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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2CED1B it is the complementary color #D312E4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2CED1B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #2CED1B shade: #31ED16, #42FF29, #53FF3C, #64FF4F and #75FF62

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2CED1B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #2CED1B shade: #2CED1B, #1BDB08, #0AC900, #00B700 and #00A500

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #2CED1B shade: #2DEC1C, #65EC1C, #9DEC1C, #D5EC1C and #ECCB1C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #2CED1B shade: #2DEC1C, #1CEC43, #1CEC7B, #1CECB4 and #1CECEC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #2CED1B shade matches the following richer shades: #2DEC1C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #2CED1B shade: #2DEC1C, #3ED830, #4EC544, #5FB157 and #6F9D6B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #2CED1B shade: #9CEC1C, #65EC1C, #2DEC1C, #1CEC42 and #1CEC7A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #2CED1B shade: #1AA80D, #20CF10, #2DEC1C, #50EF42 and #74F268

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #2CED1B shade: #2CED1B, #1CD4EC and #EC1C81

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #2CED1B shade: #2CED1B, #1C2DEC and #EC1C2D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #2CED1B shade: #2CED1B, #1CD4EC, #DB1CEC and #EC341C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #2CED1B shade: #2CED1B, #1C95EC, #DB1CEC and #EC731C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 81 / 0 / 89 / 7

HEX #2CED1B

RGB 44 237 27

HSL 115.14, 0.85%, 0.52%

LAB 82.48, -78.38, 76.12

 

Complementary color

CMYK 7 / 92 / 0 / 11

HEX #D312E4

RGB 211 18 228

HSL 295.14, 0.85%, 0.48%

LAB 51.7, 86.22, -59.95

 

CMYK 79 / 0 / 91 / 7

HEX #31ED16

RGB 49 237 22

HSL 112.47, 0.86%, 0.51%

LAB 82.53, -77.96, 76.96

 

CMYK 74 / 0 / 84 / 0

HEX #42FF29

RGB 66 255 41

HSL 112.99, 1%, 0.58%

LAB 88.37, -80.22, 78.69

 

CMYK 67 / 0 / 76 / 0

HEX #53FF3C

RGB 83 255 60

HSL 112.92, 1%, 0.62%

LAB 88.77, -76.47, 74.27

 

CMYK 61 / 0 / 69 / 0

HEX #64FF4F

RGB 100 255 79

HSL 112.84, 1%, 0.65%

LAB 89.3, -71.74, 68.62

 

CMYK 54 / 0 / 62 / 0

HEX #75FF62

RGB 117 255 98

HSL 112.74, 1%, 0.69%

LAB 89.94, -66.09, 62.06

 

CMYK 81 / 0 / 89 / 7

HEX #2CED1B

RGB 44 237 27

HSL 115.14, 0.85%, 0.52%

LAB 82.48, -78.38, 76.12

 

CMYK 88 / 0 / 96 / 14

HEX #1BDB08

RGB 27 219 8

HSL 114.6, 0.93%, 0.45%

LAB 76.63, -75.4, 73.57

 

CMYK 95 / 0 / 100 / 21

HEX #0AC900

RGB 10 201 0

HSL 117.01, 1%, 0.39%

LAB 70.76, -71.63, 69.59

 

CMYK 100 / 0 / 100 / 28

HEX #00B700

RGB 0 183 0

HSL 120, 1%, 0.36%

LAB 64.86, -67.18, 64.83

 

CMYK 100 / 0 / 100 / 35

HEX #00A500

RGB 0 165 0

HSL 120, 1%, 0.32%

LAB 58.89, -62.22, 60.05

 

CMYK 81 / 0 / 88 / 7

HEX #2DEC1C

RGB 45 236 28

HSL 115.1, 0.85%, 0.52%

LAB 82.18, -77.96, 75.7

 

CMYK 57 / 0 / 88 / 7

HEX #65EC1C

RGB 101 236 28

HSL 98.94, 0.85%, 0.52%

LAB 83.36, -67.95, 77.17

 

