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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2CBEA2 it is the complementary color #D3415D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2CBEA2. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #2CBEA2 shade: #31BE9D, #42D0B0, #53E2C3, #64F4D6 and #75FFE9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2CBEA2. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #2CBEA2 shade: #2CBEA2, #1BAC8F, #0A9A7C, #008869 and #007656

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #2CBEA2 shade: #2CBEA2, #2CBE7A, #2CBE53, #2CBE2C and #53BE2C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #2CBEA2 shade: #2CBEA2, #2CB2BE, #2C8BBE, #2C64BE and #2C3DBE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #2CBEA2 shade matches the following richer shades: #2CBEA2, #19D1AD and #06E3B9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #2CBEA2 shade: #2CBEA2, #3FAB96, #52988A, #65857F and #787273

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #2CBEA2 shade: #2CBE53, #2CBE7A, #2CBEA0, #2CB4BE and #2C8DBE

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #2CBEA2 shade: #1C7B69, #249C85, #2CBEA2, #41D2B6 and #62DAC3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #2CBEA2 shade: #2CBEA2, #2C2CBE and #BE662C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #2CBEA2 shade: #2CBEA2, #A02CBE and #BEA02C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #2CBEA2 shade: #2CBEA2, #2C2CBE, #BE2C49 and #BEBE2C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #2CBEA2 shade: #2CBEA2, #582CBE, #BE2C49 and #92BE2C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 77 / 0 / 15 / 25

HEX #2CBEA2

RGB 44 190 162

HSL 168.49, 0.62%, 0.46%

LAB 69.45, -43.85, 3.46

 

Complementary color

CMYK 0 / 69 / 56 / 17

HEX #D3415D

RGB 211 65 93

HSL 348.49, 0.62%, 0.54%

LAB 50, 58.68, 17.14

 

CMYK 74 / 0 / 17 / 25

HEX #31BE9D

RGB 49 190 157

HSL 165.96, 0.59%, 0.47%

LAB 69.41, -44.54, 6.14

 

CMYK 68 / 0 / 15 / 18

HEX #42D0B0

RGB 66 208 176

HSL 166.48, 0.6%, 0.54%

LAB 75.7, -45.13, 4.96

 

CMYK 63 / 0 / 14 / 11

HEX #53E2C3

RGB 83 226 195

HSL 166.99, 0.71%, 0.61%

LAB 81.93, -45.52, 3.88

 

CMYK 59 / 0 / 12 / 4

HEX #64F4D6

RGB 100 244 214

HSL 167.5, 0.87%, 0.67%

LAB 88.1, -45.75, 2.89

 

CMYK 54 / 0 / 9 / 0

HEX #75FFE9

RGB 117 255 233

HSL 170.43, 1%, 0.73%

LAB 92.21, -42.82, -0.92

 

CMYK 77 / 0 / 15 / 25

HEX #2CBEA2

RGB 44 190 162

HSL 168.49, 0.62%, 0.46%

LAB 69.45, -43.85, 3.46

 

CMYK 84 / 0 / 17 / 33

HEX #1BAC8F

RGB 27 172 143

HSL 168, 0.73%, 0.39%

LAB 63.11, -42.8, 4.76

 

CMYK 94 / 0 / 19 / 40

HEX #0A9A7C

RGB 10 154 124

HSL 167.5, 0.88%, 0.32%

LAB 56.71, -41.32, 6.23

 

CMYK 100 / 0 / 23 / 47

HEX #008869

RGB 0 136 105

HSL 166.32, 1%, 0.27%

LAB 50.25, -39.31, 7.89

 

CMYK 100 / 0 / 27 / 54

HEX #007656

RGB 0 118 86

HSL 163.73, 1%, 0.23%

LAB 43.7, -36.75, 9.76

 

CMYK 77 / 0 / 15 / 25

HEX #2CBEA2

RGB 44 190 162

HSL 168.49, 0.62%, 0.46%

LAB 69.45, -43.85, 3.46

 

CMYK 77 / 0 / 36 / 25

HEX #2CBE7A

RGB 44 190 122

HSL 152.05, 0.62%, 0.46%

LAB 68.58, -53.16, 23.88

 

