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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2CC469 it is the complementary color #D33B96. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2CC469. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #2CC469 shade: #31C464, #42D677, #53E88A, #64FA9D and #75FFB0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2CC469. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #2CC469 shade: #2CC469, #1BB256, #0AA043, #008E30 and #007C1D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #2CC469 shade: #2CC368, #2CC340, #41C32C, #69C32C and #92C32C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #2CC469 shade: #2CC368, #2CC391, #2CC3BA, #2CA3C3 and #2C7AC3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #2CC469 shade matches the following richer shades: #2CC368, #18D665 and #05EA61

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #2CC469 shade: #2CC368, #3FAF6C, #539C70, #668974 and #797578

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #2CC469 shade: #40C32C, #2CC340, #2CC368, #2CC391 and #2CC3B9

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #2CC469 shade: #1D8044, #24A156, #2CC368, #44D47E and #65DC95

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #2CC469 shade: #2CC469, #2C68C3 and #C32C2C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #2CC469 shade: #2CC469, #682CC3 and #C3682C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #2CC469 shade: #2CC469, #2C68C3, #C32C86 and #C3862C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #2CC469 shade: #2CC469, #2C3BC3, #C32C86 and #C3B42C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 78 / 0 / 46 / 23

HEX #2CC469

RGB 44 196 105

HSL 144.08, 0.63%, 0.47%

LAB 70.2, -58.5, 34.83

 

Complementary color

CMYK 0 / 72 / 29 / 17

HEX #D33B96

RGB 211 59 150

HSL 324.08, 0.63%, 0.53%

LAB 50.9, 66.36, -15.9

 

CMYK 75 / 0 / 49 / 23

HEX #31C464

RGB 49 196 100

HSL 140.82, 0.6%, 0.48%

LAB 70.21, -58.65, 37.37

 

CMYK 69 / 0 / 44 / 16

HEX #42D677

RGB 66 214 119

HSL 141.49, 0.64%, 0.55%

LAB 76.43, -59.39, 35.83

 

CMYK 64 / 0 / 41 / 9

HEX #53E88A

RGB 83 232 138

HSL 142.15, 0.76%, 0.62%

LAB 82.59, -59.82, 34.37

 

CMYK 60 / 0 / 37 / 2

HEX #64FA9D

RGB 100 250 157

HSL 142.8, 0.94%, 0.69%

LAB 88.69, -60.05, 32.99

 

CMYK 54 / 0 / 31 / 0

HEX #75FFB0

RGB 117 255 176

HSL 145.65, 1%, 0.73%

LAB 90.98, -54.99, 26.6

 

CMYK 78 / 0 / 46 / 23

HEX #2CC469

RGB 44 196 105

HSL 144.08, 0.63%, 0.47%

LAB 70.2, -58.5, 34.83

 

CMYK 85 / 0 / 52 / 30

HEX #1BB256

RGB 27 178 86

HSL 143.44, 0.74%, 0.4%

LAB 63.95, -57.22, 36.49

 

CMYK 94 / 0 / 58 / 37

HEX #0AA043

RGB 10 160 67

HSL 142.8, 0.88%, 0.33%

LAB 57.67, -55.31, 38.21

 

CMYK 100 / 0 / 66 / 44

HEX #008E30

RGB 0 142 48

HSL 140.28, 1%, 0.28%

LAB 51.34, -52.58, 39.85

 

CMYK 100 / 0 / 77 / 51

HEX #007C1D

RGB 0 124 29

HSL 134.03, 1%, 0.24%

LAB 44.95, -48.92, 41.07

 

CMYK 77 / 0 / 47 / 24

HEX #2CC368

RGB 44 195 104

HSL 143.84, 0.63%, 0.47%

LAB 69.87, -58.32, 34.91

 

CMYK 77 / 0 / 67 / 24

HEX #2CC340

RGB 44 195 64

HSL 127.95, 0.63%, 0.47%

LAB 69.42, -63.65, 52.94

 

