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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #29DE06 it is the complementary color #D621F9. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #29DE06. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #29DE06 shade: #2EDE01, #3FF014, #50FF27, #61FF3A and #72FF4D

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #29DE06. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #29DE06 shade: #29DE06, #18CC00, #07BA00, #00A800 and #009600

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #29DE06 shade: #29DF05, #63DF05, #9EDF05, #D9DF05 and #DFAB05

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #29DE06 shade: #29DF05, #05DF1D, #05DF58, #05DF92 and #05DFCD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #29DE06 shade matches the following richer shades: #29DF05

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #29DE06 shade: #29DF05, #35CD18, #42BA2A, #4EA83D and #5B9550

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #29DE06 shade: #9EDF05, #64DF05, #2ADF05, #05DF1B and #05DF55

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #29DE06 shade: #1A8F03, #21B704, #29DF05, #3AF915 and #5CFA3D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #29DE06 shade: #29DE06, #05D8DF and #DF0581

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #29DE06 shade: #29DE06, #052ADF and #DF052A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #29DE06 shade: #29DE06, #05D8DF, #BB05DF and #DF0D05

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #29DE06 shade: #29DE06, #0597DF, #BB05DF and #DF4E05

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 82 / 0 / 97 / 13

HEX #29DE06

RGB 41 222 6

HSL 110.28, 0.95%, 0.45%

LAB 77.71, -74.98, 74.7

 

Complementary color

CMYK 14 / 87 / 0 / 2

HEX #D621F9

RGB 214 33 249

HSL 290.28, 0.95%, 0.55%

LAB 54.26, 87.92, -67.6

 

CMYK 79 / 0 / 100 / 13

HEX #2EDE01

RGB 46 222 1

HSL 107.78, 0.99%, 0.44%

LAB 77.77, -74.48, 75.24

 

CMYK 74 / 0 / 92 / 6

HEX #3FF014

RGB 63 240 20

HSL 108.27, 0.88%, 0.51%

LAB 83.67, -76.99, 78.28

 

CMYK 69 / 0 / 85 / 0

HEX #50FF27

RGB 80 255 39

HSL 108.61, 1%, 0.58%

LAB 88.62, -78.05, 79.43

 

CMYK 62 / 0 / 77 / 0

HEX #61FF3A

RGB 97 255 58

HSL 108.12, 1%, 0.61%

LAB 89.1, -73.82, 75.28

 

CMYK 55 / 0 / 70 / 0

HEX #72FF4D

RGB 114 255 77

HSL 107.53, 1%, 0.65%

LAB 89.69, -68.65, 69.88

 

CMYK 82 / 0 / 97 / 13

HEX #29DE06

RGB 41 222 6

HSL 110.28, 0.95%, 0.45%

LAB 77.71, -74.98, 74.7

 

CMYK 88 / 0 / 100 / 20

HEX #18CC00

RGB 24 204 0

HSL 112.94, 1%, 0.4%

LAB 71.81, -71.65, 70.47

 

CMYK 96 / 0 / 100 / 27

HEX #07BA00

RGB 7 186 0

HSL 117.74, 1%, 0.36%

LAB 65.88, -67.67, 65.67

 

CMYK 100 / 0 / 100 / 34

HEX #00A800

RGB 0 168 0

HSL 120, 1%, 0.33%

LAB 59.89, -63.05, 60.85

 

CMYK 100 / 0 / 100 / 41

HEX #009600

RGB 0 150 0

HSL 120, 1%, 0.29%

LAB 53.83, -58.01, 55.99

 

CMYK 82 / 0 / 98 / 13

HEX #29DF05

RGB 41 223 5

HSL 110.09, 0.96%, 0.45%

LAB 78.03, -75.27, 75.05

 

CMYK 56 / 0 / 98 / 13

HEX #63DF05

RGB 99 223 5

HSL 94.13, 0.96%, 0.45%

LAB 79.29, -64.51, 76.6

 

