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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2A4AC9 it is the complementary color #D5B536. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2A4AC9. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #2A4AC9 shade: #2F4AC4, #405CD7, #516EEA, #6280FD and #7392FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2A4AC9. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #2A4AC9 shade: #2A4AC9, #1938B6, #0826A3, #001490 and #00027D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #2A4AC9 shade: #2A4AC9, #352AC9, #602AC9, #8B2AC9 and #B62AC9

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #2A4AC9 shade: #2A4AC9 and #2A2AC9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #2A4AC9 shade matches the following richer shades: #2A4AC9, #173FDD and #0333F1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #2A4AC9 shade: #2A4AC9, #3E56B6, #5262A2, #666E8E and #7A7A7A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #2A4AC9 shade: #2AA2C9, #2A77C9, #2A4DC9, #322AC9 and #5D2AC9

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #2A4AC9 shade: #1C3185, #233EA7, #2A4AC9, #4663D7 and #6880DF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #2A4AC9 shade: #2A4AC9, #C72AC9 and #8CC92A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #2A4AC9 shade: #2A4AC9, #C92A4D and #4DC92A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #2A4AC9 shade: #2A4AC9, #C72AC9, #C9A72A and #2DC92A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #2A4AC9 shade: #2A4AC9, #C92A9C, #C9A72A and #2AC957

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 79 / 63 / 0 / 21

HEX #2A4AC9

RGB 42 74 201

HSL 227.92, 0.65%, 0.48%

LAB 37.13, 34.72, -69

 

Complementary color

CMYK 0 / 15 / 75 / 16

HEX #D5B536

RGB 213 181 54

HSL 47.92, 0.65%, 0.52%

LAB 74.48, -1.39, 64.88

 

CMYK 76 / 62 / 0 / 23

HEX #2F4AC4

RGB 47 74 196

HSL 229.13, 0.61%, 0.48%

LAB 36.91, 33.38, -66.44

 

CMYK 70 / 57 / 0 / 16

HEX #405CD7

RGB 64 92 215

HSL 228.87, 0.65%, 0.55%

LAB 43.73, 30.78, -66.25

 

CMYK 65 / 53 / 0 / 8

HEX #516EEA

RGB 81 110 234

HSL 228.63, 0.78%, 0.62%

LAB 50.5, 28.6, -65.98

 

CMYK 61 / 49 / 0 / 1

HEX #6280FD

RGB 98 128 253

HSL 228.39, 0.97%, 0.69%

LAB 57.2, 26.75, -65.69

 

CMYK 55 / 43 / 0 / 0

HEX #7392FF

RGB 115 146 255

HSL 226.71, 1%, 0.73%

LAB 62.86, 19.81, -57.66

 

CMYK 79 / 63 / 0 / 21

HEX #2A4AC9

RGB 42 74 201

HSL 227.92, 0.65%, 0.48%

LAB 37.13, 34.72, -69

 

CMYK 86 / 69 / 0 / 29

HEX #1938B6

RGB 25 56 182

HSL 228.15, 0.76%, 0.41%

LAB 30.43, 37.93, -68.87

 

CMYK 95 / 77 / 0 / 36

HEX #0826A3

RGB 8 38 163

HSL 228.39, 0.91%, 0.34%

LAB 23.94, 41.38, -68.2

 

CMYK 100 / 86 / 0 / 44

HEX #001490

RGB 0 20 144

HSL 231.67, 1%, 0.28%

LAB 17.98, 44.36, -66.43

 

CMYK 100 / 98 / 0 / 51

HEX #00027D

RGB 0 2 125

HSL 239.04, 1%, 0.25%

LAB 12.76, 45.85, -63.15

 

CMYK 79 / 63 / 0 / 21

HEX #2A4AC9

RGB 42 74 201

HSL 227.92, 0.65%, 0.48%

LAB 37.13, 34.72, -69

 

