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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2A0983 it is the complementary color #D5F67C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2A0983. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #2A0983 shade: #2F097E, #401B91, #512DA4, #623FB7 and #7351CA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2A0983. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #2A0983 shade: #2A0983, #190070, #08005D, #00004A and #000037

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #2A0983 shade: #290880, #490880, #690880, #800877 and #800856

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #2A0983 shade: #290880, #090880 and #080880

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #2A0983 shade matches the following richer shades: #290880

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #2A0983 shade: #290880, #2E1475, #331F6A, #382A5F and #3D3554

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #2A0983 shade: #082880, #080880, #280880, #480880 and #680880

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #2A0983 shade: #100333, #1C065A, #290880, #350BA7 and #420ECD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #2A0983 shade: #2A0983, #800848 and #188008

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #2A0983 shade: #2A0983, #802808 and #088028

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #2A0983 shade: #2A0983, #800848, #608008 and #088040

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #2A0983 shade: #2A0983, #800824, #608008 and #088064

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 68 / 93 / 0 / 49

HEX #2A0983

RGB 42 9 131

HSL 256.23, 0.87%, 0.27%

LAB 17.11, 46.46, -59.64

 

Complementary color

CMYK 13 / 0 / 50 / 4

HEX #D5F67C

RGB 213 246 124

HSL 76.23, 0.87%, 0.73%

LAB 92.36, -28.74, 54.65

 

CMYK 63 / 93 / 0 / 51

HEX #2F097E

RGB 47 9 126

HSL 259.49, 0.87%, 0.26%

LAB 17.02, 45.48, -56.61

 

CMYK 56 / 81 / 0 / 43

HEX #401B91

RGB 64 27 145

HSL 258.81, 0.69%, 0.34%

LAB 23.4, 45.75, -57.94

 

CMYK 51 / 73 / 0 / 36

HEX #512DA4

RGB 81 45 164

HSL 258.15, 0.57%, 0.41%

LAB 30.17, 44.88, -58.38

 

CMYK 46 / 66 / 0 / 28

HEX #623FB7

RGB 98 63 183

HSL 257.5, 0.49%, 0.48%

LAB 37.06, 43.65, -58.41

 

CMYK 43 / 60 / 0 / 21

HEX #7351CA

RGB 115 81 202

HSL 256.86, 0.53%, 0.55%

LAB 43.94, 42.35, -58.27

 

CMYK 68 / 93 / 0 / 49

HEX #2A0983

RGB 42 9 131

HSL 256.23, 0.87%, 0.27%

LAB 17.11, 46.46, -59.64

 

CMYK 78 / 100 / 0 / 56

HEX #190070

RGB 25 0 112

HSL 253.39, 1%, 0.22%

LAB 11.8, 43.71, -56.32

 

CMYK 91 / 100 / 0 / 64

HEX #08005D

RGB 8 0 93

HSL 245.16, 1%, 0.18%

LAB 7.61, 38.02, -50.75

 

CMYK 100 / 100 / 0 / 71

HEX #00004A

RGB 0 0 74

HSL 240, 1%, 0.15%

LAB 4.47, 29.36, -42.91

 

CMYK 100 / 100 / 0 / 78

HEX #000037

RGB 0 0 55

HSL 240, 1%, 0.11%

LAB 2.49, 17.51, -32.5

 

CMYK 68 / 94 / 0 / 50

HEX #290880

RGB 41 8 128

HSL 256.5, 0.88%, 0.27%

LAB 16.52, 45.88, -58.72

 

CMYK 43 / 94 / 0 / 50

HEX #490880

RGB 73 8 128

HSL 272.5, 0.88%, 0.27%

LAB 20.63, 48.97, -51.8

 

CMYK 18 / 94 / 0 / 50

HEX #690880

RGB 105 8 128

HSL 288.5, 0.88%, 0.27%

LAB 25.97, 53.64, -42.86

 

CMYK 0 / 94 / 7 / 50

HEX #800877

RGB 128 8 119

HSL 304.5, 0.88%, 0.27%

LAB 29.65, 56.27, -31.02

 

CMYK 0 / 94 / 33 / 50

HEX #800856

RGB 128 8 86

HSL 321, 0.88%, 0.27%

LAB 27.94, 51.8, -12.29

 

CMYK 68 / 94 / 0 / 50

HEX #290880

RGB 41 8 128

HSL 256.5, 0.88%, 0.27%

LAB 16.52, 45.88, -58.72

 

CMYK 93 / 94 / 0 / 50

HEX #090880

RGB 9 8 128

HSL 240.5, 0.88%, 0.27%

LAB 14.35, 44.49, -62.41

 

CMYK 94 / 94 / 0 / 50

HEX #080880

RGB 8 8 128

HSL 240, 0.88%, 0.27%

LAB 14.31, 44.47, -62.47

 

CMYK 68 / 94 / 0 / 50

HEX #290880

RGB 41 8 128

HSL 256.5, 0.88%, 0.27%

LAB 16.52, 45.88, -58.72

 

CMYK 68 / 94 / 0 / 50

HEX #290880

RGB 41 8 128

HSL 256.5, 0.88%, 0.27%

LAB 16.52, 45.88, -58.72

 

CMYK 61 / 83 / 0 / 54

HEX #2E1475

RGB 46 20 117

HSL 256.08, 0.71%, 0.27%

LAB 17.3, 38.52, -50.38

 

