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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2CE3BE it is the complementary color #D31C41. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2CE3BE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #2CE3BE shade: #31E3B9, #42F5CC, #53FFDF, #64FFF2 and #75FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2CE3BE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #2CE3BE shade: #2CE3BE, #1BD1AB, #0ABF98, #00AD85 and #009B72

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #2CE3BE shade: #2AE3BE, #2AE38C, #2AE35A, #2CE32A and #5EE32A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #2CE3BE shade: #2AE3BE, #2AD6E3, #2AA5E3, #2A73E3 and #2A41E3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #2CE3BE shade matches the following richer shades: #2AE3BE and #17F6C9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #2CE3BE shade: #2AE3BE, #3ED0B2, #51BCA7, #65A99B and #78958F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #2CE3BE shade: #2AE359, #2AE38A, #2AE3BB, #2ADAE3 and #2AA8E3

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #2CE3BE shade: #15A688, #1ACAA7, #2AE3BE, #4FE8C9 and #73ECD4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #2CE3BE shade: #2CE3BE, #2A2DE3 and #E3712A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #2CE3BE shade: #2CE3BE, #BB2AE3 and #E3BB2A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #2CE3BE shade: #2CE3BE, #2A2DE3, #E32A52 and #E3E02A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #2CE3BE shade: #2CE3BE, #5F2AE3, #E32A52 and #AFE32A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 81 / 0 / 16 / 11

HEX #2CE3BE

RGB 44 227 190

HSL 167.87, 0.77%, 0.53%

LAB 81.4, -52.11, 5.66

 

Complementary color

CMYK 0 / 87 / 69 / 17

HEX #D31C41

RGB 211 28 65

HSL 347.87, 0.77%, 0.47%

LAB 45.72, 67.59, 28.57

 

CMYK 78 / 0 / 19 / 11

HEX #31E3B9

RGB 49 227 185

HSL 165.84, 0.76%, 0.54%

LAB 81.34, -52.89, 8.23

 

CMYK 73 / 0 / 17 / 4

HEX #42F5CC

RGB 66 245 204

HSL 166.26, 0.9%, 0.61%

LAB 87.4, -53.7, 7

 

CMYK 67 / 0 / 13 / 0

HEX #53FFDF

RGB 83 255 223

HSL 168.84, 1%, 0.66%

LAB 91.09, -50.98, 2.51

 

CMYK 61 / 0 / 5 / 0

HEX #64FFF2

RGB 100 255 242

HSL 174.97, 1%, 0.7%

LAB 91.97, -43.64, -6

 

CMYK 54 / 0 / 0 / 0

HEX #75FFFF

RGB 117 255 255

HSL 180, 1%, 0.73%

LAB 92.8, -37.35, -11.44

 

CMYK 81 / 0 / 16 / 11

HEX #2CE3BE

RGB 44 227 190

HSL 167.87, 0.77%, 0.53%

LAB 81.4, -52.11, 5.66

 

CMYK 87 / 0 / 18 / 18

HEX #1BD1AB

RGB 27 209 171

HSL 167.47, 0.77%, 0.46%

LAB 75.31, -50.88, 7

 

CMYK 95 / 0 / 20 / 25

HEX #0ABF98

RGB 10 191 152

HSL 167.07, 0.9%, 0.39%

LAB 69.18, -49.27, 8.49

 

CMYK 100 / 0 / 23 / 32

HEX #00AD85

RGB 0 173 133

HSL 166.13, 1%, 0.34%

LAB 62.99, -47.23, 10.12

 

CMYK 100 / 0 / 26 / 39

HEX #009B72

RGB 0 155 114

HSL 164.13, 1%, 0.3%

LAB 56.74, -44.79, 11.91

 

CMYK 81 / 0 / 16 / 11

HEX #2AE3BE

RGB 42 227 190

HSL 168, 0.77%, 0.53%

LAB 81.37, -52.28, 5.62

 

CMYK 81 / 0 / 38 / 11

HEX #2AE38C

RGB 42 227 140

HSL 151.78, 0.77%, 0.53%

LAB 80.36, -63.37, 30.28

 

