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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2A60DA it is the complementary color #D59F25. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2A60DA. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #2A60DA shade: #2F60D5, #4072E8, #5184FB, #6296FF and #73A8FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2A60DA. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #2A60DA shade: #2A60DA, #194EC7, #083CB4, #002AA1 and #00188E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #2A60DA shade: #2A60D9, #2A31D9, #532AD9, #822AD9 and #B12AD9

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #2A60DA shade: #2A60D9, #2A31D9 and #2A2AD9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #2A60DA shade matches the following richer shades: #2A60D9 and #1658ED

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #2A60DA shade: #2A60D9, #3E68C5, #536FB1, #67779C and #7B7F88

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #2A60DA shade: #2ABFD9, #2A90D9, #2A61D9, #2A33D9 and #502AD9

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #2A60DA shade: #1A4096, #204FBA, #2A60D9, #4D7ADF and #7094E5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #2A60DA shade: #2A60DA, #C52AD9 and #A7D92A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #2A60DA shade: #2A60DA, #D92A61 and #61D92A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #2A60DA shade: #2A60DA, #C52AD9, #D9A22A and #3ED92A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #2A60DA shade: #2A60DA, #D92AB9, #D9A22A and #2AD94A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 81 / 56 / 0 / 15

HEX #2A60DA

RGB 42 96 218

HSL 221.59, 0.7%, 0.51%

LAB 44.12, 26.9, -67.37

 

Complementary color

CMYK 0 / 25 / 83 / 16

HEX #D59F25

RGB 213 159 37

HSL 41.59, 0.7%, 0.49%

LAB 68.81, 9.69, 65.43

 

CMYK 78 / 55 / 0 / 16

HEX #2F60D5

RGB 47 96 213

HSL 222.29, 0.66%, 0.51%

LAB 43.91, 25.5, -64.85

 

CMYK 72 / 51 / 0 / 9

HEX #4072E8

RGB 64 114 232

HSL 222.14, 0.79%, 0.58%

LAB 50.63, 23.01, -64.69

 

CMYK 68 / 47 / 0 / 2

HEX #5184FB

RGB 81 132 251

HSL 222, 0.96%, 0.65%

LAB 57.29, 20.94, -64.49

 

CMYK 62 / 41 / 0 / 0

HEX #6296FF

RGB 98 150 255

HSL 220.13, 1%, 0.69%

LAB 63.04, 14.24, -57.44

 

CMYK 55 / 34 / 0 / 0

HEX #73A8FF

RGB 115 168 255

HSL 217.29, 1%, 0.73%

LAB 68.66, 7.03, -48.48

 

CMYK 81 / 56 / 0 / 15

HEX #2A60DA

RGB 42 96 218

HSL 221.59, 0.7%, 0.51%

LAB 44.12, 26.9, -67.37

 

CMYK 87 / 61 / 0 / 22

HEX #194EC7

RGB 25 78 199

HSL 221.72, 0.78%, 0.44%

LAB 37.44, 30.09, -67.34

 

CMYK 96 / 67 / 0 / 29

HEX #083CB4

RGB 8 60 180

HSL 221.86, 0.91%, 0.37%

LAB 30.83, 33.84, -67.04

 

CMYK 100 / 74 / 0 / 37

HEX #002AA1

RGB 0 42 161

HSL 224.35, 1%, 0.32%

LAB 24.41, 37.95, -66.21

 

CMYK 100 / 83 / 0 / 44

HEX #00188E

RGB 0 24 142

HSL 229.86, 1%, 0.28%

LAB 18.39, 41.68, -64.49

 

CMYK 81 / 56 / 0 / 15

HEX #2A60D9

RGB 42 96 217

HSL 221.49, 0.7%, 0.51%

LAB 44.04, 26.52, -66.92

 

CMYK 81 / 77 / 0 / 15

HEX #2A31D9

RGB 42 49 217

HSL 237.6, 0.7%, 0.51%

LAB 33.35, 54.94, -84.49

 

CMYK 62 / 81 / 0 / 15

HEX #532AD9

RGB 83 42 217

HSL 254.06, 0.7%, 0.51%

LAB 35.01, 61.39, -81.65

 

CMYK 40 / 81 / 0 / 15

HEX #822AD9

RGB 130 42 217

HSL 270.17, 0.7%, 0.51%

LAB 40.27, 67.05, -72.81

 

CMYK 18 / 81 / 0 / 15

HEX #B12AD9

RGB 177 42 217

HSL 286.29, 0.7%, 0.51%

LAB 46.99, 74.44, -61.57

 

CMYK 81 / 56 / 0 / 15

HEX #2A60D9

RGB 42 96 217

HSL 221.49, 0.7%, 0.51%

LAB 44.04, 26.52, -66.92

 

CMYK 81 / 77 / 0 / 15

HEX #2A31D9

RGB 42 49 217

HSL 237.6, 0.7%, 0.51%

LAB 33.35, 54.94, -84.49

 

CMYK 81 / 81 / 0 / 15

HEX #2A2AD9

RGB 42 42 217

HSL 240, 0.7%, 0.51%

LAB 32.16, 58.37, -86.45

 

CMYK 81 / 56 / 0 / 15

HEX #2A60D9

RGB 42 96 217

HSL 221.49, 0.7%, 0.51%

LAB 44.04, 26.52, -66.92

 

CMYK 91 / 63 / 0 / 7

HEX #1658ED

RGB 22 88 237

HSL 221.58, 0.86%, 0.51%

LAB 43.16, 37.9, -79.72

 

CMYK 81 / 56 / 0 / 15

HEX #2A60D9

RGB 42 96 217

HSL 221.49, 0.7%, 0.51%

LAB 44.04, 26.52, -66.92

 

