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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2CC8A4 it is the complementary color #D3375B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2CC8A4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #2CC8A4 shade: #31C89F, #42DAB2, #53ECC5, #64FED8 and #75FFEB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2CC8A4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #2CC8A4 shade: #2CC8A4, #1BB691, #0AA47E, #00926B and #008058

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #2CC8A4 shade: #2CC8A4, #2CC87A, #2CC850, #32C82C and #5CC82C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #2CC8A4 shade: #2CC8A4, #2CC2C8, #2C98C8, #2C6EC8 and #2C43C8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #2CC8A4 shade matches the following richer shades: #2CC8A4, #18DCAF and #04F0B9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #2CC8A4 shade: #2CC8A4, #3FB499, #53A18F, #678D84 and #7B7979

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #2CC8A4 shade: #2CC850, #2CC87A, #2CC8A4, #2CC3C8 and #2C99C8

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #2CC8A4 shade: #1D856D, #24A688, #2CC8A4, #47D6B5 and #69DEC3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #2CC8A4 shade: #2CC8A4, #2C31C8 and #C8652C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #2CC8A4 shade: #2CC8A4, #A42CC8 and #C8A42C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #2CC8A4 shade: #2CC8A4, #2C31C8, #C82C50 and #C8C32C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #2CC8A4 shade: #2CC8A4, #552CC8, #C82C50 and #9EC82C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 78 / 0 / 18 / 22

HEX #2CC8A4

RGB 44 200 164

HSL 166.15, 0.64%, 0.48%

LAB 72.58, -47.55, 6.88

 

Complementary color

CMYK 0 / 74 / 57 / 17

HEX #D3375B

RGB 211 55 91

HSL 346.15, 0.64%, 0.52%

LAB 48.68, 62.08, 16.55

 

CMYK 76 / 0 / 21 / 22

HEX #31C89F

RGB 49 200 159

HSL 163.71, 0.61%, 0.49%

LAB 72.54, -48.23, 9.53

 

CMYK 70 / 0 / 18 / 15

HEX #42DAB2

RGB 66 218 178

HSL 164.21, 0.67%, 0.56%

LAB 78.76, -48.87, 8.28

 

CMYK 65 / 0 / 17 / 7

HEX #53ECC5

RGB 83 236 197

HSL 164.71, 0.8%, 0.63%

LAB 84.93, -49.29, 7.14

 

CMYK 61 / 0 / 15 / 0

HEX #64FED8

RGB 100 254 216

HSL 165.19, 0.99%, 0.69%

LAB 91.03, -49.56, 6.1

 

CMYK 54 / 0 / 8 / 0

HEX #75FFEB

RGB 117 255 235

HSL 171.3, 1%, 0.73%

LAB 92.27, -42.34, -1.88

 

CMYK 78 / 0 / 18 / 22

HEX #2CC8A4

RGB 44 200 164

HSL 166.15, 0.64%, 0.48%

LAB 72.58, -47.55, 6.88

 

CMYK 85 / 0 / 20 / 29

HEX #1BB691

RGB 27 182 145

HSL 165.68, 0.74%, 0.41%

LAB 66.32, -46.47, 8.25

 

CMYK 94 / 0 / 23 / 36

HEX #0AA47E

RGB 10 164 126

HSL 165.19, 0.89%, 0.34%

LAB 60, -44.95, 9.78

 

CMYK 100 / 0 / 27 / 43

HEX #00926B

RGB 0 146 107

HSL 163.97, 1%, 0.29%

LAB 53.62, -42.92, 11.5

 

CMYK 100 / 0 / 31 / 50

HEX #008058

RGB 0 128 88

HSL 161.25, 1%, 0.25%

LAB 47.16, -40.36, 13.41

 

CMYK 78 / 0 / 18 / 22

HEX #2CC8A4

RGB 44 200 164

HSL 166.15, 0.64%, 0.48%

LAB 72.58, -47.55, 6.88

 

CMYK 78 / 0 / 39 / 22

HEX #2CC87A

RGB 44 200 122

HSL 150, 0.64%, 0.48%

LAB 71.72, -56.88, 28.08

 

