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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #29D0D0 it is the complementary color #D62F2F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #29D0D0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #29D0D0 shade: #2ED0CB, #3FE2DE, #50F4F1, #61FFFF and #72FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #29D0D0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #29D0D0 shade: #29D0D0, #18BEBD, #07ACAA, #009A97 and #008884

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #29D0D0 shade: #29D0D0, #29D0A3, #29D076, #29D049 and #36D029

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #29D0D0 shade: #29D0D0, #29A3D0, #2976D0, #2949D0 and #2929D0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #29D0D0 shade matches the following richer shades: #29D0D0, #15E4E4 and #00F9F9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #29D0D0 shade: #29D0D0, #3DBCBC, #51A8A8, #659494 and #7A7F7F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #29D0D0 shade: #29D077, #29D0A4, #29D0D0, #29A4D0 and #2977D0

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #29D0D0 shade: #1B8B8B, #22AEAE, #29D0D0, #48DADA and #6AE1E1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #29D0D0 shade: #29D0D0, #4A29D0 and #D08D29

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #29D0D0 shade: #29D0D0, #D029D0 and #D0D029

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #29D0D0 shade: #29D0D0, #4A29D0, #D02929 and #AFD029

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #29D0D0 shade: #29D0D0, #7C29D0, #D02929 and #7CD029

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 80 / 0 / 0 / 18

HEX #29D0D0

RGB 41 208 208

HSL 180, 0.67%, 0.49%

LAB 76.15, -39.32, -11.66

 

Complementary color

CMYK 0 / 78 / 78 / 16

HEX #D62F2F

RGB 214 47 47

HSL 0, 0.67%, 0.51%

LAB 47.67, 63.18, 41.46

 

CMYK 78 / 0 / 2 / 18

HEX #2ED0CB

RGB 46 208 203

HSL 178.15, 0.64%, 0.5%

LAB 76.07, -40.33, -9.08

 

CMYK 72 / 0 / 2 / 11

HEX #3FE2DE

RGB 63 226 222

HSL 178.53, 0.74%, 0.57%

LAB 82.23, -41.27, -10.04

 

CMYK 67 / 0 / 1 / 4

HEX #50F4F1

RGB 80 244 241

HSL 178.9, 0.88%, 0.64%

LAB 88.33, -41.99, -10.92

 

CMYK 62 / 0 / 0 / 0

HEX #61FFFF

RGB 97 255 255

HSL 180, 1%, 0.69%

LAB 92.26, -40.73, -12.32

 

CMYK 55 / 0 / 0 / 0

HEX #72FFFF

RGB 114 255 255

HSL 180, 1%, 0.72%

LAB 92.71, -37.9, -11.58

 

CMYK 80 / 0 / 0 / 18

HEX #29D0D0

RGB 41 208 208

HSL 180, 0.67%, 0.49%

LAB 76.15, -39.32, -11.66

 

CMYK 87 / 0 / 1 / 25

HEX #18BEBD

RGB 24 190 189

HSL 179.64, 0.78%, 0.42%

LAB 69.96, -37.93, -10.61

 

CMYK 96 / 0 / 1 / 33

HEX #07ACAA

RGB 7 172 170

HSL 179.27, 0.92%, 0.35%

LAB 63.72, -36.16, -9.44

 

CMYK 100 / 0 / 2 / 40

HEX #009A97

RGB 0 154 151

HSL 178.83, 1%, 0.3%

LAB 57.41, -33.93, -8.13

 

CMYK 100 / 0 / 3 / 47

HEX #008884

RGB 0 136 132

HSL 178.24, 1%, 0.27%

LAB 51.01, -31.41, -6.72

 

CMYK 80 / 0 / 0 / 18

HEX #29D0D0

RGB 41 208 208

HSL 180, 0.67%, 0.49%

LAB 76.15, -39.32, -11.66

 

CMYK 80 / 0 / 22 / 18

HEX #29D0A3

RGB 41 208 163

HSL 163.83, 0.67%, 0.49%

LAB 74.97, -51.37, 10.82

 

