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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2CC441 it is the complementary color #D33BBE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2CC441. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #2CC441 shade: #31C43C, #42D64F, #53E862, #64FA75 and #75FF88

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2CC441. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #2CC441 shade: #2CC441, #1BB22E, #0AA01B, #008E08 and #007C00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #2CC441 shade: #2CC341, #40C32C, #68C32C, #91C32C and #BAC32C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #2CC441 shade: #2CC341, #2CC369, #2CC392, #2CC3BB and #2CA2C3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #2CC441 shade matches the following richer shades: #2CC341, #18D633 and #05EA25

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #2CC441 shade: #2CC341, #3FAF4F, #539C5D, #66896B and #797579

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #2CC441 shade: #68C32C, #40C32C, #2CC340, #2CC368 and #2CC391

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #2CC441 shade: #1D802A, #24A135, #2CC341, #44D458 and #65DC76

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #2CC441 shade: #2CC441, #2C91C3 and #C32C54

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #2CC441 shade: #2CC441, #402CC3 and #C3402C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #2CC441 shade: #2CC441, #2C91C3, #C32CAF and #C35E2C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #2CC441 shade: #2CC441, #2C63C3, #C32CAF and #C38B2C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 78 / 0 / 67 / 23

HEX #2CC441

RGB 44 196 65

HSL 128.29, 0.63%, 0.47%

LAB 69.75, -63.87, 52.89

 

Complementary color

CMYK 0 / 72 / 10 / 17

HEX #D33BBE

RGB 211 59 190

HSL 308.29, 0.63%, 0.53%

LAB 52.61, 71.69, -36.74

 

CMYK 75 / 0 / 69 / 23

HEX #31C43C

RGB 49 196 60

HSL 124.49, 0.6%, 0.48%

LAB 69.8, -63.64, 54.96

 

CMYK 69 / 0 / 63 / 16

HEX #42D64F

RGB 66 214 79

HSL 125.27, 0.64%, 0.55%

LAB 75.96, -64.84, 54

 

CMYK 64 / 0 / 58 / 9

HEX #53E862

RGB 83 232 98

HSL 126.04, 0.76%, 0.62%

LAB 82.07, -65.62, 52.82

 

CMYK 60 / 0 / 53 / 2

HEX #64FA75

RGB 100 250 117

HSL 126.8, 0.94%, 0.69%

LAB 88.14, -66.1, 51.55

 

CMYK 54 / 0 / 47 / 0

HEX #75FF88

RGB 117 255 136

HSL 128.26, 1%, 0.73%

LAB 90.36, -61.54, 45.51

 

CMYK 78 / 0 / 67 / 23

HEX #2CC441

RGB 44 196 65

HSL 128.29, 0.63%, 0.47%

LAB 69.75, -63.87, 52.89

 

CMYK 85 / 0 / 74 / 30

HEX #1BB22E

RGB 27 178 46

HSL 127.55, 0.74%, 0.4%

LAB 63.57, -61.99, 53.68

 

CMYK 94 / 0 / 83 / 37

HEX #0AA01B

RGB 10 160 27

HSL 126.8, 0.88%, 0.33%

LAB 57.35, -59.26, 53.73

 

CMYK 100 / 0 / 94 / 44

HEX #008E08

RGB 0 142 8

HSL 123.38, 1%, 0.28%

LAB 51.11, -55.47, 52.39

 

CMYK 100 / 0 / 100 / 51

HEX #007C00

RGB 0 124 0

HSL 120, 1%, 0.24%

LAB 44.82, -50.53, 48.77

 

CMYK 77 / 0 / 67 / 24

HEX #2CC341

RGB 44 195 65

HSL 128.34, 0.63%, 0.47%

LAB 69.43, -63.55, 52.54

 

CMYK 67 / 0 / 77 / 24

HEX #40C32C

RGB 64 195 44

HSL 112.05, 0.63%, 0.47%

LAB 69.68, -61.94, 60.62

 

