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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2A5DB5 it is the complementary color #D5A24A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2A5DB5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #2A5DB5 shade: #2F5DB0, #406FC3, #5181D6, #6293E9 and #73A5FC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2A5DB5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #2A5DB5 shade: #2A5DB5, #194BA2, #08398F, #00277C and #001569

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #2A5DB5 shade: #2A5DB5, #2A38B5, #422AB5, #682AB5 and #8D2AB5

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #2A5DB5 shade: #2A5DB5, #2A38B5 and #2A2AB5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #2A5DB5 shade matches the following richer shades: #2A5DB5, #1858C7 and #0654DA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #2A5DB5 shade: #2A5DB5, #3C62A3, #4E6791, #616C7F and #73716D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #2A5DB5 shade: #2AAAB5, #2A85B5, #2A5FB5, #2A3AB5 and #3F2AB5

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #2A5DB5 shade: #1A3B72, #224C94, #2A5DB5, #3970D0 and #5A88D8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #2A5DB5 shade: #2A5DB5, #9C2AB5 and #97B52A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #2A5DB5 shade: #2A5DB5, #B52A5F and #5FB52A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #2A5DB5 shade: #2A5DB5, #9C2AB5, #B5802A and #44B52A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #2A5DB5 shade: #2A5DB5, #B52AA5, #B5802A and #2AB53A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 77 / 49 / 0 / 29

HEX #2A5DB5

RGB 42 93 181

HSL 217.99, 0.62%, 0.44%

LAB 40.67, 14.74, -51.57

 

Complementary color

CMYK 0 / 24 / 65 / 16

HEX #D5A24A

RGB 213 162 74

HSL 37.99, 0.62%, 0.56%

LAB 69.81, 9.74, 51.8

 

CMYK 73 / 47 / 0 / 31

HEX #2F5DB0

RGB 47 93 176

HSL 218.6, 0.58%, 0.44%

LAB 40.52, 13.48, -48.86

 

CMYK 67 / 43 / 0 / 24

HEX #406FC3

RGB 64 111 195

HSL 218.47, 0.52%, 0.51%

LAB 47.49, 11.57, -48.71

 

CMYK 62 / 40 / 0 / 16

HEX #5181D6

RGB 81 129 214

HSL 218.35, 0.62%, 0.58%

LAB 54.35, 10.06, -48.56

 

CMYK 58 / 37 / 0 / 9

HEX #6293E9

RGB 98 147 233

HSL 218.22, 0.75%, 0.65%

LAB 61.09, 8.84, -48.43

 

CMYK 54 / 35 / 0 / 1

HEX #73A5FC

RGB 115 165 252

HSL 218.1, 0.96%, 0.72%

LAB 67.71, 7.82, -48.34

 

CMYK 77 / 49 / 0 / 29

HEX #2A5DB5

RGB 42 93 181

HSL 217.99, 0.62%, 0.44%

LAB 40.67, 14.74, -51.57

 

CMYK 85 / 54 / 0 / 36

HEX #194BA2

RGB 25 75 162

HSL 218.1, 0.73%, 0.37%

LAB 33.66, 17.47, -51.64

 

CMYK 94 / 60 / 0 / 44

HEX #08398F

RGB 8 57 143

HSL 218.22, 0.89%, 0.3%

LAB 26.62, 20.97, -51.54

 

CMYK 100 / 69 / 0 / 51

HEX #00277C

RGB 0 39 124

HSL 221.13, 1%, 0.24%

LAB 19.66, 25.31, -51.05

 

CMYK 100 / 80 / 0 / 59

HEX #001569

RGB 0 21 105

HSL 228, 1%, 0.21%

LAB 12.96, 29.92, -49.84

 

CMYK 77 / 49 / 0 / 29

HEX #2A5DB5

RGB 42 93 181

HSL 217.99, 0.62%, 0.44%

LAB 40.67, 14.74, -51.57

 