CMYK 52 / 71 / 0 / 58

HEX #331F6A

RGB 51 31 106

HSL 256, 0.55%, 0.27%

LAB 18.9, 29.85, -40.59

 

CMYK 41 / 56 / 0 / 63

HEX #382A5F

RGB 56 42 95

HSL 255.85, 0.39%, 0.27%

LAB 21.29, 20.46, -29.49

 

CMYK 27 / 37 / 0 / 67

HEX #3D3554

RGB 61 53 84

HSL 255.48, 0.23%, 0.27%

LAB 24.25, 11.28, -17.53

 

CMYK 94 / 69 / 0 / 50

HEX #082880

RGB 8 40 128

HSL 224, 0.88%, 0.27%

LAB 20.55, 26.7, -52.13

 

CMYK 94 / 94 / 0 / 50

HEX #080880

RGB 8 8 128

HSL 240, 0.88%, 0.27%

LAB 14.31, 44.47, -62.47

 

CMYK 69 / 94 / 0 / 50

HEX #280880

RGB 40 8 128

HSL 256, 0.88%, 0.27%

LAB 16.42, 45.81, -58.89

 

CMYK 44 / 94 / 0 / 50

HEX #480880

RGB 72 8 128

HSL 272, 0.88%, 0.27%

LAB 20.48, 48.85, -52.05

 

CMYK 19 / 94 / 0 / 50

HEX #680880

RGB 104 8 128

HSL 288, 0.88%, 0.27%

LAB 25.79, 53.47, -43.16

 

CMYK 69 / 94 / 0 / 80

HEX #100333

RGB 16 3 51

HSL 256.25, 0.89%, 0.11%

LAB 3.74, 18.43, -27.47

 

CMYK 69 / 93 / 0 / 65

HEX #1C065A

RGB 28 6 90

HSL 255.71, 0.88%, 0.19%

LAB 9.92, 34.76, -44.83

 

CMYK 68 / 94 / 0 / 50

HEX #290880

RGB 41 8 128

HSL 256.5, 0.88%, 0.27%

LAB 16.52, 45.88, -58.72

 

CMYK 68 / 93 / 0 / 35

HEX #350BA7

RGB 53 11 167

HSL 256.15, 0.88%, 0.35%

LAB 22.95, 56.25, -72.2

 

CMYK 68 / 93 / 0 / 20

HEX #420ECD

RGB 66 14 205

HSL 256.34, 0.87%, 0.43%

LAB 29.11, 65.95, -84.53

 

CMYK 68 / 93 / 0 / 49

HEX #2A0983

RGB 42 9 131

HSL 256.23, 0.87%, 0.27%

LAB 17.11, 46.46, -59.64

 

CMYK 0 / 94 / 44 / 50

HEX #800848

RGB 128 8 72

HSL 328, 0.88%, 0.27%

LAB 27.38, 50.29, -3.79

 

CMYK 81 / 0 / 94 / 50

HEX #188008

RGB 24 128 8

HSL 112, 0.88%, 0.27%

LAB 46.51, -49.06, 48.6

 

CMYK 68 / 93 / 0 / 49

HEX #2A0983

RGB 42 9 131

HSL 256.23, 0.87%, 0.27%

LAB 17.11, 46.46, -59.64

 

CMYK 0 / 69 / 94 / 50

HEX #802808

RGB 128 40 8

HSL 16, 0.88%, 0.27%

LAB 29.72, 36.61, 38.37

 

CMYK 94 / 0 / 69 / 50

HEX #088028

RGB 8 128 40

HSL 136, 0.88%, 0.27%

LAB 46.5, -48.45, 38.13

 

CMYK 68 / 93 / 0 / 49

HEX #2A0983

RGB 42 9 131

HSL 256.23, 0.87%, 0.27%

LAB 17.11, 46.46, -59.64

 

CMYK 0 / 94 / 44 / 50

HEX #800848

RGB 128 8 72

HSL 328, 0.88%, 0.27%

LAB 27.38, 50.29, -3.79

 

CMYK 25 / 0 / 94 / 50

HEX #608008

RGB 96 128 8

HSL 76, 0.88%, 0.27%

LAB 49.43, -27.15, 52.2

 

CMYK 94 / 0 / 50 / 50

HEX #088040

RGB 8 128 64

HSL 148, 0.88%, 0.27%

LAB 46.79, -44.93, 26.45

 

CMYK 68 / 93 / 0 / 49

HEX #2A0983

RGB 42 9 131

HSL 256.23, 0.87%, 0.27%

LAB 17.11, 46.46, -59.64

 

CMYK 0 / 94 / 72 / 50

HEX #800824

RGB 128 8 36

HSL 346, 0.88%, 0.27%

LAB 26.42, 47.62, 19.31

 

CMYK 25 / 0 / 94 / 50

HEX #608008

RGB 96 128 8

HSL 76, 0.88%, 0.27%

LAB 49.43, -27.15, 52.2

 

CMYK 94 / 0 / 22 / 50

HEX #088064

RGB 8 128 100

HSL 166, 0.88%, 0.27%

LAB 47.51, -36.76, 6.92

 

Description

Color code: HEX #2A0983 | qconv.com Color code: HEX #2A0983 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 42 red, 9 green and 131 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
42 9 131 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 68 cyan, 93 magenta, none yellow and 49 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
68% 93% 0% 49% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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