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Color name
HEX #2A1B8D

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2A1B8D it is the complementary color #D5E472. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2A1B8D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #2A1B8D shade: #2F1B88, #402D9B, #513FAE, #6251C1 and #7363D4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2A1B8D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #2A1B8D shade: #2A1B8D, #19097A, #080067, #000054 and #000041

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #2A1B8D shade: #291A8D, #481A8D, #671A8D, #861A8D and #8D1A75

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #2A1B8D shade: #291A8D and #1A1A8D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #2A1B8D shade matches the following richer shades: #291A8D and #1F0D9A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #2A1B8D shade: #291A8D, #34287F, #3E3672, #484364 and #525156

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #2A1B8D shade: #1A4A8D, #1A2C8D, #281A8D, #461A8D and #651A8D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #2A1B8D shade: #150D48, #1F146A, #291A8D, #3421B0 and #3E28D2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #2A1B8D shade: #2A1B8D, #8D1A69 and #3B8D1A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #2A1B8D shade: #2A1B8D, #8D281A and #1A8D28

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #2A1B8D shade: #2A1B8D, #8D1A69, #808D1A and #1A8D3F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #2A1B8D shade: #2A1B8D, #8D1A46, #808D1A and #1A8D61

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 70 / 81 / 0 / 45

HEX #2A1B8D

RGB 42 27 141

HSL 247.89, 0.68%, 0.33%

LAB 20.82, 42.05, -59.78

 

Complementary color

CMYK 7 / 0 / 50 / 11

HEX #D5E472

RGB 213 228 114

HSL 67.89, 0.68%, 0.67%

LAB 87.41, -21.1, 53.38

 

CMYK 65 / 80 / 0 / 47

HEX #2F1B88

RGB 47 27 136

HSL 251.01, 0.67%, 0.32%

LAB 20.7, 41, -56.85

 

CMYK 59 / 71 / 0 / 39

HEX #402D9B

RGB 64 45 155

HSL 250.36, 0.55%, 0.39%

LAB 27.66, 39.43, -57.09

 

CMYK 53 / 64 / 0 / 32

HEX #513FAE

RGB 81 63 174

HSL 249.73, 0.47%, 0.46%

LAB 34.72, 37.73, -56.95

 

CMYK 49 / 58 / 0 / 24

HEX #6251C1

RGB 98 81 193

HSL 249.11, 0.47%, 0.54%

LAB 41.74, 36.14, -56.69

 

CMYK 46 / 53 / 0 / 17

HEX #7363D4

RGB 115 99 212

HSL 248.5, 0.57%, 0.61%

LAB 48.66, 34.72, -56.39

 

CMYK 70 / 81 / 0 / 45

HEX #2A1B8D

RGB 42 27 141

HSL 247.89, 0.68%, 0.33%

LAB 20.82, 42.05, -59.78

 

CMYK 80 / 93 / 0 / 52

HEX #19097A

RGB 25 9 122

HSL 248.5, 0.86%, 0.26%

LAB 14.44, 42.87, -58.39

 

CMYK 92 / 100 / 0 / 60

HEX #080067

RGB 8 0 103

HSL 244.66, 1%, 0.2%

LAB 9.25, 40.83, -54.69

 

CMYK 100 / 100 / 0 / 67

HEX #000054

RGB 0 0 84

HSL 240, 1%, 0.16%

LAB 5.78, 34.26, -47.68

 

CMYK 100 / 100 / 0 / 75

HEX #000041

RGB 0 0 65

HSL 240, 1%, 0.13%

LAB 3.45, 24.03, -38.21

 

CMYK 71 / 82 / 0 / 45

HEX #291A8D

RGB 41 26 141

HSL 247.83, 0.69%, 0.33%

LAB 20.57, 42.46, -60.2

 

CMYK 49 / 82 / 0 / 45

HEX #481A8D

RGB 72 26 141

HSL 264, 0.69%, 0.33%

LAB 23.8, 46.18, -54.76

 

CMYK 27 / 82 / 0 / 45

HEX #671A8D

RGB 103 26 141

HSL 280.17, 0.69%, 0.33%

LAB 28.24, 51.29, -47.34

 

CMYK 5 / 82 / 0 / 45

HEX #861A8D

RGB 134 26 141

HSL 296.35, 0.69%, 0.33%

LAB 33.41, 57.26, -38.72

 

CMYK 0 / 82 / 17 / 45

HEX #8D1A75

RGB 141 26 117

HSL 312.52, 0.69%, 0.33%

LAB 33.32, 54.98, -23.8

 

CMYK 71 / 82 / 0 / 45

HEX #291A8D

RGB 41 26 141

HSL 247.83, 0.69%, 0.33%

LAB 20.57, 42.46, -60.2

 

CMYK 82 / 82 / 0 / 45

HEX #1A1A8D

RGB 26 26 141

HSL 240, 0.69%, 0.33%

LAB 19.56, 41.31, -61.9

 

CMYK 71 / 82 / 0 / 45

HEX #291A8D

RGB 41 26 141

HSL 247.83, 0.69%, 0.33%

LAB 20.57, 42.46, -60.2

 

CMYK 80 / 92 / 0 / 40

HEX #1F0D9A

RGB 31 13 154

HSL 247.66, 0.84%, 0.33%

LAB 19.69, 51.07, -69.74

 

CMYK 71 / 82 / 0 / 45

HEX #291A8D

RGB 41 26 141

HSL 247.83, 0.69%, 0.33%

LAB 20.57, 42.46, -60.2

 

CMYK 59 / 69 / 0 / 50

HEX #34287F

RGB 52 40 127

HSL 248.28, 0.52%, 0.33%

LAB 22.93, 31.35, -47.49

 