CMYK 77 / 0 / 56 / 25

HEX #2CBE53

RGB 44 190 83

HSL 136.03, 0.62%, 0.46%

LAB 68.01, -59.78, 42.93

 

CMYK 77 / 0 / 77 / 25

HEX #2CBE2C

RGB 44 190 44

HSL 120, 0.62%, 0.46%

LAB 67.68, -63.77, 58.54

 

CMYK 56 / 0 / 77 / 25

HEX #53BE2C

RGB 83 190 44

HSL 103.97, 0.62%, 0.46%

LAB 68.64, -55.82, 59.79

 

CMYK 77 / 0 / 15 / 25

HEX #2CBEA2

RGB 44 190 162

HSL 168.49, 0.62%, 0.46%

LAB 69.45, -43.85, 3.46

 

CMYK 77 / 6 / 0 / 25

HEX #2CB2BE

RGB 44 178 190

HSL 184.93, 0.62%, 0.46%

LAB 66.59, -30.37, -16.2

 

CMYK 77 / 27 / 0 / 25

HEX #2C8BBE

RGB 44 139 190

HSL 200.96, 0.62%, 0.46%

LAB 54.78, -9.86, -34.36

 

CMYK 77 / 47 / 0 / 25

HEX #2C64BE

RGB 44 100 190

HSL 216.99, 0.62%, 0.46%

LAB 43.31, 13.89, -52.56

 

CMYK 77 / 68 / 0 / 25

HEX #2C3DBE

RGB 44 61 190

HSL 233.01, 0.62%, 0.46%

LAB 33.12, 39.14, -69.15

 

CMYK 77 / 0 / 15 / 25

HEX #2CBEA2

RGB 44 190 162

HSL 168.49, 0.62%, 0.46%

LAB 69.45, -43.85, 3.46

 

CMYK 88 / 0 / 17 / 18

HEX #19D1AD

RGB 25 209 173

HSL 168.26, 0.79%, 0.46%

LAB 75.34, -50.49, 5.97

 

CMYK 97 / 0 / 19 / 11

HEX #06E3B9

RGB 6 227 185

HSL 168.6, 0.95%, 0.46%

LAB 81, -55.35, 7.71

 

CMYK 77 / 0 / 15 / 25

HEX #2CBEA2

RGB 44 190 162

HSL 168.49, 0.62%, 0.46%

LAB 69.45, -43.85, 3.46

 

CMYK 63 / 0 / 12 / 33

HEX #3FAB96

RGB 63 171 150

HSL 168.33, 0.46%, 0.46%

LAB 63.66, -35.82, 1.74

 

CMYK 46 / 0 / 9 / 40

HEX #52988A

RGB 82 152 138

HSL 168, 0.3%, 0.46%

LAB 58.12, -25.61, 0.51

 

CMYK 24 / 0 / 5 / 48

HEX #65857F

RGB 101 133 127

HSL 168.75, 0.14%, 0.46%

LAB 53.03, -12.64, -0.47

 

CMYK 0 / 5 / 4 / 53

HEX #787273

RGB 120 114 115

HSL 350, 0.03%, 0.46%

LAB 48.59, 2.51, 0.27

 

CMYK 77 / 0 / 56 / 25

HEX #2CBE53

RGB 44 190 83

HSL 136.03, 0.62%, 0.46%

LAB 68.01, -59.78, 42.93

 

CMYK 77 / 0 / 36 / 25

HEX #2CBE7A

RGB 44 190 122

HSL 152.05, 0.62%, 0.46%

LAB 68.58, -53.16, 23.88

 

CMYK 77 / 0 / 16 / 25

HEX #2CBEA0

RGB 44 190 160

HSL 167.67, 0.62%, 0.46%

LAB 69.4, -44.37, 4.48

 

CMYK 77 / 5 / 0 / 25

HEX #2CB4BE

RGB 44 180 190

HSL 184.11, 0.62%, 0.46%

LAB 67.2, -31.34, -15.28

 

