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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #29CDA1 it is the complementary color #D6325E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #29CDA1. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #29CDA1 shade: #2ECD9C, #3FDFAF, #50F1C2, #61FFD5 and #72FFE8

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #29CDA1. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #29CDA1 shade: #29CDA1, #18BB8E, #07A97B, #009768 and #008555

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #29CDA1 shade: #28CCA0, #28CC74, #28CC47, #35CC28 and #61CC28

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #29CDA1 shade: #28CCA0, #28CCCC, #289FCC, #2873CC and #2847CC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #29CDA1 shade matches the following richer shades: #28CCA0, #14E0A9 and #00F4B2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #29CDA1 shade: #28CCA0, #3CB897, #50A48E, #639084 and #777D7B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #29CDA1 shade: #28CC46, #28CC72, #28CC9D, #28CCC9 and #28A3CC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #29CDA1 shade: #1A876A, #21A985, #28CCA0, #44DAB1 and #66E0C0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #29CDA1 shade: #29CDA1, #2836CC and #CC5C28

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #29CDA1 shade: #29CDA1, #9D28CC and #CC9D28

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #29CDA1 shade: #29CDA1, #2836CC, #CC2856 and #CCBE28

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #29CDA1 shade: #29CDA1, #4B28CC, #CC2856 and #A8CC28

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 80 / 0 / 21 / 20

HEX #29CDA1

RGB 41 205 161

HSL 163.9, 0.67%, 0.48%

LAB 74, -50.64, 10.52

 

Complementary color

CMYK 0 / 77 / 56 / 16

HEX #D6325E

RGB 214 50 94

HSL 343.9, 0.67%, 0.52%

LAB 48.74, 64.71, 14.9

 

CMYK 78 / 0 / 24 / 20

HEX #2ECD9C

RGB 46 205 156

HSL 161.51, 0.63%, 0.49%

LAB 73.96, -51.32, 13.16

 

CMYK 72 / 0 / 22 / 13

HEX #3FDFAF

RGB 63 223 175

HSL 162, 0.71%, 0.56%

LAB 80.14, -52.04, 11.83

 

CMYK 67 / 0 / 20 / 5

HEX #50F1C2

RGB 80 241 194

HSL 162.48, 0.85%, 0.63%

LAB 86.26, -52.53, 10.62

 

CMYK 62 / 0 / 16 / 0

HEX #61FFD5

RGB 97 255 213

HSL 164.05, 1%, 0.69%

LAB 91.17, -51.19, 7.84

 

CMYK 55 / 0 / 9 / 0

HEX #72FFE8

RGB 114 255 232

HSL 170.21, 1%, 0.72%

LAB 92.1, -43.64, -0.59

 

CMYK 80 / 0 / 21 / 20

HEX #29CDA1

RGB 41 205 161

HSL 163.9, 0.67%, 0.48%

LAB 74, -50.64, 10.52

 

CMYK 87 / 0 / 24 / 27

HEX #18BB8E

RGB 24 187 142

HSL 163.44, 0.77%, 0.41%

LAB 67.79, -49.45, 11.98

 

CMYK 96 / 0 / 27 / 34

HEX #07A97B

RGB 7 169 123

HSL 162.96, 0.92%, 0.35%

LAB 61.53, -47.83, 13.59

 

CMYK 100 / 0 / 31 / 41

HEX #009768

RGB 0 151 104

HSL 161.32, 1%, 0.3%

LAB 55.21, -45.64, 15.4

 

CMYK 100 / 0 / 36 / 48

HEX #008555

RGB 0 133 85

HSL 158.35, 1%, 0.26%

LAB 48.8, -43.05, 17.37

 

CMYK 80 / 0 / 22 / 20

HEX #28CCA0

RGB 40 204 160

HSL 163.9, 0.67%, 0.48%

LAB 73.66, -50.58, 10.57

 

CMYK 80 / 0 / 43 / 20

HEX #28CC74

RGB 40 204 116

HSL 147.8, 0.67%, 0.48%

LAB 72.82, -59.88, 32.6

 