CMYK 47 / 0 / 77 / 24

HEX #68C32C

RGB 104 195 44

HSL 96.16, 0.63%, 0.47%

LAB 70.98, -51.67, 62.31

 

CMYK 26 / 0 / 77 / 24

HEX #91C32C

RGB 145 195 44

HSL 79.87, 0.63%, 0.47%

LAB 73.04, -37.26, 64.99

 

CMYK 5 / 0 / 77 / 24

HEX #BAC32C

RGB 186 195 44

HSL 63.58, 0.63%, 0.47%

LAB 75.85, -20.55, 68.6

 

CMYK 77 / 0 / 67 / 24

HEX #2CC341

RGB 44 195 65

HSL 128.34, 0.63%, 0.47%

LAB 69.43, -63.55, 52.54

 

CMYK 77 / 0 / 46 / 24

HEX #2CC369

RGB 44 195 105

HSL 144.24, 0.63%, 0.47%

LAB 69.88, -58.15, 34.42

 

CMYK 77 / 0 / 25 / 24

HEX #2CC392

RGB 44 195 146

HSL 160.53, 0.63%, 0.47%

LAB 70.62, -49.88, 13.83

 

CMYK 77 / 0 / 4 / 24

HEX #2CC3BB

RGB 44 195 187

HSL 176.82, 0.63%, 0.47%

LAB 71.66, -39.22, -6.97

 

CMYK 77 / 17 / 0 / 24

HEX #2CA2C3

RGB 44 162 195

HSL 193.11, 0.63%, 0.47%

LAB 61.93, -20.7, -26.1

 

CMYK 77 / 0 / 67 / 24

HEX #2CC341

RGB 44 195 65

HSL 128.34, 0.63%, 0.47%

LAB 69.43, -63.55, 52.54

 

CMYK 89 / 0 / 76 / 16

HEX #18D633

RGB 24 214 51

HSL 128.53, 0.8%, 0.47%

LAB 75.16, -72.46, 63.51

 

CMYK 98 / 0 / 84 / 8

HEX #05EA25

RGB 5 234 37

HSL 128.38, 0.96%, 0.47%

LAB 81.3, -79.64, 73.03

 

CMYK 77 / 0 / 67 / 24

HEX #2CC341

RGB 44 195 65

HSL 128.34, 0.63%, 0.47%

LAB 69.43, -63.55, 52.54

 

CMYK 64 / 0 / 55 / 31

HEX #3FAF4F

RGB 63 175 79

HSL 128.57, 0.47%, 0.47%

LAB 63.57, -51.72, 39.64

 

CMYK 47 / 0 / 40 / 39

HEX #539C5D

RGB 83 156 93

HSL 128.22, 0.31%, 0.47%

LAB 58.42, -36.7, 26.1

 

CMYK 26 / 0 / 22 / 46

HEX #66896B

RGB 102 137 107

HSL 128.57, 0.15%, 0.47%

LAB 53.79, -18.67, 12.19

 

CMYK 0 / 3 / 0 / 53

HEX #797579

RGB 121 117 121

HSL 300, 0.02%, 0.47%

LAB 49.7, 2.33, -1.66

 

CMYK 47 / 0 / 77 / 24

HEX #68C32C

RGB 104 195 44

HSL 96.16, 0.63%, 0.47%

LAB 70.98, -51.67, 62.31

 

CMYK 67 / 0 / 77 / 24

HEX #40C32C

RGB 64 195 44

HSL 112.05, 0.63%, 0.47%

LAB 69.68, -61.94, 60.62

 

CMYK 77 / 0 / 67 / 24

HEX #2CC340

RGB 44 195 64

HSL 127.95, 0.63%, 0.47%

LAB 69.42, -63.65, 52.94

 

CMYK 77 / 0 / 47 / 24

HEX #2CC368

RGB 44 195 104

HSL 143.84, 0.63%, 0.47%

LAB 69.87, -58.32, 34.91

 

CMYK 77 / 0 / 26 / 24

HEX #2CC391

RGB 44 195 145

HSL 160.13, 0.63%, 0.47%

LAB 70.6, -50.11, 14.34

 

