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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2CC3AA it is the complementary color #D33C55. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2CC3AA. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #2CC3AA shade: #31C3A5, #42D5B8, #53E7CB, #64F9DE and #75FFF1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2CC3AA. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #2CC3AA shade: #2CC3AA, #1BB197, #0A9F84, #008D71 and #007B5E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #2CC3AA shade: #2CC3AA, #2CC381, #2CC358, #2CC330 and #51C32C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #2CC3AA shade: #2CC3AA, #2CB3C3, #2C8AC3, #2C62C3 and #2C39C3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #2CC3AA shade matches the following richer shades: #2CC3AA, #18D6B7 and #05EAC4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #2CC3AA shade: #2CC3AA, #3FAF9D, #539C90, #668983 and #797576

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #2CC3AA shade: #2CC359, #2CC381, #2CC3AA, #2CB4C3 and #2C8BC3

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #2CC3AA shade: #1D806F, #24A18D, #2CC3AA, #44D4BC and #65DCC8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #2CC3AA shade: #2CC3AA, #312CC3 and #C36D2C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #2CC3AA shade: #2CC3AA, #AA2CC3 and #C3AA2C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #2CC3AA shade: #2CC3AA, #312CC3, #C32C45 and #BEC32C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #2CC3AA shade: #2CC3AA, #5E2CC3, #C32C45 and #91C32C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 77 / 0 / 13 / 24

HEX #2CC3AA

RGB 44 195 170

HSL 170.07, 0.63%, 0.47%

LAB 71.19, -43.89, 1.62

 

Complementary color

CMYK 0 / 72 / 60 / 17

HEX #D33C55

RGB 211 60 85

HSL 350.07, 0.63%, 0.53%

LAB 49.17, 59.96, 20.86

 

CMYK 75 / 0 / 15 / 24

HEX #31C3A5

RGB 49 195 165

HSL 167.67, 0.6%, 0.48%

LAB 71.15, -44.63, 4.28

 

CMYK 69 / 0 / 14 / 16

HEX #42D5B8

RGB 66 213 184

HSL 168.16, 0.64%, 0.55%

LAB 77.4, -45.28, 3.13

 

CMYK 64 / 0 / 12 / 9

HEX #53E7CB

RGB 83 231 203

HSL 168.65, 0.76%, 0.62%

LAB 83.6, -45.71, 2.08

 

CMYK 60 / 0 / 11 / 2

HEX #64F9DE

RGB 100 249 222

HSL 169.13, 0.93%, 0.68%

LAB 89.74, -45.99, 1.11

 

CMYK 54 / 0 / 5 / 0

HEX #75FFF1

RGB 117 255 241

HSL 173.91, 1%, 0.73%

LAB 92.42, -40.88, -4.76

 

CMYK 77 / 0 / 13 / 24

HEX #2CC3AA

RGB 44 195 170

HSL 170.07, 0.63%, 0.47%

LAB 71.19, -43.89, 1.62

 

CMYK 85 / 0 / 15 / 31

HEX #1BB197

RGB 27 177 151

HSL 169.6, 0.74%, 0.4%

LAB 64.89, -42.8, 2.89

 

CMYK 94 / 0 / 17 / 38

HEX #0A9F84

RGB 10 159 132

HSL 169.13, 0.88%, 0.33%

LAB 58.53, -41.29, 4.31

 

CMYK 100 / 0 / 20 / 45

HEX #008D71

RGB 0 141 113

HSL 168.09, 1%, 0.28%

LAB 52.11, -39.27, 5.92

 

CMYK 100 / 0 / 24 / 52

HEX #007B5E

RGB 0 123 94

HSL 165.85, 1%, 0.24%

LAB 45.6, -36.75, 7.72

 

CMYK 77 / 0 / 13 / 24

HEX #2CC3AA

RGB 44 195 170

HSL 170.07, 0.63%, 0.47%

LAB 71.19, -43.89, 1.62

 

CMYK 77 / 0 / 34 / 24

HEX #2CC381

RGB 44 195 129

HSL 153.77, 0.63%, 0.47%

LAB 70.28, -53.62, 22.46

 