CMYK 80 / 0 / 65 / 20

HEX #28CC47

RGB 40 204 71

HSL 131.34, 0.67%, 0.48%

LAB 72.29, -66.27, 53.17

 

CMYK 74 / 0 / 80 / 20

HEX #35CC28

RGB 53 204 40

HSL 115.24, 0.67%, 0.48%

LAB 72.29, -67, 64.2

 

CMYK 52 / 0 / 80 / 20

HEX #61CC28

RGB 97 204 40

HSL 99.15, 0.67%, 0.48%

LAB 73.47, -57.34, 65.72

 

CMYK 80 / 0 / 22 / 20

HEX #28CCA0

RGB 40 204 160

HSL 163.9, 0.67%, 0.48%

LAB 73.66, -50.58, 10.57

 

CMYK 80 / 0 / 0 / 20

HEX #28CCCC

RGB 40 204 204

HSL 180, 0.67%, 0.48%

LAB 74.82, -38.76, -11.49

 

CMYK 80 / 22 / 0 / 20

HEX #289FCC

RGB 40 159 204

HSL 196.46, 0.67%, 0.48%

LAB 61.31, -16.46, -32.08

 

CMYK 80 / 44 / 0 / 20

HEX #2873CC

RGB 40 115 204

HSL 212.56, 0.67%, 0.48%

LAB 48.35, 9.25, -52.54

 

CMYK 80 / 65 / 0 / 20

HEX #2847CC

RGB 40 71 204

HSL 228.66, 0.67%, 0.48%

LAB 36.59, 37.56, -71.63

 

CMYK 80 / 0 / 22 / 20

HEX #28CCA0

RGB 40 204 160

HSL 163.9, 0.67%, 0.48%

LAB 73.66, -50.58, 10.57

 

CMYK 91 / 0 / 25 / 12

HEX #14E0A9

RGB 20 224 169

HSL 163.82, 0.84%, 0.48%

LAB 79.8, -57.62, 14.44

 

CMYK 100 / 0 / 27 / 4

HEX #00F4B2

RGB 0 244 178

HSL 163.77, 1%, 0.48%

LAB 85.96, -63.6, 18.38

 

CMYK 80 / 0 / 22 / 20

HEX #28CCA0

RGB 40 204 160

HSL 163.9, 0.67%, 0.48%

LAB 73.66, -50.58, 10.57

 

CMYK 67 / 0 / 18 / 28

HEX #3CB897

RGB 60 184 151

HSL 164.03, 0.51%, 0.48%

LAB 67.63, -41.89, 6.91

 

CMYK 51 / 0 / 13 / 36

HEX #50A48E

RGB 80 164 142

HSL 164.29, 0.34%, 0.48%

LAB 61.83, -31, 3.64

 

CMYK 31 / 0 / 8 / 44

HEX #639084

RGB 99 144 132

HSL 164, 0.19%, 0.48%

LAB 56.35, -18.06, 1.47

 

CMYK 5 / 0 / 2 / 51

HEX #777D7B

RGB 119 125 123

HSL 160, 0.02%, 0.48%

LAB 51.86, -2.64, 0.31

HEX #777D7B

CMYK 80 / 0 / 66 / 20

HEX #28CC46

RGB 40 204 70

HSL 130.98, 0.67%, 0.48%

LAB 72.28, -66.38, 53.58

 

CMYK 80 / 0 / 44 / 20

HEX #28CC72

RGB 40 204 114

HSL 147.07, 0.67%, 0.48%

LAB 72.79, -60.23, 33.58

 

CMYK 80 / 0 / 23 / 20

HEX #28CC9D

RGB 40 204 157

HSL 162.8, 0.67%, 0.48%

LAB 73.59, -51.3, 12.09

 

CMYK 80 / 0 / 1 / 20

HEX #28CCC9

RGB 40 204 201

HSL 178.9, 0.67%, 0.48%

LAB 74.73, -39.63, -10.01

 

CMYK 80 / 20 / 0 / 20

HEX #28A3CC

RGB 40 163 204

HSL 195, 0.67%, 0.48%

LAB 62.51, -18.6, -30.23

 