CMYK 29 / 0 / 98 / 13

HEX #9EDF05

RGB 158 223 5

HSL 77.89, 0.96%, 0.45%

LAB 81.87, -45.55, 79.72

 

CMYK 3 / 0 / 98 / 13

HEX #D9DF05

RGB 217 223 5

HSL 61.65, 0.96%, 0.45%

LAB 85.77, -21.95, 84.41

 

CMYK 0 / 23 / 98 / 13

HEX #DFAB05

RGB 223 171 5

HSL 45.69, 0.96%, 0.45%

LAB 72.78, 7.1, 75.21

 

CMYK 82 / 0 / 98 / 13

HEX #29DF05

RGB 41 223 5

HSL 110.09, 0.96%, 0.45%

LAB 78.03, -75.27, 75.05

 

CMYK 98 / 0 / 87 / 13

HEX #05DF1D

RGB 5 223 29

HSL 126.61, 0.96%, 0.45%

LAB 77.81, -77.02, 71.61

 

CMYK 98 / 0 / 61 / 13

HEX #05DF58

RGB 5 223 88

HSL 142.84, 0.96%, 0.45%

LAB 78.18, -72.4, 52.46

 

CMYK 98 / 0 / 35 / 13

HEX #05DF92

RGB 5 223 146

HSL 158.81, 0.96%, 0.45%

LAB 78.97, -62.85, 25.3

 

CMYK 98 / 0 / 8 / 13

HEX #05DFCD

RGB 5 223 205

HSL 175.05, 0.96%, 0.45%

LAB 80.3, -48.47, -3.93

 

CMYK 82 / 0 / 98 / 13

HEX #29DF05

RGB 41 223 5

HSL 110.09, 0.96%, 0.45%

LAB 78.03, -75.27, 75.05

 

CMYK 82 / 0 / 98 / 13

HEX #29DF05

RGB 41 223 5

HSL 110.09, 0.96%, 0.45%

LAB 78.03, -75.27, 75.05

 

CMYK 74 / 0 / 88 / 20

HEX #35CD18

RGB 53 205 24

HSL 110.39, 0.79%, 0.45%

LAB 72.55, -68.03, 68.17

 

CMYK 65 / 0 / 77 / 27

HEX #42BA2A

RGB 66 186 42

HSL 110, 0.63%, 0.45%

LAB 66.86, -58.64, 58.54

 

CMYK 54 / 0 / 64 / 34

HEX #4EA83D

RGB 78 168 61

HSL 110.47, 0.47%, 0.45%

LAB 61.62, -47.51, 45.91

 

CMYK 39 / 0 / 46 / 42

HEX #5B9550

RGB 91 149 80

HSL 110.43, 0.3%, 0.45%

LAB 56.39, -33.03, 30.51

 

CMYK 29 / 0 / 98 / 13

HEX #9EDF05

RGB 158 223 5

HSL 77.89, 0.96%, 0.45%

LAB 81.87, -45.55, 79.72

 

CMYK 55 / 0 / 98 / 13

HEX #64DF05

RGB 100 223 5

HSL 93.85, 0.96%, 0.45%

LAB 79.33, -64.25, 76.64

 

CMYK 81 / 0 / 98 / 13

HEX #2ADF05

RGB 42 223 5

HSL 109.82, 0.96%, 0.45%

LAB 78.04, -75.16, 75.06

 

CMYK 98 / 0 / 88 / 13

HEX #05DF1B

RGB 5 223 27

HSL 126.06, 0.96%, 0.45%

LAB 77.81, -77.1, 71.98

 

CMYK 98 / 0 / 62 / 13

HEX #05DF55

RGB 5 223 85

HSL 142.02, 0.96%, 0.45%

LAB 78.15, -72.76, 53.72

 

