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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2A1B35 it is the complementary color #D5E4CA. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2A1B35. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #2A1B35 shade: #2F1B30, #402D43, #513F56, #625169 and #73637C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2A1B35. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #2A1B35 shade: #2A1B35, #190922 and #08000F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #2A1B35 shade: #2A1B36, #321B36, #361B33, #361B2B and #361B24

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #2A1B35 shade: #2A1B36, #231B36, #1C1B36 and #1B1B36

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #2A1B35 shade matches the following richer shades: #2A1B36, #2B143C, #2C0E43, #2D074A and #2E0050

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #2A1B35 shade: #2A1B36, #29212F, #282829, #272F22 and #26351B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #2A1B35 shade: #1C1B36, #231B36, #2A1B36, #311B36 and #361B33

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.



Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #2A1B35 shade: #2A1B35, #361B21 and #1B361F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #2A1B35 shade: #2A1B35, #362A1B and #1B362A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #2A1B35 shade: #2A1B35, #361B21, #27361B and #1B362F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #2A1B35 shade: #2A1B35, #361D1B, #27361B and #1B3436

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 21 / 49 / 0 / 79

HEX #2A1B35

RGB 42 27 53

HSL 274.62, 0.33%, 0.16%

LAB 12.82, 13.58, -14.26

 

Complementary color

CMYK 7 / 0 / 11 / 11

HEX #D5E4CA

RGB 213 228 202

HSL 94.62, 0.33%, 0.84%

LAB 88.87, -9.63, 10.98

 

CMYK 2 / 44 / 0 / 81

HEX #2F1B30

RGB 47 27 48

HSL 297.14, 0.28%, 0.15%

LAB 13.24, 14.22, -9.96

 

CMYK 4 / 33 / 0 / 74

HEX #402D43

RGB 64 45 67

HSL 291.82, 0.2%, 0.22%

LAB 21.48, 13.33, -10.41

 

CMYK 6 / 27 / 0 / 66

HEX #513F56

RGB 81 63 86

HSL 286.96, 0.15%, 0.29%

LAB 29.35, 12.6, -10.81

 

CMYK 7 / 23 / 0 / 59

HEX #625169

RGB 98 81 105

HSL 282.5, 0.13%, 0.36%

LAB 36.93, 11.98, -11.21

 

CMYK 7 / 20 / 0 / 51

HEX #73637C

RGB 115 99 124

HSL 278.4, 0.11%, 0.44%

LAB 44.27, 11.45, -11.6

 

CMYK 21 / 49 / 0 / 79

HEX #2A1B35

RGB 42 27 53

HSL 274.62, 0.33%, 0.16%

LAB 12.82, 13.58, -14.26

 

CMYK 26 / 74 / 0 / 87

HEX #190922

RGB 25 9 34

HSL 278.4, 0.58%, 0.08%

LAB 4.67, 12.1, -13.05

 

CMYK 47 / 100 / 0 / 94

HEX #08000F

RGB 8 0 15

HSL 272, 1%, 0.03%

LAB 0.78, 4.28, -5.22

 

CMYK 22 / 50 / 0 / 79

HEX #2A1B36

RGB 42 27 54

HSL 273.33, 0.33%, 0.16%

LAB 12.88, 13.87, -14.89

 

CMYK 7 / 50 / 0 / 79

HEX #321B36

RGB 50 27 54

HSL 291.11, 0.33%, 0.16%

LAB 13.99, 16.87, -13.06

 

CMYK 0 / 50 / 6 / 79

HEX #361B33

RGB 54 27 51

HSL 306.67, 0.33%, 0.16%

LAB 14.44, 17.7, -10.18

 

CMYK 0 / 50 / 20 / 79

HEX #361B2B

RGB 54 27 43

HSL 324.44, 0.33%, 0.16%

LAB 14.07, 16.02, -4.98

 

CMYK 0 / 50 / 33 / 79

HEX #361B24

RGB 54 27 36

HSL 340, 0.33%, 0.16%

LAB 13.8, 14.72, -0.3

 

CMYK 22 / 50 / 0 / 79

HEX #2A1B36

RGB 42 27 54

HSL 273.33, 0.33%, 0.16%

LAB 12.88, 13.87, -14.89

 

CMYK 35 / 50 / 0 / 79

HEX #231B36

RGB 35 27 54

HSL 257.78, 0.33%, 0.16%

LAB 12.01, 11.33, -16.31

 

CMYK 48 / 50 / 0 / 79

HEX #1C1B36

RGB 28 27 54

HSL 242.22, 0.33%, 0.16%

LAB 11.26, 8.95, -17.55

 

CMYK 50 / 50 / 0 / 79

HEX #1B1B36

RGB 27 27 54

HSL 240, 0.33%, 0.16%

LAB 11.16, 8.63, -17.71

 

CMYK 22 / 50 / 0 / 79

HEX #2A1B36

RGB 42 27 54

HSL 273.33, 0.33%, 0.16%

LAB 12.88, 13.87, -14.89

 

CMYK 28 / 67 / 0 / 76

HEX #2B143C

RGB 43 20 60

HSL 274.5, 0.5%, 0.16%

LAB 11.55, 20.69, -21.26

 

CMYK 34 / 79 / 0 / 74

HEX #2C0E43

RGB 44 14 67

HSL 273.96, 0.65%, 0.16%

LAB 10.96, 26.5, -27.17

 