CMYK 81 / 0 / 60 / 11

HEX #2AE35A

RGB 42 227 90

HSL 135.57, 0.77%, 0.53%

LAB 79.71, -71.09, 53.41

 

CMYK 81 / 0 / 81 / 11

HEX #2CE32A

RGB 44 227 42

HSL 119.35, 0.77%, 0.53%

LAB 79.41, -74.93, 70.22

 

CMYK 59 / 0 / 81 / 11

HEX #5EE32A

RGB 94 227 42

HSL 103.14, 0.77%, 0.53%

LAB 80.45, -66.09, 71.56

 

CMYK 81 / 0 / 16 / 11

HEX #2AE3BE

RGB 42 227 190

HSL 168, 0.77%, 0.53%

LAB 81.37, -52.28, 5.62

 

CMYK 81 / 6 / 0 / 11

HEX #2AD6E3

RGB 42 214 227

HSL 184.22, 0.77%, 0.53%

LAB 78.54, -36.37, -18.28

 

CMYK 81 / 27 / 0 / 11

HEX #2AA5E3

RGB 42 165 227

HSL 200.11, 0.77%, 0.53%

LAB 64.12, -11.56, -40.47

 

CMYK 81 / 49 / 0 / 11

HEX #2A73E3

RGB 42 115 227

HSL 216.32, 0.77%, 0.53%

LAB 49.86, 18.17, -63.16

 

CMYK 81 / 71 / 0 / 11

HEX #2A41E3

RGB 42 65 227

HSL 232.54, 0.77%, 0.53%

LAB 37.52, 49.43, -83.33

 

CMYK 81 / 0 / 16 / 11

HEX #2AE3BE

RGB 42 227 190

HSL 168, 0.77%, 0.53%

LAB 81.37, -52.28, 5.62

 

CMYK 91 / 0 / 18 / 4

HEX #17F6C9

RGB 23 246 201

HSL 167.89, 0.93%, 0.53%

LAB 87.15, -58.25, 8.14

 

CMYK 81 / 0 / 16 / 11

HEX #2AE3BE

RGB 42 227 190

HSL 168, 0.77%, 0.53%

LAB 81.37, -52.28, 5.62

 

CMYK 70 / 0 / 14 / 18

HEX #3ED0B2

RGB 62 208 178

HSL 167.67, 0.61%, 0.53%

LAB 75.67, -45.21, 3.82

 

CMYK 57 / 0 / 11 / 26

HEX #51BCA7

RGB 81 188 167

HSL 168.22, 0.44%, 0.53%

LAB 69.83, -35.87, 1.38

 

CMYK 40 / 0 / 8 / 34

HEX #65A99B

RGB 101 169 155

HSL 167.65, 0.28%, 0.53%

LAB 64.57, -24.93, 0.45

 

CMYK 19 / 0 / 4 / 42

HEX #78958F

RGB 120 149 143

HSL 167.59, 0.12%, 0.53%

LAB 59.41, -11.43, -0.2

 

CMYK 81 / 0 / 61 / 11

HEX #2AE359

RGB 42 227 89

HSL 135.24, 0.77%, 0.53%

LAB 79.7, -71.21, 53.84

 

CMYK 81 / 0 / 39 / 11

HEX #2AE38A

RGB 42 227 138

HSL 151.14, 0.77%, 0.53%

LAB 80.33, -63.75, 31.26

 

CMYK 81 / 0 / 18 / 11

HEX #2AE3BB

RGB 42 227 187

HSL 167.03, 0.77%, 0.53%

LAB 81.3, -53.03, 7.11

 

CMYK 81 / 4 / 0 / 11

HEX #2ADAE3

RGB 42 218 227

HSL 182.92, 0.77%, 0.53%

LAB 79.72, -38.22, -16.5

 

CMYK 81 / 26 / 0 / 11

HEX #2AA8E3

RGB 42 168 227

HSL 199.14, 0.77%, 0.53%

LAB 65, -13.21, -39.09

 

