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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2A6F8B it is the complementary color #D59074. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2A6F8B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #2A6F8B shade: #2F6F86, #408199, #5193AC, #62A5BF and #73B7D2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2A6F8B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #2A6F8B shade: #2A6F8B, #195D78, #084B65, #003952 and #00273F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #2A6F8B shade: #296D89, #295389, #293989, #322989 and #4C2989

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #2A6F8B shade: #296D89, #295389, #293989 and #292989

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #2A6F8B shade matches the following richer shades: #296D89, #1A7397 and #0C79A6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #2A6F8B shade: #296D89, #37677B, #45616C, #545B5E and #62554F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #2A6F8B shade: #298971, #298789, #296E89, #295489 and #293A89

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #2A6F8B shade: #163A49, #1F5469, #296D89, #3286A9 and #3F9EC5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #2A6F8B shade: #2A6F8B, #572989 and #897E29

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #2A6F8B shade: #2A6F8B, #89296E and #6E8929

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #2A6F8B shade: #2A6F8B, #572989, #894429 and #5A8929

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #2A6F8B shade: #2A6F8B, #742989, #894429 and #3D8929

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 70 / 20 / 0 / 45

HEX #2A6F8B

RGB 42 111 139

HSL 197.32, 0.54%, 0.35%

LAB 43.84, -12.06, -21.67

 

Complementary color

CMYK 0 / 32 / 46 / 16

HEX #D59074

RGB 213 144 116

HSL 17.32, 0.54%, 0.65%

LAB 66.02, 22.91, 25.48

 

CMYK 65 / 17 / 0 / 47

HEX #2F6F86

RGB 47 111 134

HSL 195.86, 0.48%, 0.35%

LAB 43.79, -12.89, -18.74

 

CMYK 58 / 16 / 0 / 40

HEX #408199

RGB 64 129 153

HSL 196.18, 0.41%, 0.43%

LAB 50.79, -13.48, -19.17

 

CMYK 53 / 15 / 0 / 33

HEX #5193AC

RGB 81 147 172

HSL 196.48, 0.36%, 0.5%

LAB 57.65, -13.88, -19.58

 

CMYK 49 / 14 / 0 / 25

HEX #62A5BF

RGB 98 165 191

HSL 196.77, 0.42%, 0.57%

LAB 64.38, -14.18, -19.96

 

CMYK 45 / 13 / 0 / 18

HEX #73B7D2

RGB 115 183 210

HSL 197.05, 0.51%, 0.64%

LAB 70.98, -14.39, -20.34

 

CMYK 70 / 20 / 0 / 45

HEX #2A6F8B

RGB 42 111 139

HSL 197.32, 0.54%, 0.35%

LAB 43.84, -12.06, -21.67

 

CMYK 79 / 23 / 0 / 53

HEX #195D78

RGB 25 93 120

HSL 197.05, 0.66%, 0.28%

LAB 36.73, -10.87, -21.2

 

CMYK 92 / 26 / 0 / 60

HEX #084B65

RGB 8 75 101

HSL 196.77, 0.85%, 0.21%

LAB 29.47, -9.09, -20.62

 

CMYK 100 / 30 / 0 / 68

HEX #003952

RGB 0 57 82

HSL 198.29, 1%, 0.16%

LAB 22.07, -6.33, -19.86

 

CMYK 100 / 38 / 0 / 75

HEX #00273F

RGB 0 39 63

HSL 202.86, 1%, 0.12%

LAB 14.46, -2.53, -18.95

 

CMYK 70 / 20 / 0 / 46

HEX #296D89

RGB 41 109 137

HSL 197.5, 0.54%, 0.35%

LAB 43.09, -11.77, -21.64

 

CMYK 70 / 39 / 0 / 46

HEX #295389

RGB 41 83 137

HSL 213.75, 0.54%, 0.35%

LAB 34.93, 4.27, -34.41

 