CMYK 39 / 91 / 0 / 71

HEX #2D074A

RGB 45 7 74

HSL 274.03, 0.83%, 0.16%

LAB 10.59, 31.96, -32.66

 

CMYK 43 / 100 / 0 / 69

HEX #2E0050

RGB 46 0 80

HSL 274.5, 1%, 0.16%

LAB 10.26, 36.98, -37.35

 

CMYK 22 / 50 / 0 / 79

HEX #2A1B36

RGB 42 27 54

HSL 273.33, 0.33%, 0.16%

LAB 12.88, 13.87, -14.89

 

CMYK 13 / 30 / 0 / 82

HEX #29212F

RGB 41 33 47

HSL 274.29, 0.18%, 0.16%

LAB 14.2, 7.21, -7.84

 

CMYK 2 / 2 / 0 / 84

HEX #282829

RGB 40 40 41

HSL 240, 0.01%, 0.16%

LAB 16.15, 0.24, -0.66

 

CMYK 17 / 0 / 28 / 82

HEX #272F22

RGB 39 47 34

HSL 96.92, 0.16%, 0.16%

LAB 18.28, -6.51, 7.24

 

CMYK 28 / 0 / 49 / 79

HEX #26351B

RGB 38 53 27

HSL 94.62, 0.33%, 0.16%

LAB 20.19, -12.01, 14.42

 

CMYK 48 / 50 / 0 / 79

HEX #1C1B36

RGB 28 27 54

HSL 242.22, 0.33%, 0.16%

LAB 11.26, 8.95, -17.55

 

CMYK 35 / 50 / 0 / 79

HEX #231B36

RGB 35 27 54

HSL 257.78, 0.33%, 0.16%

LAB 12.01, 11.33, -16.31

 

CMYK 22 / 50 / 0 / 79

HEX #2A1B36

RGB 42 27 54

HSL 273.33, 0.33%, 0.16%

LAB 12.88, 13.87, -14.89

 

CMYK 9 / 50 / 0 / 79

HEX #311B36

RGB 49 27 54

HSL 288.89, 0.33%, 0.16%

LAB 13.85, 16.49, -13.3

 

CMYK 0 / 50 / 6 / 79

HEX #361B33

RGB 54 27 51

HSL 306.67, 0.33%, 0.16%

LAB 14.44, 17.7, -10.18

 

CMYK 21 / 49 / 0 / 79

HEX #2A1B35

RGB 42 27 53

HSL 274.62, 0.33%, 0.16%

LAB 12.82, 13.58, -14.26

 

CMYK 0 / 50 / 39 / 79

HEX #361B21

RGB 54 27 33

HSL 346.67, 0.33%, 0.16%

LAB 13.7, 14.22, 1.74

 

CMYK 50 / 0 / 43 / 79

HEX #1B361F

RGB 27 54 31

HSL 128.89, 0.33%, 0.16%

LAB 19.92, -16.38, 11.34

 

CMYK 21 / 49 / 0 / 79

HEX #2A1B35

RGB 42 27 53

HSL 274.62, 0.33%, 0.16%

LAB 12.82, 13.58, -14.26

 

CMYK 0 / 22 / 50 / 79

HEX #362A1B

RGB 54 42 27

HSL 33.33, 0.33%, 0.16%

LAB 18.01, 3.05, 11.9

 

CMYK 50 / 0 / 22 / 79

HEX #1B362A

RGB 27 54 42

HSL 153.33, 0.33%, 0.16%

LAB 20.2, -13.77, 4.37

 

CMYK 21 / 49 / 0 / 79

HEX #2A1B35

RGB 42 27 53

HSL 274.62, 0.33%, 0.16%

LAB 12.82, 13.58, -14.26

 

CMYK 0 / 50 / 39 / 79

HEX #361B21

RGB 54 27 33

HSL 346.67, 0.33%, 0.16%

LAB 13.7, 14.22, 1.74

 

CMYK 28 / 0 / 50 / 79

HEX #27361B

RGB 39 54 27

HSL 93.33, 0.33%, 0.16%

LAB 20.63, -12.15, 14.99

 

CMYK 50 / 0 / 13 / 79

HEX #1B362F

RGB 27 54 47

HSL 164.44, 0.33%, 0.16%

LAB 20.35, -12.38, 1.19

 

CMYK 21 / 49 / 0 / 79

HEX #2A1B35

RGB 42 27 53

HSL 274.62, 0.33%, 0.16%

LAB 12.82, 13.58, -14.26

 

CMYK 0 / 46 / 50 / 79

HEX #361D1B

RGB 54 29 27

HSL 4.44, 0.33%, 0.16%

LAB 14.07, 11.98, 6.62

 

CMYK 28 / 0 / 50 / 79

HEX #27361B

RGB 39 54 27

HSL 93.33, 0.33%, 0.16%

LAB 20.63, -12.15, 14.99

 

CMYK 50 / 4 / 0 / 79

HEX #1B3436

RGB 27 52 54

HSL 184.44, 0.33%, 0.16%

LAB 19.86, -9.01, -4.3

 

Description

Color code: HEX #2A1B35 | qconv.com Color code: HEX #2A1B35 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 42 red, 27 green and 53 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
42 27 53 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 21 cyan, 49 magenta, none yellow and 79 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
21% 49% 0% 79% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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