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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2CAFA8 it is the complementary color #D35057. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2CAFA8. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #2CAFA8 shade: #31AFA3, #42C1B6, #53D3C9, #64E5DC and #75F7EF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2CAFA8. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #2CAFA8 shade: #2CAFA8, #1B9D95, #0A8B82, #00796F and #00675C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #2CAFA8 shade: #2BAFA8, #2BAF84, #2BAF61, #2BAF3D and #3DAF2B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #2CAFA8 shade: #2BAFA8, #2B92AF, #2B6FAF, #2B4CAF and #2B2BAF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #2CAFA8 shade matches the following richer shades: #2BAFA8, #1AC1B8 and #08D2C8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #2CAFA8 shade: #2BAFA8, #3D9D98, #4F8B88, #617A78 and #726869

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #2CAFA8 shade: #2BAF60, #2BAF83, #2BAFA6, #2B95AF and #2B72AF

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #2CAFA8 shade: #1B6D69, #238E88, #2BAFA8, #37CDC5 and #58D5CE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #2CAFA8 shade: #2CAFA8, #3D2BAF and #AF722B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #2CAFA8 shade: #2CAFA8, #A62BAF and #AFA62B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #2CAFA8 shade: #2CAFA8, #3D2BAF, #AF2B34 and #9DAF2B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #2CAFA8 shade: #2CAFA8, #642BAF, #AF2B34 and #76AF2B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 75 / 0 / 4 / 31

HEX #2CAFA8

RGB 44 175 168

HSL 176.79, 0.6%, 0.43%

LAB 64.98, -35.52, -6.4

 

Complementary color

CMYK 0 / 62 / 59 / 17

HEX #D35057

RGB 211 80 87

HSL 356.79, 0.6%, 0.57%

LAB 52.15, 52.11, 23.58

 

CMYK 72 / 0 / 7 / 31

HEX #31AFA3

RGB 49 175 163

HSL 174.29, 0.56%, 0.44%

LAB 64.93, -36.32, -3.69

 

CMYK 66 / 0 / 6 / 24

HEX #42C1B6

RGB 66 193 182

HSL 174.8, 0.51%, 0.51%

LAB 71.33, -36.92, -4.67

 

CMYK 61 / 0 / 5 / 17

HEX #53D3C9

RGB 83 211 201

HSL 175.31, 0.59%, 0.58%

LAB 77.66, -37.32, -5.56

 

CMYK 56 / 0 / 4 / 10

HEX #64E5DC

RGB 100 229 220

HSL 175.81, 0.71%, 0.65%

LAB 83.92, -37.58, -6.38

 

CMYK 53 / 0 / 3 / 3

HEX #75F7EF

RGB 117 247 239

HSL 176.31, 0.89%, 0.71%

LAB 90.11, -37.75, -7.14

 

CMYK 75 / 0 / 4 / 31

HEX #2CAFA8

RGB 44 175 168

HSL 176.79, 0.6%, 0.43%

LAB 64.98, -35.52, -6.4

 

CMYK 83 / 0 / 5 / 38

HEX #1B9D95

RGB 27 157 149

HSL 176.31, 0.71%, 0.36%

LAB 58.52, -34.45, -5.32

 

CMYK 93 / 0 / 6 / 45

HEX #0A8B82

RGB 10 139 130

HSL 175.81, 0.87%, 0.29%

LAB 52, -32.94, -4.08

 

CMYK 100 / 0 / 8 / 53

HEX #00796F

RGB 0 121 111

HSL 175.04, 1%, 0.24%

LAB 45.39, -30.9, -2.66

 

CMYK 100 / 0 / 11 / 60

HEX #00675C

RGB 0 103 92

HSL 173.59, 1%, 0.2%

LAB 38.68, -28.3, -1.05

 

CMYK 75 / 0 / 4 / 31

HEX #2BAFA8

RGB 43 175 168

HSL 176.82, 0.61%, 0.43%

LAB 64.96, -35.63, -6.43

 

CMYK 75 / 0 / 25 / 31

HEX #2BAF84

RGB 43 175 132

HSL 160.45, 0.61%, 0.43%

LAB 64.03, -45.15, 12.2

 