CMYK 80 / 0 / 43 / 18

HEX #29D076

RGB 41 208 118

HSL 147.66, 0.67%, 0.49%

LAB 74.12, -60.82, 33.27

 

CMYK 80 / 0 / 65 / 18

HEX #29D049

RGB 41 208 73

HSL 131.5, 0.67%, 0.49%

LAB 73.59, -67.2, 53.77

 

CMYK 74 / 0 / 80 / 18

HEX #36D029

RGB 54 208 41

HSL 115.33, 0.67%, 0.49%

LAB 73.58, -68.02, 65.14

 

CMYK 80 / 0 / 0 / 18

HEX #29D0D0

RGB 41 208 208

HSL 180, 0.67%, 0.49%

LAB 76.15, -39.32, -11.66

 

CMYK 80 / 22 / 0 / 18

HEX #29A3D0

RGB 41 163 208

HSL 196.17, 0.67%, 0.49%

LAB 62.69, -17.15, -32.17

 

CMYK 80 / 43 / 0 / 18

HEX #2976D0

RGB 41 118 208

HSL 212.34, 0.67%, 0.49%

LAB 49.47, 8.99, -53.02

 

CMYK 80 / 65 / 0 / 18

HEX #2949D0

RGB 41 73 208

HSL 228.5, 0.67%, 0.49%

LAB 37.46, 37.83, -72.51

 

CMYK 80 / 80 / 0 / 18

HEX #2929D0

RGB 41 41 208

HSL 240, 0.67%, 0.49%

LAB 30.91, 56.05, -83.33

 

CMYK 80 / 0 / 0 / 18

HEX #29D0D0

RGB 41 208 208

HSL 180, 0.67%, 0.49%

LAB 76.15, -39.32, -11.66

 

CMYK 91 / 0 / 0 / 11

HEX #15E4E4

RGB 21 228 228

HSL 180, 0.83%, 0.49%

LAB 82.51, -43.61, -12.85

 

CMYK 100 / 0 / 0 / 2

HEX #00F9F9

RGB 0 249 249

HSL 180, 1%, 0.49%

LAB 89.2, -47.22, -13.89

 

CMYK 80 / 0 / 0 / 18

HEX #29D0D0

RGB 41 208 208

HSL 180, 0.67%, 0.49%

LAB 76.15, -39.32, -11.66

 

CMYK 68 / 0 / 0 / 26

HEX #3DBCBC

RGB 61 188 188

HSL 180, 0.51%, 0.49%

LAB 69.89, -33.66, -10.11

 

CMYK 52 / 0 / 0 / 34

HEX #51A8A8

RGB 81 168 168

HSL 180, 0.35%, 0.49%

LAB 63.82, -26, -8.02

 

CMYK 32 / 0 / 0 / 42

HEX #659494

RGB 101 148 148

HSL 180, 0.19%, 0.49%

LAB 58.12, -15.76, -5.09

 

CMYK 4 / 0 / 0 / 50

HEX #7A7F7F

RGB 122 127 127

HSL 180, 0.02%, 0.49%

LAB 52.78, -1.86, -0.65

 

CMYK 80 / 0 / 43 / 18

HEX #29D077

RGB 41 208 119

HSL 148.02, 0.67%, 0.49%

LAB 74.14, -60.64, 32.78

 

CMYK 80 / 0 / 21 / 18

HEX #29D0A4

RGB 41 208 164

HSL 164.19, 0.67%, 0.49%

LAB 74.99, -51.12, 10.32

 

CMYK 80 / 0 / 0 / 18

HEX #29D0D0

RGB 41 208 208

HSL 180, 0.67%, 0.49%

LAB 76.15, -39.32, -11.66

 

CMYK 80 / 21 / 0 / 18

HEX #29A4D0

RGB 41 164 208

HSL 195.81, 0.67%, 0.49%

LAB 62.99, -17.68, -31.71

 

