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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2CA413 it is the complementary color #D35BEC. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2CA413. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #2CA413 shade: #31A40E, #42B621, #53C834, #64DA47 and #75EC5A

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2CA413. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #2CA413 shade: #2CA413, #1B9200, #0A8000, #006E00 and #005C00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #2CA413 shade: #2CA413, #53A413, #7AA413, #A1A413 and #A47F13

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #2CA413 shade: #2CA413, #13A421, #13A448, #13A46F and #13A496

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #2CA413 shade matches the following richer shades: #2CA413 and #22B304

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #2CA413 shade: #2CA413, #369522, #3F8630, #49773F and #53684E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #2CA413 shade: #7BA413, #54A413, #2DA413, #13A41F and #13A446

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #2CA413 shade: #185A0A, #227F0E, #2CA413, #36C917 and #45E524

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #2CA413 shade: #2CA413, #13A1A4 and #A41367

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #2CA413 shade: #2CA413, #132DA4 and #A4132D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #2CA413 shade: #2CA413, #13A1A4, #8913A4 and #A41513

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #2CA413 shade: #2CA413, #1376A4, #8913A4 and #A44113

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 73 / 0 / 88 / 36

HEX #2CA413

RGB 44 164 19

HSL 109.66, 0.79%, 0.36%

LAB 59.1, -56.95, 57.42

 

Complementary color

CMYK 11 / 61 / 0 / 7

HEX #D35BEC

RGB 211 91 236

HSL 289.66, 0.79%, 0.64%

LAB 59.33, 67.14, -52.25

 

CMYK 70 / 0 / 91 / 36

HEX #31A40E

RGB 49 164 14

HSL 106, 0.84%, 0.35%

LAB 59.19, -56.19, 58.49

 

CMYK 64 / 0 / 82 / 29

HEX #42B621

RGB 66 182 33

HSL 106.71, 0.69%, 0.42%

LAB 65.53, -57.81, 59.97

 

CMYK 59 / 0 / 74 / 22

HEX #53C834

RGB 83 200 52

HSL 107.43, 0.59%, 0.49%

LAB 71.82, -58.87, 60.24

 

CMYK 54 / 0 / 67 / 15

HEX #64DA47

RGB 100 218 71

HSL 108.16, 0.67%, 0.57%

LAB 78.06, -59.53, 59.82

 

CMYK 50 / 0 / 62 / 7

HEX #75EC5A

RGB 117 236 90

HSL 108.9, 0.79%, 0.64%

LAB 84.23, -59.92, 59.01

 

CMYK 73 / 0 / 88 / 36

HEX #2CA413

RGB 44 164 19

HSL 109.66, 0.79%, 0.36%

LAB 59.1, -56.95, 57.42

 

CMYK 82 / 0 / 100 / 43

HEX #1B9200

RGB 27 146 0

HSL 108.9, 1%, 0.29%

LAB 52.72, -54.55, 55.21

 

CMYK 92 / 0 / 100 / 50

HEX #0A8000

RGB 10 128 0

HSL 115.31, 1%, 0.25%

LAB 46.32, -50.91, 50

 

CMYK 100 / 0 / 100 / 57

HEX #006E00

RGB 0 110 0

HSL 120, 1%, 0.22%

LAB 39.84, -46.39, 44.77

 

CMYK 100 / 0 / 100 / 64

HEX #005C00

RGB 0 92 0

HSL 120, 1%, 0.18%

LAB 33.25, -40.92, 39.49

 

CMYK 73 / 0 / 88 / 36

HEX #2CA413

RGB 44 164 19

HSL 109.66, 0.79%, 0.36%

LAB 59.1, -56.95, 57.42

 

CMYK 49 / 0 / 88 / 36

HEX #53A413

RGB 83 164 19

HSL 93.52, 0.79%, 0.36%

LAB 60.28, -47.31, 58.91

 