CMYK 75 / 0 / 45 / 31

HEX #2BAF61

RGB 43 175 97

HSL 144.55, 0.61%, 0.43%

LAB 63.37, -52.44, 30.18

 

CMYK 75 / 0 / 65 / 31

HEX #2BAF3D

RGB 43 175 61

HSL 128.18, 0.61%, 0.43%

LAB 62.94, -57.6, 47.11

 

CMYK 65 / 0 / 75 / 31

HEX #3DAF2B

RGB 61 175 43

HSL 111.82, 0.61%, 0.43%

LAB 63.2, -55.9, 54.58

 

CMYK 75 / 0 / 4 / 31

HEX #2BAFA8

RGB 43 175 168

HSL 176.82, 0.61%, 0.43%

LAB 64.96, -35.63, -6.43

 

CMYK 75 / 17 / 0 / 31

HEX #2B92AF

RGB 43 146 175

HSL 193.18, 0.61%, 0.43%

LAB 56.25, -19.02, -23.53

 

CMYK 75 / 37 / 0 / 31

HEX #2B6FAF

RGB 43 111 175

HSL 209.09, 0.61%, 0.43%

LAB 45.6, 1.13, -40.17

 

CMYK 75 / 57 / 0 / 31

HEX #2B4CAF

RGB 43 76 175

HSL 225, 0.61%, 0.43%

LAB 35.55, 23.78, -56.3

 

CMYK 75 / 75 / 0 / 31

HEX #2B2BAF

RGB 43 43 175

HSL 240, 0.61%, 0.43%

LAB 27.67, 44.59, -69.22

 

CMYK 75 / 0 / 4 / 31

HEX #2BAFA8

RGB 43 175 168

HSL 176.82, 0.61%, 0.43%

LAB 64.96, -35.63, -6.43

 

CMYK 87 / 0 / 5 / 24

HEX #1AC1B8

RGB 26 193 184

HSL 176.77, 0.76%, 0.43%

LAB 70.75, -40.63, -6.7

 

CMYK 96 / 0 / 5 / 18

HEX #08D2C8

RGB 8 210 200

HSL 177.03, 0.93%, 0.43%

LAB 76.26, -44.24, -7.22

 

CMYK 75 / 0 / 4 / 31

HEX #2BAFA8

RGB 43 175 168

HSL 176.82, 0.61%, 0.43%

LAB 64.96, -35.63, -6.43

 

CMYK 61 / 0 / 3 / 38

HEX #3D9D98

RGB 61 157 152

HSL 176.88, 0.44%, 0.43%

LAB 59.32, -29, -5.77

 

CMYK 43 / 0 / 2 / 45

HEX #4F8B88

RGB 79 139 136

HSL 177, 0.28%, 0.43%

LAB 53.93, -20.24, -4.51

 

CMYK 20 / 0 / 2 / 52

HEX #617A78

RGB 97 122 120

HSL 175.2, 0.11%, 0.43%

LAB 49.27, -9.48, -1.91

 

CMYK 0 / 9 / 8 / 55

HEX #726869

RGB 114 104 105

HSL 354, 0.05%, 0.43%

LAB 44.94, 4.13, 0.86

 

CMYK 75 / 0 / 45 / 31

HEX #2BAF60

RGB 43 175 96

HSL 144.09, 0.61%, 0.43%

LAB 63.36, -52.62, 30.68

 

CMYK 75 / 0 / 25 / 31

HEX #2BAF83

RGB 43 175 131

HSL 160, 0.61%, 0.43%

LAB 64.01, -45.39, 12.72

 

CMYK 75 / 0 / 5 / 31

HEX #2BAFA6

RGB 43 175 166

HSL 175.91, 0.61%, 0.43%

LAB 64.9, -36.21, -5.4

 

CMYK 75 / 15 / 0 / 31

HEX #2B95AF

RGB 43 149 175

HSL 191.82, 0.61%, 0.43%

LAB 57.18, -20.61, -22.12

 

CMYK 75 / 35 / 0 / 31

HEX #2B72AF

RGB 43 114 175

HSL 207.73, 0.61%, 0.43%

LAB 46.5, -0.71, -38.74

 