CMYK 78 / 0 / 60 / 22

HEX #2CC850

RGB 44 200 80

HSL 133.85, 0.64%, 0.48%

LAB 71.16, -63.48, 48.01

 

CMYK 75 / 0 / 78 / 22

HEX #32C82C

RGB 50 200 44

HSL 117.69, 0.64%, 0.48%

LAB 70.99, -65.99, 61.77

 

CMYK 54 / 0 / 78 / 22

HEX #5CC82C

RGB 92 200 44

HSL 101.54, 0.64%, 0.48%

LAB 72.07, -57.04, 63.19

 

CMYK 78 / 0 / 18 / 22

HEX #2CC8A4

RGB 44 200 164

HSL 166.15, 0.64%, 0.48%

LAB 72.58, -47.55, 6.88

 

CMYK 78 / 3 / 0 / 22

HEX #2CC2C8

RGB 44 194 200

HSL 182.31, 0.64%, 0.48%

LAB 71.75, -34.97, -13.92

 

CMYK 78 / 24 / 0 / 22

HEX #2C98C8

RGB 44 152 200

HSL 198.46, 0.64%, 0.48%

LAB 59.12, -13.63, -33.24

 

CMYK 78 / 45 / 0 / 22

HEX #2C6EC8

RGB 44 110 200

HSL 214.62, 0.64%, 0.48%

LAB 46.79, 11.3, -52.75

 

CMYK 78 / 67 / 0 / 22

HEX #2C43C8

RGB 44 67 200

HSL 231.15, 0.64%, 0.48%

LAB 35.44, 38.97, -71.19

 

CMYK 78 / 0 / 18 / 22

HEX #2CC8A4

RGB 44 200 164

HSL 166.15, 0.64%, 0.48%

LAB 72.58, -47.55, 6.88

 

CMYK 89 / 0 / 20 / 14

HEX #18DCAF

RGB 24 220 175

HSL 166.22, 0.8%, 0.48%

LAB 78.74, -54.44, 9.77

 

CMYK 98 / 0 / 23 / 6

HEX #04F0B9

RGB 4 240 185

HSL 166.02, 0.97%, 0.48%

LAB 84.92, -60.4, 13.28

 

CMYK 78 / 0 / 18 / 22

HEX #2CC8A4

RGB 44 200 164

HSL 166.15, 0.64%, 0.48%

LAB 72.58, -47.55, 6.88

 

CMYK 65 / 0 / 15 / 29

HEX #3FB499

RGB 63 180 153

HSL 166.15, 0.48%, 0.48%

LAB 66.52, -39.13, 4.22

 

CMYK 48 / 0 / 11 / 37

HEX #53A18F

RGB 83 161 143

HSL 166.15, 0.32%, 0.48%

LAB 61.06, -28.58, 1.96

 

CMYK 27 / 0 / 6 / 45

HEX #678D84

RGB 103 141 132

HSL 165.79, 0.16%, 0.48%

LAB 55.68, -15.18, 0.53

 

CMYK 0 / 2 / 2 / 52

HEX #7B7979

RGB 123 121 121

HSL 0, 0.01%, 0.48%

LAB 51, 0.76, 0.26

 

CMYK 78 / 0 / 60 / 22

HEX #2CC850

RGB 44 200 80

HSL 133.85, 0.64%, 0.48%

LAB 71.16, -63.48, 48.01

 

CMYK 78 / 0 / 39 / 22

HEX #2CC87A

RGB 44 200 122

HSL 150, 0.64%, 0.48%

LAB 71.72, -56.88, 28.08

 

CMYK 78 / 0 / 18 / 22

HEX #2CC8A4

RGB 44 200 164

HSL 166.15, 0.64%, 0.48%

LAB 72.58, -47.55, 6.88

 

CMYK 78 / 3 / 0 / 22

HEX #2CC3C8

RGB 44 195 200

HSL 181.92, 0.64%, 0.48%

LAB 72.05, -35.44, -13.47

 

CMYK 78 / 24 / 0 / 22

HEX #2C99C8

RGB 44 153 200

HSL 198.08, 0.64%, 0.48%

LAB 59.42, -14.18, -32.78

 