CMYK 74 / 79 / 0 / 21

HEX #352AC9

RGB 53 42 201

HSL 244.15, 0.65%, 0.48%

LAB 30.95, 54.18, -79.16

 

CMYK 52 / 79 / 0 / 21

HEX #602AC9

RGB 96 42 201

HSL 260.38, 0.65%, 0.48%

LAB 34.72, 58.57, -72.81

 

CMYK 31 / 79 / 0 / 21

HEX #8B2AC9

RGB 139 42 201

HSL 276.6, 0.65%, 0.48%

LAB 40.18, 64.91, -63.65

 

CMYK 9 / 79 / 0 / 21

HEX #B62AC9

RGB 182 42 201

HSL 292.83, 0.65%, 0.48%

LAB 46.73, 72.51, -52.74

 

CMYK 79 / 63 / 0 / 21

HEX #2A4AC9

RGB 42 74 201

HSL 227.92, 0.65%, 0.48%

LAB 37.13, 34.72, -69

 

CMYK 79 / 79 / 0 / 21

HEX #2A2AC9

RGB 42 42 201

HSL 240, 0.65%, 0.48%

LAB 30.32, 53.44, -80.23

 

CMYK 79 / 63 / 0 / 21

HEX #2A4AC9

RGB 42 74 201

HSL 227.92, 0.65%, 0.48%

LAB 37.13, 34.72, -69

 

CMYK 90 / 71 / 0 / 13

HEX #173FDD

RGB 23 63 221

HSL 227.88, 0.81%, 0.48%

LAB 35.9, 47.57, -82.58

 

CMYK 99 / 79 / 0 / 5

HEX #0333F1

RGB 3 51 241

HSL 227.9, 0.98%, 0.48%

LAB 35.47, 60.38, -94.68

 

CMYK 79 / 63 / 0 / 21

HEX #2A4AC9

RGB 42 74 201

HSL 227.92, 0.65%, 0.48%

LAB 37.13, 34.72, -69

 

CMYK 66 / 53 / 0 / 29

HEX #3E56B6

RGB 62 86 182

HSL 228, 0.49%, 0.48%

LAB 39.68, 22.54, -53.71

 

CMYK 49 / 40 / 0 / 36

HEX #5262A2

RGB 82 98 162

HSL 228, 0.33%, 0.48%

LAB 42.97, 12.18, -36.57

 

CMYK 28 / 23 / 0 / 44

HEX #666E8E

RGB 102 110 142

HSL 228, 0.16%, 0.48%

LAB 46.88, 4.68, -18.5

 

CMYK 0 / 0 / 0 / 52

HEX #7A7A7A

RGB 122 122 122

HSL 0, 0%, 0.48%

LAB 51.22, 0, -0.01

 

CMYK 79 / 19 / 0 / 21

HEX #2AA2C9

RGB 42 162 201

HSL 194.72, 0.65%, 0.48%

LAB 62.13, -18.9, -29.15

 

CMYK 79 / 41 / 0 / 21

HEX #2A77C9

RGB 42 119 201

HSL 210.94, 0.65%, 0.48%

LAB 49.38, 5.83, -49.18

 

CMYK 79 / 62 / 0 / 21

HEX #2A4DC9

RGB 42 77 201

HSL 226.79, 0.65%, 0.48%

LAB 37.87, 32.8, -67.78

 

CMYK 75 / 79 / 0 / 21

HEX #322AC9

RGB 50 42 201

HSL 243.02, 0.65%, 0.48%

LAB 30.76, 53.96, -79.48

 

CMYK 54 / 79 / 0 / 21

HEX #5D2AC9

RGB 93 42 201

HSL 259.25, 0.65%, 0.48%

LAB 34.4, 58.19, -73.35

 

CMYK 79 / 63 / 0 / 48

HEX #1C3185

RGB 28 49 133

HSL 228, 0.65%, 0.32%

LAB 24.12, 24.04, -49.39

 

