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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2A4587 it is the complementary color #D5BA78. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2A4587. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #2A4587 shade: #2F4582, #405795, #5169A8, #627BBB and #738DCE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2A4587. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #2A4587 shade: #2A4587, #193374, #082161, #000F4E and #00003B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #2A4587 shade: #294588, #292B88, #412988, #5B2988 and #742988

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #2A4587 shade: #294588, #292B88 and #292988

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #2A4587 shade matches the following richer shades: #294588, #1B3F96 and #0D39A5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #2A4587 shade: #294588, #384B7A, #46516B, #55575D and #635D4E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #2A4587 shade: #297888, #295F88, #294688, #292D88 and #402988

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #2A4587 shade: #162549, #203568, #294588, #3355A8 and #4066C4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #2A4587 shade: #2A4587, #7F2988 and #6C8829

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #2A4587 shade: #2A4587, #882946 and #468829

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #2A4587 shade: #2A4587, #7F2988, #886C29 and #338829

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #2A4587 shade: #2A4587, #882975, #886C29 and #29883C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 69 / 49 / 0 / 47

HEX #2A4587

RGB 42 69 135

HSL 222.58, 0.53%, 0.35%

LAB 30.64, 13.03, -40.04

 

Complementary color

CMYK 0 / 13 / 44 / 16

HEX #D5BA78

RGB 213 186 120

HSL 42.58, 0.53%, 0.65%

LAB 76.45, 0.76, 36.94

 

CMYK 64 / 47 / 0 / 49

HEX #2F4582

RGB 47 69 130

HSL 224.1, 0.47%, 0.35%

LAB 30.57, 12.07, -37.03

 

CMYK 57 / 42 / 0 / 42

HEX #405795

RGB 64 87 149

HSL 223.76, 0.4%, 0.42%

LAB 37.98, 10.6, -36.79

 

CMYK 52 / 38 / 0 / 34

HEX #5169A8

RGB 81 105 168

HSL 223.45, 0.35%, 0.49%

LAB 45.19, 9.49, -36.61

 

CMYK 48 / 34 / 0 / 27

HEX #627BBB

RGB 98 123 187

HSL 223.15, 0.4%, 0.56%

LAB 52.23, 8.6, -36.49

 

CMYK 44 / 32 / 0 / 19

HEX #738DCE

RGB 115 141 206

HSL 222.86, 0.48%, 0.63%

LAB 59.11, 7.88, -36.42

 

CMYK 69 / 49 / 0 / 47

HEX #2A4587

RGB 42 69 135

HSL 222.58, 0.53%, 0.35%

LAB 30.64, 13.03, -40.04

 

CMYK 78 / 56 / 0 / 55

HEX #193374

RGB 25 51 116

HSL 222.86, 0.65%, 0.28%

LAB 23.12, 15.39, -40.28

 

CMYK 92 / 66 / 0 / 62

HEX #082161

RGB 8 33 97

HSL 223.15, 0.85%, 0.21%

LAB 15.5, 18.68, -40.36

 

CMYK 100 / 81 / 0 / 69

HEX #000F4E

RGB 0 15 78

HSL 228.46, 1%, 0.15%

LAB 8.05, 23, -39.77

 

CMYK 100 / 100 / 0 / 77

HEX #00003B

RGB 0 0 59

HSL 240, 1%, 0.12%

LAB 2.85, 20.04, -34.84

 

CMYK 70 / 49 / 0 / 47

HEX #294588

RGB 41 69 136

HSL 222.32, 0.54%, 0.35%

LAB 30.65, 13.24, -40.63

 

CMYK 70 / 68 / 0 / 47

HEX #292B88

RGB 41 43 136

HSL 238.74, 0.54%, 0.35%

LAB 23.59, 30.85, -52.1

 

CMYK 52 / 70 / 0 / 47

HEX #412988

RGB 65 41 136

HSL 255.16, 0.54%, 0.35%

LAB 25.22, 35.99, -49.35

 

CMYK 33 / 70 / 0 / 47

HEX #5B2988

RGB 91 41 136

HSL 271.58, 0.54%, 0.35%

LAB 28.35, 41.31, -44.13

 

CMYK 15 / 70 / 0 / 47

HEX #742988

RGB 116 41 136

HSL 287.37, 0.54%, 0.35%

LAB 31.98, 47.05, -38.09

 

CMYK 70 / 49 / 0 / 47

HEX #294588

RGB 41 69 136

HSL 222.32, 0.54%, 0.35%

LAB 30.65, 13.24, -40.63

 

CMYK 70 / 68 / 0 / 47

HEX #292B88

RGB 41 43 136

HSL 238.74, 0.54%, 0.35%

LAB 23.59, 30.85, -52.1

 

CMYK 70 / 70 / 0 / 47

HEX #292988

RGB 41 41 136

HSL 240, 0.54%, 0.35%

LAB 23.12, 32.13, -52.88

 

CMYK 70 / 49 / 0 / 47

HEX #294588

RGB 41 69 136

HSL 222.32, 0.54%, 0.35%

LAB 30.65, 13.24, -40.63

 

CMYK 82 / 58 / 0 / 41

HEX #1B3F96

RGB 27 63 150

HSL 222.44, 0.69%, 0.35%

LAB 29.39, 21.04, -51.31

 

CMYK 92 / 65 / 0 / 35

HEX #0D39A5

RGB 13 57 165

HSL 222.63, 0.85%, 0.35%

LAB 28.72, 30.15, -61.53

 

CMYK 70 / 49 / 0 / 47

HEX #294588

RGB 41 69 136

HSL 222.32, 0.54%, 0.35%

LAB 30.65, 13.24, -40.63

 