CMYK 77 / 69 / 0 / 29

HEX #2A38B5

RGB 42 56 181

HSL 233.96, 0.62%, 0.44%

LAB 31.01, 38.86, -67.29

 

CMYK 64 / 77 / 0 / 29

HEX #422AB5

RGB 66 42 181

HSL 250.36, 0.62%, 0.44%

LAB 29.79, 49.33, -69.25

 

CMYK 43 / 77 / 0 / 29

HEX #682AB5

RGB 104 42 181

HSL 266.76, 0.62%, 0.44%

LAB 33.85, 54.6, -62.44

 

CMYK 22 / 77 / 0 / 29

HEX #8D2AB5

RGB 141 42 181

HSL 282.73, 0.62%, 0.44%

LAB 38.99, 61.11, -53.84

 

CMYK 77 / 49 / 0 / 29

HEX #2A5DB5

RGB 42 93 181

HSL 217.99, 0.62%, 0.44%

LAB 40.67, 14.74, -51.57

 

CMYK 77 / 69 / 0 / 29

HEX #2A38B5

RGB 42 56 181

HSL 233.96, 0.62%, 0.44%

LAB 31.01, 38.86, -67.29

 

CMYK 77 / 77 / 0 / 29

HEX #2A2AB5

RGB 42 42 181

HSL 240, 0.62%, 0.44%

LAB 28.07, 47.04, -72.15

 

CMYK 77 / 49 / 0 / 29

HEX #2A5DB5

RGB 42 93 181

HSL 217.99, 0.62%, 0.44%

LAB 40.67, 14.74, -51.57

 

CMYK 88 / 56 / 0 / 22

HEX #1858C7

RGB 24 88 199

HSL 218.06, 0.78%, 0.44%

LAB 40.08, 23.45, -63.05

 

CMYK 97 / 61 / 0 / 15

HEX #0654DA

RGB 6 84 218

HSL 217.92, 0.95%, 0.44%

LAB 40.31, 32.77, -73.61

 

CMYK 77 / 49 / 0 / 29

HEX #2A5DB5

RGB 42 93 181

HSL 217.99, 0.62%, 0.44%

LAB 40.67, 14.74, -51.57

 

CMYK 63 / 40 / 0 / 36

HEX #3C62A3

RGB 60 98 163

HSL 217.86, 0.46%, 0.44%

LAB 41.75, 7.64, -39.18

 

CMYK 46 / 29 / 0 / 43

HEX #4E6791

RGB 78 103 145

HSL 217.61, 0.3%, 0.44%

LAB 43.31, 2.66, -25.95

 

CMYK 24 / 15 / 0 / 50

HEX #616C7F

RGB 97 108 127

HSL 218, 0.13%, 0.44%

LAB 45.36, 0.36, -11.91

 

CMYK 0 / 2 / 5 / 55

HEX #73716D

RGB 115 113 109

HSL 40, 0.03%, 0.44%

LAB 47.7, -0.02, 2.48

 

CMYK 77 / 6 / 0 / 29

HEX #2AAAB5

RGB 42 170 181

HSL 184.75, 0.62%, 0.44%

LAB 63.82, -29.47, -15.39

 

CMYK 77 / 27 / 0 / 29

HEX #2A85B5

RGB 42 133 181

HSL 200.72, 0.62%, 0.44%

LAB 52.51, -9.88, -32.77

 

CMYK 77 / 48 / 0 / 29

HEX #2A5FB5

RGB 42 95 181

HSL 217.12, 0.62%, 0.44%

LAB 41.24, 13.44, -50.65

 

CMYK 77 / 68 / 0 / 29

HEX #2A3AB5

RGB 42 58 181

HSL 233.09, 0.62%, 0.44%

LAB 31.47, 37.61, -66.54

 

CMYK 65 / 77 / 0 / 29

HEX #3F2AB5

RGB 63 42 181

HSL 249.06, 0.62%, 0.44%

LAB 29.54, 48.99, -69.68

 

