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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2CAE80 it is the complementary color #D3517F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2CAE80. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #2CAE80 shade: #31AE7B, #42C08E, #53D2A1, #64E4B4 and #75F6C7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2CAE80. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #2CAE80 shade: #2CAE80, #1B9C6D, #0A8A5A, #007847 and #006634

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #2CAE80 shade: #2BAF80, #2BAF5D, #2BAF39, #41AF2B and #64AF2B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #2CAE80 shade: #2BAF80, #2BAFA4, #2B97AF, #2B73AF and #2B50AF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #2CAE80 shade matches the following richer shades: #2BAF80, #1AC186 and #08D28B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #2CAE80 shade: #2BAF80, #3D9D7B, #4F8B76, #617A71 and #72686C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #2CAE80 shade: #2BAF39, #2BAF5C, #2BAF7F, #2BAFA2 and #2B99AF

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #2CAE80 shade: #1B6D50, #238E68, #2BAF80, #37CD98 and #58D5A9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #2CAE80 shade: #2CAE80, #2B41AF and #AF4A2B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #2CAE80 shade: #2CAE80, #7F2BAF and #AF7F2B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #2CAE80 shade: #2CAE80, #2B41AF, #AF2B5C and #AF992B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #2CAE80 shade: #2CAE80, #3D2BAF, #AF2B5C and #9DAF2B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 75 / 0 / 26 / 32

HEX #2CAE80

RGB 44 174 128

HSL 158.77, 0.6%, 0.43%

LAB 63.64, -45.55, 13.86

 

Complementary color

CMYK 0 / 62 / 40 / 17

HEX #D3517F

RGB 211 81 127

HSL 338.77, 0.6%, 0.57%

LAB 53.24, 55.22, 1.29

 

CMYK 72 / 0 / 29 / 32

HEX #31AE7B

RGB 49 174 123

HSL 155.52, 0.56%, 0.44%

LAB 63.64, -45.97, 16.6

 

CMYK 66 / 0 / 26 / 25

HEX #42C08E

RGB 66 192 142

HSL 156.19, 0.5%, 0.51%

LAB 70.04, -46.39, 15.24

 

CMYK 60 / 0 / 23 / 18

HEX #53D2A1

RGB 83 210 161

HSL 156.85, 0.59%, 0.57%

LAB 76.38, -46.59, 14

 

CMYK 56 / 0 / 21 / 11

HEX #64E4B4

RGB 100 228 180

HSL 157.5, 0.7%, 0.64%

LAB 82.64, -46.66, 12.87

 

CMYK 52 / 0 / 19 / 4

HEX #75F6C7

RGB 117 246 199

HSL 158.14, 0.88%, 0.71%

LAB 88.84, -46.64, 11.82

 

CMYK 75 / 0 / 26 / 32

HEX #2CAE80

RGB 44 174 128

HSL 158.77, 0.6%, 0.43%

LAB 63.64, -45.55, 13.86

 

CMYK 83 / 0 / 30 / 39

HEX #1B9C6D

RGB 27 156 109

HSL 158.14, 0.7%, 0.36%

LAB 57.19, -44.65, 15.37

 

CMYK 93 / 0 / 35 / 46

HEX #0A8A5A

RGB 10 138 90

HSL 157.5, 0.86%, 0.29%

LAB 50.66, -43.24, 17.08

 

CMYK 100 / 0 / 41 / 53

HEX #007847

RGB 0 120 71

HSL 155.5, 1%, 0.24%

LAB 44.07, -41.15, 19.02

 

CMYK 100 / 0 / 49 / 60

HEX #006634

RGB 0 102 52

HSL 150.59, 1%, 0.2%

LAB 37.39, -38.26, 21.17

 

CMYK 75 / 0 / 27 / 31

HEX #2BAF80

RGB 43 175 128

HSL 158.64, 0.61%, 0.43%

LAB 63.94, -46.09, 14.27

 

CMYK 75 / 0 / 47 / 31

HEX #2BAF5D

RGB 43 175 93

HSL 142.73, 0.61%, 0.43%

LAB 63.31, -53.14, 32.18

 

