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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2CAD43 it is the complementary color #D352BC. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2CAD43. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #2CAD43 shade: #31AD3E, #42BF51, #53D164, #64E377 and #75F58A

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2CAD43. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #2CAD43 shade: #2CAD43, #1B9B30, #0A891D, #00770A and #006500

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #2CAD43 shade: #2CAE44, #38AE2C, #5BAE2C, #7EAE2C and #A1AE2C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #2CAD43 shade: #2CAE44, #2CAE66, #2CAE89, #2CAEAC and #2C8DAE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #2CAD43 shade matches the following richer shades: #2CAE44, #1BC038 and #09D12D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #2CAD43 shade: #2CAE44, #3E9C4F, #508A5A, #627966 and #736771

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #2CAD43 shade: #5CAE2C, #39AE2C, #2CAE42, #2CAE65 and #2CAE87

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #2CAD43 shade: #1C6C2A, #248D37, #2CAE44, #38CB52 and #59D46F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #2CAD43 shade: #2CAD43, #2C7EAE and #AE2C4B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #2CAD43 shade: #2CAD43, #422CAE and #AE422C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #2CAD43 shade: #2CAD43, #2C7EAE, #AE2C98 and #AE5C2C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #2CAD43 shade: #2CAD43, #2C58AE, #AE2C98 and #AE832C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 75 / 0 / 61 / 32

HEX #2CAD43

RGB 44 173 67

HSL 130.7, 0.59%, 0.43%

LAB 62.36, -56.08, 43.79

 

Complementary color

CMYK 0 / 61 / 11 / 17

HEX #D352BC

RGB 211 82 188

HSL 310.7, 0.59%, 0.57%

LAB 55.6, 62.8, -30.92

 

CMYK 72 / 0 / 64 / 32

HEX #31AD3E

RGB 49 173 62

HSL 126.29, 0.56%, 0.44%

LAB 62.41, -55.83, 46.12

 

CMYK 65 / 0 / 58 / 25

HEX #42BF51

RGB 66 191 81

HSL 127.2, 0.49%, 0.5%

LAB 68.76, -56.68, 44.87

 

CMYK 60 / 0 / 52 / 18

HEX #53D164

RGB 83 209 100

HSL 128.1, 0.58%, 0.57%

LAB 75.05, -57.15, 43.52

 

CMYK 56 / 0 / 48 / 11

HEX #64E377

RGB 100 227 119

HSL 128.98, 0.69%, 0.64%

LAB 81.28, -57.37, 42.17

 

CMYK 52 / 0 / 44 / 4

HEX #75F58A

RGB 117 245 138

HSL 129.84, 0.86%, 0.71%

LAB 87.45, -57.42, 40.85

 

CMYK 75 / 0 / 61 / 32

HEX #2CAD43

RGB 44 173 67

HSL 130.7, 0.59%, 0.43%

LAB 62.36, -56.08, 43.79

 

CMYK 83 / 0 / 69 / 39

HEX #1B9B30

RGB 27 155 48

HSL 129.84, 0.7%, 0.36%

LAB 55.98, -54.58, 44.99

 

CMYK 93 / 0 / 79 / 46

HEX #0A891D

RGB 10 137 29

HSL 128.98, 0.86%, 0.29%

LAB 49.55, -52.2, 45.68

 

CMYK 100 / 0 / 92 / 53

HEX #00770A

RGB 0 119 10

HSL 125.04, 1%, 0.23%

LAB 43.09, -48.64, 45.12

 

CMYK 100 / 0 / 100 / 60

HEX #006500

RGB 0 101 0

HSL 120, 1%, 0.2%

LAB 36.57, -43.67, 42.15

 

CMYK 75 / 0 / 61 / 32

HEX #2CAE44

RGB 44 174 68

HSL 131.08, 0.6%, 0.43%

LAB 62.7, -56.3, 43.71

 

CMYK 68 / 0 / 75 / 32

HEX #38AE2C

RGB 56 174 44

HSL 114.46, 0.6%, 0.43%

LAB 62.76, -56.53, 53.74

 

