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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2A6873 it is the complementary color #D5978C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2A6873. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #2A6873 shade: #2F686E, #407A81, #518C94, #629EA7 and #73B0BA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2A6873. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #2A6873 shade: #2A6873, #195660, #08444D, #00323A and #002027

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #2A6873 shade: #2A6873, #2A5473, #2A4173, #2A2D73 and #3B2A73

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #2A6873 shade: #2A6873, #2A5473, #2A4173, #2A2D73 and #2A2A73

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #2A6873 shade matches the following richer shades: #2A6873, #1D7180, #117A8C and #048399

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #2A6873 shade: #2A6873, #375F66, #445659, #514D4D and #5D4440

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #2A6873 shade: #2A7357, #2A736A, #2A6873, #2A5573 and #2A4173

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #2A6873 shade: #143137, #1F4D55, #2A6873, #358391 and #409EAF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #2A6873 shade: #2A6873, #442A73 and #73612A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #2A6873 shade: #2A6873, #732A68 and #68732A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #2A6873 shade: #2A6873, #442A73, #73352A and #59732A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #2A6873 shade: #2A6873, #592A73, #73352A and #44732A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 63 / 10 / 0 / 55

HEX #2A6873

RGB 42 104 115

HSL 189.04, 0.46%, 0.31%

LAB 40.62, -16.17, -12.12

 

Complementary color

CMYK 0 / 29 / 34 / 16

HEX #D5978C

RGB 213 151 140

HSL 9.04, 0.46%, 0.69%

LAB 68.15, 21.85, 15.09

 

CMYK 57 / 5 / 0 / 57

HEX #2F686E

RGB 47 104 110

HSL 185.71, 0.4%, 0.31%

LAB 40.62, -16.7, -9.06

 

CMYK 50 / 5 / 0 / 49

HEX #407A81

RGB 64 122 129

HSL 186.46, 0.34%, 0.38%

LAB 47.74, -16.91, -9.7

 

CMYK 45 / 5 / 0 / 42

HEX #518C94

RGB 81 140 148

HSL 187.16, 0.29%, 0.45%

LAB 54.7, -17, -10.28

 

CMYK 41 / 5 / 0 / 35

HEX #629EA7

RGB 98 158 167

HSL 187.83, 0.28%, 0.52%

LAB 61.52, -17.05, -10.82

 

CMYK 38 / 5 / 0 / 27

HEX #73B0BA

RGB 115 176 186

HSL 188.45, 0.34%, 0.59%

LAB 68.2, -17.06, -11.34

 

CMYK 63 / 10 / 0 / 55

HEX #2A6873

RGB 42 104 115

HSL 189.04, 0.46%, 0.31%

LAB 40.62, -16.17, -12.12

 

CMYK 74 / 10 / 0 / 62

HEX #195660

RGB 25 86 96

HSL 188.45, 0.59%, 0.24%

LAB 33.36, -15.48, -11.43

 

CMYK 90 / 12 / 0 / 70

HEX #08444D

RGB 8 68 77

HSL 187.83, 0.81%, 0.17%

LAB 25.93, -14.26, -10.59

 

CMYK 100 / 14 / 0 / 77

HEX #00323A

RGB 0 50 58

HSL 188.28, 1%, 0.11%

LAB 18.31, -12.07, -9.49

 

CMYK 100 / 18 / 0 / 85

HEX #002027

RGB 0 32 39

HSL 190.77, 1%, 0.08%

LAB 10.41, -8.72, -8.11

 

CMYK 63 / 10 / 0 / 55

HEX #2A6873

RGB 42 104 115

HSL 189.04, 0.46%, 0.31%

LAB 40.62, -16.17, -12.12

 

CMYK 63 / 27 / 0 / 55

HEX #2A5473

RGB 42 84 115

HSL 205.48, 0.46%, 0.31%

LAB 34.13, -4.32, -22.1

 

CMYK 63 / 43 / 0 / 55

HEX #2A4173

RGB 42 65 115

HSL 221.1, 0.46%, 0.31%

LAB 28.14, 8.15, -31.52

 