CMYK 82 / 0 / 98 / 44

HEX #1A8F03

RGB 26 143 3

HSL 110.14, 0.96%, 0.29%

LAB 51.69, -53.66, 53.85

 

CMYK 82 / 0 / 98 / 28

HEX #21B704

RGB 33 183 4

HSL 110.28, 0.96%, 0.37%

LAB 65.12, -64.76, 64.66

 

CMYK 82 / 0 / 98 / 13

HEX #29DF05

RGB 41 223 5

HSL 110.09, 0.96%, 0.45%

LAB 78.03, -75.27, 75.05

 

CMYK 77 / 0 / 92 / 2

HEX #3AF915

RGB 58 249 21

HSL 110.26, 0.95%, 0.53%

LAB 86.36, -80.25, 80.36

 

CMYK 63 / 0 / 76 / 2

HEX #5CFA3D

RGB 92 250 61

HSL 110.16, 0.95%, 0.61%

LAB 87.48, -73.08, 72.79

 

CMYK 82 / 0 / 97 / 13

HEX #29DE06

RGB 41 222 6

HSL 110.28, 0.95%, 0.45%

LAB 77.71, -74.98, 74.7

 

CMYK 98 / 3 / 0 / 13

HEX #05D8DF

RGB 5 216 223

HSL 181.93, 0.96%, 0.45%

LAB 78.74, -40.2, -15.87

 

CMYK 0 / 98 / 42 / 13

HEX #DF0581

RGB 223 5 129

HSL 325.87, 0.96%, 0.45%

LAB 48.74, 77.45, -6.29

 

CMYK 82 / 0 / 97 / 13

HEX #29DE06

RGB 41 222 6

HSL 110.28, 0.95%, 0.45%

LAB 77.71, -74.98, 74.7

 

CMYK 98 / 81 / 0 / 13

HEX #052ADF

RGB 5 42 223

HSL 229.82, 0.96%, 0.45%

LAB 31.84, 59.15, -90.47

 

CMYK 0 / 98 / 81 / 13

HEX #DF052A

RGB 223 5 42

HSL 349.82, 0.96%, 0.45%

LAB 46.93, 72.58, 44.05

 

CMYK 82 / 0 / 97 / 13

HEX #29DE06

RGB 41 222 6

HSL 110.28, 0.95%, 0.45%

LAB 77.71, -74.98, 74.7

 

CMYK 98 / 3 / 0 / 13

HEX #05D8DF

RGB 5 216 223

HSL 181.93, 0.96%, 0.45%

LAB 78.74, -40.2, -15.87

 

CMYK 16 / 98 / 0 / 13

HEX #BB05DF

RGB 187 5 223

HSL 290.09, 0.96%, 0.45%

LAB 46.98, 83.03, -64.95

 

CMYK 0 / 94 / 98 / 13

HEX #DF0D05

RGB 223 13 5

HSL 2.2, 0.96%, 0.45%

LAB 46.96, 71.33, 59.39

 

CMYK 82 / 0 / 97 / 13

HEX #29DE06

RGB 41 222 6

HSL 110.28, 0.95%, 0.45%

LAB 77.71, -74.98, 74.7

 

CMYK 98 / 32 / 0 / 13

HEX #0597DF

RGB 5 151 223

HSL 199.82, 0.96%, 0.45%

LAB 59.43, -7.14, -45.66

 

CMYK 16 / 98 / 0 / 13

HEX #BB05DF

RGB 187 5 223

HSL 290.09, 0.96%, 0.45%

LAB 46.98, 83.03, -64.95

 

CMYK 0 / 65 / 98 / 13

HEX #DF4E05

RGB 223 78 5

HSL 20.09, 0.96%, 0.45%

LAB 53.11, 54.18, 62.49

 

Description

Color code: HEX #29DE06 | qconv.com Color code: HEX #29DE06 | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 41 red, 222 green and 6 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
41 222 6 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 82 cyan, none magenta, 97 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
82% 0% 97% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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