CMYK 48 / 0 / 75 / 32

HEX #5BAE2C

RGB 91 174 44

HSL 98.31, 0.6%, 0.43%

LAB 63.9, -47.47, 55.26

 

CMYK 28 / 0 / 75 / 32

HEX #7EAE2C

RGB 126 174 44

HSL 82.15, 0.6%, 0.43%

LAB 65.66, -35.11, 57.59

 

CMYK 7 / 0 / 75 / 32

HEX #A1AE2C

RGB 161 174 44

HSL 66, 0.6%, 0.43%

LAB 68.04, -20.74, 60.69

 

CMYK 75 / 0 / 61 / 32

HEX #2CAE44

RGB 44 174 68

HSL 131.08, 0.6%, 0.43%

LAB 62.7, -56.3, 43.71

 

CMYK 75 / 0 / 41 / 32

HEX #2CAE66

RGB 44 174 102

HSL 146.77, 0.6%, 0.43%

LAB 63.15, -51.02, 27.26

 

CMYK 75 / 0 / 21 / 32

HEX #2CAE89

RGB 44 174 137

HSL 162.92, 0.6%, 0.43%

LAB 63.85, -43.39, 9.18

 

CMYK 75 / 0 / 1 / 32

HEX #2CAEAC

RGB 44 174 172

HSL 179.08, 0.6%, 0.43%

LAB 64.79, -33.89, -8.91

 

CMYK 75 / 19 / 0 / 32

HEX #2C8DAE

RGB 44 141 174

HSL 195.23, 0.6%, 0.43%

LAB 54.7, -16.53, -25.35

 

CMYK 75 / 0 / 61 / 32

HEX #2CAE44

RGB 44 174 68

HSL 131.08, 0.6%, 0.43%

LAB 62.7, -56.3, 43.71

 

CMYK 86 / 0 / 71 / 25

HEX #1BC038

RGB 27 192 56

HSL 130.55, 0.75%, 0.43%

LAB 68.18, -65.38, 54.71

 

CMYK 96 / 0 / 78 / 18

HEX #09D12D

RGB 9 209 45

HSL 130.8, 0.92%, 0.43%

LAB 73.45, -72.23, 63.69

 

CMYK 75 / 0 / 61 / 32

HEX #2CAE44

RGB 44 174 68

HSL 131.08, 0.6%, 0.43%

LAB 62.7, -56.3, 43.71

 

CMYK 60 / 0 / 49 / 39

HEX #3E9C4F

RGB 62 156 79

HSL 130.85, 0.43%, 0.43%

LAB 57.43, -44.6, 32.1

 

CMYK 42 / 0 / 35 / 46

HEX #508A5A

RGB 80 138 90

HSL 130.34, 0.27%, 0.43%

LAB 52.53, -29.82, 19.92

 

CMYK 19 / 0 / 16 / 53

HEX #627966

RGB 98 121 102

HSL 130.43, 0.11%, 0.43%

LAB 48.55, -12.47, 7.67

 

CMYK 0 / 10 / 2 / 55

HEX #736771

RGB 115 103 113

HSL 310, 0.06%, 0.43%

LAB 44.99, 6.7, -3.87

 

CMYK 47 / 0 / 75 / 32

HEX #5CAE2C

RGB 92 174 44

HSL 97.85, 0.6%, 0.43%

LAB 63.94, -47.16, 55.32

 

CMYK 67 / 0 / 75 / 32

HEX #39AE2C

RGB 57 174 44

HSL 114, 0.6%, 0.43%

LAB 62.78, -56.33, 53.78

 

CMYK 75 / 0 / 62 / 32

HEX #2CAE42

RGB 44 174 66

HSL 130.15, 0.6%, 0.43%

LAB 62.68, -56.54, 44.6

 

CMYK 75 / 0 / 42 / 32

HEX #2CAE65

RGB 44 174 101

HSL 146.31, 0.6%, 0.43%

LAB 63.13, -51.2, 27.77

 

CMYK 75 / 0 / 22 / 32

HEX #2CAE87

RGB 44 174 135

HSL 162, 0.6%, 0.43%

LAB 63.8, -43.88, 10.22

 