CMYK 67 / 0 / 77 / 24

HEX #41C32C

RGB 65 195 44

HSL 111.66, 0.63%, 0.47%

LAB 69.71, -61.74, 60.65

 

CMYK 46 / 0 / 77 / 24

HEX #69C32C

RGB 105 195 44

HSL 95.76, 0.63%, 0.47%

LAB 71.02, -51.36, 62.36

 

CMYK 25 / 0 / 77 / 24

HEX #92C32C

RGB 146 195 44

HSL 79.47, 0.63%, 0.47%

LAB 73.1, -36.87, 65.07

 

CMYK 77 / 0 / 47 / 24

HEX #2CC368

RGB 44 195 104

HSL 143.84, 0.63%, 0.47%

LAB 69.87, -58.32, 34.91

 

CMYK 77 / 0 / 26 / 24

HEX #2CC391

RGB 44 195 145

HSL 160.13, 0.63%, 0.47%

LAB 70.6, -50.11, 14.34

 

CMYK 77 / 0 / 5 / 24

HEX #2CC3BA

RGB 44 195 186

HSL 176.42, 0.63%, 0.47%

LAB 71.63, -39.5, -6.46

 

CMYK 77 / 16 / 0 / 24

HEX #2CA3C3

RGB 44 163 195

HSL 192.72, 0.63%, 0.47%

LAB 62.23, -21.22, -25.64

 

CMYK 77 / 37 / 0 / 24

HEX #2C7AC3

RGB 44 122 195

HSL 209.01, 0.63%, 0.47%

LAB 49.97, 1.97, -44.8

 

CMYK 77 / 0 / 47 / 24

HEX #2CC368

RGB 44 195 104

HSL 143.84, 0.63%, 0.47%

LAB 69.87, -58.32, 34.91

 

CMYK 89 / 0 / 53 / 16

HEX #18D665

RGB 24 214 101

HSL 144.32, 0.8%, 0.47%

LAB 75.59, -67.04, 43.47

 

CMYK 98 / 0 / 59 / 8

HEX #05EA61

RGB 5 234 97

HSL 144.1, 0.96%, 0.47%

LAB 81.7, -74.57, 52.57

 

CMYK 77 / 0 / 47 / 24

HEX #2CC368

RGB 44 195 104

HSL 143.84, 0.63%, 0.47%

LAB 69.87, -58.32, 34.91

 

CMYK 64 / 0 / 38 / 31

HEX #3FAF6C

RGB 63 175 108

HSL 144.11, 0.47%, 0.47%

LAB 64, -47, 25.27

 

CMYK 47 / 0 / 28 / 39

HEX #539C70

RGB 83 156 112

HSL 143.84, 0.31%, 0.47%

LAB 58.78, -33.17, 16.13

 

CMYK 26 / 0 / 15 / 46

HEX #668974

RGB 102 137 116

HSL 144, 0.15%, 0.47%

LAB 54, -16.87, 7.31

 

CMYK 0 / 3 / 1 / 53

HEX #797578

RGB 121 117 120

HSL 315, 0.02%, 0.47%

LAB 49.67, 2.13, -1.11

 

CMYK 67 / 0 / 77 / 24

HEX #40C32C

RGB 64 195 44

HSL 112.05, 0.63%, 0.47%

LAB 69.68, -61.94, 60.62

 

CMYK 77 / 0 / 67 / 24

HEX #2CC340

RGB 44 195 64

HSL 127.95, 0.63%, 0.47%

LAB 69.42, -63.65, 52.94

 

CMYK 77 / 0 / 47 / 24

HEX #2CC368

RGB 44 195 104

HSL 143.84, 0.63%, 0.47%

LAB 69.87, -58.32, 34.91

 

CMYK 77 / 0 / 26 / 24

HEX #2CC391

RGB 44 195 145

HSL 160.13, 0.63%, 0.47%

LAB 70.6, -50.11, 14.34

 

CMYK 77 / 0 / 5 / 24

HEX #2CC3B9

RGB 44 195 185

HSL 176.03, 0.63%, 0.47%

LAB 71.6, -39.79, -5.96

 