CMYK 70 / 58 / 0 / 46

HEX #293989

RGB 41 57 137

HSL 230, 0.54%, 0.35%

LAB 27.31, 21.84, -46.66

 

CMYK 64 / 70 / 0 / 46

HEX #322989

RGB 50 41 137

HSL 245.63, 0.54%, 0.35%

LAB 23.9, 33.77, -52.19

 

CMYK 45 / 70 / 0 / 46

HEX #4C2989

RGB 76 41 137

HSL 261.88, 0.54%, 0.35%

LAB 26.53, 38.41, -47.79

 

CMYK 70 / 20 / 0 / 46

HEX #296D89

RGB 41 109 137

HSL 197.5, 0.54%, 0.35%

LAB 43.09, -11.77, -21.64

 

CMYK 70 / 39 / 0 / 46

HEX #295389

RGB 41 83 137

HSL 213.75, 0.54%, 0.35%

LAB 34.93, 4.27, -34.41

 

CMYK 70 / 58 / 0 / 46

HEX #293989

RGB 41 57 137

HSL 230, 0.54%, 0.35%

LAB 27.31, 21.84, -46.66

 

CMYK 70 / 70 / 0 / 46

HEX #292989

RGB 41 41 137

HSL 240, 0.54%, 0.35%

LAB 23.21, 32.49, -53.34

 

CMYK 70 / 20 / 0 / 46

HEX #296D89

RGB 41 109 137

HSL 197.5, 0.54%, 0.35%

LAB 43.09, -11.77, -21.64

 

CMYK 83 / 24 / 0 / 41

HEX #1A7397

RGB 26 115 151

HSL 197.28, 0.71%, 0.35%

LAB 45.24, -12.15, -26.66

 

CMYK 93 / 27 / 0 / 35

HEX #0C79A6

RGB 12 121 166

HSL 197.53, 0.87%, 0.35%

LAB 47.63, -11.02, -31.75

 

CMYK 70 / 20 / 0 / 46

HEX #296D89

RGB 41 109 137

HSL 197.5, 0.54%, 0.35%

LAB 43.09, -11.77, -21.64

 

CMYK 55 / 16 / 0 / 52

HEX #37677B

RGB 55 103 123

HSL 197.65, 0.38%, 0.35%

LAB 41.13, -10.18, -16.17

 

CMYK 36 / 10 / 0 / 58

HEX #45616C

RGB 69 97 108

HSL 196.92, 0.22%, 0.35%

LAB 39.41, -7.31, -9.55

 

CMYK 11 / 3 / 0 / 63

HEX #545B5E

RGB 84 91 94

HSL 198, 0.06%, 0.35%

LAB 38.15, -2.06, -2.67

 

CMYK 0 / 13 / 19 / 62

HEX #62554F

RGB 98 85 79

HSL 18.95, 0.11%, 0.35%

LAB 37.22, 4.23, 5.45

 

CMYK 70 / 0 / 18 / 46

HEX #298971

RGB 41 137 113

HSL 165, 0.54%, 0.35%

LAB 51.33, -33.66, 4.88

 

CMYK 70 / 1 / 0 / 46

HEX #298789

RGB 41 135 137

HSL 181.25, 0.54%, 0.35%

LAB 51.39, -25.82, -9.01

 

CMYK 70 / 20 / 0 / 46

HEX #296E89

RGB 41 110 137

HSL 196.88, 0.54%, 0.35%

LAB 43.4, -12.34, -21.15

 

CMYK 70 / 39 / 0 / 46

HEX #295489

RGB 41 84 137

HSL 213.13, 0.54%, 0.35%

LAB 35.24, 3.61, -33.92

 

CMYK 70 / 58 / 0 / 46

HEX #293A89

RGB 41 58 137

HSL 229.38, 0.54%, 0.35%

LAB 27.58, 21.15, -46.21

 