CMYK 63 / 61 / 0 / 55

HEX #2A2D73

RGB 42 45 115

HSL 237.53, 0.46%, 0.31%

LAB 22.33, 21.99, -40.88

 

CMYK 49 / 63 / 0 / 55

HEX #3B2A73

RGB 59 42 115

HSL 253.97, 0.46%, 0.31%

LAB 23.08, 27.56, -39.58

 

CMYK 63 / 10 / 0 / 55

HEX #2A6873

RGB 42 104 115

HSL 189.04, 0.46%, 0.31%

LAB 40.62, -16.17, -12.12

 

CMYK 63 / 27 / 0 / 55

HEX #2A5473

RGB 42 84 115

HSL 205.48, 0.46%, 0.31%

LAB 34.13, -4.32, -22.1

 

CMYK 63 / 43 / 0 / 55

HEX #2A4173

RGB 42 65 115

HSL 221.1, 0.46%, 0.31%

LAB 28.14, 8.15, -31.52

 

CMYK 63 / 61 / 0 / 55

HEX #2A2D73

RGB 42 45 115

HSL 237.53, 0.46%, 0.31%

LAB 22.33, 21.99, -40.88

 

CMYK 63 / 63 / 0 / 55

HEX #2A2A73

RGB 42 42 115

HSL 240, 0.46%, 0.31%

LAB 21.53, 24.04, -42.17

 

CMYK 63 / 10 / 0 / 55

HEX #2A6873

RGB 42 104 115

HSL 189.04, 0.46%, 0.31%

LAB 40.62, -16.17, -12.12

 

CMYK 77 / 12 / 0 / 50

HEX #1D7180

RGB 29 113 128

HSL 189.09, 0.63%, 0.31%

LAB 43.7, -18.87, -15.33

 

CMYK 88 / 13 / 0 / 45

HEX #117A8C

RGB 17 122 140

HSL 188.78, 0.78%, 0.31%

LAB 46.88, -20.75, -17.63

 

CMYK 97 / 14 / 0 / 40

HEX #048399

RGB 4 131 153

HSL 188.86, 0.95%, 0.31%

LAB 50.17, -21.67, -20.24

 

CMYK 63 / 10 / 0 / 55

HEX #2A6873

RGB 42 104 115

HSL 189.04, 0.46%, 0.31%

LAB 40.62, -16.17, -12.12

 

CMYK 46 / 7 / 0 / 60

HEX #375F66

RGB 55 95 102

HSL 188.94, 0.3%, 0.31%

LAB 37.76, -12.01, -8.41

 

CMYK 24 / 3 / 0 / 65

HEX #445659

RGB 68 86 89

HSL 188.57, 0.13%, 0.31%

LAB 35.21, -6.15, -4.04

 

CMYK 0 / 5 / 5 / 68

HEX #514D4D

RGB 81 77 77

HSL 0, 0.03%, 0.31%

LAB 33.12, 1.65, 0.58

 

CMYK 0 / 27 / 31 / 64

HEX #5D4440

RGB 93 68 64

HSL 8.28, 0.18%, 0.31%

LAB 31.42, 10.13, 6.62

 

CMYK 63 / 0 / 24 / 55

HEX #2A7357

RGB 42 115 87

HSL 156.99, 0.46%, 0.31%

LAB 43.42, -29.88, 8.89

 

CMYK 63 / 0 / 8 / 55

HEX #2A736A

RGB 42 115 106

HSL 172.6, 0.46%, 0.31%

LAB 43.94, -24.79, -1.73

 

CMYK 63 / 10 / 0 / 55

HEX #2A6873

RGB 42 104 115

HSL 189.04, 0.46%, 0.31%

LAB 40.62, -16.17, -12.12

 

CMYK 63 / 26 / 0 / 55

HEX #2A5573

RGB 42 85 115

HSL 204.66, 0.46%, 0.31%

LAB 34.45, -4.95, -21.6

 