CMYK 26 / 0 / 88 / 36

HEX #7AA413

RGB 122 164 19

HSL 77.38, 0.79%, 0.36%

LAB 62.28, -33.16, 61.4

 

CMYK 2 / 0 / 88 / 36

HEX #A1A413

RGB 161 164 19

HSL 61.24, 0.79%, 0.36%

LAB 65.1, -16.52, 64.87

 

CMYK 0 / 23 / 88 / 36

HEX #A47F13

RGB 164 127 19

HSL 44.69, 0.79%, 0.36%

LAB 55.19, 4.78, 57.02

 

CMYK 73 / 0 / 88 / 36

HEX #2CA413

RGB 44 164 19

HSL 109.66, 0.79%, 0.36%

LAB 59.1, -56.95, 57.42

 

CMYK 88 / 0 / 80 / 36

HEX #13A421

RGB 19 164 33

HSL 125.79, 0.79%, 0.36%

LAB 58.79, -59.45, 53.33

 

CMYK 88 / 0 / 56 / 36

HEX #13A448

RGB 19 164 72

HSL 141.93, 0.79%, 0.36%

LAB 59.12, -55.32, 37.52

 

CMYK 88 / 0 / 32 / 36

HEX #13A46F

RGB 19 164 111

HSL 158.07, 0.79%, 0.36%

LAB 59.74, -48.04, 17.76

 

CMYK 88 / 0 / 9 / 36

HEX #13A496

RGB 19 164 150

HSL 174.21, 0.79%, 0.36%

LAB 60.69, -37.94, -2.7

 

CMYK 73 / 0 / 88 / 36

HEX #2CA413

RGB 44 164 19

HSL 109.66, 0.79%, 0.36%

LAB 59.1, -56.95, 57.42

 

CMYK 81 / 0 / 98 / 30

HEX #22B304

RGB 34 179 4

HSL 109.71, 0.96%, 0.36%

LAB 63.83, -63.47, 63.61

 

CMYK 73 / 0 / 88 / 36

HEX #2CA413

RGB 44 164 19

HSL 109.66, 0.79%, 0.36%

LAB 59.1, -56.95, 57.42

 

CMYK 64 / 0 / 77 / 42

HEX #369522

RGB 54 149 34

HSL 109.57, 0.63%, 0.36%

LAB 54.44, -48.98, 49.01

 

CMYK 53 / 0 / 64 / 47

HEX #3F8630

RGB 63 134 48

HSL 109.53, 0.47%, 0.36%

LAB 49.88, -39.52, 38.57

 

CMYK 39 / 0 / 47 / 53

HEX #49773F

RGB 73 119 63

HSL 109.29, 0.31%, 0.36%

LAB 45.59, -27.55, 25.87

 

CMYK 20 / 0 / 25 / 59

HEX #53684E

RGB 83 104 78

HSL 108.46, 0.14%, 0.36%

LAB 41.67, -13.39, 12.13

 

CMYK 25 / 0 / 88 / 36

HEX #7BA413

RGB 123 164 19

HSL 76.97, 0.79%, 0.36%

LAB 62.35, -32.76, 61.48

 

CMYK 49 / 0 / 88 / 36

HEX #54A413

RGB 84 164 19

HSL 93.1, 0.79%, 0.36%

LAB 60.32, -46.99, 58.96

 

CMYK 73 / 0 / 88 / 36

HEX #2DA413

RGB 45 164 19

HSL 109.24, 0.79%, 0.36%

LAB 59.12, -56.77, 57.44

 

CMYK 88 / 0 / 81 / 36

HEX #13A41F

RGB 19 164 31

HSL 124.97, 0.79%, 0.36%

LAB 58.78, -59.58, 53.94

 

CMYK 88 / 0 / 57 / 36

HEX #13A446

RGB 19 164 70

HSL 141.1, 0.79%, 0.36%

LAB 59.1, -55.61, 38.47

 

