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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2A5493 it is the complementary color #D5AB6C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2A5493. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #2A5493 shade: #2F548E, #4066A1, #5178B4, #628AC7 and #739CDA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2A5493. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #2A5493 shade: #2A5493, #194280, #08306D, #001E5A and #000C47

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #2A5493 shade: #295393, #293793, #382993, #542993 and #712993

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #2A5493 shade: #295393, #293793 and #292993

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #2A5493 shade matches the following richer shades: #295393, #1A50A2 and #0A4DB1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #2A5493 shade: #295393, #385683, #485974, #575C65 and #665F56

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #2A5493 shade: #298C93, #296F93, #295393, #293793 and #372993

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #2A5493 shade: #172F52, #204173, #295393, #3266B3 and #447ACA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #2A5493 shade: #2A5493, #7E2993 and #7E9329

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #2A5493 shade: #2A5493, #932953 and #539329

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #2A5493 shade: #2A5493, #7E2993, #936829 and #3E9329

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #2A5493 shade: #2A5493, #932988, #936829 and #299334

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 71 / 43 / 0 / 42

HEX #2A5493

RGB 42 84 147

HSL 216, 0.56%, 0.37%

LAB 35.87, 7.59, -39.01

 

Complementary color

CMYK 0 / 20 / 49 / 16

HEX #D5AB6C

RGB 213 171 108

HSL 36, 0.56%, 0.63%

LAB 72.46, 7.55, 38.1

 

CMYK 67 / 41 / 0 / 44

HEX #2F548E

RGB 47 84 142

HSL 216.63, 0.5%, 0.37%

LAB 35.79, 6.56, -36.09

 

CMYK 60 / 37 / 0 / 37

HEX #4066A1

RGB 64 102 161

HSL 216.49, 0.43%, 0.44%

LAB 43.01, 5.21, -35.98

 

CMYK 55 / 33 / 0 / 29

HEX #5178B4

RGB 81 120 180

HSL 216.36, 0.4%, 0.51%

LAB 50.07, 4.18, -35.92

 

CMYK 51 / 31 / 0 / 22

HEX #628AC7

RGB 98 138 199

HSL 216.24, 0.47%, 0.58%

LAB 56.98, 3.38, -35.89

 

CMYK 47 / 28 / 0 / 15

HEX #739CDA

RGB 115 156 218

HSL 216.12, 0.58%, 0.65%

LAB 63.74, 2.72, -35.89

 

CMYK 71 / 43 / 0 / 42

HEX #2A5493

RGB 42 84 147

HSL 216, 0.56%, 0.37%

LAB 35.87, 7.59, -39.01

 

CMYK 80 / 48 / 0 / 50

HEX #194280

RGB 25 66 128

HSL 216.12, 0.67%, 0.3%

LAB 28.54, 9.77, -39.1

 

CMYK 93 / 56 / 0 / 57

HEX #08306D

RGB 8 48 109

HSL 216.24, 0.86%, 0.23%

LAB 21.09, 12.83, -39.09

 

CMYK 100 / 67 / 0 / 65

HEX #001E5A

RGB 0 30 90

HSL 220, 1%, 0.18%

LAB 13.63, 17.11, -38.76

 

CMYK 100 / 83 / 0 / 72

HEX #000C47

RGB 0 12 71

HSL 229.86, 1%, 0.14%

LAB 6.48, 21.69, -37.48

 

CMYK 72 / 44 / 0 / 42

HEX #295393

RGB 41 83 147

HSL 216.23, 0.56%, 0.37%

LAB 35.53, 8.09, -39.55

 

CMYK 72 / 63 / 0 / 42

HEX #293793

RGB 41 55 147

HSL 232.08, 0.56%, 0.37%

LAB 27.6, 26.97, -52.36

 

CMYK 62 / 72 / 0 / 42

HEX #382993

RGB 56 41 147

HSL 248.49, 0.56%, 0.37%

LAB 25.36, 37.98, -55.98

 

CMYK 43 / 72 / 0 / 42

HEX #542993

RGB 84 41 147

HSL 264.34, 0.56%, 0.37%

LAB 28.32, 42.75, -51.02

 

CMYK 23 / 72 / 0 / 42

HEX #712993

RGB 113 41 147

HSL 280.75, 0.56%, 0.37%

LAB 32.27, 48.71, -44.44

 

CMYK 72 / 44 / 0 / 42

HEX #295393

RGB 41 83 147

HSL 216.23, 0.56%, 0.37%

LAB 35.53, 8.09, -39.55

 

CMYK 72 / 63 / 0 / 42

HEX #293793

RGB 41 55 147

HSL 232.08, 0.56%, 0.37%

LAB 27.6, 26.97, -52.36

 

CMYK 72 / 72 / 0 / 42

HEX #292993

RGB 41 41 147

HSL 240, 0.56%, 0.37%

LAB 24.21, 36.02, -57.92

 

CMYK 72 / 44 / 0 / 42

HEX #295393

RGB 41 83 147

HSL 216.23, 0.56%, 0.37%

LAB 35.53, 8.09, -39.55

 

CMYK 84 / 51 / 0 / 36

HEX #1A50A2

RGB 26 80 162

HSL 216.18, 0.72%, 0.37%

LAB 35.13, 14.18, -49.26

 

CMYK 94 / 56 / 0 / 31

HEX #0A4DB1

RGB 10 77 177

HSL 215.93, 0.89%, 0.37%

LAB 35.1, 21.3, -58.27

 

CMYK 72 / 44 / 0 / 42

HEX #295393

RGB 41 83 147

HSL 216.23, 0.56%, 0.37%

LAB 35.53, 8.09, -39.55

 

