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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #29DFAF it is the complementary color #D62050. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #29DFAF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #29DFAF shade: #2EDFAA, #3FF1BD, #50FFD0, #61FFE3 and #72FFF6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #29DFAF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #29DFAF shade: #29DFAF, #18CD9C, #07BB89, #00A976 and #009763

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #29DFAF shade: #2ADFAF, #2ADF7E, #2ADF4D, #37DF2A and #68DF2A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #29DFAF shade: #2ADFAF, #2ADEDF, #2AADDF, #2A7CDF and #2A4BDF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #29DFAF shade matches the following richer shades: #2ADFAF and #16F2B8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #29DFAF shade: #2ADFAF, #3DCBA6, #51B79C, #65A393 and #798F89

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #29DFAF shade: #2ADF4E, #2ADF7E, #2ADFAE, #2ADFDF and #2AAEDF

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #29DFAF shade: #179E7B, #1DC297, #2ADFAF, #4DE4BC and #71E9CA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #29DFAF shade: #29DFAF, #2A36DF and #DF662A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #29DFAF shade: #29DFAF, #AE2ADF and #DFAE2A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #29DFAF shade: #29DFAF, #2A36DF, #DF2A5A and #DFD32A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #29DFAF shade: #29DFAF, #542ADF, #DF2A5A and #B4DF2A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 82 / 0 / 22 / 13

HEX #29DFAF

RGB 41 223 175

HSL 164.18, 0.74%, 0.52%

LAB 79.81, -54.45, 11.31

 

Complementary color

CMYK 0 / 85 / 63 / 16

HEX #D62050

RGB 214 32 80

HSL 344.18, 0.74%, 0.48%

LAB 46.85, 68.36, 20.94

 

CMYK 79 / 0 / 24 / 13

HEX #2EDFAA

RGB 46 223 170

HSL 162.03, 0.73%, 0.53%

LAB 79.76, -55.17, 13.89

 

CMYK 74 / 0 / 22 / 5

HEX #3FF1BD

RGB 63 241 189

HSL 162.47, 0.86%, 0.6%

LAB 85.83, -56, 12.56

 

CMYK 69 / 0 / 18 / 0

HEX #50FFD0

RGB 80 255 208

HSL 163.89, 1%, 0.66%

LAB 90.68, -54.98, 9.66

 

CMYK 62 / 0 / 11 / 0

HEX #61FFE3

RGB 97 255 227

HSL 169.37, 1%, 0.69%

LAB 91.51, -47.87, 1.09

 

CMYK 55 / 0 / 4 / 0

HEX #72FFF6

RGB 114 255 246

HSL 176.17, 1%, 0.72%

LAB 92.46, -40.2, -7.29

 

CMYK 82 / 0 / 22 / 13

HEX #29DFAF

RGB 41 223 175

HSL 164.18, 0.74%, 0.52%

LAB 79.81, -54.45, 11.31

 

CMYK 88 / 0 / 24 / 20

HEX #18CD9C

RGB 24 205 156

HSL 163.76, 0.79%, 0.45%

LAB 73.71, -53.17, 12.77

 

CMYK 96 / 0 / 27 / 27

HEX #07BB89

RGB 7 187 137

HSL 163.33, 0.93%, 0.38%

LAB 67.57, -51.49, 14.37

 

CMYK 100 / 0 / 30 / 34

HEX #00A976

RGB 0 169 118

HSL 161.89, 1%, 0.33%

LAB 61.38, -49.32, 16.15

 

CMYK 100 / 0 / 34 / 41

HEX #009763

RGB 0 151 99

HSL 159.34, 1%, 0.3%

LAB 55.11, -46.79, 18.06

 

CMYK 81 / 0 / 22 / 13

HEX #2ADFAF

RGB 42 223 175

HSL 164.09, 0.74%, 0.52%

LAB 79.82, -54.36, 11.33

 

CMYK 81 / 0 / 43 / 13

HEX #2ADF7E

RGB 42 223 126

HSL 147.85, 0.74%, 0.52%

LAB 78.91, -64.52, 35.45

 