CMYK 77 / 0 / 67 / 50

HEX #1D802A

RGB 29 128 42

HSL 127.88, 0.63%, 0.31%

LAB 46.8, -45.84, 37.63

 

CMYK 78 / 0 / 67 / 37

HEX #24A135

RGB 36 161 53

HSL 128.16, 0.63%, 0.39%

LAB 58.15, -54.84, 45.26

 

CMYK 77 / 0 / 67 / 24

HEX #2CC341

RGB 44 195 65

HSL 128.34, 0.63%, 0.47%

LAB 69.43, -63.55, 52.54

 

CMYK 68 / 0 / 58 / 17

HEX #44D458

RGB 68 212 88

HSL 128.33, 0.63%, 0.55%

LAB 75.46, -62.79, 49.51

 

CMYK 54 / 0 / 46 / 14

HEX #65DC76

RGB 101 220 118

HSL 128.57, 0.63%, 0.63%

LAB 79.19, -54.57, 40.04

 

CMYK 78 / 0 / 67 / 23

HEX #2CC441

RGB 44 196 65

HSL 128.29, 0.63%, 0.47%

LAB 69.75, -63.87, 52.89

 

CMYK 77 / 26 / 0 / 24

HEX #2C91C3

RGB 44 145 195

HSL 199.87, 0.63%, 0.47%

LAB 56.81, -11.49, -34.03

 

CMYK 0 / 77 / 57 / 24

HEX #C32C54

RGB 195 44 84

HSL 344.11, 0.63%, 0.47%

LAB 44.3, 60.49, 14.39

 

CMYK 78 / 0 / 67 / 23

HEX #2CC441

RGB 44 196 65

HSL 128.29, 0.63%, 0.47%

LAB 69.75, -63.87, 52.89

 

CMYK 67 / 77 / 0 / 24

HEX #402CC3

RGB 64 44 195

HSL 247.95, 0.63%, 0.47%

LAB 31.42, 52.33, -74.84

 

CMYK 0 / 67 / 77 / 24

HEX #C3402C

RGB 195 64 44

HSL 7.95, 0.63%, 0.47%

LAB 46.25, 51.18, 40.51

 

CMYK 78 / 0 / 67 / 23

HEX #2CC441

RGB 44 196 65

HSL 128.29, 0.63%, 0.47%

LAB 69.75, -63.87, 52.89

 

CMYK 77 / 26 / 0 / 24

HEX #2C91C3

RGB 44 145 195

HSL 199.87, 0.63%, 0.47%

LAB 56.81, -11.49, -34.03

 

CMYK 0 / 77 / 10 / 24

HEX #C32CAF

RGB 195 44 175

HSL 307.95, 0.63%, 0.47%

LAB 47.62, 70.47, -36.01

 

CMYK 0 / 52 / 77 / 24

HEX #C35E2C

RGB 195 94 44

HSL 19.87, 0.63%, 0.47%

LAB 51.6, 37.16, 45.99

 

CMYK 78 / 0 / 67 / 23

HEX #2CC441

RGB 44 196 65

HSL 128.29, 0.63%, 0.47%

LAB 69.75, -63.87, 52.89

 

CMYK 77 / 49 / 0 / 24

HEX #2C63C3

RGB 44 99 195

HSL 218.15, 0.63%, 0.47%

LAB 43.36, 16.44, -55.39

 

CMYK 0 / 77 / 10 / 24

HEX #C32CAF

RGB 195 44 175

HSL 307.95, 0.63%, 0.47%

LAB 47.62, 70.47, -36.01

 

CMYK 0 / 29 / 77 / 24

HEX #C38B2C

RGB 195 139 44

HSL 37.75, 0.63%, 0.47%

LAB 61.87, 12.89, 55.99

 

Description

Color code: HEX #2CC441 | qconv.com Color code: HEX #2CC441 | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 44 red, 196 green and 65 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
44 196 65 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 78 cyan, none magenta, 67 yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
78% 0% 67% 23% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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