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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2A4A72 it is the complementary color #D5B58D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2A4A72. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #2A4A72 shade: #2F4A6D, #405C80, #516E93, #6280A6 and #7392B9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2A4A72. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #2A4A72 shade: #2A4A72, #19385F, #08264C, #001439 and #000226

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #2A4A72 shade: #2A4B73, #2A3773, #312A73, #452A73 and #582A73

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #2A4A72 shade: #2A4B73, #2A3773 and #2A2A73

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #2A4A72 shade matches the following richer shades: #2A4B73, #1D4980, #11488C and #044699

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #2A4A72 shade: #2A4B73, #374C66, #444D59, #514F4D and #5D5040

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #2A4A72 shade: #2A7273, #2A5E73, #2A4B73, #2A3873 and #302A73

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #2A4A72 shade: #142337, #1F3755, #2A4B73, #355E91 and #4072AF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #2A4A72 shade: #2A4A72, #612A73 and #68732A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #2A4A72 shade: #2A4A72, #732A4B and #4B732A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #2A4A72 shade: #2A4A72, #612A73, #73522A and #3C732A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #2A4A72 shade: #2A4A72, #732A6F, #73522A and #2A732E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 63 / 35 / 0 / 55

HEX #2A4A72

RGB 42 74 114

HSL 213.33, 0.46%, 0.31%

LAB 30.89, 1.74, -26.54

 

Complementary color

CMYK 0 / 15 / 34 / 16

HEX #D5B58D

RGB 213 181 141

HSL 33.33, 0.46%, 0.69%

LAB 75.52, 5.8, 24.68

 

CMYK 57 / 32 / 0 / 57

HEX #2F4A6D

RGB 47 74 109

HSL 213.87, 0.4%, 0.31%

LAB 30.89, 1.09, -23.37

 

CMYK 50 / 28 / 0 / 50

HEX #405C80

RGB 64 92 128

HSL 213.75, 0.33%, 0.38%

LAB 38.38, 0.36, -23.41

 

CMYK 45 / 25 / 0 / 42

HEX #516E93

RGB 81 110 147

HSL 213.64, 0.29%, 0.45%

LAB 45.64, -0.18, -23.5

 

CMYK 41 / 23 / 0 / 35

HEX #6280A6

RGB 98 128 166

HSL 213.53, 0.28%, 0.52%

LAB 52.72, -0.6, -23.62

 

CMYK 38 / 21 / 0 / 27

HEX #7392B9

RGB 115 146 185

HSL 213.43, 0.33%, 0.59%

LAB 59.62, -0.94, -23.78

 

CMYK 63 / 35 / 0 / 55

HEX #2A4A72

RGB 42 74 114

HSL 213.33, 0.46%, 0.31%

LAB 30.89, 1.74, -26.54

 

CMYK 74 / 41 / 0 / 63

HEX #19385F

RGB 25 56 95

HSL 213.43, 0.58%, 0.24%

LAB 23.21, 3.17, -26.57

 

CMYK 89 / 50 / 0 / 70

HEX #08264C

RGB 8 38 76

HSL 213.53, 0.81%, 0.16%

LAB 15.27, 5.45, -26.6

 

CMYK 100 / 65 / 0 / 78

HEX #001439

RGB 0 20 57

HSL 218.95, 1%, 0.11%

LAB 7.19, 9.2, -26.35

 

CMYK 100 / 95 / 0 / 85

HEX #000226

RGB 0 2 38

HSL 236.84, 1%, 0.07%

LAB 1.66, 8.08, -20.97

 

CMYK 63 / 35 / 0 / 55

HEX #2A4B73

RGB 42 75 115

HSL 212.88, 0.46%, 0.31%

LAB 31.26, 1.45, -26.59

 

CMYK 63 / 52 / 0 / 55

HEX #2A3773

RGB 42 55 115

HSL 229.32, 0.46%, 0.31%

LAB 25.14, 15.05, -36.32

 