CMYK 46 / 53 / 0 / 55

HEX #3E3672

RGB 62 54 114

HSL 248, 0.36%, 0.33%

LAB 26.38, 20.13, -33.61

 

CMYK 28 / 33 / 0 / 61

HEX #484364

RGB 72 67 100

HSL 249.09, 0.2%, 0.33%

LAB 30.19, 10.3, -18.61

 

CMYK 5 / 6 / 0 / 66

HEX #525156

RGB 82 81 86

HSL 252, 0.03%, 0.33%

LAB 34.7, 1.5, -2.78

 

CMYK 82 / 48 / 0 / 45

HEX #1A4A8D

RGB 26 74 141

HSL 214.96, 0.69%, 0.33%

LAB 31.9, 9.73, -41.74

 

CMYK 82 / 69 / 0 / 45

HEX #1A2C8D

RGB 26 44 141

HSL 230.61, 0.69%, 0.33%

LAB 23.49, 30.36, -55.42

 

CMYK 72 / 82 / 0 / 45

HEX #281A8D

RGB 40 26 141

HSL 247.3, 0.69%, 0.33%

LAB 20.49, 42.37, -60.33

 

CMYK 50 / 82 / 0 / 45

HEX #461A8D

RGB 70 26 141

HSL 262.96, 0.69%, 0.33%

LAB 23.55, 45.89, -55.18

 

CMYK 28 / 82 / 0 / 45

HEX #651A8D

RGB 101 26 141

HSL 279.13, 0.69%, 0.33%

LAB 27.92, 50.93, -47.86

 

CMYK 71 / 82 / 0 / 72

HEX #150D48

RGB 21 13 72

HSL 248.14, 0.69%, 0.17%

LAB 8.26, 24.17, -35.2

 

CMYK 71 / 81 / 0 / 58

HEX #1F146A

RGB 31 20 106

HSL 247.67, 0.68%, 0.25%

LAB 14.58, 33.2, -47.76

 

CMYK 71 / 82 / 0 / 45

HEX #291A8D

RGB 41 26 141

HSL 247.83, 0.69%, 0.33%

LAB 20.57, 42.46, -60.2

 

CMYK 70 / 81 / 0 / 31

HEX #3421B0

RGB 52 33 176

HSL 247.97, 0.68%, 0.41%

LAB 26.6, 50.82, -71.58

 

CMYK 70 / 81 / 0 / 18

HEX #3E28D2

RGB 62 40 210

HSL 247.76, 0.68%, 0.49%

LAB 32.25, 58.46, -82.23

 

CMYK 70 / 81 / 0 / 45

HEX #2A1B8D

RGB 42 27 141

HSL 247.89, 0.68%, 0.33%

LAB 20.82, 42.05, -59.78

 

CMYK 0 / 82 / 26 / 45

HEX #8D1A69

RGB 141 26 105

HSL 318.78, 0.69%, 0.33%

LAB 32.75, 53.33, -17.05

 

CMYK 58 / 0 / 82 / 45

HEX #3B8D1A

RGB 59 141 26

HSL 102.78, 0.69%, 0.33%

LAB 51.9, -45.26, 49.27

 

CMYK 70 / 81 / 0 / 45

HEX #2A1B8D

RGB 42 27 141

HSL 247.89, 0.68%, 0.33%

LAB 20.82, 42.05, -59.78

 

CMYK 0 / 72 / 82 / 45

HEX #8D281A

RGB 141 40 26

HSL 7.3, 0.69%, 0.33%

LAB 32.38, 41.81, 32.95

 

CMYK 82 / 0 / 72 / 45

HEX #1A8D28

RGB 26 141 40

HSL 127.3, 0.69%, 0.33%

LAB 51.18, -50.92, 43.21

 

CMYK 70 / 81 / 0 / 45

HEX #2A1B8D

RGB 42 27 141

HSL 247.89, 0.68%, 0.33%

LAB 20.82, 42.05, -59.78

 

CMYK 0 / 82 / 26 / 45

HEX #8D1A69

RGB 141 26 105

HSL 318.78, 0.69%, 0.33%

LAB 32.75, 53.33, -17.05

 

CMYK 9 / 0 / 82 / 45

HEX #808D1A

RGB 128 141 26

HSL 66.78, 0.69%, 0.33%

LAB 55.8, -19.12, 54.27

 

CMYK 82 / 0 / 55 / 45

HEX #1A8D3F

RGB 26 141 63

HSL 139.3, 0.69%, 0.33%

LAB 51.41, -48.04, 32.75

 

CMYK 70 / 81 / 0 / 45

HEX #2A1B8D

RGB 42 27 141

HSL 247.89, 0.68%, 0.33%

LAB 20.82, 42.05, -59.78

 

CMYK 0 / 82 / 50 / 45

HEX #8D1A46

RGB 141 26 70

HSL 337.04, 0.69%, 0.33%

LAB 31.45, 49.47, 3.81

 

CMYK 9 / 0 / 82 / 45

HEX #808D1A

RGB 128 141 26

HSL 66.78, 0.69%, 0.33%

LAB 55.8, -19.12, 54.27

 

CMYK 82 / 0 / 31 / 45

HEX #1A8D61

RGB 26 141 97

HSL 157.04, 0.69%, 0.33%

LAB 51.99, -41.46, 14.95

 

Description

Color code: HEX #2A1B8D | qconv.com Color code: HEX #2A1B8D | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 42 red, 27 green and 141 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
42 27 141 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 70 cyan, 81 magenta, none yellow and 45 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
70% 81% 0% 45% C M Y K

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Provide designers and agencies with accurate color values.

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