CMYK 78 / 0 / 18 / 48

HEX #1D856D

RGB 29 133 109

HSL 166.15, 0.64%, 0.32%

LAB 49.67, -34.64, 4.78

 

CMYK 78 / 0 / 18 / 35

HEX #24A688

RGB 36 166 136

HSL 166.15, 0.64%, 0.4%

LAB 61.15, -41.2, 5.87

 

CMYK 78 / 0 / 18 / 22

HEX #2CC8A4

RGB 44 200 164

HSL 166.15, 0.64%, 0.48%

LAB 72.58, -47.55, 6.88

 

CMYK 67 / 0 / 15 / 16

HEX #47D6B5

RGB 71 214 181

HSL 166.15, 0.64%, 0.56%

LAB 77.74, -45.71, 5.23

 

CMYK 53 / 0 / 12 / 13

HEX #69DEC3

RGB 105 222 195

HSL 166.15, 0.64%, 0.64%

LAB 81.39, -39.58, 3.18

 

CMYK 78 / 0 / 18 / 22

HEX #2CC8A4

RGB 44 200 164

HSL 166.15, 0.64%, 0.48%

LAB 72.58, -47.55, 6.88

 

CMYK 78 / 76 / 0 / 22

HEX #2C31C8

RGB 44 49 200

HSL 238.08, 0.64%, 0.48%

LAB 31.58, 49.59, -77.54

 

CMYK 0 / 50 / 78 / 22

HEX #C8652C

RGB 200 101 44

HSL 21.92, 0.64%, 0.48%

LAB 53.78, 35.55, 48.41

 

CMYK 78 / 0 / 18 / 22

HEX #2CC8A4

RGB 44 200 164

HSL 166.15, 0.64%, 0.48%

LAB 72.58, -47.55, 6.88

 

CMYK 18 / 78 / 0 / 22

HEX #A42CC8

RGB 164 44 200

HSL 286.15, 0.64%, 0.48%

LAB 44.04, 68.42, -56.65

 

CMYK 0 / 18 / 78 / 22

HEX #C8A42C

RGB 200 164 44

HSL 46.15, 0.64%, 0.48%

LAB 68.76, 1.54, 62.6

 

CMYK 78 / 0 / 18 / 22

HEX #2CC8A4

RGB 44 200 164

HSL 166.15, 0.64%, 0.48%

LAB 72.58, -47.55, 6.88

 

CMYK 78 / 76 / 0 / 22

HEX #2C31C8

RGB 44 49 200

HSL 238.08, 0.64%, 0.48%

LAB 31.58, 49.59, -77.54

 

CMYK 0 / 78 / 60 / 22

HEX #C82C50

RGB 200 44 80

HSL 346.15, 0.64%, 0.48%

LAB 45.16, 61.63, 18.21

 

CMYK 0 / 3 / 78 / 22

HEX #C8C32C

RGB 200 195 44

HSL 58.08, 0.64%, 0.48%

LAB 76.98, -14.59, 70.03

 

CMYK 78 / 0 / 18 / 22

HEX #2CC8A4

RGB 44 200 164

HSL 166.15, 0.64%, 0.48%

LAB 72.58, -47.55, 6.88

 

CMYK 58 / 78 / 0 / 22

HEX #552CC8

RGB 85 44 200

HSL 255.77, 0.64%, 0.48%

LAB 33.78, 56.07, -73.81

 

CMYK 0 / 78 / 60 / 22

HEX #C82C50

RGB 200 44 80

HSL 346.15, 0.64%, 0.48%

LAB 45.16, 61.63, 18.21

 

CMYK 21 / 0 / 78 / 22

HEX #9EC82C

RGB 158 200 44

HSL 76.15, 0.64%, 0.48%

LAB 75.3, -34.45, 67.37

 

Description

Color code: HEX #2CC8A4 | qconv.com Color code: HEX #2CC8A4 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 44 red, 200 green and 164 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
44 200 164 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 78 cyan, none magenta, 18 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
78% 0% 18% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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