CMYK 75 / 0 / 4 / 57

HEX #1B6D69

RGB 27 109 105

HSL 177.07, 0.6%, 0.27%

LAB 41.52, -24.58, -4.75

 

CMYK 75 / 0 / 4 / 44

HEX #238E88

RGB 35 142 136

HSL 176.64, 0.6%, 0.35%

LAB 53.47, -30.39, -5.34

 

CMYK 75 / 0 / 4 / 31

HEX #2BAFA8

RGB 43 175 168

HSL 176.82, 0.61%, 0.43%

LAB 64.96, -35.63, -6.43

 

CMYK 73 / 0 / 4 / 20

HEX #37CDC5

RGB 55 205 197

HSL 176.8, 0.6%, 0.51%

LAB 75.14, -39.72, -7.21

 

CMYK 59 / 0 / 3 / 16

HEX #58D5CE

RGB 88 213 206

HSL 176.64, 0.6%, 0.59%

LAB 78.53, -36.05, -6.94

 

CMYK 75 / 0 / 4 / 31

HEX #2CAFA8

RGB 44 175 168

HSL 176.79, 0.6%, 0.43%

LAB 64.98, -35.52, -6.4

 

CMYK 65 / 75 / 0 / 31

HEX #3D2BAF

RGB 61 43 175

HSL 248.18, 0.61%, 0.43%

LAB 28.94, 46.4, -67.09

 

CMYK 0 / 35 / 75 / 31

HEX #AF722B

RGB 175 114 43

HSL 32.27, 0.61%, 0.43%

LAB 53.3, 17.9, 47.25

 

CMYK 75 / 0 / 4 / 31

HEX #2CAFA8

RGB 44 175 168

HSL 176.79, 0.6%, 0.43%

LAB 64.98, -35.52, -6.4

 

CMYK 5 / 75 / 0 / 31

HEX #A62BAF

RGB 166 43 175

HSL 295.91, 0.61%, 0.43%

LAB 42.66, 64.63, -44.19

 

CMYK 0 / 5 / 75 / 31

HEX #AFA62B

RGB 175 166 43

HSL 55.91, 0.61%, 0.43%

LAB 66.95, -10.59, 60.42

 

CMYK 75 / 0 / 4 / 31

HEX #2CAFA8

RGB 44 175 168

HSL 176.79, 0.6%, 0.43%

LAB 64.98, -35.52, -6.4

 

CMYK 65 / 75 / 0 / 31

HEX #3D2BAF

RGB 61 43 175

HSL 248.18, 0.61%, 0.43%

LAB 28.94, 46.4, -67.09

 

CMYK 0 / 75 / 70 / 31

HEX #AF2B34

RGB 175 43 52

HSL 355.91, 0.61%, 0.43%

LAB 39.73, 52.97, 27.56

 

CMYK 10 / 0 / 75 / 31

HEX #9DAF2B

RGB 157 175 43

HSL 68.18, 0.61%, 0.43%

LAB 68.02, -22.98, 60.9

 

CMYK 75 / 0 / 4 / 31

HEX #2CAFA8

RGB 44 175 168

HSL 176.79, 0.6%, 0.43%

LAB 64.98, -35.52, -6.4

 

CMYK 43 / 75 / 0 / 31

HEX #642BAF

RGB 100 43 175

HSL 265.91, 0.61%, 0.43%

LAB 32.99, 52, -60.29

 

CMYK 0 / 75 / 70 / 31

HEX #AF2B34

RGB 175 43 52

HSL 355.91, 0.61%, 0.43%

LAB 39.73, 52.97, 27.56

 

CMYK 33 / 0 / 75 / 31

HEX #76AF2B

RGB 118 175 43

HSL 85.91, 0.61%, 0.43%

LAB 65.5, -38.66, 57.62

 

Description

Color code: HEX #2CAFA8 | qconv.com Color code: HEX #2CAFA8 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 44 red, 175 green and 168 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
44 175 168 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 75 cyan, none magenta, 4 yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
75% 0% 4% 31% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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