CMYK 81 / 0 / 21 / 47

HEX #1A876A

RGB 26 135 106

HSL 164.04, 0.68%, 0.32%

LAB 50.2, -36.69, 7.28

 

CMYK 80 / 0 / 21 / 34

HEX #21A985

RGB 33 169 133

HSL 164.12, 0.67%, 0.4%

LAB 61.99, -43.57, 8.74

 

CMYK 80 / 0 / 22 / 20

HEX #28CCA0

RGB 40 204 160

HSL 163.9, 0.67%, 0.48%

LAB 73.66, -50.58, 10.57

 

CMYK 69 / 0 / 19 / 15

HEX #44DAB1

RGB 68 218 177

HSL 163.6, 0.67%, 0.56%

LAB 78.78, -48.82, 8.85

 

CMYK 54 / 0 / 14 / 12

HEX #66E0C0

RGB 102 224 192

HSL 164.26, 0.66%, 0.64%

LAB 81.81, -41.8, 5.36

 

CMYK 80 / 0 / 21 / 20

HEX #29CDA1

RGB 41 205 161

HSL 163.9, 0.67%, 0.48%

LAB 74, -50.64, 10.52

 

CMYK 80 / 74 / 0 / 20

HEX #2836CC

RGB 40 54 204

HSL 234.88, 0.67%, 0.48%

LAB 32.81, 47.85, -77.86

 

CMYK 0 / 55 / 80 / 20

HEX #CC5C28

RGB 204 92 40

HSL 19.02, 0.67%, 0.48%

LAB 52.56, 41.53, 49.27

 

CMYK 80 / 0 / 21 / 20

HEX #29CDA1

RGB 41 205 161

HSL 163.9, 0.67%, 0.48%

LAB 74, -50.64, 10.52

 

CMYK 23 / 80 / 0 / 20

HEX #9D28CC

RGB 157 40 204

HSL 282.8, 0.67%, 0.48%

LAB 42.83, 69.16, -60.97

 

CMYK 0 / 23 / 80 / 20

HEX #CC9D28

RGB 204 157 40

HSL 42.8, 0.67%, 0.48%

LAB 67.36, 6.91, 62.84

 

CMYK 80 / 0 / 21 / 20

HEX #29CDA1

RGB 41 205 161

HSL 163.9, 0.67%, 0.48%

LAB 74, -50.64, 10.52

 

CMYK 80 / 74 / 0 / 20

HEX #2836CC

RGB 40 54 204

HSL 234.88, 0.67%, 0.48%

LAB 32.81, 47.85, -77.86

 

CMYK 0 / 80 / 58 / 20

HEX #CC2856

RGB 204 40 86

HSL 343.17, 0.67%, 0.48%

LAB 45.67, 64.24, 15.31

 

CMYK 0 / 7 / 80 / 20

HEX #CCBE28

RGB 204 190 40

HSL 54.88, 0.67%, 0.48%

LAB 75.96, -10.46, 70.4

 

CMYK 80 / 0 / 21 / 20

HEX #29CDA1

RGB 41 205 161

HSL 163.9, 0.67%, 0.48%

LAB 74, -50.64, 10.52

 

CMYK 63 / 80 / 0 / 20

HEX #4B28CC

RGB 75 40 204

HSL 252.8, 0.67%, 0.48%

LAB 32.64, 57.87, -78.06

 

CMYK 0 / 80 / 58 / 20

HEX #CC2856

RGB 204 40 86

HSL 343.17, 0.67%, 0.48%

LAB 45.67, 64.24, 15.31

 

CMYK 18 / 0 / 80 / 20

HEX #A8CC28

RGB 168 204 40

HSL 73.17, 0.67%, 0.48%

LAB 77.08, -32.46, 70.34

 

Description

Color code: HEX #29CDA1 | qconv.com Color code: HEX #29CDA1 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 41 red, 205 green and 161 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
41 205 161 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 80 cyan, none magenta, 21 yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
80% 0% 21% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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