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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #29FE9E it is the complementary color #D60161. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #29FE9E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #29FE9E shade: #2EFE99, #3FFFAC, #50FFBF, #61FFD2 and #72FFE5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #29FE9E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #29FE9E shade: #29FE9E, #18EC8B, #07DA78, #00C865 and #00B652

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #29FE9E shade: #29FD9E, #29FD65, #29FD2B, #60FD29 and #9AFD29

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #29FE9E shade: #29FD9E, #29FDD7, #29EBFD, #29B1FD and #2978FD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #29FE9E shade matches the following richer shades: #29FD9E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #29FE9E shade: #29FD9E, #3BEC9C, #4CDB9A, #5DC999 and #6FB897

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #29FE9E shade: #29FD29, #29FD62, #29FD9A, #29FDD3 and #29EFFD

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #29FE9E shade: #01D475, #01FD8B, #29FD9E, #52FEB0 and #7BFEC3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #29FE9E shade: #29FE9E, #2962FD and #FD4629

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #29FE9E shade: #29FE9E, #9A29FD and #FD9A29

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #29FE9E shade: #29FE9E, #2962FD, #FD298C and #FDC529

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #29FE9E shade: #29FE9E, #3029FD, #FD298C and #F6FD29

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 84 / 0 / 38 / 0

HEX #29FE9E

RGB 41 254 158

HSL 152.96, 0.99%, 0.58%

LAB 88.84, -69.47, 32.5

 

Complementary color

CMYK 0 / 100 / 55 / 16

HEX #D60161

RGB 214 1 97

HSL 332.96, 0.99%, 0.42%

LAB 45.88, 73.33, 9.07

 

CMYK 82 / 0 / 40 / 0

HEX #2EFE99

RGB 46 254 153

HSL 150.87, 0.99%, 0.59%

LAB 88.81, -69.97, 34.95

 

CMYK 75 / 0 / 33 / 0

HEX #3FFFAC

RGB 63 255 172

HSL 154.06, 1%, 0.62%

LAB 89.65, -64.96, 26.61

 

CMYK 69 / 0 / 25 / 0

HEX #50FFBF

RGB 80 255 191

HSL 158.06, 1%, 0.66%

LAB 90.32, -58.78, 17.89

 

CMYK 62 / 0 / 18 / 0

HEX #61FFD2

RGB 97 255 210

HSL 162.91, 1%, 0.69%

LAB 91.1, -51.88, 9.29

 

CMYK 55 / 0 / 10 / 0

HEX #72FFE5

RGB 114 255 229

HSL 168.94, 1%, 0.72%

LAB 92.02, -44.36, 0.86

 

CMYK 84 / 0 / 38 / 0

HEX #29FE9E

RGB 41 254 158

HSL 152.96, 0.99%, 0.58%

LAB 88.84, -69.47, 32.5

 

CMYK 90 / 0 / 41 / 7

HEX #18EC8B

RGB 24 236 139

HSL 152.55, 0.85%, 0.51%

LAB 82.94, -67.97, 34.16

 

CMYK 97 / 0 / 45 / 15

HEX #07DA78

RGB 7 218 120

HSL 152.13, 0.94%, 0.44%

LAB 77.01, -66.04, 35.94

 

CMYK 100 / 0 / 50 / 22

HEX #00C865

RGB 0 200 101

HSL 150.3, 1%, 0.39%

LAB 71.04, -63.59, 37.81

 

CMYK 100 / 0 / 55 / 29

HEX #00B652

RGB 0 182 82

HSL 147.03, 1%, 0.36%

LAB 65.01, -60.74, 39.72

 

CMYK 84 / 0 / 38 / 1

HEX #29FD9E

RGB 41 253 158

HSL 153.11, 0.98%, 0.58%

LAB 88.54, -69.12, 32.1

 

CMYK 84 / 0 / 60 / 1

HEX #29FD65

RGB 41 253 101

HSL 136.98, 0.98%, 0.58%

LAB 87.81, -77.84, 57.96

 

