB 121 140 143

HSL 188.18, 0.09%, 0.52%

LAB 56.88, -6.14, -3.9

 

CMYK 81 / 0 / 30 / 13

HEX #2ADF9C

RGB 42 223 156

HSL 157.79, 0.74%, 0.52%

LAB 79.42, -58.68, 20.76

 

CMYK 81 / 0 / 8 / 13

HEX #2ADFCD

RGB 42 223 205

HSL 174.03, 0.74%, 0.52%

LAB 80.56, -46.69, -3.52

 

CMYK 81 / 14 / 0 / 13

HEX #2AC0DF

RGB 42 192 223

HSL 190.28, 0.74%, 0.52%

LAB 71.91, -27.04, -26.21

 

CMYK 81 / 35 / 0 / 13

HEX #2A90DF

RGB 42 144 223

HSL 206.19, 0.74%, 0.52%

LAB 57.81, -1.06, -48.18

 

CMYK 81 / 57 / 0 / 13

HEX #2A60DF

RGB 42 96 223

HSL 222.1, 0.74%, 0.52%

LAB 44.5, 28.77, -69.59

 

CMYK 85 / 15 / 0 / 38

HEX #17879E

RGB 23 135 158

HSL 190.22, 0.75%, 0.35%

LAB 51.81, -20.97, -20.61

 

CMYK 85 / 14 / 0 / 24

HEX #1DA6C2

RGB 29 166 194

HSL 190.18, 0.74%, 0.44%

LAB 62.87, -24.44, -24.12

 

CMYK 81 / 14 / 0 / 13

HEX #2AC0DF

RGB 42 192 223

HSL 190.28, 0.74%, 0.52%

LAB 71.91, -27.04, -26.21

 

CMYK 66 / 11 / 0 / 11

HEX #4DCAE4

RGB 77 202 228

HSL 190.33, 0.74%, 0.6%

LAB 75.71, -26.37, -23.04

 

CMYK 52 / 9 / 0 / 9

HEX #71D5E9

RGB 113 213 233

HSL 190, 0.73%, 0.68%

LAB 80.17, -23.93, -18.85

 

CMYK 82 / 14 / 0 / 13

HEX #29C0DF

RGB 41 192 223

HSL 190.22, 0.74%, 0.52%

LAB 71.89, -27.13, -26.23

 

CMYK 52 / 81 / 0 / 13

HEX #6C2ADF

RGB 108 42 223

HSL 261.88, 0.74%, 0.52%

LAB 38.15, 65.63, -79.83

 

CMYK 0 / 19 / 81 / 13

HEX #DFB42A

RGB 223 180 42

HSL 45.75, 0.74%, 0.52%

LAB 75.14, 3.03, 69.8

 

CMYK 82 / 14 / 0 / 13

HEX #29C0DF

RGB 41 192 223

HSL 190.22, 0.74%, 0.52%

LAB 71.89, -27.13, -26.23

 

CMYK 0 / 81 / 14 / 13

HEX #DF2AC0

RGB 223 42 192

HSL 310.28, 0.74%, 0.52%

LAB 53.11, 79.19, -36.97

 

CMYK 14 / 0 / 81 / 13

HEX #C0DF2A

RGB 192 223 42

HSL 70.28, 0.74%, 0.52%

LAB 84.04, -31.55, 76.56

 

CMYK 82 / 14 / 0 / 13

HEX #29C0DF

RGB 41 192 223

HSL 190.22, 0.74%, 0.52%

LAB 71.89, -27.13, -26.23

 

CMYK 52 / 81 / 0 / 13

HEX #6C2ADF

RGB 108 42 223

HSL 261.88, 0.74%, 0.52%

LAB 38.15, 65.63, -79.83

 

CMYK 0 / 68 / 81 / 13

HEX #DF482A

RGB 223 72 42

HSL 9.94, 0.74%, 0.52%

LAB 52.39, 57.24, 49.29

 

CMYK 30 / 0 / 81 / 13

HEX #9CDF2A

RGB 156 223 42

HSL 82.21, 0.74%, 0.52%

LAB 81.84, -45.44, 73.78

 

CMYK 82 / 14 / 0 / 13

HEX #29C0DF

RGB 41 192 223

HSL 190.22, 0.74%, 0.52%

LAB 71.89, -27.13, -26.23

 

CMYK 27 / 81 / 0 / 13

HEX #A22ADF

RGB 162 42 223

HSL 279.78, 0.74%, 0.52%

LAB 45.17, 73.12, -68.05

 

CMYK 0 / 68 / 81 / 13

HEX #DF482A

RGB 223 72 42

HSL 9.94, 0.74%, 0.52%

LAB 52.39, 57.24, 49.29

 

CMYK 54 / 0 / 81 / 13

HEX #66DF2A

RGB 102 223 42

HSL 100.11, 0.74%, 0.52%

LAB 79.48, -62.69, 70.77

 

Description

Color code: HEX #29C0DF | qconv.com Color code: HEX #29C0DF | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 41 red, 192 green and 223 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
41 192 223 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 82 cyan, 14 magenta, none yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
82% 14% 0% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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