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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2A2564 it is the complementary color #D5DA9B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2A2564. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #2A2564 shade: #2F255F, #403772, #514985, #625B98 and #736DAB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2A2564. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #2A2564 shade: #2A2564, #191351, #08013E, #00002B and #000018

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #2A2564 shade: #2A2564, #3B2564, #4C2564, #5D2564 and #64255A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #2A2564 shade: #2A2564 and #252564

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #2A2564 shade matches the following richer shades: #2A2564, #201A6F, #170E7A and #0E0385

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #2A2564 shade: #2A2564, #333059, #3C3B4E, #464643 and #4F5137

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #2A2564 shade: #254264, #253164, #292564, #3A2564 and #4B2564

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #2A2564 shade: #100E28, #1D1A46, #2A2564, #363082 and #433BA0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #2A2564 shade: #2A2564, #642553 and #3A6425

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #2A2564 shade: #2A2564, #642925 and #256429

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #2A2564 shade: #2A2564, #642553, #606425 and #256436

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #2A2564 shade: #2A2564, #642540, #606425 and #256449

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 58 / 63 / 0 / 61

HEX #2A2564

RGB 42 37 100

HSL 244.76, 0.46%, 0.27%

LAB 18.95, 22.05, -36.62

 

Complementary color

CMYK 2 / 0 / 29 / 15

HEX #D5DA9B

RGB 213 218 155

HSL 64.76, 0.46%, 0.73%

LAB 85.33, -11.63, 30.52

 

CMYK 51 / 61 / 0 / 63

HEX #2F255F

RGB 47 37 95

HSL 250.34, 0.44%, 0.26%

LAB 19.03, 21.46, -33.18

 

CMYK 44 / 52 / 0 / 55

HEX #403772

RGB 64 55 114

HSL 249.15, 0.35%, 0.33%

LAB 26.84, 20, -32.87

 

CMYK 39 / 45 / 0 / 48

HEX #514985

RGB 81 73 133

HSL 248, 0.29%, 0.4%

LAB 34.41, 18.82, -32.62

 

CMYK 36 / 40 / 0 / 40

HEX #625B98

RGB 98 91 152

HSL 246.89, 0.25%, 0.48%

LAB 41.76, 17.86, -32.45

 

CMYK 33 / 36 / 0 / 33

HEX #736DAB

RGB 115 109 171

HSL 245.81, 0.27%, 0.55%

LAB 48.91, 17.06, -32.34

 

CMYK 58 / 63 / 0 / 61

HEX #2A2564

RGB 42 37 100

HSL 244.76, 0.46%, 0.27%

LAB 18.95, 22.05, -36.62

 

CMYK 69 / 77 / 0 / 68

HEX #191351

RGB 25 19 81

HSL 245.81, 0.62%, 0.2%

LAB 11.04, 24.18, -36.86

 

CMYK 87 / 98 / 0 / 76

HEX #08013E

RGB 8 1 62

HSL 246.89, 0.97%, 0.12%

LAB 3.8, 23.48, -35.45

 

CMYK 100 / 100 / 0 / 83

HEX #00002B

RGB 0 0 43

HSL 240, 1%, 0.08%

LAB 1.58, 11.07, -24.95

 

CMYK 100 / 100 / 0 / 91

HEX #000018

RGB 0 0 24

HSL 240, 1%, 0.05%

LAB 0.6, 4.19, -11.39

 

CMYK 58 / 63 / 0 / 61

HEX #2A2564

RGB 42 37 100

HSL 244.76, 0.46%, 0.27%

LAB 18.95, 22.05, -36.62

 

CMYK 41 / 63 / 0 / 61

HEX #3B2564

RGB 59 37 100

HSL 260.95, 0.46%, 0.27%

LAB 20.72, 26.08, -33.67

 

CMYK 24 / 63 / 0 / 61

HEX #4C2564

RGB 76 37 100

HSL 277.14, 0.46%, 0.27%

LAB 22.93, 30.65, -30.01

 

CMYK 7 / 63 / 0 / 61

HEX #5D2564

RGB 93 37 100

HSL 293.33, 0.46%, 0.27%

LAB 25.47, 35.46, -25.81

 

CMYK 0 / 63 / 10 / 61

HEX #64255A

RGB 100 37 90

HSL 309.52, 0.46%, 0.27%

LAB 26.07, 35.59, -18.25

 

CMYK 58 / 63 / 0 / 61

HEX #2A2564

RGB 42 37 100

HSL 244.76, 0.46%, 0.27%

LAB 18.95, 22.05, -36.62

 

CMYK 63 / 63 / 0 / 61

HEX #252564

RGB 37 37 100

HSL 240, 0.46%, 0.27%

LAB 18.53, 21.02, -37.34

 

CMYK 58 / 63 / 0 / 61

HEX #2A2564

RGB 42 37 100

HSL 244.76, 0.46%, 0.27%

LAB 18.95, 22.05, -36.62

 

CMYK 71 / 77 / 0 / 56

HEX #201A6F

RGB 32 26 111

HSL 244.24, 0.62%, 0.27%

LAB 16.47, 31.52, -47.9

 

CMYK 81 / 89 / 0 / 52

HEX #170E7A

RGB 23 14 122

HSL 245, 0.79%, 0.27%

LAB 14.96, 40.8, -57.53

 

CMYK 89 / 98 / 0 / 48

HEX #0E0385

RGB 14 3 133

HSL 245.08, 0.96%, 0.27%

LAB 14.69, 47.89, -65

 

CMYK 58 / 63 / 0 / 61

HEX #2A2564

RGB 42 37 100

HSL 244.76, 0.46%, 0.27%

LAB 18.95, 22.05, -36.62

 