CMYK 33 / 0 / 88 / 7

HEX #9DEC1C

RGB 157 236 28

HSL 82.79, 0.85%, 0.52%

LAB 85.63, -50.93, 79.99

 

CMYK 10 / 0 / 88 / 7

HEX #D5EC1C

RGB 213 236 28

HSL 66.63, 0.85%, 0.52%

LAB 89.03, -29.47, 84.17

 

CMYK 0 / 14 / 88 / 7

HEX #ECCB1C

RGB 236 203 28

HSL 50.48, 0.85%, 0.52%

LAB 82.18, -3.62, 79.52

 

CMYK 81 / 0 / 88 / 7

HEX #2DEC1C

RGB 45 236 28

HSL 115.1, 0.85%, 0.52%

LAB 82.18, -77.96, 75.7

 

CMYK 88 / 0 / 72 / 7

HEX #1CEC43

RGB 28 236 67

HSL 131.25, 0.85%, 0.52%

LAB 82.19, -77.25, 65.18

 

CMYK 88 / 0 / 48 / 7

HEX #1CEC7B

RGB 28 236 123

HSL 147.4, 0.85%, 0.52%

LAB 82.74, -70.48, 41.78

 

CMYK 88 / 0 / 24 / 7

HEX #1CECB4

RGB 28 236 180

HSL 163.85, 0.85%, 0.52%

LAB 83.72, -59.21, 14.21

 

CMYK 88 / 0 / 0 / 7

HEX #1CECEC

RGB 28 236 236

HSL 180, 0.85%, 0.52%

LAB 85.15, -44.51, -13.13

 

CMYK 81 / 0 / 88 / 7

HEX #2DEC1C

RGB 45 236 28

HSL 115.1, 0.85%, 0.52%

LAB 82.18, -77.96, 75.7

 

CMYK 81 / 0 / 88 / 7

HEX #2DEC1C

RGB 45 236 28

HSL 115.1, 0.85%, 0.52%

LAB 82.18, -77.96, 75.7

 

CMYK 71 / 0 / 78 / 15

HEX #3ED830

RGB 62 216 48

HSL 115, 0.68%, 0.52%

LAB 76.28, -68.78, 65.71

 

CMYK 60 / 0 / 65 / 23

HEX #4EC544

RGB 78 197 68

HSL 115.35, 0.53%, 0.52%

LAB 70.85, -57.66, 53.07

 

CMYK 46 / 0 / 51 / 31

HEX #5FB157

RGB 95 177 87

HSL 114.67, 0.37%, 0.52%

LAB 65.41, -43.15, 38.18

 

CMYK 29 / 0 / 32 / 38

HEX #6F9D6B

RGB 111 157 107

HSL 115.2, 0.2%, 0.52%

LAB 60.39, -25.71, 21.33

 

CMYK 34 / 0 / 88 / 7

HEX #9CEC1C

RGB 156 236 28

HSL 83.08, 0.85%, 0.52%

LAB 85.58, -51.29, 79.93

 

CMYK 57 / 0 / 88 / 7

HEX #65EC1C

RGB 101 236 28

HSL 98.94, 0.85%, 0.52%

LAB 83.36, -67.95, 77.17

 

CMYK 81 / 0 / 88 / 7

HEX #2DEC1C

RGB 45 236 28

HSL 115.1, 0.85%, 0.52%

LAB 82.18, -77.96, 75.7

 

CMYK 88 / 0 / 72 / 7

HEX #1CEC42

RGB 28 236 66

HSL 130.96, 0.85%, 0.52%

LAB 82.18, -77.33, 65.53

 

CMYK 88 / 0 / 48 / 7

HEX #1CEC7A

RGB 28 236 122

HSL 147.12, 0.85%, 0.52%

LAB 82.72, -70.64, 42.25

 