CMYK 77 / 0 / 47 / 50

HEX #1D8044

RGB 29 128 68

HSL 143.64, 0.63%, 0.31%

LAB 47.13, -41.95, 24.76

 

CMYK 78 / 0 / 47 / 37

HEX #24A156

RGB 36 161 86

HSL 144, 0.63%, 0.39%

LAB 58.54, -50.19, 29.72

 

CMYK 77 / 0 / 47 / 24

HEX #2CC368

RGB 44 195 104

HSL 143.84, 0.63%, 0.47%

LAB 69.87, -58.32, 34.91

 

CMYK 68 / 0 / 41 / 17

HEX #44D47E

RGB 68 212 126

HSL 144.17, 0.63%, 0.55%

LAB 75.96, -57.11, 31.69

 

CMYK 54 / 0 / 32 / 14

HEX #65DC95

RGB 101 220 149

HSL 144.2, 0.63%, 0.63%

LAB 79.68, -49.38, 24.97

 

CMYK 78 / 0 / 46 / 23

HEX #2CC469

RGB 44 196 105

HSL 144.08, 0.63%, 0.47%

LAB 70.2, -58.5, 34.83

 

CMYK 77 / 47 / 0 / 24

HEX #2C68C3

RGB 44 104 195

HSL 216.16, 0.63%, 0.47%

LAB 44.77, 13.22, -53.12

 

CMYK 0 / 77 / 77 / 24

HEX #C32C2C

RGB 195 44 44

HSL 0, 0.63%, 0.47%

LAB 43.63, 58.38, 37.76

 

CMYK 78 / 0 / 46 / 23

HEX #2CC469

RGB 44 196 105

HSL 144.08, 0.63%, 0.47%

LAB 70.2, -58.5, 34.83

 

CMYK 47 / 77 / 0 / 24

HEX #682CC3

RGB 104 44 195

HSL 263.84, 0.63%, 0.47%

LAB 35.37, 57.28, -68.2

 

CMYK 0 / 47 / 77 / 24

HEX #C3682C

RGB 195 104 44

HSL 23.84, 0.63%, 0.47%

LAB 53.69, 31.95, 48.07

 

CMYK 78 / 0 / 46 / 23

HEX #2CC469

RGB 44 196 105

HSL 144.08, 0.63%, 0.47%

LAB 70.2, -58.5, 34.83

 

CMYK 77 / 47 / 0 / 24

HEX #2C68C3

RGB 44 104 195

HSL 216.16, 0.63%, 0.47%

LAB 44.77, 13.22, -53.12

 

CMYK 0 / 77 / 31 / 24

HEX #C32C86

RGB 195 44 134

HSL 324.24, 0.63%, 0.47%

LAB 45.8, 65.14, -14.28

 

CMYK 0 / 31 / 77 / 24

HEX #C3862C

RGB 195 134 44

HSL 35.76, 0.63%, 0.47%

LAB 60.63, 15.64, 54.82

 

CMYK 78 / 0 / 46 / 23

HEX #2CC469

RGB 44 196 105

HSL 144.08, 0.63%, 0.47%

LAB 70.2, -58.5, 34.83

 

CMYK 77 / 70 / 0 / 24

HEX #2C3BC3

RGB 44 59 195

HSL 234.04, 0.63%, 0.47%

LAB 33.14, 42.13, -72.04

 

CMYK 0 / 77 / 31 / 24

HEX #C32C86

RGB 195 44 134

HSL 324.24, 0.63%, 0.47%

LAB 45.8, 65.14, -14.28

 

CMYK 0 / 8 / 77 / 24

HEX #C3B42C

RGB 195 180 44

HSL 54.04, 0.63%, 0.47%

LAB 72.51, -9.08, 65.85

 

Description

Color code: HEX #2CC469 | qconv.com Color code: HEX #2CC469 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 44 red, 196 green and 105 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
44 196 105 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 78 cyan, none magenta, 46 yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
78% 0% 46% 23% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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