CMYK 80 / 43 / 0 / 18

HEX #2977D0

RGB 41 119 208

HSL 211.98, 0.67%, 0.49%

LAB 49.76, 8.37, -52.56

 

CMYK 81 / 0 / 0 / 45

HEX #1B8B8B

RGB 27 139 139

HSL 180, 0.67%, 0.33%

LAB 52.47, -28.91, -8.59

 

CMYK 80 / 0 / 0 / 32

HEX #22AEAE

RGB 34 174 174

HSL 180, 0.67%, 0.41%

LAB 64.7, -34.3, -10.18

 

CMYK 80 / 0 / 0 / 18

HEX #29D0D0

RGB 41 208 208

HSL 180, 0.67%, 0.49%

LAB 76.15, -39.32, -11.66

 

CMYK 67 / 0 / 0 / 15

HEX #48DADA

RGB 72 218 218

HSL 180, 0.66%, 0.57%

LAB 79.94, -37.62, -11.3

 

CMYK 53 / 0 / 0 / 12

HEX #6AE1E1

RGB 106 225 225

HSL 180, 0.66%, 0.65%

LAB 83.1, -33.29, -10.22

 

CMYK 80 / 0 / 0 / 18

HEX #29D0D0

RGB 41 208 208

HSL 180, 0.67%, 0.49%

LAB 76.15, -39.32, -11.66

 

CMYK 64 / 80 / 0 / 18

HEX #4A29D0

RGB 74 41 208

HSL 251.86, 0.67%, 0.49%

LAB 33.13, 58.46, -79.59

 

CMYK 0 / 32 / 80 / 18

HEX #D08D29

RGB 208 141 41

HSL 35.93, 0.67%, 0.49%

LAB 63.85, 17.37, 59.51

 

CMYK 80 / 0 / 0 / 18

HEX #29D0D0

RGB 41 208 208

HSL 180, 0.67%, 0.49%

LAB 76.15, -39.32, -11.66

 

CMYK 0 / 80 / 0 / 18

HEX #D029D0

RGB 208 41 208

HSL 300, 0.67%, 0.49%

LAB 51.32, 78.77, -49.19

 

CMYK 0 / 0 / 80 / 18

HEX #D0D029

RGB 208 208 41

HSL 60, 0.67%, 0.49%

LAB 81.12, -17.77, 74.74

 

CMYK 80 / 0 / 0 / 18

HEX #29D0D0

RGB 41 208 208

HSL 180, 0.67%, 0.49%

LAB 76.15, -39.32, -11.66

 

CMYK 64 / 80 / 0 / 18

HEX #4A29D0

RGB 74 41 208

HSL 251.86, 0.67%, 0.49%

LAB 33.13, 58.46, -79.59

 

CMYK 0 / 80 / 80 / 18

HEX #D02929

RGB 208 41 41

HSL 0, 0.67%, 0.49%

LAB 45.85, 62.93, 42.5

 

CMYK 16 / 0 / 80 / 18

HEX #AFD029

RGB 175 208 41

HSL 71.86, 0.67%, 0.49%

LAB 78.69, -31.46, 71.67

 

CMYK 80 / 0 / 0 / 18

HEX #29D0D0

RGB 41 208 208

HSL 180, 0.67%, 0.49%

LAB 76.15, -39.32, -11.66

 

CMYK 40 / 80 / 0 / 18

HEX #7C29D0

RGB 124 41 208

HSL 269.82, 0.67%, 0.49%

LAB 38.59, 64.48, -70.39

 

CMYK 0 / 80 / 80 / 18

HEX #D02929

RGB 208 41 41

HSL 0, 0.67%, 0.49%

LAB 45.85, 62.93, 42.5

 

CMYK 40 / 0 / 80 / 18

HEX #7CD029

RGB 124 208 41

HSL 90.18, 0.67%, 0.49%

LAB 75.8, -50.51, 67.99

 

Description

Color code: HEX #29D0D0 | qconv.com Color code: HEX #29D0D0 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 41 red, 208 green and 208 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
41 208 208 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 80 cyan, none magenta, none yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
80% 0% 0% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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