CMYK 73 / 0 / 89 / 65

HEX #185A0A

RGB 24 90 10

HSL 109.5, 0.8%, 0.2%

LAB 32.98, -35.95, 36.24

 

CMYK 73 / 0 / 89 / 50

HEX #227F0E

RGB 34 127 14

HSL 109.38, 0.8%, 0.28%

LAB 46.38, -46.8, 47.29

 

CMYK 73 / 0 / 88 / 36

HEX #2CA413

RGB 44 164 19

HSL 109.66, 0.79%, 0.36%

LAB 59.1, -56.95, 57.42

 

CMYK 73 / 0 / 89 / 21

HEX #36C917

RGB 54 201 23

HSL 109.55, 0.79%, 0.44%

LAB 71.3, -66.69, 67.28

 

CMYK 70 / 0 / 84 / 10

HEX #45E524

RGB 69 229 36

HSL 109.74, 0.79%, 0.52%

LAB 80.42, -72.21, 72.73

 

CMYK 73 / 0 / 88 / 36

HEX #2CA413

RGB 44 164 19

HSL 109.66, 0.79%, 0.36%

LAB 59.1, -56.95, 57.42

 

CMYK 88 / 2 / 0 / 36

HEX #13A1A4

RGB 19 161 164

HSL 181.24, 0.79%, 0.36%

LAB 60.17, -32.33, -11.38

 

CMYK 0 / 88 / 37 / 36

HEX #A41367

RGB 164 19 103

HSL 325.24, 0.79%, 0.36%

LAB 36.63, 60.25, -9.45

 

CMYK 73 / 0 / 88 / 36

HEX #2CA413

RGB 44 164 19

HSL 109.66, 0.79%, 0.36%

LAB 59.1, -56.95, 57.42

 

CMYK 88 / 73 / 0 / 36

HEX #132DA4

RGB 19 45 164

HSL 229.24, 0.79%, 0.36%

LAB 25.85, 37.89, -65.64

 

CMYK 0 / 88 / 73 / 36

HEX #A4132D

RGB 164 19 45

HSL 349.24, 0.79%, 0.36%

LAB 35.1, 55.92, 25.82

 

CMYK 73 / 0 / 88 / 36

HEX #2CA413

RGB 44 164 19

HSL 109.66, 0.79%, 0.36%

LAB 59.1, -56.95, 57.42

 

CMYK 88 / 2 / 0 / 36

HEX #13A1A4

RGB 19 161 164

HSL 181.24, 0.79%, 0.36%

LAB 60.17, -32.33, -11.38

 

CMYK 16 / 88 / 0 / 36

HEX #8913A4

RGB 137 19 164

HSL 288.83, 0.79%, 0.36%

LAB 34.93, 63.55, -50.29

 

CMYK 0 / 87 / 88 / 36

HEX #A41513

RGB 164 21 19

HSL 0.83, 0.79%, 0.36%

LAB 34.95, 54.68, 40.72

 

CMYK 73 / 0 / 88 / 36

HEX #2CA413

RGB 44 164 19

HSL 109.66, 0.79%, 0.36%

LAB 59.1, -56.95, 57.42

 

CMYK 88 / 28 / 0 / 36

HEX #1376A4

RGB 19 118 164

HSL 199.03, 0.79%, 0.36%

LAB 46.68, -9.63, -32.07

 

CMYK 16 / 88 / 0 / 36

HEX #8913A4

RGB 137 19 164

HSL 288.83, 0.79%, 0.36%

LAB 34.93, 63.55, -50.29

 

CMYK 0 / 60 / 88 / 36

HEX #A44113

RGB 164 65 19

HSL 19.03, 0.79%, 0.36%

LAB 40.77, 38.77, 45.41

 

Description

Color code: HEX #2CA413 | qconv.com Color code: HEX #2CA413 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 44 red, 164 green and 19 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
44 164 19 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 73 cyan, none magenta, 88 yellow and 36 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
73% 0% 88% 36% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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