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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2CFB30 it is the complementary color #D304CF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2CFB30. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #2CFB30 shade: #31FB2B, #42FF3E, #53FF51, #64FF64 and #75FF77

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2CFB30. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #2CFB30 shade: #2CFB30, #1BE91D, #0AD70A, #00C500 and #00B300

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #2CFB30 shade: #2DFA31, #60FA2D, #98FA2D, #CFFA2D and #FAEE2D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #2CFB30 shade: #2DFA31, #2DFA68, #2DFA9F, #2DFAD7 and #2DE6FA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #2CFB30 shade matches the following richer shades: #2DFA31

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #2CFB30 shade: #2DFA31, #3EE941, #4FD852, #61C663 and #72B573

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #2CFB30 shade: #97FA2D, #60FA2D, #2DFA30, #2DFA67 and #2DFA9E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #2CFB30 shade: #04D108, #05F909, #2DFA31, #55FB58 and #7DFC80

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #2CFB30 shade: #2CFB30, #2DCEFA and #FA2D7B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #2CFB30 shade: #2CFB30, #302DFA and #FA302D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #2CFB30 shade: #2CFB30, #2DCEFA, #FA2DF7 and #FA592D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #2CFB30 shade: #2CFB30, #2D90FA, #FA2DF7 and #FA972D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 82 / 0 / 81 / 2

HEX #2CFB30

RGB 44 251 48

HSL 121.16, 0.96%, 0.58%

LAB 86.87, -81.41, 75.57

 

Complementary color

CMYK 0 / 98 / 2 / 17

HEX #D304CF

RGB 211 4 207

HSL 301.16, 0.96%, 0.42%

LAB 50.03, 84.29, -50.66

 

CMYK 80 / 0 / 83 / 2

HEX #31FB2B

RGB 49 251 43

HSL 118.27, 0.96%, 0.58%

LAB 86.91, -81.14, 76.84

 

CMYK 74 / 0 / 76 / 0

HEX #42FF3E

RGB 66 255 62

HSL 118.76, 1%, 0.62%

LAB 88.46, -79.11, 73.25

 

CMYK 67 / 0 / 68 / 0

HEX #53FF51

RGB 83 255 81

HSL 119.31, 1%, 0.66%

LAB 88.9, -74.94, 67.35

 

CMYK 61 / 0 / 61 / 0

HEX #64FF64

RGB 100 255 100

HSL 120, 1%, 0.7%

LAB 89.46, -69.81, 60.55

 

CMYK 54 / 0 / 53 / 0

HEX #75FF77

RGB 117 255 119

HSL 120.87, 1%, 0.73%

LAB 90.15, -63.78, 53.17

 

CMYK 82 / 0 / 81 / 2

HEX #2CFB30

RGB 44 251 48

HSL 121.16, 0.96%, 0.58%

LAB 86.87, -81.41, 75.57

 

CMYK 88 / 0 / 88 / 9

HEX #1BE91D

RGB 27 233 29

HSL 120.58, 0.82%, 0.51%

LAB 81.07, -78.69, 74.49

 

CMYK 95 / 0 / 95 / 16

HEX #0AD70A

RGB 10 215 10

HSL 120, 0.91%, 0.44%

LAB 75.26, -75.22, 72.22

 

CMYK 100 / 0 / 100 / 23

HEX #00C500

RGB 0 197 0

HSL 120, 1%, 0.39%

LAB 69.42, -70.97, 68.49

 

CMYK 100 / 0 / 100 / 30

HEX #00B300

RGB 0 179 0

HSL 120, 1%, 0.35%

LAB 63.54, -66.08, 63.78

 

CMYK 82 / 0 / 80 / 2

HEX #2DFA31

RGB 45 250 49

HSL 121.17, 0.95%, 0.58%

LAB 86.58, -80.98, 75.04

 

CMYK 62 / 0 / 82 / 2

HEX #60FA2D

RGB 96 250 45

HSL 105.07, 0.95%, 0.58%

LAB 87.51, -73.08, 77.24

 

