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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2A62F7 it is the complementary color #D59D08. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2A62F7. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #2A62F7 shade: #2F62F2, #4074FF, #5186FF, #6298FF and #73AAFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2A62F7. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #2A62F7 shade: #2A62F7, #1950E4, #083ED1, #002CBE and #001AAB

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #2A62F7 shade: #2B63F7, #2B2CF7, #612BF7, #982BF7 and #CF2BF7

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #2A62F7 shade: #2B63F7, #2B2CF7 and #2B2BF7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #2A62F7 shade matches the following richer shades: #2B63F7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #2A62F7 shade: #2B63F7, #3D6BE5, #4E73D3, #607BC2 and #7283B0

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #2A62F7 shade: #2BD1F7, #2B9BF7, #2B65F7, #2B2EF7 and #5E2BF7

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #2A62F7 shade: #073CC8, #0848F0, #2B63F7, #5380F8 and #7B9DFA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #2A62F7 shade: #2A62F7, #E62BF7 and #B6F72B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #2A62F7 shade: #2A62F7, #F72B65 and #65F72B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #2A62F7 shade: #2A62F7, #E62BF7, #F7BD2B and #3CF72B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #2A62F7 shade: #2A62F7, #F72BCB, #F7BD2B and #2BF757

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 83 / 60 / 0 / 3

HEX #2A62F7

RGB 42 98 247

HSL 223.61, 0.93%, 0.57%

LAB 46.9, 36.39, -79.19

 

Complementary color

CMYK 0 / 26 / 96 / 16

HEX #D59D08

RGB 213 157 8

HSL 43.61, 0.93%, 0.43%

LAB 68.22, 10.22, 71.13

 

CMYK 81 / 60 / 0 / 5

HEX #2F62F2

RGB 47 98 242

HSL 224.31, 0.88%, 0.57%

LAB 46.65, 34.94, -76.8

 

CMYK 75 / 55 / 0 / 0

HEX #4074FF

RGB 64 116 255

HSL 223.66, 1%, 0.63%

LAB 52.73, 30.02, -74.09

 

CMYK 68 / 47 / 0 / 0

HEX #5186FF

RGB 81 134 255

HSL 221.72, 1%, 0.66%

LAB 58.06, 21.11, -65.45

 

CMYK 62 / 40 / 0 / 0

HEX #6298FF

RGB 98 152 255

HSL 219.36, 1%, 0.69%

LAB 63.57, 13.06, -56.59

 

CMYK 55 / 33 / 0 / 0

HEX #73AAFF

RGB 115 170 255

HSL 216.43, 1%, 0.73%

LAB 69.19, 5.9, -47.63

 

CMYK 83 / 60 / 0 / 3

HEX #2A62F7

RGB 42 98 247

HSL 223.61, 0.93%, 0.57%

LAB 46.9, 36.39, -79.19

 

CMYK 89 / 65 / 0 / 11

HEX #1950E4

RGB 25 80 228

HSL 223.74, 0.8%, 0.5%

LAB 40.48, 39.75, -79.02

 

CMYK 96 / 70 / 0 / 18

HEX #083ED1

RGB 8 62 209

HSL 223.88, 0.93%, 0.43%

LAB 34.19, 43.45, -78.5

 

CMYK 100 / 77 / 0 / 25

HEX #002CBE

RGB 0 44 190

HSL 226.11, 1%, 0.37%

LAB 28.17, 47.2, -77.37

 

CMYK 100 / 85 / 0 / 33

HEX #001AAB

RGB 0 26 171

HSL 230.88, 1%, 0.34%

LAB 22.58, 50.24, -75.31

 

CMYK 83 / 60 / 0 / 3

HEX #2B63F7

RGB 43 99 247

HSL 223.53, 0.93%, 0.57%

LAB 47.17, 35.84, -78.74

 

CMYK 83 / 82 / 0 / 3

HEX #2B2CF7

RGB 43 44 247

HSL 239.71, 0.93%, 0.57%

LAB 36.04, 66.41, -97.1

 

CMYK 61 / 83 / 0 / 3

HEX #612BF7

RGB 97 43 247

HSL 255.88, 0.93%, 0.57%

LAB 39.55, 70.22, -91.16

 

CMYK 38 / 83 / 0 / 3

HEX #982BF7

RGB 152 43 247

HSL 272.06, 0.93%, 0.57%

LAB 45.8, 76.33, -80.66

 

CMYK 16 / 83 / 0 / 3

HEX #CF2BF7

RGB 207 43 247

HSL 288.24, 0.93%, 0.57%

LAB 53.72, 84.48, -67.43

 

CMYK 83 / 60 / 0 / 3

HEX #2B63F7

RGB 43 99 247

HSL 223.53, 0.93%, 0.57%

LAB 47.17, 35.84, -78.74

 

CMYK 83 / 82 / 0 / 3

HEX #2B2CF7

RGB 43 44 247

HSL 239.71, 0.93%, 0.57%

LAB 36.04, 66.41, -97.1

 

CMYK 83 / 83 / 0 / 3

HEX #2B2BF7

RGB 43 43 247

HSL 240, 0.93%, 0.57%

LAB 35.9, 66.83, -97.33

 

CMYK 83 / 60 / 0 / 3

HEX #2B63F7

RGB 43 99 247

HSL 223.53, 0.93%, 0.57%

LAB 47.17, 35.84, -78.74

 

CMYK 83 / 60 / 0 / 3

HEX #2B63F7

RGB 43 99 247

HSL 223.53, 0.93%, 0.57%

LAB 47.17, 35.84, -78.74

 

CMYK 73 / 53 / 0 / 10

HEX #3D6BE5

RGB 61 107 229

HSL 223.57, 0.76%, 0.57%

LAB 48.47, 25.95, -66.51

 