CMYK 74 / 0 / 61 / 58

HEX #1C6C2A

RGB 28 108 42

HSL 130.5, 0.59%, 0.27%

LAB 39.81, -38.66, 29.69

 

CMYK 74 / 0 / 61 / 45

HEX #248D37

RGB 36 141 55

HSL 130.86, 0.59%, 0.35%

LAB 51.5, -47.7, 36.87

 

CMYK 75 / 0 / 61 / 32

HEX #2CAE44

RGB 44 174 68

HSL 131.08, 0.6%, 0.43%

LAB 62.7, -56.3, 43.71

 

CMYK 72 / 0 / 60 / 20

HEX #38CB52

RGB 56 203 82

HSL 130.61, 0.59%, 0.51%

LAB 72.34, -62.51, 48.52

 

CMYK 58 / 0 / 48 / 17

HEX #59D46F

RGB 89 212 111

HSL 130.73, 0.59%, 0.59%

LAB 76.29, -55.36, 39.75

 

CMYK 75 / 0 / 61 / 32

HEX #2CAD43

RGB 44 173 67

HSL 130.7, 0.59%, 0.43%

LAB 62.36, -56.08, 43.79

 

CMYK 75 / 28 / 0 / 32

HEX #2C7EAE

RGB 44 126 174

HSL 202.15, 0.6%, 0.43%

LAB 50.11, -8.09, -32.48

 

CMYK 0 / 75 / 57 / 32

HEX #AE2C4B

RGB 174 44 75

HSL 345.69, 0.6%, 0.43%

LAB 40.09, 53.74, 13.63

 

CMYK 75 / 0 / 61 / 32

HEX #2CAD43

RGB 44 173 67

HSL 130.7, 0.59%, 0.43%

LAB 62.36, -56.08, 43.79

 

CMYK 62 / 75 / 0 / 32

HEX #422CAE

RGB 66 44 174

HSL 250.15, 0.6%, 0.43%

LAB 29.45, 46.17, -65.63

 

CMYK 0 / 62 / 75 / 32

HEX #AE422C

RGB 174 66 44

HSL 10.15, 0.6%, 0.43%

LAB 42.88, 42.9, 35.81

 

CMYK 75 / 0 / 61 / 32

HEX #2CAD43

RGB 44 173 67

HSL 130.7, 0.59%, 0.43%

LAB 62.36, -56.08, 43.79

 

CMYK 75 / 28 / 0 / 32

HEX #2C7EAE

RGB 44 126 174

HSL 202.15, 0.6%, 0.43%

LAB 50.11, -8.09, -32.48

 

CMYK 0 / 75 / 13 / 32

HEX #AE2C98

RGB 174 44 152

HSL 310.15, 0.6%, 0.43%

LAB 42.86, 62.41, -30.03

 

CMYK 0 / 47 / 75 / 32

HEX #AE5C2C

RGB 174 92 44

HSL 22.15, 0.6%, 0.43%

LAB 48.05, 29.69, 41.35

 

CMYK 75 / 0 / 61 / 32

HEX #2CAD43

RGB 44 173 67

HSL 130.7, 0.59%, 0.43%

LAB 62.36, -56.08, 43.79

 

CMYK 75 / 49 / 0 / 32

HEX #2C58AE

RGB 44 88 174

HSL 219.69, 0.6%, 0.43%

LAB 38.85, 15.59, -50.38

 

CMYK 0 / 75 / 13 / 32

HEX #AE2C98

RGB 174 44 152

HSL 310.15, 0.6%, 0.43%

LAB 42.86, 62.41, -30.03

 

CMYK 0 / 25 / 75 / 32

HEX #AE832C

RGB 174 131 44

HSL 40.15, 0.6%, 0.43%

LAB 57.48, 7.98, 50.93

 

Description

Color code: HEX #2CAD43 | qconv.com Color code: HEX #2CAD43 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 44 red, 173 green and 67 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
44 173 67 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 75 cyan, none magenta, 61 yellow and 32 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
75% 0% 61% 32% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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