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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2CD966 it is the complementary color #D32699. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2CD966. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #2CD966 shade: #31D961, #42EB74, #53FD87, #64FF9A and #75FFAD

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2CD966. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #2CD966 shade: #2CD966, #1BC753, #0AB540, #00A32D and #00911A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #2CD966 shade: #2BD865, #2BD837, #4FD82B, #7DD82B and #ACD82B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #2CD966 shade: #2BD865, #2BD894, #2BD8C2, #2BBFD8 and #2B90D8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #2CD966 shade matches the following richer shades: #2BD865 and #17EC5E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #2CD966 shade: #2BD865, #40C46C, #54AF72, #689B79 and #7C8780

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #2CD966 shade: #4ED82B, #2BD837, #2BD865, #2BD893 and #2BD8C1

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #2CD966 shade: #1B9644, #21B854, #2BD865, #4EDE7E and #71E598

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #2CD966 shade: #2CD966, #2B7CD8 and #D82B37

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #2CD966 shade: #2CD966, #652BD8 and #D8652B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #2CD966 shade: #2CD966, #2B7CD8, #D82B9E and #D8872B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #2CD966 shade: #2CD966, #2B48D8, #D82B9E and #D8BB2B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 80 / 0 / 53 / 15

HEX #2CD966

RGB 44 217 102

HSL 140.12, 0.69%, 0.51%

LAB 76.75, -66.11, 44.46

 

Complementary color

CMYK 0 / 82 / 27 / 17

HEX #D32699

RGB 211 38 153

HSL 320.12, 0.69%, 0.49%

LAB 48.93, 72.65, -20.7

 

CMYK 77 / 0 / 55 / 15

HEX #31D961

RGB 49 217 97

HSL 137.14, 0.69%, 0.52%

LAB 76.76, -66.22, 46.84

 

CMYK 72 / 0 / 51 / 8

HEX #42EB74

RGB 66 235 116

HSL 137.75, 0.81%, 0.59%

LAB 82.83, -67.23, 45.35

 

CMYK 67 / 0 / 47 / 1

HEX #53FD87

RGB 83 253 135

HSL 138.35, 0.98%, 0.66%

LAB 88.85, -67.89, 43.89

 

CMYK 61 / 0 / 40 / 0

HEX #64FF9A

RGB 100 255 154

HSL 140.9, 1%, 0.7%

LAB 90.12, -62.45, 36.37

 

CMYK 54 / 0 / 32 / 0

HEX #75FFAD

RGB 117 255 173

HSL 144.35, 1%, 0.73%

LAB 90.93, -55.55, 28.04

 

CMYK 80 / 0 / 53 / 15

HEX #2CD966

RGB 44 217 102

HSL 140.12, 0.69%, 0.51%

LAB 76.75, -66.11, 44.46

 

CMYK 86 / 0 / 58 / 22

HEX #1BC753

RGB 27 199 83

HSL 139.53, 0.76%, 0.44%

LAB 70.67, -64.55, 46.02

 

CMYK 94 / 0 / 65 / 29

HEX #0AB540

RGB 10 181 64

HSL 138.95, 0.9%, 0.37%

LAB 64.55, -62.35, 47.49

 

CMYK 100 / 0 / 72 / 36

HEX #00A32D

RGB 0 163 45

HSL 136.56, 1%, 0.32%

LAB 58.4, -59.36, 48.69

 

CMYK 100 / 0 / 82 / 43

HEX #00911A

RGB 0 145 26

HSL 130.76, 1%, 0.28%

LAB 52.2, -55.51, 49.18

 

CMYK 80 / 0 / 53 / 15

HEX #2BD865

RGB 43 216 101

HSL 140.12, 0.69%, 0.51%

LAB 76.41, -66.04, 44.52

 

CMYK 80 / 0 / 75 / 15

HEX #2BD837

RGB 43 216 55

HSL 124.16, 0.69%, 0.51%

LAB 76.01, -71.01, 63.11

 