CMYK 43 / 46 / 0 / 65

HEX #333059

RGB 51 48 89

HSL 244.39, 0.3%, 0.27%

LAB 22.08, 12.97, -24.31

 

CMYK 23 / 24 / 0 / 69

HEX #3C3B4E

RGB 60 59 78

HSL 243.16, 0.14%, 0.27%

LAB 25.68, 5.2, -11.38

 

CMYK 0 / 0 / 4 / 73

HEX #464643

RGB 70 70 67

HSL 60, 0.02%, 0.27%

LAB 29.63, -0.65, 1.8

 

CMYK 2 / 0 / 32 / 68

HEX #4F5137

RGB 79 81 55

HSL 64.62, 0.19%, 0.27%

LAB 33.61, -5.7, 15.07

 

CMYK 63 / 34 / 0 / 61

HEX #254264

RGB 37 66 100

HSL 212.38, 0.46%, 0.27%

LAB 27.32, 0.75, -23.27

 

CMYK 63 / 51 / 0 / 61

HEX #253164

RGB 37 49 100

HSL 228.57, 0.46%, 0.27%

LAB 21.98, 12.52, -31.76

 

CMYK 59 / 63 / 0 / 61

HEX #292564

RGB 41 37 100

HSL 243.81, 0.46%, 0.27%

LAB 18.86, 21.83, -36.77

 

CMYK 42 / 63 / 0 / 61

HEX #3A2564

RGB 58 37 100

HSL 260, 0.46%, 0.27%

LAB 20.61, 25.82, -33.87

 

CMYK 25 / 63 / 0 / 61

HEX #4B2564

RGB 75 37 100

HSL 276.19, 0.46%, 0.27%

LAB 22.79, 30.37, -30.25

 

CMYK 60 / 65 / 0 / 84

HEX #100E28

RGB 16 14 40

HSL 244.62, 0.48%, 0.11%

LAB 5.22, 8.39, -16.88

 

CMYK 59 / 63 / 0 / 73

HEX #1D1A46

RGB 29 26 70

HSL 244.09, 0.46%, 0.19%

LAB 12.24, 15.91, -27.29

 

CMYK 58 / 63 / 0 / 61

HEX #2A2564

RGB 42 37 100

HSL 244.76, 0.46%, 0.27%

LAB 18.95, 22.05, -36.62

 

CMYK 58 / 63 / 0 / 49

HEX #363082

RGB 54 48 130

HSL 244.39, 0.46%, 0.35%

LAB 25.29, 27.62, -45.53

 

CMYK 58 / 63 / 0 / 37

HEX #433BA0

RGB 67 59 160

HSL 244.75, 0.46%, 0.43%

LAB 31.48, 33.12, -53.87

 

CMYK 58 / 63 / 0 / 61

HEX #2A2564

RGB 42 37 100

HSL 244.76, 0.46%, 0.27%

LAB 18.95, 22.05, -36.62

 

CMYK 0 / 63 / 17 / 61

HEX #642553

RGB 100 37 83

HSL 316.19, 0.46%, 0.27%

LAB 25.73, 34.36, -14.15

 

CMYK 42 / 0 / 63 / 61

HEX #3A6425

RGB 58 100 37

HSL 100, 0.46%, 0.27%

LAB 38.11, -27.33, 30.56

 

CMYK 58 / 63 / 0 / 61

HEX #2A2564

RGB 42 37 100

HSL 244.76, 0.46%, 0.27%

LAB 18.95, 22.05, -36.62

 

CMYK 0 / 59 / 63 / 61

HEX #642925

RGB 100 41 37

HSL 3.81, 0.46%, 0.27%

LAB 25.04, 26.33, 15.73

 

CMYK 63 / 0 / 59 / 61

HEX #256429

RGB 37 100 41

HSL 123.81, 0.46%, 0.27%

LAB 37.24, -33.54, 27.23

 

CMYK 58 / 63 / 0 / 61

HEX #2A2564

RGB 42 37 100

HSL 244.76, 0.46%, 0.27%

LAB 18.95, 22.05, -36.62

 

CMYK 0 / 63 / 17 / 61

HEX #642553

RGB 100 37 83

HSL 316.19, 0.46%, 0.27%

LAB 25.73, 34.36, -14.15

 

CMYK 4 / 0 / 63 / 61

HEX #606425

RGB 96 100 37

HSL 63.81, 0.46%, 0.27%

LAB 40.79, -11.01, 34.3

 

CMYK 63 / 0 / 46 / 61

HEX #256436

RGB 37 100 54

HSL 136.19, 0.46%, 0.27%

LAB 37.43, -31.39, 20.22

 

CMYK 58 / 63 / 0 / 61

HEX #2A2564

RGB 42 37 100

HSL 244.76, 0.46%, 0.27%

LAB 18.95, 22.05, -36.62

 

CMYK 0 / 63 / 36 / 61

HEX #642540

RGB 100 37 64

HSL 334.29, 0.46%, 0.27%

LAB 24.96, 31.45, -2.59

 

CMYK 4 / 0 / 63 / 61

HEX #606425

RGB 96 100 37

HSL 63.81, 0.46%, 0.27%

LAB 40.79, -11.01, 34.3

 

CMYK 63 / 0 / 27 / 61

HEX #256449

RGB 37 100 73

HSL 154.29, 0.46%, 0.27%

LAB 37.82, -27.28, 9.42

 

Description

Color code: HEX #2A2564 | qconv.com Color code: HEX #2A2564 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 42 red, 37 green and 100 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
42 37 100 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 58 cyan, 63 magenta, none yellow and 61 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
58% 63% 0% 61% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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