CMYK 39 / 0 / 82 / 2

HEX #98FA2D

RGB 152 250 45

HSL 88.68, 0.95%, 0.58%

LAB 89.5, -57.67, 79.78

 

CMYK 17 / 0 / 82 / 2

HEX #CFFA2D

RGB 207 250 45

HSL 72.59, 0.95%, 0.58%

LAB 92.5, -37.82, 83.56

 

CMYK 0 / 5 / 82 / 2

HEX #FAEE2D

RGB 250 238 45

HSL 56.49, 0.95%, 0.58%

LAB 92.43, -14.81, 84.74

 

CMYK 82 / 0 / 80 / 2

HEX #2DFA31

RGB 45 250 49

HSL 121.17, 0.95%, 0.58%

LAB 86.58, -80.98, 75.04

 

CMYK 82 / 0 / 58 / 2

HEX #2DFA68

RGB 45 250 104

HSL 137.27, 0.95%, 0.58%

LAB 86.96, -76.21, 55.7

 

CMYK 82 / 0 / 36 / 2

HEX #2DFA9F

RGB 45 250 159

HSL 153.37, 0.95%, 0.58%

LAB 87.69, -67.56, 30.47

 

CMYK 82 / 0 / 14 / 2

HEX #2DFAD7

RGB 45 250 215

HSL 169.76, 0.95%, 0.58%

LAB 88.84, -55.04, 3.33

 

CMYK 82 / 8 / 0 / 2

HEX #2DE6FA

RGB 45 230 250

HSL 185.85, 0.95%, 0.58%

LAB 83.99, -36.65, -22.23

 

CMYK 82 / 0 / 80 / 2

HEX #2DFA31

RGB 45 250 49

HSL 121.17, 0.95%, 0.58%

LAB 86.58, -80.98, 75.04

 

CMYK 82 / 0 / 80 / 2

HEX #2DFA31

RGB 45 250 49

HSL 121.17, 0.95%, 0.58%

LAB 86.58, -80.98, 75.04

 

CMYK 73 / 0 / 72 / 9

HEX #3EE941

RGB 62 233 65

HSL 121.05, 0.8%, 0.58%

LAB 81.67, -72.85, 65.49

 

CMYK 63 / 0 / 62 / 15

HEX #4FD852

RGB 79 216 82

HSL 121.31, 0.64%, 0.58%

LAB 76.91, -62.7, 53.87

 

CMYK 51 / 0 / 50 / 22

HEX #61C663

RGB 97 198 99

HSL 121.19, 0.47%, 0.58%

LAB 72.11, -49.6, 40.51

 

CMYK 37 / 0 / 36 / 29

HEX #72B573

RGB 114 181 115

HSL 120.9, 0.31%, 0.58%

LAB 67.92, -34.84, 27.1

 

CMYK 40 / 0 / 82 / 2

HEX #97FA2D

RGB 151 250 45

HSL 88.98, 0.95%, 0.58%

LAB 89.46, -58, 79.72

 

CMYK 62 / 0 / 82 / 2

HEX #60FA2D

RGB 96 250 45

HSL 105.07, 0.95%, 0.58%

LAB 87.51, -73.08, 77.24

 

CMYK 82 / 0 / 81 / 2

HEX #2DFA30

RGB 45 250 48

HSL 120.88, 0.95%, 0.58%

LAB 86.57, -81.04, 75.3

 

CMYK 82 / 0 / 59 / 2

HEX #2DFA67

RGB 45 250 103

HSL 136.98, 0.95%, 0.58%

LAB 86.95, -76.34, 56.13

 

CMYK 82 / 0 / 37 / 2

HEX #2DFA9E

RGB 45 250 158

HSL 153.07, 0.95%, 0.58%

LAB 87.68, -67.75, 30.95

 