CMYK 63 / 0 / 80 / 15

HEX #4FD82B

RGB 79 216 43

HSL 107.51, 0.69%, 0.51%

LAB 76.65, -65.8, 67.64

 

CMYK 42 / 0 / 80 / 15

HEX #7DD82B

RGB 125 216 43

HSL 91.56, 0.69%, 0.51%

LAB 78.25, -53.26, 69.71

 

CMYK 20 / 0 / 80 / 15

HEX #ACD82B

RGB 172 216 43

HSL 75.26, 0.69%, 0.51%

LAB 80.77, -36.26, 72.92

 

CMYK 80 / 0 / 53 / 15

HEX #2BD865

RGB 43 216 101

HSL 140.12, 0.69%, 0.51%

LAB 76.41, -66.04, 44.52

 

CMYK 80 / 0 / 31 / 15

HEX #2BD894

RGB 43 216 148

HSL 156.42, 0.69%, 0.51%

LAB 77.14, -57.67, 21.8

 

CMYK 80 / 0 / 10 / 15

HEX #2BD8C2

RGB 43 216 194

HSL 172.37, 0.69%, 0.51%

LAB 78.18, -46.59, -1.14

 

CMYK 80 / 12 / 0 / 15

HEX #2BBFD8

RGB 43 191 216

HSL 188.67, 0.69%, 0.51%

LAB 71.37, -28.7, -23.22

 

CMYK 80 / 33 / 0 / 15

HEX #2B90D8

RGB 43 144 216

HSL 204.97, 0.69%, 0.51%

LAB 57.48, -3.51, -44.8

 

CMYK 80 / 0 / 53 / 15

HEX #2BD865

RGB 43 216 101

HSL 140.12, 0.69%, 0.51%

LAB 76.41, -66.04, 44.52

 

CMYK 90 / 0 / 60 / 7

HEX #17EC5E

RGB 23 236 94

HSL 140, 0.85%, 0.51%

LAB 82.37, -74.83, 54.69

 

CMYK 80 / 0 / 53 / 15

HEX #2BD865

RGB 43 216 101

HSL 140.12, 0.69%, 0.51%

LAB 76.41, -66.04, 44.52

 

CMYK 67 / 0 / 45 / 23

HEX #40C46C

RGB 64 196 108

HSL 140, 0.53%, 0.51%

LAB 70.63, -54.94, 33.93

 

CMYK 52 / 0 / 35 / 31

HEX #54AF72

RGB 84 175 114

HSL 139.78, 0.36%, 0.51%

LAB 64.77, -41.05, 23.21

 

CMYK 33 / 0 / 22 / 39

HEX #689B79

RGB 104 155 121

HSL 140, 0.2%, 0.51%

LAB 59.68, -24.49, 12.5

 

CMYK 8 / 0 / 5 / 47

HEX #7C8780

RGB 124 135 128

HSL 141.82, 0.04%, 0.51%

LAB 55.25, -5.45, 2.38

 

CMYK 64 / 0 / 80 / 15

HEX #4ED82B

RGB 78 216 43

HSL 107.86, 0.69%, 0.51%

LAB 76.62, -66.01, 67.61

 

CMYK 80 / 0 / 75 / 15

HEX #2BD837

RGB 43 216 55

HSL 124.16, 0.69%, 0.51%

LAB 76.01, -71.01, 63.11

 

CMYK 80 / 0 / 53 / 15

HEX #2BD865

RGB 43 216 101

HSL 140.12, 0.69%, 0.51%

LAB 76.41, -66.04, 44.52

 

CMYK 80 / 0 / 32 / 15

HEX #2BD893

RGB 43 216 147

HSL 156.07, 0.69%, 0.51%

LAB 77.12, -57.88, 22.3

 

CMYK 80 / 0 / 11 / 15

HEX #2BD8C1

RGB 43 216 193

HSL 172.02, 0.69%, 0.51%

LAB 78.15, -46.85, -0.64

 