CMYK 77 / 48 / 0 / 55

HEX #1A3B72

RGB 26 59 114

HSL 217.5, 0.63%, 0.27%

LAB 25.45, 9.02, -35.24

 

CMYK 77 / 49 / 0 / 42

HEX #224C94

RGB 34 76 148

HSL 217.89, 0.63%, 0.36%

LAB 33.24, 12.15, -43.85

 

CMYK 77 / 49 / 0 / 29

HEX #2A5DB5

RGB 42 93 181

HSL 217.99, 0.62%, 0.44%

LAB 40.67, 14.74, -51.57

 

CMYK 73 / 46 / 0 / 18

HEX #3970D0

RGB 57 112 208

HSL 218.15, 0.62%, 0.52%

LAB 48.28, 14.62, -54.92

 

CMYK 58 / 37 / 0 / 15

HEX #5A88D8

RGB 90 136 216

HSL 218.1, 0.62%, 0.6%

LAB 56.82, 8.24, -45.74

 

CMYK 77 / 49 / 0 / 29

HEX #2A5DB5

RGB 42 93 181

HSL 217.99, 0.62%, 0.44%

LAB 40.67, 14.74, -51.57

 

CMYK 14 / 77 / 0 / 29

HEX #9C2AB5

RGB 156 42 181

HSL 289.21, 0.62%, 0.44%

LAB 41.31, 64, -49.98

 

CMYK 17 / 0 / 77 / 29

HEX #97B52A

RGB 151 181 42

HSL 72.95, 0.62%, 0.44%

LAB 69.32, -28.46, 62.29

 

CMYK 77 / 49 / 0 / 29

HEX #2A5DB5

RGB 42 93 181

HSL 217.99, 0.62%, 0.44%

LAB 40.67, 14.74, -51.57

 

CMYK 0 / 77 / 48 / 29

HEX #B52A5F

RGB 181 42 95

HSL 337.12, 0.62%, 0.44%

LAB 41.7, 58.06, 3.47

 

CMYK 48 / 0 / 77 / 29

HEX #5FB52A

RGB 95 181 42

HSL 97.12, 0.62%, 0.44%

LAB 66.25, -49.12, 58.29

 

CMYK 77 / 49 / 0 / 29

HEX #2A5DB5

RGB 42 93 181

HSL 217.99, 0.62%, 0.44%

LAB 40.67, 14.74, -51.57

 

CMYK 14 / 77 / 0 / 29

HEX #9C2AB5

RGB 156 42 181

HSL 289.21, 0.62%, 0.44%

LAB 41.31, 64, -49.98

 

CMYK 0 / 29 / 77 / 29

HEX #B5802A

RGB 181 128 42

HSL 37.12, 0.62%, 0.44%

LAB 57.49, 12.69, 52.04

 

CMYK 62 / 0 / 77 / 29

HEX #44B52A

RGB 68 181 42

HSL 108.78, 0.62%, 0.44%

LAB 65.31, -56.47, 57.06

 

CMYK 77 / 49 / 0 / 29

HEX #2A5DB5

RGB 42 93 181

HSL 217.99, 0.62%, 0.44%

LAB 40.67, 14.74, -51.57

 

CMYK 0 / 77 / 9 / 29

HEX #B52AA5

RGB 181 42 165

HSL 306.91, 0.62%, 0.44%

LAB 44.51, 66.53, -35.15

 

CMYK 0 / 29 / 77 / 29

HEX #B5802A

RGB 181 128 42

HSL 37.12, 0.62%, 0.44%

LAB 57.49, 12.69, 52.04

 

CMYK 77 / 0 / 68 / 29

HEX #2AB53A

RGB 42 181 58

HSL 126.91, 0.62%, 0.44%

LAB 64.84, -60.03, 50.44

 

Description

Color code: HEX #2A5DB5 | qconv.com Color code: HEX #2A5DB5 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 42 red, 93 green and 181 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
42 93 181 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 77 cyan, 49 magenta, none yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
77% 49% 0% 29% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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