CMYK 69 / 47 / 0 / 23

HEX #3E68C5

RGB 62 104 197

HSL 221.33, 0.54%, 0.51%

LAB 45.57, 16.39, -52.94

 

CMYK 53 / 37 / 0 / 31

HEX #536FB1

RGB 83 111 177

HSL 222.13, 0.38%, 0.51%

LAB 47.47, 9.16, -38.26

 

CMYK 34 / 24 / 0 / 39

HEX #67779C

RGB 103 119 156

HSL 221.89, 0.21%, 0.51%

LAB 50.07, 3.36, -21.85

 

CMYK 10 / 7 / 0 / 47

HEX #7B7F88

RGB 123 127 136

HSL 221.54, 0.05%, 0.51%

LAB 53.13, 0.41, -5.38

 

CMYK 81 / 12 / 0 / 15

HEX #2ABFD9

RGB 42 191 217

HSL 188.91, 0.7%, 0.51%

LAB 71.39, -28.47, -23.73

 

CMYK 81 / 34 / 0 / 15

HEX #2A90D9

RGB 42 144 217

HSL 205.03, 0.7%, 0.51%

LAB 57.51, -3.24, -45.31

 

CMYK 81 / 55 / 0 / 15

HEX #2A61D9

RGB 42 97 217

HSL 221.14, 0.7%, 0.51%

LAB 44.31, 25.88, -66.49

 

CMYK 81 / 76 / 0 / 15

HEX #2A33D9

RGB 42 51 217

HSL 236.91, 0.7%, 0.51%

LAB 33.71, 53.9, -83.89

 

CMYK 63 / 81 / 0 / 15

HEX #502AD9

RGB 80 42 217

HSL 253.03, 0.7%, 0.51%

LAB 34.74, 61.1, -82.1

 

CMYK 83 / 57 / 0 / 41

HEX #1A4096

RGB 26 64 150

HSL 221.61, 0.7%, 0.35%

LAB 29.63, 20.25, -50.91

 

CMYK 83 / 58 / 0 / 27

HEX #204FBA

RGB 32 79 186

HSL 221.69, 0.71%, 0.43%

LAB 36.83, 24.9, -60.75

 

CMYK 81 / 56 / 0 / 15

HEX #2A60D9

RGB 42 96 217

HSL 221.49, 0.7%, 0.51%

LAB 44.04, 26.52, -66.92

 

CMYK 65 / 45 / 0 / 13

HEX #4D7ADF

RGB 77 122 223

HSL 221.51, 0.7%, 0.59%

LAB 52.76, 16.74, -56.18

 

CMYK 51 / 35 / 0 / 10

HEX #7094E5

RGB 112 148 229

HSL 221.54, 0.69%, 0.67%

LAB 61.9, 9.94, -44.89

 

CMYK 81 / 56 / 0 / 15

HEX #2A60DA

RGB 42 96 218

HSL 221.59, 0.7%, 0.51%

LAB 44.12, 26.9, -67.37

 

CMYK 9 / 81 / 0 / 15

HEX #C52AD9

RGB 197 42 217

HSL 293.14, 0.7%, 0.51%

LAB 50.14, 77.94, -56.34

 

CMYK 23 / 0 / 81 / 15

HEX #A7D92A

RGB 167 217 42

HSL 77.14, 0.7%, 0.51%

LAB 80.74, -38.69, 73.04

 

CMYK 81 / 56 / 0 / 15

HEX #2A60DA

RGB 42 96 218

HSL 221.59, 0.7%, 0.51%

LAB 44.12, 26.9, -67.37

 

CMYK 0 / 81 / 55 / 15

HEX #D92A61

RGB 217 42 97

HSL 341.14, 0.7%, 0.51%

LAB 48.6, 67.94, 12.95

 

CMYK 55 / 0 / 81 / 15

HEX #61D92A

RGB 97 217 42

HSL 101.14, 0.7%, 0.51%

LAB 77.48, -61.89, 68.87

 

CMYK 81 / 56 / 0 / 15

HEX #2A60DA

RGB 42 96 218

HSL 221.59, 0.7%, 0.51%

LAB 44.12, 26.9, -67.37

 

CMYK 9 / 81 / 0 / 15

HEX #C52AD9

RGB 197 42 217

HSL 293.14, 0.7%, 0.51%

LAB 50.14, 77.94, -56.34

 

CMYK 0 / 25 / 81 / 15

HEX #D9A22A

RGB 217 162 42

HSL 41.14, 0.7%, 0.51%

LAB 70.01, 9.98, 65.06

 

CMYK 71 / 0 / 81 / 15

HEX #3ED92A

RGB 62 217 42

HSL 113.14, 0.7%, 0.51%

LAB 76.57, -69.44, 67.7

 

CMYK 81 / 56 / 0 / 15

HEX #2A60DA

RGB 42 96 218

HSL 221.59, 0.7%, 0.51%

LAB 44.12, 26.9, -67.37

 

CMYK 0 / 81 / 15 / 15

HEX #D92AB9

RGB 217 42 185

HSL 310.97, 0.7%, 0.51%

LAB 51.74, 77.02, -35.14

 

CMYK 0 / 25 / 81 / 15

HEX #D9A22A

RGB 217 162 42

HSL 41.14, 0.7%, 0.51%

LAB 70.01, 9.98, 65.06

 

CMYK 81 / 0 / 66 / 15

HEX #2AD94A

RGB 42 217 74

HSL 130.97, 0.7%, 0.51%

LAB 76.44, -69.76, 56.5

 

Description

Color code: HEX #2A60DA | qconv.com Color code: HEX #2A60DA | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 42 red, 96 green and 218 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
42 96 218 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 81 cyan, 56 magenta, none yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
81% 56% 0% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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