CMYK 63 / 45 / 0 / 17

HEX #4E73D3

RGB 78 115 211

HSL 223.31, 0.6%, 0.57%

LAB 50.2, 17.08, -53.49

 

CMYK 51 / 37 / 0 / 24

HEX #607BC2

RGB 96 123 194

HSL 223.47, 0.45%, 0.57%

LAB 52.45, 10.29, -40.16

 

CMYK 35 / 26 / 0 / 31

HEX #7283B0

RGB 114 131 176

HSL 223.55, 0.28%, 0.57%

LAB 55.02, 4.99, -25.75

 

CMYK 83 / 15 / 0 / 3

HEX #2BD1F7

RGB 43 209 247

HSL 191.18, 0.93%, 0.57%

LAB 77.77, -27.69, -30.13

 

CMYK 83 / 37 / 0 / 3

HEX #2B9BF7

RGB 43 155 247

HSL 207.06, 0.93%, 0.57%

LAB 62.23, 1.36, -54.45

 

CMYK 83 / 59 / 0 / 3

HEX #2B65F7

RGB 43 101 247

HSL 222.94, 0.93%, 0.57%

LAB 47.67, 34.58, -77.92

 

CMYK 83 / 81 / 0 / 3

HEX #2B2EF7

RGB 43 46 247

HSL 239.12, 0.93%, 0.57%

LAB 36.33, 65.55, -96.61

 

CMYK 62 / 83 / 0 / 3

HEX #5E2BF7

RGB 94 43 247

HSL 255, 0.93%, 0.57%

LAB 39.28, 69.96, -91.63

 

CMYK 97 / 70 / 0 / 22

HEX #073CC8

RGB 7 60 200

HSL 223.52, 0.93%, 0.41%

LAB 32.8, 41.37, -75.56

 

CMYK 97 / 70 / 0 / 6

HEX #0848F0

RGB 8 72 240

HSL 223.45, 0.94%, 0.49%

LAB 39.54, 48.5, -87.38

 

CMYK 83 / 60 / 0 / 3

HEX #2B63F7

RGB 43 99 247

HSL 223.53, 0.93%, 0.57%

LAB 47.17, 35.84, -78.74

 

CMYK 67 / 48 / 0 / 3

HEX #5380F8

RGB 83 128 248

HSL 223.64, 0.92%, 0.65%

LAB 56.14, 22.64, -64.67

 

CMYK 51 / 37 / 0 / 2

HEX #7B9DFA

RGB 123 157 250

HSL 223.94, 0.93%, 0.73%

LAB 65.93, 13.53, -50.04

 

CMYK 83 / 60 / 0 / 3

HEX #2A62F7

RGB 42 98 247

HSL 223.61, 0.93%, 0.57%

LAB 46.9, 36.39, -79.19

 

CMYK 7 / 83 / 0 / 3

HEX #E62BF7

RGB 230 43 247

HSL 295, 0.93%, 0.57%

LAB 57.33, 88.3, -61.41

 

CMYK 26 / 0 / 83 / 3

HEX #B6F72B

RGB 182 247 43

HSL 79.12, 0.93%, 0.57%

LAB 90.16, -46.06, 81.4

 

CMYK 83 / 60 / 0 / 3

HEX #2A62F7

RGB 42 98 247

HSL 223.61, 0.93%, 0.57%

LAB 46.9, 36.39, -79.19

 

CMYK 0 / 83 / 59 / 3

HEX #F72B65

RGB 247 43 101

HSL 342.94, 0.93%, 0.57%

LAB 54.49, 75.69, 19.52

 

CMYK 59 / 0 / 83 / 3

HEX #65F72B

RGB 101 247 43

HSL 102.94, 0.93%, 0.57%

LAB 86.73, -71.07, 77.07

 

CMYK 83 / 60 / 0 / 3

HEX #2A62F7

RGB 42 98 247

HSL 223.61, 0.93%, 0.57%

LAB 46.9, 36.39, -79.19

 

CMYK 7 / 83 / 0 / 3

HEX #E62BF7

RGB 230 43 247

HSL 295, 0.93%, 0.57%

LAB 57.33, 88.3, -61.41

 

CMYK 0 / 23 / 83 / 3

HEX #F7BD2B

RGB 247 189 43

HSL 42.94, 0.93%, 0.57%

LAB 79.81, 8.66, 74.48

 

CMYK 76 / 0 / 83 / 3

HEX #3CF72B

RGB 60 247 43

HSL 115, 0.93%, 0.57%

LAB 85.83, -78.66, 75.92

 

CMYK 83 / 60 / 0 / 3

HEX #2A62F7

RGB 42 98 247

HSL 223.61, 0.93%, 0.57%

LAB 46.9, 36.39, -79.19

 

CMYK 0 / 83 / 18 / 3

HEX #F72BCB

RGB 247 43 203

HSL 312.94, 0.93%, 0.57%

LAB 57.86, 85.27, -35.57

 

CMYK 0 / 23 / 83 / 3

HEX #F7BD2B

RGB 247 189 43

HSL 42.94, 0.93%, 0.57%

LAB 79.81, 8.66, 74.48

 

CMYK 83 / 0 / 65 / 3

HEX #2BF757

RGB 43 247 87

HSL 132.94, 0.93%, 0.57%

LAB 85.87, -77.4, 61.58

 

Description

Color code: HEX #2A62F7 | qconv.com Color code: HEX #2A62F7 | qconv.com - big

With this color blue stands out from the other colors. The value that represents the blue hue is greater than the other two values. It is far different from the value for the red and green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 42 red, 98 green and 247 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
42 98 247 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 83 cyan, 60 magenta, none yellow and 3 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
83% 60% 0% 3% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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