CMYK 75 / 0 / 67 / 31

HEX #2BAF39

RGB 43 175 57

HSL 126.36, 0.61%, 0.43%

LAB 62.9, -58.02, 48.77

 

CMYK 63 / 0 / 75 / 31

HEX #41AF2B

RGB 65 175 43

HSL 110, 0.61%, 0.43%

LAB 63.31, -55, 54.72

 

CMYK 43 / 0 / 75 / 31

HEX #64AF2B

RGB 100 175 43

HSL 94.09, 0.61%, 0.43%

LAB 64.6, -45.03, 56.43

 

CMYK 75 / 0 / 27 / 31

HEX #2BAF80

RGB 43 175 128

HSL 158.64, 0.61%, 0.43%

LAB 63.94, -46.09, 14.27

 

CMYK 75 / 0 / 6 / 31

HEX #2BAFA4

RGB 43 175 164

HSL 175, 0.61%, 0.43%

LAB 64.85, -36.78, -4.38

 

CMYK 75 / 14 / 0 / 31

HEX #2B97AF

RGB 43 151 175

HSL 190.91, 0.61%, 0.43%

LAB 57.79, -21.66, -21.18

 

CMYK 75 / 34 / 0 / 31

HEX #2B73AF

RGB 43 115 175

HSL 207.27, 0.61%, 0.43%

LAB 46.8, -1.32, -38.27

 

CMYK 75 / 54 / 0 / 31

HEX #2B50AF

RGB 43 80 175

HSL 223.18, 0.61%, 0.43%

LAB 36.64, 21.13, -54.54

 

CMYK 75 / 0 / 27 / 31

HEX #2BAF80

RGB 43 175 128

HSL 158.64, 0.61%, 0.43%

LAB 63.94, -46.09, 14.27

 

CMYK 87 / 0 / 31 / 24

HEX #1AC186

RGB 26 193 134

HSL 158.8, 0.76%, 0.43%

LAB 69.53, -53.51, 18.73

 

CMYK 96 / 0 / 34 / 18

HEX #08D28B

RGB 8 210 139

HSL 158.91, 0.93%, 0.43%

LAB 74.83, -59.58, 23.32

 

CMYK 75 / 0 / 27 / 31

HEX #2BAF80

RGB 43 175 128

HSL 158.64, 0.61%, 0.43%

LAB 63.94, -46.09, 14.27

 

CMYK 61 / 0 / 22 / 38

HEX #3D9D7B

RGB 61 157 123

HSL 158.75, 0.44%, 0.43%

LAB 58.54, -36.55, 9.52

 

CMYK 43 / 0 / 15 / 45

HEX #4F8B76

RGB 79 139 118

HSL 159, 0.28%, 0.43%

LAB 53.42, -24.74, 5.16

 

CMYK 20 / 0 / 7 / 52

HEX #617A71

RGB 97 122 113

HSL 158.4, 0.11%, 0.43%

LAB 49.07, -11.07, 1.93

 

CMYK 0 / 9 / 5 / 55

HEX #72686C

RGB 114 104 108

HSL 336, 0.05%, 0.43%

LAB 45.03, 4.71, -0.82

 

CMYK 75 / 0 / 67 / 31

HEX #2BAF39

RGB 43 175 57

HSL 126.36, 0.61%, 0.43%

LAB 62.9, -58.02, 48.77

 

CMYK 75 / 0 / 47 / 31

HEX #2BAF5C

RGB 43 175 92

HSL 142.27, 0.61%, 0.43%

LAB 63.3, -53.31, 32.68

 

CMYK 75 / 0 / 27 / 31

HEX #2BAF7F

RGB 43 175 127

HSL 158.18, 0.61%, 0.43%

LAB 63.92, -46.32, 14.79

 

CMYK 75 / 0 / 7 / 31

HEX #2BAFA2

RGB 43 175 162

HSL 174.09, 0.61%, 0.43%

LAB 64.79, -37.34, -3.35

 

CMYK 75 / 13 / 0 / 31

HEX #2B99AF

RGB 43 153 175

HSL 190, 0.61%, 0.43%

LAB 58.41, -22.7, -20.24

 