CMYK 84 / 0 / 83 / 1

HEX #29FD2B

RGB 41 253 43

HSL 120.57, 0.98%, 0.58%

LAB 87.43, -82.49, 77.28

 

CMYK 62 / 0 / 84 / 1

HEX #60FD29

RGB 96 253 41

HSL 104.43, 0.98%, 0.58%

LAB 88.4, -74.21, 78.95

 

CMYK 39 / 0 / 84 / 1

HEX #9AFD29

RGB 154 253 41

HSL 88.02, 0.98%, 0.58%

LAB 90.45, -58.32, 81.54

 

CMYK 84 / 0 / 38 / 1

HEX #29FD9E

RGB 41 253 158

HSL 153.11, 0.98%, 0.58%

LAB 88.54, -69.12, 32.1

 

CMYK 84 / 0 / 15 / 1

HEX #29FDD7

RGB 41 253 215

HSL 169.25, 0.98%, 0.58%

LAB 89.69, -56.53, 4.54

 

CMYK 84 / 7 / 0 / 1

HEX #29EBFD

RGB 41 235 253

HSL 185.09, 0.98%, 0.58%

LAB 85.49, -38.33, -21.54

 

CMYK 84 / 30 / 0 / 1

HEX #29B1FD

RGB 41 177 253

HSL 201.51, 0.98%, 0.58%

LAB 68.76, -9.12, -47.39

 

CMYK 84 / 53 / 0 / 1

HEX #2978FD

RGB 41 120 253

HSL 217.64, 0.98%, 0.58%

LAB 52.95, 24.71, -72.67

 

CMYK 84 / 0 / 38 / 1

HEX #29FD9E

RGB 41 253 158

HSL 153.11, 0.98%, 0.58%

LAB 88.54, -69.12, 32.1

 

CMYK 84 / 0 / 38 / 1

HEX #29FD9E

RGB 41 253 158

HSL 153.11, 0.98%, 0.58%

LAB 88.54, -69.12, 32.1

 

CMYK 75 / 0 / 34 / 7

HEX #3BEC9C

RGB 59 236 156

HSL 152.88, 0.82%, 0.58%

LAB 83.61, -61.66, 26.52

 

CMYK 65 / 0 / 30 / 14

HEX #4CDB9A

RGB 76 219 154

HSL 152.73, 0.67%, 0.58%

LAB 78.77, -53.06, 21

 

CMYK 54 / 0 / 24 / 21

HEX #5DC999

RGB 93 201 153

HSL 153.33, 0.5%, 0.58%

LAB 73.8, -42.36, 14.71

 

CMYK 40 / 0 / 18 / 28

HEX #6FB897

RGB 111 184 151

HSL 152.88, 0.34%, 0.58%

LAB 69.39, -30.39, 9.66

 

CMYK 84 / 0 / 84 / 1

HEX #29FD29

RGB 41 253 41

HSL 120, 0.98%, 0.58%

LAB 87.43, -82.58, 77.72

 

CMYK 84 / 0 / 61 / 1

HEX #29FD62

RGB 41 253 98

HSL 136.13, 0.98%, 0.58%

LAB 87.78, -78.19, 59.2

 

CMYK 84 / 0 / 39 / 1

HEX #29FD9A

RGB 41 253 154

HSL 151.98, 0.98%, 0.58%

LAB 88.47, -69.87, 34

 

CMYK 84 / 0 / 17 / 1

HEX #29FDD3

RGB 41 253 211

HSL 168.11, 0.98%, 0.58%

LAB 89.59, -57.53, 6.48

 

CMYK 84 / 6 / 0 / 1

HEX #29EFFD

RGB 41 239 253

HSL 183.96, 0.98%, 0.58%

LAB 86.65, -40.15, -19.79

 