CMYK 81 / 0 / 65 / 13

HEX #2ADF4D

RGB 42 223 77

HSL 131.6, 0.74%, 0.52%

LAB 78.35, -71.3, 57.36

 

CMYK 75 / 0 / 81 / 13

HEX #37DF2A

RGB 55 223 42

HSL 115.69, 0.74%, 0.52%

LAB 78.32, -72.35, 69.27

 

CMYK 53 / 0 / 81 / 13

HEX #68DF2A

RGB 104 223 42

HSL 99.45, 0.74%, 0.52%

LAB 79.55, -62.16, 70.85

 

CMYK 81 / 0 / 22 / 13

HEX #2ADFAF

RGB 42 223 175

HSL 164.09, 0.74%, 0.52%

LAB 79.82, -54.36, 11.33

 

CMYK 81 / 0 / 0 / 13

HEX #2ADEDF

RGB 42 222 223

HSL 180.33, 0.74%, 0.52%

LAB 80.77, -41.2, -12.78

 

CMYK 81 / 22 / 0 / 13

HEX #2AADDF

RGB 42 173 223

HSL 196.57, 0.74%, 0.52%

LAB 66.3, -17.27, -34.87

 

CMYK 81 / 44 / 0 / 13

HEX #2A7CDF

RGB 42 124 223

HSL 212.82, 0.74%, 0.52%

LAB 52.1, 11.02, -57.3

 

CMYK 81 / 66 / 0 / 13

HEX #2A4BDF

RGB 42 75 223

HSL 229.06, 0.74%, 0.52%

LAB 39.33, 42.06, -78.05

 

CMYK 81 / 0 / 22 / 13

HEX #2ADFAF

RGB 42 223 175

HSL 164.09, 0.74%, 0.52%

LAB 79.82, -54.36, 11.33

 

CMYK 91 / 0 / 24 / 5

HEX #16F2B8

RGB 22 242 184

HSL 164.18, 0.89%, 0.52%

LAB 85.57, -60.84, 14.73

 

CMYK 81 / 0 / 22 / 13

HEX #2ADFAF

RGB 42 223 175

HSL 164.09, 0.74%, 0.52%

LAB 79.82, -54.36, 11.33

 

CMYK 70 / 0 / 18 / 20

HEX #3DCBA6

RGB 61 203 166

HSL 164.37, 0.58%, 0.52%

LAB 73.84, -46.2, 7.65

 

CMYK 56 / 0 / 15 / 28

HEX #51B79C

RGB 81 183 156

HSL 164.12, 0.41%, 0.52%

LAB 68.03, -36.28, 4.81

 

CMYK 38 / 0 / 10 / 36

HEX #65A393

RGB 101 163 147

HSL 164.52, 0.25%, 0.52%

LAB 62.56, -23.8, 2

 

CMYK 15 / 0 / 4 / 44

HEX #798F89

RGB 121 143 137

HSL 163.64, 0.09%, 0.52%

LAB 57.57, -9.1, 0.55

 

CMYK 81 / 0 / 65 / 13

HEX #2ADF4E

RGB 42 223 78

HSL 131.93, 0.74%, 0.52%

LAB 78.36, -71.19, 56.96

 

CMYK 81 / 0 / 43 / 13

HEX #2ADF7E

RGB 42 223 126

HSL 147.85, 0.74%, 0.52%

LAB 78.91, -64.52, 35.45

 

CMYK 81 / 0 / 22 / 13

HEX #2ADFAE

RGB 42 223 174

HSL 163.76, 0.74%, 0.52%

LAB 79.8, -54.6, 11.83

 

CMYK 81 / 0 / 0 / 13

HEX #2ADFDF

RGB 42 223 223

HSL 180, 0.74%, 0.52%

LAB 81.07, -41.65, -12.34

 

CMYK 81 / 22 / 0 / 13

HEX #2AAEDF

RGB 42 174 223

HSL 196.24, 0.74%, 0.52%

LAB 66.59, -17.81, -34.41

 