CMYK 77 / 0 / 55 / 24

HEX #2CC358

RGB 44 195 88

HSL 137.48, 0.63%, 0.47%

LAB 69.66, -60.78, 42.53

 

CMYK 77 / 0 / 75 / 24

HEX #2CC330

RGB 44 195 48

HSL 121.59, 0.63%, 0.47%

LAB 69.31, -65.03, 58.81

 

CMYK 58 / 0 / 77 / 24

HEX #51C32C

RGB 81 195 44

HSL 105.3, 0.63%, 0.47%

LAB 70.15, -58.12, 61.22

 

CMYK 77 / 0 / 13 / 24

HEX #2CC3AA

RGB 44 195 170

HSL 170.07, 0.63%, 0.47%

LAB 71.19, -43.89, 1.62

 

CMYK 77 / 8 / 0 / 24

HEX #2CB3C3

RGB 44 179 195

HSL 186.36, 0.63%, 0.47%

LAB 67.06, -29.31, -18.25

 

CMYK 77 / 29 / 0 / 24

HEX #2C8AC3

RGB 44 138 195

HSL 202.65, 0.63%, 0.47%

LAB 54.71, -7.51, -37.31

 

CMYK 77 / 50 / 0 / 24

HEX #2C62C3

RGB 44 98 195

HSL 218.54, 0.63%, 0.47%

LAB 43.08, 17.08, -55.84

 

CMYK 77 / 71 / 0 / 24

HEX #2C39C3

RGB 44 57 195

HSL 234.83, 0.63%, 0.47%

LAB 32.7, 43.33, -72.76

 

CMYK 77 / 0 / 13 / 24

HEX #2CC3AA

RGB 44 195 170

HSL 170.07, 0.63%, 0.47%

LAB 71.19, -43.89, 1.62

 

CMYK 89 / 0 / 14 / 16

HEX #18D6B7

RGB 24 214 183

HSL 170.21, 0.8%, 0.47%

LAB 77.1, -50, 3.16

 

CMYK 98 / 0 / 16 / 8

HEX #05EAC4

RGB 5 234 196

HSL 170.04, 0.96%, 0.47%

LAB 83.37, -55.35, 5.31

 

CMYK 77 / 0 / 13 / 24

HEX #2CC3AA

RGB 44 195 170

HSL 170.07, 0.63%, 0.47%

LAB 71.19, -43.89, 1.62

 

CMYK 64 / 0 / 10 / 31

HEX #3FAF9D

RGB 63 175 157

HSL 170.36, 0.47%, 0.47%

LAB 65.08, -35.83, -0.09

 

CMYK 47 / 0 / 8 / 39

HEX #539C90

RGB 83 156 144

HSL 170.14, 0.31%, 0.47%

LAB 59.55, -25.85, -0.8

 

CMYK 26 / 0 / 4 / 46

HEX #668983

RGB 102 137 131

HSL 169.71, 0.15%, 0.47%

LAB 54.4, -13.57, -0.78

 

CMYK 0 / 3 / 2 / 53

HEX #797576

RGB 121 117 118

HSL 345, 0.02%, 0.47%

LAB 49.61, 1.73, -0.01

 

CMYK 77 / 0 / 54 / 24

HEX #2CC359

RGB 44 195 89

HSL 137.88, 0.63%, 0.47%

LAB 69.67, -60.64, 42.07

 

CMYK 77 / 0 / 34 / 24

HEX #2CC381

RGB 44 195 129

HSL 153.77, 0.63%, 0.47%

LAB 70.28, -53.62, 22.46

 

CMYK 77 / 0 / 13 / 24

HEX #2CC3AA

RGB 44 195 170

HSL 170.07, 0.63%, 0.47%

LAB 71.19, -43.89, 1.62

 

CMYK 77 / 8 / 0 / 24

HEX #2CB4C3

RGB 44 180 195

HSL 185.96, 0.63%, 0.47%

LAB 67.37, -29.8, -17.79

 

CMYK 77 / 29 / 0 / 24

HEX #2C8BC3

RGB 44 139 195

HSL 202.25, 0.63%, 0.47%

LAB 55.01, -8.09, -36.85

 