CMYK 57 / 63 / 0 / 55

HEX #312A73

RGB 49 42 115

HSL 245.75, 0.46%, 0.31%

LAB 22.11, 25.4, -41.2

 

CMYK 40 / 63 / 0 / 55

HEX #452A73

RGB 69 42 115

HSL 262.19, 0.46%, 0.31%

LAB 24.19, 29.94, -37.73

 

CMYK 23 / 63 / 0 / 55

HEX #582A73

RGB 88 42 115

HSL 277.81, 0.46%, 0.31%

LAB 26.64, 34.82, -33.66

 

CMYK 63 / 35 / 0 / 55

HEX #2A4B73

RGB 42 75 115

HSL 212.88, 0.46%, 0.31%

LAB 31.26, 1.45, -26.59

 

CMYK 63 / 52 / 0 / 55

HEX #2A3773

RGB 42 55 115

HSL 229.32, 0.46%, 0.31%

LAB 25.14, 15.05, -36.32

 

CMYK 63 / 63 / 0 / 55

HEX #2A2A73

RGB 42 42 115

HSL 240, 0.46%, 0.31%

LAB 21.53, 24.04, -42.17

 

CMYK 63 / 35 / 0 / 55

HEX #2A4B73

RGB 42 75 115

HSL 212.88, 0.46%, 0.31%

LAB 31.26, 1.45, -26.59

 

CMYK 77 / 43 / 0 / 50

HEX #1D4980

RGB 29 73 128

HSL 213.33, 0.63%, 0.31%

LAB 30.84, 5.51, -35.4

 

CMYK 88 / 49 / 0 / 45

HEX #11488C

RGB 17 72 140

HSL 213.17, 0.78%, 0.31%

LAB 30.99, 9.82, -42.6

 

CMYK 97 / 54 / 0 / 40

HEX #044699

RGB 4 70 153

HSL 213.42, 0.95%, 0.31%

LAB 31.13, 15.89, -50.33

 

CMYK 63 / 35 / 0 / 55

HEX #2A4B73

RGB 42 75 115

HSL 212.88, 0.46%, 0.31%

LAB 31.26, 1.45, -26.59

 

CMYK 46 / 25 / 0 / 60

HEX #374C66

RGB 55 76 102

HSL 213.19, 0.3%, 0.31%

LAB 31.67, -0.4, -17.7

 

CMYK 24 / 13 / 0 / 65

HEX #444D59

RGB 68 77 89

HSL 214.29, 0.13%, 0.31%

LAB 32.39, -0.58, -8.26

 

CMYK 0 / 2 / 5 / 68

HEX #514F4D

RGB 81 79 77

HSL 30, 0.03%, 0.31%

LAB 33.73, 0.4, 1.46

 

CMYK 0 / 14 / 31 / 64

HEX #5D5040

RGB 93 80 64

HSL 33.1, 0.18%, 0.31%

LAB 34.87, 2.63, 11.43

 

CMYK 63 / 1 / 0 / 55

HEX #2A7273

RGB 42 114 115

HSL 180.82, 0.46%, 0.31%

LAB 43.89, -21.6, -7.2

 

CMYK 63 / 18 / 0 / 55

HEX #2A5E73

RGB 42 94 115

HSL 197.26, 0.46%, 0.31%

LAB 37.36, -10.42, -17.09

 

CMYK 63 / 35 / 0 / 55

HEX #2A4B73

RGB 42 75 115

HSL 212.88, 0.46%, 0.31%

LAB 31.26, 1.45, -26.59

 

CMYK 63 / 51 / 0 / 55

HEX #2A3873

RGB 42 56 115

HSL 228.49, 0.46%, 0.31%

LAB 25.44, 14.36, -35.85

 

CMYK 58 / 63 / 0 / 55

HEX #302A73

RGB 48 42 115

HSL 244.93, 0.46%, 0.31%

LAB 22.02, 25.2, -41.35

 