CMYK 77 / 26 / 0 / 25

HEX #2C8DBE

RGB 44 141 190

HSL 200.14, 0.62%, 0.46%

LAB 55.38, -11, -33.42

 

CMYK 77 / 0 / 15 / 52

HEX #1C7B69

RGB 28 123 105

HSL 168.63, 0.63%, 0.3%

LAB 46.22, -31.28, 2.16

 

CMYK 77 / 0 / 15 / 39

HEX #249C85

RGB 36 156 133

HSL 168.5, 0.63%, 0.38%

LAB 57.89, -37.61, 2.86

 

CMYK 77 / 0 / 15 / 25

HEX #2CBEA2

RGB 44 190 162

HSL 168.49, 0.62%, 0.46%

LAB 69.45, -43.85, 3.46

 

CMYK 69 / 0 / 13 / 18

HEX #41D2B6

RGB 65 210 182

HSL 168.41, 0.62%, 0.54%

LAB 76.43, -44.63, 2.79

 

CMYK 55 / 0 / 11 / 15

HEX #62DAC3

RGB 98 218 195

HSL 168.5, 0.62%, 0.62%

LAB 80, -39.22, 1.13

 

CMYK 77 / 0 / 15 / 25

HEX #2CBEA2

RGB 44 190 162

HSL 168.49, 0.62%, 0.46%

LAB 69.45, -43.85, 3.46

 

CMYK 77 / 77 / 0 / 25

HEX #2C2CBE

RGB 44 44 190

HSL 240, 0.62%, 0.46%

LAB 29.55, 49.04, -75.03

 

CMYK 0 / 46 / 77 / 25

HEX #BE662C

RGB 190 102 44

HSL 23.84, 0.62%, 0.46%

LAB 52.54, 30.95, 46.7

 

CMYK 77 / 0 / 15 / 25

HEX #2CBEA2

RGB 44 190 162

HSL 168.49, 0.62%, 0.46%

LAB 69.45, -43.85, 3.46

 

CMYK 16 / 77 / 0 / 25

HEX #A02CBE

RGB 160 44 190

HSL 287.67, 0.62%, 0.46%

LAB 42.75, 65.8, -52.92

 

CMYK 0 / 16 / 77 / 25

HEX #BEA02C

RGB 190 160 44

HSL 47.67, 0.62%, 0.46%

LAB 66.73, -0.74, 60.36

 

CMYK 77 / 0 / 15 / 25

HEX #2CBEA2

RGB 44 190 162

HSL 168.49, 0.62%, 0.46%

LAB 69.45, -43.85, 3.46

 

CMYK 77 / 77 / 0 / 25

HEX #2C2CBE

RGB 44 44 190

HSL 240, 0.62%, 0.46%

LAB 29.55, 49.04, -75.03

 

CMYK 0 / 77 / 62 / 25

HEX #BE2C49

RGB 190 44 73

HSL 348.08, 0.62%, 0.46%

LAB 43.11, 58.33, 19.47

 

CMYK 0 / 0 / 77 / 25

HEX #BEBE2C

RGB 190 190 44

HSL 60, 0.62%, 0.46%

LAB 74.8, -16.35, 67.76

 

CMYK 77 / 0 / 15 / 25

HEX #2CBEA2

RGB 44 190 162

HSL 168.49, 0.62%, 0.46%

LAB 69.45, -43.85, 3.46

 

CMYK 54 / 77 / 0 / 25

HEX #582CBE

RGB 88 44 190

HSL 258.08, 0.62%, 0.46%

LAB 33.12, 53.7, -69.02

 

CMYK 0 / 77 / 62 / 25

HEX #BE2C49

RGB 190 44 73

HSL 348.08, 0.62%, 0.46%

LAB 43.11, 58.33, 19.47

 

CMYK 23 / 0 / 77 / 25

HEX #92BE2C

RGB 146 190 44

HSL 78.08, 0.62%, 0.46%

LAB 71.64, -34.6, 63.7

 

Description

Color code: HEX #2CBEA2 | qconv.com Color code: HEX #2CBEA2 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 44 red, 190 green and 162 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
44 190 162 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 77 cyan, none magenta, 15 yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
77% 0% 15% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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