CMYK 54 / 39 / 0 / 52

HEX #384B7A

RGB 56 75 122

HSL 222.73, 0.37%, 0.35%

LAB 32.43, 7.21, -29.06

 

CMYK 35 / 24 / 0 / 58

HEX #46516B

RGB 70 81 107

HSL 222.16, 0.21%, 0.35%

LAB 34.5, 2.58, -16.4

 

CMYK 9 / 6 / 0 / 64

HEX #55575D

RGB 85 87 93

HSL 225, 0.04%, 0.35%

LAB 37, 0.54, -3.75

 

CMYK 0 / 6 / 21 / 61

HEX #635D4E

RGB 99 93 78

HSL 42.86, 0.12%, 0.35%

LAB 39.63, -0.38, 9.49

 

CMYK 70 / 12 / 0 / 47

HEX #297888

RGB 41 120 136

HSL 190.11, 0.54%, 0.35%

LAB 46.55, -18.28, -15.72

 

CMYK 70 / 30 / 0 / 47

HEX #295F88

RGB 41 95 136

HSL 205.89, 0.54%, 0.35%

LAB 38.61, -3.75, -28

 

CMYK 70 / 49 / 0 / 47

HEX #294688

RGB 41 70 136

HSL 221.68, 0.54%, 0.35%

LAB 30.95, 12.56, -40.16

 

CMYK 70 / 67 / 0 / 47

HEX #292D88

RGB 41 45 136

HSL 237.47, 0.54%, 0.35%

LAB 24.08, 29.54, -51.3

 

CMYK 53 / 70 / 0 / 47

HEX #402988

RGB 64 41 136

HSL 254.53, 0.54%, 0.35%

LAB 25.12, 35.8, -49.53

 

CMYK 70 / 49 / 0 / 71

HEX #162549

RGB 22 37 73

HSL 222.35, 0.54%, 0.19%

LAB 15.35, 7.24, -24.38

 

CMYK 69 / 49 / 0 / 59

HEX #203568

RGB 32 53 104

HSL 222.5, 0.53%, 0.27%

LAB 23.18, 10.21, -32.45

 

CMYK 70 / 49 / 0 / 47

HEX #294588

RGB 41 69 136

HSL 222.32, 0.54%, 0.35%

LAB 30.65, 13.24, -40.63

 

CMYK 70 / 49 / 0 / 34

HEX #3355A8

RGB 51 85 168

HSL 222.56, 0.53%, 0.43%

LAB 37.89, 16.3, -48.34

 

CMYK 67 / 48 / 0 / 23

HEX #4066C4

RGB 64 102 196

HSL 222.73, 0.53%, 0.51%

LAB 45.05, 17.62, -53.2

 

CMYK 69 / 49 / 0 / 47

HEX #2A4587

RGB 42 69 135

HSL 222.58, 0.53%, 0.35%

LAB 30.64, 13.03, -40.04

 

CMYK 7 / 70 / 0 / 47

HEX #7F2988

RGB 127 41 136

HSL 294.32, 0.54%, 0.35%

LAB 33.72, 49.67, -35.21

 

CMYK 21 / 0 / 70 / 47

HEX #6C8829

RGB 108 136 41

HSL 77.68, 0.54%, 0.35%

LAB 52.9, -24.48, 45.63

 

CMYK 69 / 49 / 0 / 47

HEX #2A4587

RGB 42 69 135

HSL 222.58, 0.53%, 0.35%

LAB 30.64, 13.03, -40.04

 

CMYK 0 / 70 / 49 / 47

HEX #882946

RGB 136 41 70

HSL 341.68, 0.54%, 0.35%

LAB 32.4, 42.59, 5.03

 

CMYK 49 / 0 / 70 / 47

HEX #468829

RGB 70 136 41

HSL 101.68, 0.54%, 0.35%

LAB 50.77, -38.86, 42.74

 

CMYK 69 / 49 / 0 / 47

HEX #2A4587

RGB 42 69 135

HSL 222.58, 0.53%, 0.35%

LAB 30.64, 13.03, -40.04

 

CMYK 7 / 70 / 0 / 47

HEX #7F2988

RGB 127 41 136

HSL 294.32, 0.54%, 0.35%

LAB 33.72, 49.67, -35.21

 

CMYK 0 / 21 / 70 / 47

HEX #886C29

RGB 136 108 41

HSL 42.32, 0.54%, 0.35%

LAB 47.13, 3.48, 40.37

 

CMYK 63 / 0 / 70 / 47

HEX #338829

RGB 51 136 41

HSL 113.68, 0.54%, 0.35%

LAB 50.06, -44.32, 41.78

 

CMYK 69 / 49 / 0 / 47

HEX #2A4587

RGB 42 69 135

HSL 222.58, 0.53%, 0.35%

LAB 30.64, 13.03, -40.04

 

CMYK 0 / 70 / 14 / 47

HEX #882975

RGB 136 41 117

HSL 312, 0.54%, 0.35%

LAB 34.2, 48.67, -22.49

 

CMYK 0 / 21 / 70 / 47

HEX #886C29

RGB 136 108 41

HSL 42.32, 0.54%, 0.35%

LAB 47.13, 3.48, 40.37

 

CMYK 70 / 0 / 56 / 47

HEX #29883C

RGB 41 136 60

HSL 132, 0.54%, 0.35%

LAB 49.98, -44.24, 32.62

 

Description

Color code: HEX #2A4587 | qconv.com Color code: HEX #2A4587 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 42 red, 69 green and 135 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
42 69 135 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 69 cyan, 49 magenta, none yellow and 47 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
69% 49% 0% 47% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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