CMYK 82 / 0 / 55 / 41

HEX #1B9644

RGB 27 150 68

HSL 140, 0.69%, 0.35%

LAB 54.51, -50.34, 33.97

 

CMYK 82 / 0 / 54 / 28

HEX #21B854

RGB 33 184 84

HSL 140.26, 0.7%, 0.43%

LAB 65.94, -58.95, 39.92

 

CMYK 80 / 0 / 53 / 15

HEX #2BD865

RGB 43 216 101

HSL 140.12, 0.69%, 0.51%

LAB 76.41, -66.04, 44.52

 

CMYK 65 / 0 / 43 / 13

HEX #4EDE7E

RGB 78 222 126

HSL 140, 0.69%, 0.59%

LAB 79.25, -59.05, 36.02

 

CMYK 51 / 0 / 34 / 10

HEX #71E598

RGB 113 229 152

HSL 140.17, 0.69%, 0.67%

LAB 82.82, -49.69, 27.73

 

CMYK 80 / 0 / 53 / 15

HEX #2CD966

RGB 44 217 102

HSL 140.12, 0.69%, 0.51%

LAB 76.75, -66.11, 44.46

 

CMYK 80 / 43 / 0 / 15

HEX #2B7CD8

RGB 43 124 216

HSL 211.91, 0.69%, 0.51%

LAB 51.71, 8.48, -53.98

 

CMYK 0 / 80 / 75 / 15

HEX #D82B37

RGB 216 43 55

HSL 355.84, 0.69%, 0.51%

LAB 47.76, 65.14, 37.15

 

CMYK 80 / 0 / 53 / 15

HEX #2CD966

RGB 44 217 102

HSL 140.12, 0.69%, 0.51%

LAB 76.75, -66.11, 44.46

 

CMYK 53 / 80 / 0 / 15

HEX #652BD8

RGB 101 43 216

HSL 260.12, 0.69%, 0.51%

LAB 36.84, 62.66, -77.99

 

CMYK 0 / 53 / 80 / 15

HEX #D8652B

RGB 216 101 43

HSL 20.12, 0.69%, 0.51%

LAB 56.17, 41.8, 51.99

 

CMYK 80 / 0 / 53 / 15

HEX #2CD966

RGB 44 217 102

HSL 140.12, 0.69%, 0.51%

LAB 76.75, -66.11, 44.46

 

CMYK 80 / 43 / 0 / 15

HEX #2B7CD8

RGB 43 124 216

HSL 211.91, 0.69%, 0.51%

LAB 51.71, 8.48, -53.98

 

CMYK 0 / 80 / 27 / 15

HEX #D82B9E

RGB 216 43 158

HSL 320.12, 0.69%, 0.51%

LAB 50.45, 73.18, -21.27

 

CMYK 0 / 38 / 80 / 15

HEX #D8872B

RGB 216 135 43

HSL 31.91, 0.69%, 0.51%

LAB 63.43, 24.1, 58.74

 

CMYK 80 / 0 / 53 / 15

HEX #2CD966

RGB 44 217 102

HSL 140.12, 0.69%, 0.51%

LAB 76.75, -66.11, 44.46

 

CMYK 80 / 67 / 0 / 15

HEX #2B48D8

RGB 43 72 216

HSL 229.94, 0.69%, 0.51%

LAB 38.03, 41.49, -76.18

 

CMYK 0 / 80 / 27 / 15

HEX #D82B9E

RGB 216 43 158

HSL 320.12, 0.69%, 0.51%

LAB 50.45, 73.18, -21.27

 

CMYK 0 / 13 / 80 / 15

HEX #D8BB2B

RGB 216 187 43

HSL 49.94, 0.69%, 0.51%

LAB 76.26, -3.63, 70.23

 

Description

Color code: HEX #2CD966 | qconv.com Color code: HEX #2CD966 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 44 red, 217 green and 102 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
44 217 102 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 80 cyan, none magenta, 53 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
80% 0% 53% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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