CMYK 75 / 0 / 27 / 57

HEX #1B6D50

RGB 27 109 80

HSL 158.78, 0.6%, 0.27%

LAB 40.82, -31.69, 9.35

 

CMYK 75 / 0 / 27 / 44

HEX #238E68

RGB 35 142 104

HSL 158.69, 0.6%, 0.35%

LAB 52.62, -39.07, 11.87

 

CMYK 75 / 0 / 27 / 31

HEX #2BAF80

RGB 43 175 128

HSL 158.64, 0.61%, 0.43%

LAB 63.94, -46.09, 14.27

 

CMYK 73 / 0 / 26 / 20

HEX #37CD98

RGB 55 205 152

HSL 158.8, 0.6%, 0.51%

LAB 74.02, -51.14, 15.4

 

CMYK 59 / 0 / 21 / 16

HEX #58D5A9

RGB 88 213 169

HSL 158.88, 0.6%, 0.59%

LAB 77.6, -45.11, 11.48

 

CMYK 75 / 0 / 26 / 32

HEX #2CAE80

RGB 44 174 128

HSL 158.77, 0.6%, 0.43%

LAB 63.64, -45.55, 13.86

 

CMYK 75 / 63 / 0 / 31

HEX #2B41AF

RGB 43 65 175

HSL 230, 0.61%, 0.43%

LAB 32.68, 31.04, -60.99

 

CMYK 0 / 58 / 75 / 31

HEX #AF4A2B

RGB 175 74 43

HSL 14.09, 0.61%, 0.43%

LAB 44.5, 39.4, 38.16

 

CMYK 75 / 0 / 26 / 32

HEX #2CAE80

RGB 44 174 128

HSL 158.77, 0.6%, 0.43%

LAB 63.64, -45.55, 13.86

 

CMYK 27 / 75 / 0 / 31

HEX #7F2BAF

RGB 127 43 175

HSL 278.18, 0.61%, 0.43%

LAB 36.62, 56.84, -54.22

 

CMYK 0 / 27 / 75 / 31

HEX #AF7F2B

RGB 175 127 43

HSL 38.18, 0.61%, 0.43%

LAB 56.55, 10.61, 50.48

 

CMYK 75 / 0 / 26 / 32

HEX #2CAE80

RGB 44 174 128

HSL 158.77, 0.6%, 0.43%

LAB 63.64, -45.55, 13.86

 

CMYK 75 / 63 / 0 / 31

HEX #2B41AF

RGB 43 65 175

HSL 230, 0.61%, 0.43%

LAB 32.68, 31.04, -60.99

 

CMYK 0 / 75 / 47 / 31

HEX #AF2B5C

RGB 175 43 92

HSL 337.73, 0.61%, 0.43%

LAB 40.6, 55.78, 3.63

 

CMYK 0 / 13 / 75 / 31

HEX #AF992B

RGB 175 153 43

HSL 50, 0.61%, 0.43%

LAB 63.4, -3.69, 57.08

 

CMYK 75 / 0 / 26 / 32

HEX #2CAE80

RGB 44 174 128

HSL 158.77, 0.6%, 0.43%

LAB 63.64, -45.55, 13.86

 

CMYK 65 / 75 / 0 / 31

HEX #3D2BAF

RGB 61 43 175

HSL 248.18, 0.61%, 0.43%

LAB 28.94, 46.4, -67.09

 

CMYK 0 / 75 / 47 / 31

HEX #AF2B5C

RGB 175 43 92

HSL 337.73, 0.61%, 0.43%

LAB 40.6, 55.78, 3.63

 

CMYK 10 / 0 / 75 / 31

HEX #9DAF2B

RGB 157 175 43

HSL 68.18, 0.61%, 0.43%

LAB 68.02, -22.98, 60.9

 

Description

Color code: HEX #2CAE80 | qconv.com Color code: HEX #2CAE80 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 44 red, 174 green and 128 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
44 174 128 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 75 cyan, none magenta, 26 yellow and 32 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
75% 0% 26% 32% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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