CMYK 79 / 63 / 0 / 35

HEX #233EA7

RGB 35 62 167

HSL 227.73, 0.65%, 0.4%

LAB 30.86, 29.16, -59.19

 

CMYK 79 / 63 / 0 / 21

HEX #2A4AC9

RGB 42 74 201

HSL 227.92, 0.65%, 0.48%

LAB 37.13, 34.72, -69

 

CMYK 67 / 54 / 0 / 16

HEX #4663D7

RGB 70 99 215

HSL 228, 0.64%, 0.56%

LAB 45.81, 27.21, -62.85

 

CMYK 53 / 43 / 0 / 13

HEX #6880DF

RGB 104 128 223

HSL 227.9, 0.65%, 0.64%

LAB 55.8, 18.19, -51.24

 

CMYK 79 / 63 / 0 / 21

HEX #2A4AC9

RGB 42 74 201

HSL 227.92, 0.65%, 0.48%

LAB 37.13, 34.72, -69

 

CMYK 1 / 79 / 0 / 21

HEX #C72AC9

RGB 199 42 201

HSL 299.25, 0.65%, 0.48%

LAB 49.51, 75.73, -48.13

 

CMYK 30 / 0 / 79 / 21

HEX #8CC92A

RGB 140 201 42

HSL 83.02, 0.65%, 0.48%

LAB 74.52, -41.9, 66.84

 

CMYK 79 / 63 / 0 / 21

HEX #2A4AC9

RGB 42 74 201

HSL 227.92, 0.65%, 0.48%

LAB 37.13, 34.72, -69

 

CMYK 0 / 79 / 62 / 21

HEX #C92A4D

RGB 201 42 77

HSL 346.79, 0.65%, 0.48%

LAB 45.09, 62.29, 20

 

CMYK 62 / 0 / 79 / 21

HEX #4DC92A

RGB 77 201 42

HSL 106.79, 0.65%, 0.48%

LAB 71.91, -61.28, 63.46

 

CMYK 79 / 63 / 0 / 21

HEX #2A4AC9

RGB 42 74 201

HSL 227.92, 0.65%, 0.48%

LAB 37.13, 34.72, -69

 

CMYK 1 / 79 / 0 / 21

HEX #C72AC9

RGB 199 42 201

HSL 299.25, 0.65%, 0.48%

LAB 49.51, 75.73, -48.13

 

CMYK 0 / 17 / 79 / 21

HEX #C9A72A

RGB 201 167 42

HSL 47.17, 0.65%, 0.48%

LAB 69.63, 0.3, 64.1

 

CMYK 78 / 0 / 79 / 21

HEX #2DC92A

RGB 45 201 42

HSL 118.87, 0.65%, 0.48%

LAB 71.21, -67.14, 62.56

 

CMYK 79 / 63 / 0 / 21

HEX #2A4AC9

RGB 42 74 201

HSL 227.92, 0.65%, 0.48%

LAB 37.13, 34.72, -69

 

CMYK 0 / 79 / 22 / 21

HEX #C92A9C

RGB 201 42 156

HSL 316.98, 0.65%, 0.48%

LAB 47.59, 69.77, -24.71

 

CMYK 0 / 17 / 79 / 21

HEX #C9A72A

RGB 201 167 42

HSL 47.17, 0.65%, 0.48%

LAB 69.63, 0.3, 64.1

 

CMYK 79 / 0 / 57 / 21

HEX #2AC957

RGB 42 201 87

HSL 136.98, 0.65%, 0.48%

LAB 71.52, -63.16, 45.22

 

Description

Color code: HEX #2A4AC9 | qconv.com Color code: HEX #2A4AC9 | qconv.com - big

With this color blue stands out from the other colors. The value that represents the blue hue is greater than the other two values. It is far different from the value for the red and green hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 42 red, 74 green and 201 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
42 74 201 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 79 cyan, 63 magenta, none yellow and 21 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
79% 63% 0% 21% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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