CMYK 100 / 0 / 45 / 17

HEX #01D475

RGB 1 212 117

HSL 152.99, 0.99%, 0.42%

LAB 75.06, -64.78, 34.93

 

CMYK 100 / 0 / 45 / 1

HEX #01FD8B

RGB 1 253 139

HSL 152.86, 0.99%, 0.5%

LAB 88.03, -74.33, 40.74

 

CMYK 84 / 0 / 38 / 1

HEX #29FD9E

RGB 41 253 158

HSL 153.11, 0.98%, 0.58%

LAB 88.54, -69.12, 32.1

 

CMYK 68 / 0 / 31 / 0

HEX #52FEB0

RGB 82 254 176

HSL 152.79, 0.99%, 0.66%

LAB 89.77, -61.21, 24.8

 

CMYK 52 / 0 / 23 / 0

HEX #7BFEC3

RGB 123 254 195

HSL 152.98, 0.98%, 0.74%

LAB 91.25, -49.55, 17.32

 

CMYK 84 / 0 / 38 / 0

HEX #29FE9E

RGB 41 254 158

HSL 152.96, 0.99%, 0.58%

LAB 88.84, -69.47, 32.5

 

CMYK 84 / 61 / 0 / 1

HEX #2962FD

RGB 41 98 253

HSL 223.87, 0.98%, 0.58%

LAB 47.36, 38.51, -81.77

 

CMYK 0 / 72 / 84 / 1

HEX #FD4629

RGB 253 70 41

HSL 8.21, 0.98%, 0.58%

LAB 57.49, 67.38, 56.38

 

CMYK 84 / 0 / 38 / 0

HEX #29FE9E

RGB 41 254 158

HSL 152.96, 0.99%, 0.58%

LAB 88.84, -69.47, 32.5

 

CMYK 39 / 84 / 0 / 1

HEX #9A29FD

RGB 154 41 253

HSL 271.98, 0.98%, 0.58%

LAB 46.38, 78.43, -83.06

 

CMYK 0 / 39 / 84 / 1

HEX #FD9A29

RGB 253 154 41

HSL 31.98, 0.98%, 0.58%

LAB 72.33, 29.41, 69.04

 

CMYK 84 / 0 / 38 / 0

HEX #29FE9E

RGB 41 254 158

HSL 152.96, 0.99%, 0.58%

LAB 88.84, -69.47, 32.5

 

CMYK 84 / 61 / 0 / 1

HEX #2962FD

RGB 41 98 253

HSL 223.87, 0.98%, 0.58%

LAB 47.36, 38.51, -81.77

 

CMYK 0 / 84 / 45 / 1

HEX #FD298C

RGB 253 41 140

HSL 331.98, 0.98%, 0.58%

LAB 56.45, 80.38, -0.87

 

CMYK 0 / 22 / 84 / 1

HEX #FDC529

RGB 253 197 41

HSL 44.15, 0.98%, 0.58%

LAB 82.37, 7, 77.42

 

CMYK 84 / 0 / 38 / 0

HEX #29FE9E

RGB 41 254 158

HSL 152.96, 0.99%, 0.58%

LAB 88.84, -69.47, 32.5

 

CMYK 81 / 84 / 0 / 1

HEX #3029FD

RGB 48 41 253

HSL 241.98, 0.98%, 0.58%

LAB 36.57, 69.53, -99.59

 

CMYK 0 / 84 / 45 / 1

HEX #FD298C

RGB 253 41 140

HSL 331.98, 0.98%, 0.58%

LAB 56.45, 80.38, -0.87

 

CMYK 3 / 0 / 84 / 1

HEX #F6FD29

RGB 246 253 41

HSL 61.98, 0.98%, 0.58%

LAB 96, -23.75, 88.46

 

Description

Color code: HEX #29FE9E | qconv.com Color code: HEX #29FE9E | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 41 red, 254 green and 158 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
41 254 158 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 84 cyan, none magenta, 38 yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
84% 0% 38% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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