CMYK 63 / 43 / 0 / 55

HEX #2A4173

RGB 42 65 115

HSL 221.1, 0.46%, 0.31%

LAB 28.14, 8.15, -31.52

 

CMYK 64 / 11 / 0 / 78

HEX #143137

RGB 20 49 55

HSL 190.29, 0.47%, 0.15%

LAB 18.46, -8.75, -7.14

 

CMYK 64 / 9 / 0 / 67

HEX #1F4D55

RGB 31 77 85

HSL 188.89, 0.47%, 0.23%

LAB 30.05, -12.91, -9.46

 

CMYK 63 / 10 / 0 / 55

HEX #2A6873

RGB 42 104 115

HSL 189.04, 0.46%, 0.31%

LAB 40.62, -16.17, -12.12

 

CMYK 63 / 10 / 0 / 43

HEX #358391

RGB 53 131 145

HSL 189.13, 0.46%, 0.39%

LAB 50.73, -19.26, -14.64

 

CMYK 63 / 10 / 0 / 31

HEX #409EAF

RGB 64 158 175

HSL 189.19, 0.46%, 0.47%

LAB 60.46, -22.21, -17.06

 

CMYK 63 / 10 / 0 / 55

HEX #2A6873

RGB 42 104 115

HSL 189.04, 0.46%, 0.31%

LAB 40.62, -16.17, -12.12

 

CMYK 41 / 63 / 0 / 55

HEX #442A73

RGB 68 42 115

HSL 261.37, 0.46%, 0.31%

LAB 24.07, 29.69, -37.93

 

CMYK 0 / 16 / 63 / 55

HEX #73612A

RGB 115 97 42

HSL 45.21, 0.46%, 0.31%

LAB 41.78, 0.1, 33.38

 

CMYK 63 / 10 / 0 / 55

HEX #2A6873

RGB 42 104 115

HSL 189.04, 0.46%, 0.31%

LAB 40.62, -16.17, -12.12

 

CMYK 0 / 63 / 10 / 55

HEX #732A68

RGB 115 42 104

HSL 309.04, 0.46%, 0.31%

LAB 30.16, 40.17, -20.79

 

CMYK 10 / 0 / 63 / 55

HEX #68732A

RGB 104 115 42

HSL 69.04, 0.46%, 0.31%

LAB 46.14, -15.23, 37.93

 

CMYK 63 / 10 / 0 / 55

HEX #2A6873

RGB 42 104 115

HSL 189.04, 0.46%, 0.31%

LAB 40.62, -16.17, -12.12

 

CMYK 41 / 63 / 0 / 55

HEX #442A73

RGB 68 42 115

HSL 261.37, 0.46%, 0.31%

LAB 24.07, 29.69, -37.93

 

CMYK 0 / 54 / 63 / 55

HEX #73352A

RGB 115 53 42

HSL 9.04, 0.46%, 0.31%

LAB 30.3, 26.3, 19.72

 

CMYK 23 / 0 / 63 / 55

HEX #59732A

RGB 89 115 42

HSL 81.37, 0.46%, 0.31%

LAB 45.02, -21.81, 36.37

 

CMYK 63 / 10 / 0 / 55

HEX #2A6873

RGB 42 104 115

HSL 189.04, 0.46%, 0.31%

LAB 40.62, -16.17, -12.12

 

CMYK 23 / 63 / 0 / 55

HEX #592A73

RGB 89 42 115

HSL 278.63, 0.46%, 0.31%

LAB 26.78, 35.09, -33.43

 

CMYK 0 / 54 / 63 / 55

HEX #73352A

RGB 115 53 42

HSL 9.04, 0.46%, 0.31%

LAB 30.3, 26.3, 19.72

 

CMYK 41 / 0 / 63 / 55

HEX #44732A

RGB 68 115 42

HSL 98.63, 0.46%, 0.31%

LAB 43.74, -30.16, 34.59

 

Description

Color code: HEX #2A6873 | qconv.com Color code: HEX #2A6873 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 42 red, 104 green and 115 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
42 104 115 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 63 cyan, 10 magenta, none yellow and 55 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
63% 10% 0% 55% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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