CMYK 57 / 34 / 0 / 49

HEX #385683

RGB 56 86 131

HSL 216, 0.4%, 0.37%

LAB 36.24, 3.18, -28.62

 

CMYK 38 / 23 / 0 / 55

HEX #485974

RGB 72 89 116

HSL 216.82, 0.23%, 0.37%

LAB 37.45, 0.81, -17.44

 

CMYK 14 / 9 / 0 / 60

HEX #575C65

RGB 87 92 101

HSL 218.57, 0.07%, 0.37%

LAB 38.93, 0.1, -5.82

 

CMYK 0 / 7 / 16 / 60

HEX #665F56

RGB 102 95 86

HSL 33.75, 0.09%, 0.37%

LAB 40.7, 1.09, 6.15

 

CMYK 72 / 5 / 0 / 42

HEX #298C93

RGB 41 140 147

HSL 183.96, 0.56%, 0.37%

LAB 53.31, -25.25, -11.93

 

CMYK 72 / 24 / 0 / 42

HEX #296F93

RGB 41 111 147

HSL 200.38, 0.56%, 0.37%

LAB 44.16, -9.4, -25.95

 

CMYK 72 / 44 / 0 / 42

HEX #295393

RGB 41 83 147

HSL 216.23, 0.56%, 0.37%

LAB 35.53, 8.09, -39.55

 

CMYK 72 / 63 / 0 / 42

HEX #293793

RGB 41 55 147

HSL 232.08, 0.56%, 0.37%

LAB 27.6, 26.97, -52.36

 

CMYK 63 / 72 / 0 / 42

HEX #372993

RGB 55 41 147

HSL 247.92, 0.56%, 0.37%

LAB 25.27, 37.83, -56.13

 

CMYK 72 / 43 / 0 / 68

HEX #172F52

RGB 23 47 82

HSL 215.59, 0.56%, 0.21%

LAB 19.33, 3.84, -24.15

 

CMYK 72 / 43 / 0 / 55

HEX #204173

RGB 32 65 115

HSL 216.14, 0.56%, 0.29%

LAB 27.64, 6.22, -32.35

 

CMYK 72 / 44 / 0 / 42

HEX #295393

RGB 41 83 147

HSL 216.23, 0.56%, 0.37%

LAB 35.53, 8.09, -39.55

 

CMYK 72 / 43 / 0 / 30

HEX #3266B3

RGB 50 102 179

HSL 215.81, 0.56%, 0.45%

LAB 43.41, 9.24, -45.98

 

CMYK 66 / 40 / 0 / 21

HEX #447ACA

RGB 68 122 202

HSL 215.82, 0.56%, 0.53%

LAB 51.17, 7.91, -46.85

 

CMYK 71 / 43 / 0 / 42

HEX #2A5493

RGB 42 84 147

HSL 216, 0.56%, 0.37%

LAB 35.87, 7.59, -39.01

 

CMYK 14 / 72 / 0 / 42

HEX #7E2993

RGB 126 41 147

HSL 288.11, 0.56%, 0.37%

LAB 34.25, 51.58, -41.15

 

CMYK 14 / 0 / 72 / 42

HEX #7E9329

RGB 126 147 41

HSL 71.89, 0.56%, 0.37%

LAB 57.52, -22.33, 50.71

 

CMYK 71 / 43 / 0 / 42

HEX #2A5493

RGB 42 84 147

HSL 216, 0.56%, 0.37%

LAB 35.87, 7.59, -39.01

 

CMYK 0 / 72 / 44 / 42

HEX #932953

RGB 147 41 83

HSL 336.23, 0.56%, 0.37%

LAB 34.83, 47.38, 0.36

 

CMYK 44 / 0 / 72 / 42

HEX #539329

RGB 83 147 41

HSL 96.23, 0.56%, 0.37%

LAB 54.93, -39.2, 47.25

 

CMYK 71 / 43 / 0 / 42

HEX #2A5493

RGB 42 84 147

HSL 216, 0.56%, 0.37%

LAB 35.87, 7.59, -39.01

 

CMYK 14 / 72 / 0 / 42

HEX #7E2993

RGB 126 41 147

HSL 288.11, 0.56%, 0.37%

LAB 34.25, 51.58, -41.15

 

CMYK 0 / 29 / 72 / 42

HEX #936829

RGB 147 104 41

HSL 35.66, 0.56%, 0.37%

LAB 47.32, 10.89, 40.95

 

CMYK 58 / 0 / 72 / 42

HEX #3E9329

RGB 62 147 41

HSL 108.11, 0.56%, 0.37%

LAB 54.08, -45.65, 46.11

 

CMYK 71 / 43 / 0 / 42

HEX #2A5493

RGB 42 84 147

HSL 216, 0.56%, 0.37%

LAB 35.87, 7.59, -39.01

 

CMYK 0 / 72 / 7 / 42

HEX #932988

RGB 147 41 136

HSL 306.23, 0.56%, 0.37%

LAB 37.05, 54.52, -29.73

 

CMYK 0 / 29 / 72 / 42

HEX #936829

RGB 147 104 41

HSL 35.66, 0.56%, 0.37%

LAB 47.32, 10.89, 40.95

 

CMYK 72 / 0 / 65 / 42

HEX #299334

RGB 41 147 52

HSL 126.23, 0.56%, 0.37%

LAB 53.59, -49.33, 40.69

 

Description

Color code: HEX #2A5493 | qconv.com Color code: HEX #2A5493 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 42 red, 84 green and 147 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
42 84 147 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 71 cyan, 43 magenta, none yellow and 42 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
71% 43% 0% 42% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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