CMYK 98 / 0 / 96 / 18

HEX #04D108

RGB 4 209 8

HSL 121.17, 0.96%, 0.42%

LAB 73.31, -73.87, 70.81

 

CMYK 98 / 0 / 96 / 2

HEX #05F909

RGB 5 249 9

HSL 120.98, 0.96%, 0.5%

LAB 85.91, -84.37, 81.02

 

CMYK 82 / 0 / 80 / 2

HEX #2DFA31

RGB 45 250 49

HSL 121.17, 0.95%, 0.58%

LAB 86.58, -80.98, 75.04

 

CMYK 66 / 0 / 65 / 2

HEX #55FB58

RGB 85 251 88

HSL 121.08, 0.95%, 0.66%

LAB 87.79, -72.66, 63.49

 

CMYK 50 / 0 / 49 / 1

HEX #7DFC80

RGB 125 252 128

HSL 121.42, 0.95%, 0.74%

LAB 89.65, -59.52, 48.46

 

CMYK 82 / 0 / 81 / 2

HEX #2CFB30

RGB 44 251 48

HSL 121.16, 0.96%, 0.58%

LAB 86.87, -81.41, 75.57

 

CMYK 82 / 18 / 0 / 2

HEX #2DCEFA

RGB 45 206 250

HSL 192.88, 0.95%, 0.58%

LAB 77.04, -25.08, -32.86

 

CMYK 0 / 82 / 51 / 2

HEX #FA2D7B

RGB 250 45 123

HSL 337.17, 0.95%, 0.58%

LAB 55.72, 77.49, 8.12

 

CMYK 82 / 0 / 81 / 2

HEX #2CFB30

RGB 44 251 48

HSL 121.16, 0.96%, 0.58%

LAB 86.87, -81.41, 75.57

 

CMYK 81 / 82 / 0 / 2

HEX #302DFA

RGB 48 45 250

HSL 240.88, 0.95%, 0.58%

LAB 36.76, 67.05, -97.59

 

CMYK 0 / 81 / 82 / 2

HEX #FA302D

RGB 250 48 45

HSL 0.88, 0.95%, 0.58%

LAB 54.69, 72.97, 51.76

 

CMYK 82 / 0 / 81 / 2

HEX #2CFB30

RGB 44 251 48

HSL 121.16, 0.96%, 0.58%

LAB 86.87, -81.41, 75.57

 

CMYK 82 / 18 / 0 / 2

HEX #2DCEFA

RGB 45 206 250

HSL 192.88, 0.95%, 0.58%

LAB 77.04, -25.08, -32.86

 

CMYK 0 / 82 / 1 / 2

HEX #FA2DF7

RGB 250 45 247

HSL 300.88, 0.95%, 0.58%

LAB 60.71, 91.38, -55.83

 

CMYK 0 / 64 / 82 / 2

HEX #FA592D

RGB 250 89 45

HSL 12.88, 0.95%, 0.58%

LAB 59.58, 59.46, 56.24

 

CMYK 82 / 0 / 81 / 2

HEX #2CFB30

RGB 44 251 48

HSL 121.16, 0.96%, 0.58%

LAB 86.87, -81.41, 75.57

 

CMYK 82 / 42 / 0 / 2

HEX #2D90FA

RGB 45 144 250

HSL 211.02, 0.95%, 0.58%

LAB 59.35, 9.14, -60.69

 

CMYK 0 / 82 / 1 / 2

HEX #FA2DF7

RGB 250 45 247

HSL 300.88, 0.95%, 0.58%

LAB 60.71, 91.38, -55.83

 

CMYK 0 / 40 / 82 / 2

HEX #FA972D

RGB 250 151 45

HSL 31.02, 0.95%, 0.58%

LAB 71.31, 29.85, 66.68

 

Description

Color code: HEX #2CFB30 | qconv.com Color code: HEX #2CFB30 | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 44 red, 251 green and 48 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
44 251 48 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 82 cyan, none magenta, 81 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
82% 0% 81% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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