CMYK 85 / 0 / 22 / 38

HEX #179E7B

RGB 23 158 123

HSL 164.44, 0.75%, 0.35%

LAB 58.1, -42.43, 8.79

 

CMYK 85 / 0 / 22 / 24

HEX #1DC297

RGB 29 194 151

HSL 164.36, 0.74%, 0.44%

LAB 70.23, -49.69, 10.55

 

CMYK 81 / 0 / 22 / 13

HEX #2ADFAF

RGB 42 223 175

HSL 164.09, 0.74%, 0.52%

LAB 79.82, -54.36, 11.33

 

CMYK 66 / 0 / 18 / 11

HEX #4DE4BC

RGB 77 228 188

HSL 164.11, 0.74%, 0.6%

LAB 82.21, -49.02, 7.97

 

CMYK 52 / 0 / 13 / 9

HEX #71E9CA

RGB 113 233 202

HSL 164.5, 0.73%, 0.68%

LAB 85.02, -41.16, 4.77

 

CMYK 82 / 0 / 22 / 13

HEX #29DFAF

RGB 41 223 175

HSL 164.18, 0.74%, 0.52%

LAB 79.81, -54.45, 11.31

 

CMYK 81 / 76 / 0 / 13

HEX #2A36DF

RGB 42 54 223

HSL 236.02, 0.74%, 0.52%

LAB 34.92, 54.24, -85.33

 

CMYK 0 / 54 / 81 / 13

HEX #DF662A

RGB 223 102 42

HSL 19.89, 0.74%, 0.52%

LAB 57.42, 43.94, 53.99

 

CMYK 82 / 0 / 22 / 13

HEX #29DFAF

RGB 41 223 175

HSL 164.18, 0.74%, 0.52%

LAB 79.81, -54.45, 11.31

 

CMYK 22 / 81 / 0 / 13

HEX #AE2ADF

RGB 174 42 223

HSL 283.76, 0.74%, 0.52%

LAB 46.95, 75.05, -65.08

 

CMYK 0 / 22 / 81 / 13

HEX #DFAE2A

RGB 223 174 42

HSL 43.76, 0.74%, 0.52%

LAB 73.63, 6.19, 68.49

 

CMYK 82 / 0 / 22 / 13

HEX #29DFAF

RGB 41 223 175

HSL 164.18, 0.74%, 0.52%

LAB 79.81, -54.45, 11.31

 

CMYK 81 / 76 / 0 / 13

HEX #2A36DF

RGB 42 54 223

HSL 236.02, 0.74%, 0.52%

LAB 34.92, 54.24, -85.33

 

CMYK 0 / 81 / 60 / 13

HEX #DF2A5A

RGB 223 42 90

HSL 344.09, 0.74%, 0.52%

LAB 49.6, 69.05, 18.78

 

CMYK 0 / 5 / 81 / 13

HEX #DFD32A

RGB 223 211 42

HSL 56.02, 0.74%, 0.52%

LAB 83.15, -12.88, 76.71

 

CMYK 82 / 0 / 22 / 13

HEX #29DFAF

RGB 41 223 175

HSL 164.18, 0.74%, 0.52%

LAB 79.81, -54.45, 11.31

 

CMYK 62 / 81 / 0 / 13

HEX #542ADF

RGB 84 42 223

HSL 253.92, 0.74%, 0.52%

LAB 35.73, 63.11, -83.9

 

CMYK 0 / 81 / 60 / 13

HEX #DF2A5A

RGB 223 42 90

HSL 344.09, 0.74%, 0.52%

LAB 49.6, 69.05, 18.78

 

CMYK 19 / 0 / 81 / 13

HEX #B4DF2A

RGB 180 223 42

HSL 74.25, 0.74%, 0.52%

LAB 83.26, -36.32, 75.57

 

Description

Color code: HEX #29DFAF | qconv.com Color code: HEX #29DFAF | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 41 red, 223 green and 175 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
41 223 175 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 82 cyan, none magenta, 22 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
82% 0% 22% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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