CMYK 64 / 36 / 0 / 78

HEX #142337

RGB 20 35 55

HSL 214.29, 0.47%, 0.15%

LAB 13.39, 0.9, -14.94

 

CMYK 64 / 35 / 0 / 67

HEX #1F3755

RGB 31 55 85

HSL 213.33, 0.47%, 0.23%

LAB 22.58, 1.16, -20.97

 

CMYK 63 / 35 / 0 / 55

HEX #2A4B73

RGB 42 75 115

HSL 212.88, 0.46%, 0.31%

LAB 31.26, 1.45, -26.59

 

CMYK 63 / 35 / 0 / 43

HEX #355E91

RGB 53 94 145

HSL 213.26, 0.46%, 0.39%

LAB 39.25, 2.38, -32.4

 

CMYK 63 / 35 / 0 / 31

HEX #4072AF

RGB 64 114 175

HSL 212.97, 0.46%, 0.47%

LAB 47.26, 2.65, -37.49

 

CMYK 63 / 35 / 0 / 55

HEX #2A4A72

RGB 42 74 114

HSL 213.33, 0.46%, 0.31%

LAB 30.89, 1.74, -26.54

 

CMYK 16 / 63 / 0 / 55

HEX #612A73

RGB 97 42 115

HSL 285.21, 0.46%, 0.31%

LAB 27.94, 37.25, -31.52

 

CMYK 10 / 0 / 63 / 55

HEX #68732A

RGB 104 115 42

HSL 69.04, 0.46%, 0.31%

LAB 46.14, -15.23, 37.93

 

CMYK 63 / 35 / 0 / 55

HEX #2A4A72

RGB 42 74 114

HSL 213.33, 0.46%, 0.31%

LAB 30.89, 1.74, -26.54

 

CMYK 0 / 63 / 35 / 55

HEX #732A4B

RGB 115 42 75

HSL 332.88, 0.46%, 0.31%

LAB 28.92, 35.67, -3.77

 

CMYK 35 / 0 / 63 / 55

HEX #4B732A

RGB 75 115 42

HSL 92.88, 0.46%, 0.31%

LAB 44.12, -27.52, 35.13

 

CMYK 63 / 35 / 0 / 55

HEX #2A4A72

RGB 42 74 114

HSL 213.33, 0.46%, 0.31%

LAB 30.89, 1.74, -26.54

 

CMYK 16 / 63 / 0 / 55

HEX #612A73

RGB 97 42 115

HSL 285.21, 0.46%, 0.31%

LAB 27.94, 37.25, -31.52

 

CMYK 0 / 29 / 63 / 55

HEX #73522A

RGB 115 82 42

HSL 32.88, 0.46%, 0.31%

LAB 37.57, 9.07, 28.54

 

CMYK 48 / 0 / 63 / 55

HEX #3C732A

RGB 60 115 42

HSL 105.21, 0.46%, 0.31%

LAB 43.34, -32.97, 34.04

 

CMYK 63 / 35 / 0 / 55

HEX #2A4A72

RGB 42 74 114

HSL 213.33, 0.46%, 0.31%

LAB 30.89, 1.74, -26.54

 

CMYK 0 / 63 / 3 / 55

HEX #732A6F

RGB 115 42 111

HSL 303.29, 0.46%, 0.31%

LAB 30.52, 41.43, -24.71

 

CMYK 0 / 29 / 63 / 55

HEX #73522A

RGB 115 82 42

HSL 32.88, 0.46%, 0.31%

LAB 37.57, 9.07, 28.54

 

CMYK 63 / 0 / 60 / 55

HEX #2A732E

RGB 42 115 46

HSL 123.29, 0.46%, 0.31%

LAB 42.69, -37.76, 31.1

 

Description

Color code: HEX #2A4A72 | qconv.com Color code: HEX #2A4A72 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 42 red, 74 green and 114 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
42 74 114 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 63 cyan, 35 magenta, none yellow and 55 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
63% 35% 0% 55% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

18% - GM DISEGNI | Diseño ...
Link: http://gmdisegni.com

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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