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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2A7877 it is the complementary color #D58788. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2A7877. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #2A7877 shade: #2F7872, #408A85, #519C98, #62AEAB and #73C0BE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2A7877. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #2A7877 shade: #2A7877, #196664, #085451, #00423E and #00302B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #2A7877 shade: #2A7877, #2A7862, #2A784D, #2A7838 and #31782A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #2A7877 shade: #2A7877, #2A6478, #2A4F78, #2A3A78 and #2A2A78

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #2A7877 shade matches the following richer shades: #2A7877, #1D8584, #109391 and #02A09E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #2A7877 shade: #2A7877, #376B6A, #445E5E, #525151 and #5F4344

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #2A7877 shade: #2A784D, #2A7862, #2A7877, #2A6578 and #2A5078

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #2A7877 shade: #143B3B, #1F5A59, #2A7877, #359796 and #3FB5B4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #2A7877 shade: #2A7877, #382A78 and #78582A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #2A7877 shade: #2A7877, #772A78 and #78772A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #2A7877 shade: #2A7877, #382A78, #782A2B and #6A782A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #2A7877 shade: #2A7877, #502A78, #782A2B and #52782A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 65 / 0 / 1 / 53

HEX #2A7877

RGB 42 120 119

HSL 179.23, 0.48%, 0.32%

LAB 45.98, -23.5, -6.47

 

Complementary color

CMYK 0 / 37 / 36 / 16

HEX #D58788

RGB 213 135 136

HSL 359.23, 0.48%, 0.68%

LAB 64.36, 30, 12.02

 

CMYK 61 / 0 / 5 / 53

HEX #2F7872

RGB 47 120 114

HSL 175.07, 0.44%, 0.33%

LAB 45.98, -24.03, -3.49

 

CMYK 54 / 0 / 4 / 46

HEX #408A85

RGB 64 138 133

HSL 175.95, 0.37%, 0.4%

LAB 52.91, -24.21, -4.35

 

CMYK 48 / 0 / 3 / 39

HEX #519C98

RGB 81 156 152

HSL 176.8, 0.32%, 0.46%

LAB 59.7, -24.27, -5.12

 

CMYK 44 / 0 / 2 / 32

HEX #62AEAB

RGB 98 174 171

HSL 177.63, 0.32%, 0.53%

LAB 66.37, -24.26, -5.83

 

CMYK 40 / 0 / 1 / 25

HEX #73C0BE

RGB 115 192 190

HSL 178.44, 0.38%, 0.6%

LAB 72.93, -24.22, -6.48

 

CMYK 65 / 0 / 1 / 53

HEX #2A7877

RGB 42 120 119

HSL 179.23, 0.48%, 0.32%

LAB 45.98, -23.5, -6.47

 

CMYK 75 / 0 / 2 / 60

HEX #196664

RGB 25 102 100

HSL 178.44, 0.61%, 0.25%

LAB 38.95, -22.85, -5.52

 

CMYK 90 / 0 / 4 / 67

HEX #085451

RGB 8 84 81

HSL 177.63, 0.83%, 0.18%

LAB 31.78, -21.69, -4.37

 

CMYK 100 / 0 / 6 / 74

HEX #00423E

RGB 0 66 62

HSL 176.36, 1%, 0.13%

LAB 24.46, -19.66, -2.93

 

CMYK 100 / 0 / 10 / 81

HEX #00302B

RGB 0 48 43

HSL 173.75, 1%, 0.09%

LAB 16.93, -16.73, -1.17

 

CMYK 65 / 0 / 1 / 53

HEX #2A7877

RGB 42 120 119

HSL 179.23, 0.48%, 0.32%

LAB 45.98, -23.5, -6.47

 

CMYK 65 / 0 / 18 / 53

HEX #2A7862

RGB 42 120 98

HSL 163.08, 0.48%, 0.32%

LAB 45.37, -29.46, 5.12

 

CMYK 65 / 0 / 36 / 53

HEX #2A784D

RGB 42 120 77

HSL 146.92, 0.48%, 0.32%

LAB 44.89, -34.46, 16.78

 

CMYK 65 / 0 / 53 / 53

HEX #2A7838

RGB 42 120 56

HSL 130.77, 0.48%, 0.32%

LAB 44.53, -38.34, 28.08

 

CMYK 59 / 0 / 65 / 53

HEX #31782A

RGB 49 120 42

HSL 114.62, 0.48%, 0.32%

LAB 44.59, -38.46, 35.33

 

CMYK 65 / 0 / 1 / 53

HEX #2A7877

RGB 42 120 119

HSL 179.23, 0.48%, 0.32%

LAB 45.98, -23.5, -6.47

 