CMYK 85 / 0 / 92 / 34

HEX #1AA80D

RGB 26 168 13

HSL 114.97, 0.86%, 0.35%

LAB 60.12, -60.92, 59.28

 

CMYK 85 / 0 / 92 / 19

HEX #20CF10

RGB 32 207 16

HSL 114.97, 0.86%, 0.44%

LAB 72.87, -71.48, 69.61

 

CMYK 81 / 0 / 88 / 7

HEX #2DEC1C

RGB 45 236 28

HSL 115.1, 0.85%, 0.52%

LAB 82.18, -77.96, 75.7

 

CMYK 67 / 0 / 72 / 6

HEX #50EF42

RGB 80 239 66

HSL 115.14, 0.84%, 0.6%

LAB 83.88, -71.59, 67.5

 

CMYK 52 / 0 / 57 / 5

HEX #74F268

RGB 116 242 104

HSL 114.78, 0.84%, 0.68%

LAB 86.11, -60.97, 55.11

 

CMYK 81 / 0 / 89 / 7

HEX #2CED1B

RGB 44 237 27

HSL 115.14, 0.85%, 0.52%

LAB 82.48, -78.38, 76.12

 

CMYK 88 / 10 / 0 / 7

HEX #1CD4EC

RGB 28 212 236

HSL 186.92, 0.85%, 0.52%

LAB 78.1, -33.56, -23.76

 

CMYK 0 / 88 / 45 / 7

HEX #EC1C81

RGB 236 28 129

HSL 330.87, 0.85%, 0.52%

LAB 52.12, 77.84, -1.01

 

CMYK 81 / 0 / 89 / 7

HEX #2CED1B

RGB 44 237 27

HSL 115.14, 0.85%, 0.52%

LAB 82.48, -78.38, 76.12

 

CMYK 88 / 81 / 0 / 7

HEX #1C2DEC

RGB 28 45 236

HSL 235.1, 0.85%, 0.52%

LAB 34.35, 62.2, -93.7

 

CMYK 0 / 88 / 81 / 7

HEX #EC1C2D

RGB 236 28 45

HSL 355.1, 0.85%, 0.52%

LAB 50.51, 73.32, 46.83

 

CMYK 81 / 0 / 89 / 7

HEX #2CED1B

RGB 44 237 27

HSL 115.14, 0.85%, 0.52%

LAB 82.48, -78.38, 76.12

 

CMYK 88 / 10 / 0 / 7

HEX #1CD4EC

RGB 28 212 236

HSL 186.92, 0.85%, 0.52%

LAB 78.1, -33.56, -23.76

 

CMYK 7 / 88 / 0 / 7

HEX #DB1CEC

RGB 219 28 236

HSL 295.1, 0.85%, 0.52%

LAB 53.97, 87.43, -60.75

 

CMYK 0 / 78 / 88 / 7

HEX #EC341C

RGB 236 52 28

HSL 6.92, 0.85%, 0.52%

LAB 52.26, 67.66, 56.4

 

CMYK 81 / 0 / 89 / 7

HEX #2CED1B

RGB 44 237 27

HSL 115.14, 0.85%, 0.52%

LAB 82.48, -78.38, 76.12

 

CMYK 88 / 37 / 0 / 7

HEX #1C95EC

RGB 28 149 236

HSL 205.1, 0.85%, 0.52%

LAB 59.71, -0.22, -52.42

 

CMYK 7 / 88 / 0 / 7

HEX #DB1CEC

RGB 219 28 236

HSL 295.1, 0.85%, 0.52%

LAB 53.97, 87.43, -60.75

 

CMYK 0 / 51 / 88 / 7

HEX #EC731C

RGB 236 115 28

HSL 25.1, 0.85%, 0.52%

LAB 61.81, 42.21, 63.67

 

Description

Color code: HEX #2CED1B | qconv.com Color code: HEX #2CED1B | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 44 red, 237 green and 27 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
44 237 27 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 81 cyan, none magenta, 89 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
81% 0% 89% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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