CMYK 87 / 0 / 18 / 35

HEX #15A688

RGB 21 166 136

HSL 167.59, 0.78%, 0.37%

LAB 60.97, -42.56, 5.58

 

CMYK 87 / 0 / 17 / 21

HEX #1ACAA7

RGB 26 202 167

HSL 168.07, 0.77%, 0.45%

LAB 73.06, -49.12, 5.92

 

CMYK 81 / 0 / 16 / 11

HEX #2AE3BE

RGB 42 227 190

HSL 168, 0.77%, 0.53%

LAB 81.37, -52.28, 5.62

 

CMYK 66 / 0 / 13 / 9

HEX #4FE8C9

RGB 79 232 201

HSL 167.84, 0.77%, 0.61%

LAB 83.75, -47.26, 3.34

 

CMYK 51 / 0 / 10 / 7

HEX #73ECD4

RGB 115 236 212

HSL 168.1, 0.76%, 0.69%

LAB 86.2, -39.74, 1.24

 

CMYK 81 / 0 / 16 / 11

HEX #2CE3BE

RGB 44 227 190

HSL 167.87, 0.77%, 0.53%

LAB 81.4, -52.11, 5.66

 

CMYK 81 / 80 / 0 / 11

HEX #2A2DE3

RGB 42 45 227

HSL 239.03, 0.77%, 0.53%

LAB 33.81, 60, -89.47

 

CMYK 0 / 50 / 81 / 11

HEX #E3712A

RGB 227 113 42

HSL 23.03, 0.77%, 0.53%

LAB 60.17, 40.04, 56.72

 

CMYK 81 / 0 / 16 / 11

HEX #2CE3BE

RGB 44 227 190

HSL 167.87, 0.77%, 0.53%

LAB 81.4, -52.11, 5.66

 

CMYK 18 / 81 / 0 / 11

HEX #BB2AE3

RGB 187 42 227

HSL 287.03, 0.77%, 0.53%

LAB 49.21, 77.93, -63.6

 

CMYK 0 / 18 / 81 / 11

HEX #E3BB2A

RGB 227 187 42

HSL 47.03, 0.77%, 0.53%

LAB 77.3, 1.1, 71.83

 

CMYK 81 / 0 / 16 / 11

HEX #2CE3BE

RGB 44 227 190

HSL 167.87, 0.77%, 0.53%

LAB 81.4, -52.11, 5.66

 

CMYK 81 / 80 / 0 / 11

HEX #2A2DE3

RGB 42 45 227

HSL 239.03, 0.77%, 0.53%

LAB 33.81, 60, -89.47

 

CMYK 0 / 81 / 64 / 11

HEX #E32A52

RGB 227 42 82

HSL 347.03, 0.77%, 0.53%

LAB 50.21, 69.65, 24.59

 

CMYK 0 / 1 / 81 / 11

HEX #E3E02A

RGB 227 224 42

HSL 59.03, 0.77%, 0.53%

LAB 86.9, -17.63, 80.04

 

CMYK 81 / 0 / 16 / 11

HEX #2CE3BE

RGB 44 227 190

HSL 167.87, 0.77%, 0.53%

LAB 81.4, -52.11, 5.66

 

CMYK 58 / 81 / 0 / 11

HEX #5F2AE3

RGB 95 42 227

HSL 257.19, 0.77%, 0.53%

LAB 37.18, 65.23, -83.76

 

CMYK 0 / 81 / 64 / 11

HEX #E32A52

RGB 227 42 82

HSL 347.03, 0.77%, 0.53%

LAB 50.21, 69.65, 24.59

 

CMYK 23 / 0 / 81 / 11

HEX #AFE32A

RGB 175 227 42

HSL 76.86, 0.77%, 0.53%

LAB 84.08, -40.05, 76.17

 

Description

Color code: HEX #2CE3BE | qconv.com Color code: HEX #2CE3BE | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 44 red, 227 green and 190 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
44 227 190 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 81 cyan, none magenta, 16 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
81% 0% 16% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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