CMYK 70 / 21 / 0 / 71

HEX #163A49

RGB 22 58 73

HSL 197.65, 0.54%, 0.19%

LAB 22.58, -7.45, -13.04

 

CMYK 70 / 20 / 0 / 59

HEX #1F5469

RGB 31 84 105

HSL 197.03, 0.54%, 0.27%

LAB 33.25, -10.08, -17.25

 

CMYK 70 / 20 / 0 / 46

HEX #296D89

RGB 41 109 137

HSL 197.5, 0.54%, 0.35%

LAB 43.09, -11.77, -21.64

 

CMYK 70 / 21 / 0 / 34

HEX #3286A9

RGB 50 134 169

HSL 197.65, 0.54%, 0.43%

LAB 52.5, -13.54, -25.86

 

CMYK 68 / 20 / 0 / 23

HEX #3F9EC5

RGB 63 158 197

HSL 197.46, 0.54%, 0.51%

LAB 61.26, -15.42, -28.22

 

CMYK 70 / 20 / 0 / 45

HEX #2A6F8B

RGB 42 111 139

HSL 197.32, 0.54%, 0.35%

LAB 43.84, -12.06, -21.67

 

CMYK 36 / 70 / 0 / 46

HEX #572989

RGB 87 41 137

HSL 268.75, 0.54%, 0.35%

LAB 27.89, 40.69, -45.51

 

CMYK 0 / 8 / 70 / 46

HEX #897E29

RGB 137 126 41

HSL 53.13, 0.54%, 0.35%

LAB 52.29, -6.27, 45.75

 

CMYK 70 / 20 / 0 / 45

HEX #2A6F8B

RGB 42 111 139

HSL 197.32, 0.54%, 0.35%

LAB 43.84, -12.06, -21.67

 

CMYK 0 / 70 / 20 / 46

HEX #89296E

RGB 137 41 110

HSL 316.88, 0.54%, 0.35%

LAB 34.05, 47.87, -18.3

 

CMYK 20 / 0 / 70 / 46

HEX #6E8929

RGB 110 137 41

HSL 76.88, 0.54%, 0.35%

LAB 53.35, -24.13, 46.13

 

CMYK 70 / 20 / 0 / 45

HEX #2A6F8B

RGB 42 111 139

HSL 197.32, 0.54%, 0.35%

LAB 43.84, -12.06, -21.67

 

CMYK 36 / 70 / 0 / 46

HEX #572989

RGB 87 41 137

HSL 268.75, 0.54%, 0.35%

LAB 27.89, 40.69, -45.51

 

CMYK 0 / 50 / 70 / 46

HEX #894429

RGB 137 68 41

HSL 16.88, 0.54%, 0.35%

LAB 37.14, 27.14, 29.39

 

CMYK 34 / 0 / 70 / 46

HEX #5A8929

RGB 90 137 41

HSL 89.38, 0.54%, 0.35%

LAB 52.09, -32.22, 44.43

 

CMYK 70 / 20 / 0 / 45

HEX #2A6F8B

RGB 42 111 139

HSL 197.32, 0.54%, 0.35%

LAB 43.84, -12.06, -21.67

 

CMYK 15 / 70 / 0 / 46

HEX #742989

RGB 116 41 137

HSL 286.88, 0.54%, 0.35%

LAB 32.04, 47.25, -38.61

 

CMYK 0 / 50 / 70 / 46

HEX #894429

RGB 137 68 41

HSL 16.88, 0.54%, 0.35%

LAB 37.14, 27.14, 29.39

 

CMYK 55 / 0 / 70 / 46

HEX #3D8929

RGB 61 137 41

HSL 107.5, 0.54%, 0.35%

LAB 50.74, -42.02, 42.6

 

Description

Color code: HEX #2A6F8B | qconv.com Color code: HEX #2A6F8B | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 42 red, 111 green and 139 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
42 111 139 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 70 cyan, 20 magenta, none yellow and 45 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
70% 20% 0% 45% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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