CMYK 77 / 0 / 13 / 50

HEX #1D806F

RGB 29 128 111

HSL 169.7, 0.63%, 0.31%

LAB 48.07, -31.79, 1.3

 

CMYK 78 / 0 / 12 / 37

HEX #24A18D

RGB 36 161 141

HSL 170.4, 0.63%, 0.39%

LAB 59.7, -37.66, 0.95

 

CMYK 77 / 0 / 13 / 24

HEX #2CC3AA

RGB 44 195 170

HSL 170.07, 0.63%, 0.47%

LAB 71.19, -43.89, 1.62

 

CMYK 68 / 0 / 11 / 17

HEX #44D4BC

RGB 68 212 188

HSL 170, 0.63%, 0.55%

LAB 77.25, -43.54, 0.76

 

CMYK 54 / 0 / 9 / 14

HEX #65DCC8

RGB 101 220 200

HSL 169.92, 0.63%, 0.63%

LAB 80.81, -38.3, -0.35

 

CMYK 77 / 0 / 13 / 24

HEX #2CC3AA

RGB 44 195 170

HSL 170.07, 0.63%, 0.47%

LAB 71.19, -43.89, 1.62

 

CMYK 75 / 77 / 0 / 24

HEX #312CC3

RGB 49 44 195

HSL 241.99, 0.63%, 0.47%

LAB 30.39, 51.01, -76.58

 

CMYK 0 / 44 / 77 / 24

HEX #C36D2C

RGB 195 109 44

HSL 25.83, 0.63%, 0.47%

LAB 54.78, 29.28, 49.15

 

CMYK 77 / 0 / 13 / 24

HEX #2CC3AA

RGB 44 195 170

HSL 170.07, 0.63%, 0.47%

LAB 71.19, -43.89, 1.62

 

CMYK 13 / 77 / 0 / 24

HEX #AA2CC3

RGB 170 44 195

HSL 290.07, 0.63%, 0.47%

LAB 44.64, 68.62, -52.72

 

CMYK 0 / 13 / 77 / 24

HEX #C3AA2C

RGB 195 170 44

HSL 50.07, 0.63%, 0.47%

LAB 69.85, -3.85, 63.42

 

CMYK 77 / 0 / 13 / 24

HEX #2CC3AA

RGB 44 195 170

HSL 170.07, 0.63%, 0.47%

LAB 71.19, -43.89, 1.62

 

CMYK 75 / 77 / 0 / 24

HEX #312CC3

RGB 49 44 195

HSL 241.99, 0.63%, 0.47%

LAB 30.39, 51.01, -76.58

 

CMYK 0 / 77 / 65 / 24

HEX #C32C45

RGB 195 44 69

HSL 350.07, 0.63%, 0.47%

LAB 43.99, 59.54, 23.28

 

CMYK 3 / 0 / 77 / 24

HEX #BEC32C

RGB 190 195 44

HSL 61.99, 0.63%, 0.47%

LAB 76.17, -18.85, 69

 

CMYK 77 / 0 / 13 / 24

HEX #2CC3AA

RGB 44 195 170

HSL 170.07, 0.63%, 0.47%

LAB 71.19, -43.89, 1.62

 

CMYK 52 / 77 / 0 / 24

HEX #5E2CC3

RGB 94 44 195

HSL 259.87, 0.63%, 0.47%

LAB 34.23, 55.86, -70.11

 

CMYK 0 / 77 / 65 / 24

HEX #C32C45

RGB 195 44 69

HSL 350.07, 0.63%, 0.47%

LAB 43.99, 59.54, 23.28

 

CMYK 26 / 0 / 77 / 24

HEX #91C32C

RGB 145 195 44

HSL 79.87, 0.63%, 0.47%

LAB 73.04, -37.26, 64.99

 

Description

Color code: HEX #2CC3AA | qconv.com Color code: HEX #2CC3AA | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 44 red, 195 green and 170 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
44 195 170 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 77 cyan, none magenta, 13 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
77% 0% 13% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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