CMYK 65 / 17 / 0 / 53

HEX #2A6478

RGB 42 100 120

HSL 195.38, 0.48%, 0.32%

LAB 39.52, -12.23, -16.85

HEX #2A6478

CMYK 65 / 34 / 0 / 53

HEX #2A4F78

RGB 42 79 120

HSL 211.54, 0.48%, 0.32%

LAB 32.79, 0.68, -27.31

HEX #2A4F78

CMYK 65 / 52 / 0 / 53

HEX #2A3A78

RGB 42 58 120

HSL 227.69, 0.48%, 0.32%

LAB 26.37, 14.86, -37.52

HEX #2A3A78

CMYK 65 / 65 / 0 / 53

HEX #2A2A78

RGB 42 42 120

HSL 240, 0.48%, 0.32%

LAB 21.96, 25.86, -44.67

HEX #2A2A78

CMYK 65 / 0 / 1 / 53

HEX #2A7877

RGB 42 120 119

HSL 179.23, 0.48%, 0.32%

LAB 45.98, -23.5, -6.47

 

CMYK 78 / 0 / 1 / 48

HEX #1D8584

RGB 29 133 132

HSL 179.42, 0.64%, 0.32%

LAB 50.34, -27.93, -7.69

 

CMYK 89 / 0 / 1 / 42

HEX #109391

RGB 16 147 145

HSL 179.08, 0.8%, 0.32%

LAB 55.09, -31.76, -8.14

 

CMYK 99 / 0 / 1 / 37

HEX #02A09E

RGB 2 160 158

HSL 179.24, 0.98%, 0.32%

LAB 59.55, -34.48, -8.92

 

CMYK 65 / 0 / 1 / 53

HEX #2A7877

RGB 42 120 119

HSL 179.23, 0.48%, 0.32%

LAB 45.98, -23.5, -6.47

 

CMYK 49 / 0 / 1 / 58

HEX #376B6A

RGB 55 107 106

HSL 178.85, 0.32%, 0.32%

LAB 41.8, -17.61, -4.84

 

CMYK 28 / 0 / 0 / 63

HEX #445E5E

RGB 68 94 94

HSL 180, 0.16%, 0.32%

LAB 37.92, -9.63, -3.15

 

CMYK 0 / 1 / 1 / 68

HEX #525151

RGB 82 81 81

HSL 0, 0.01%, 0.32%

LAB 34.54, 0.41, 0.14

 

CMYK 0 / 29 / 28 / 63

HEX #5F4344

RGB 95 67 68

HSL 357.86, 0.17%, 0.32%

LAB 31.5, 12.27, 4.19

 

CMYK 65 / 0 / 36 / 53

HEX #2A784D

RGB 42 120 77

HSL 146.92, 0.48%, 0.32%

LAB 44.89, -34.46, 16.78

 

CMYK 65 / 0 / 18 / 53

HEX #2A7862

RGB 42 120 98

HSL 163.08, 0.48%, 0.32%

LAB 45.37, -29.46, 5.12

 

CMYK 65 / 0 / 1 / 53

HEX #2A7877

RGB 42 120 119

HSL 179.23, 0.48%, 0.32%

LAB 45.98, -23.5, -6.47

 

CMYK 65 / 16 / 0 / 53

HEX #2A6578

RGB 42 101 120

HSL 194.62, 0.48%, 0.32%

LAB 39.84, -12.81, -16.36

 

CMYK 65 / 33 / 0 / 53

HEX #2A5078

RGB 42 80 120

HSL 210.77, 0.48%, 0.32%

LAB 33.1, 0.04, -26.81

 

CMYK 66 / 0 / 0 / 77

HEX #143B3B

RGB 20 59 59

HSL 180, 0.49%, 0.15%

LAB 22.28, -13.52, -4.12

 

CMYK 66 / 0 / 1 / 65

HEX #1F5A59

RGB 31 90 89

HSL 178.98, 0.49%, 0.24%

LAB 34.65, -18.97, -5.08

 

CMYK 65 / 0 / 1 / 53

HEX #2A7877

RGB 42 120 119

HSL 179.23, 0.48%, 0.32%

LAB 45.98, -23.5, -6.47

 

CMYK 65 / 0 / 1 / 41

HEX #359796

RGB 53 151 150

HSL 179.39, 0.48%, 0.4%

LAB 57.17, -28.02, -7.85

 

CMYK 65 / 0 / 1 / 29

HEX #3FB5B4

RGB 63 181 180

HSL 179.49, 0.48%, 0.48%

LAB 67.58, -32.32, -9.15

 

CMYK 65 / 0 / 1 / 53

HEX #2A7877

RGB 42 120 119

HSL 179.23, 0.48%, 0.32%

LAB 45.98, -23.5, -6.47

 

CMYK 53 / 65 / 0 / 53

HEX #382A78

RGB 56 42 120

HSL 250.77, 0.48%, 0.32%

LAB 23.18, 28.53, -42.63

 

CMYK 0 / 27 / 65 / 53

HEX #78582A

RGB 120 88 42

HSL 35.38, 0.48%, 0.32%

LAB 39.81, 7.81, 31.3

 

CMYK 65 / 0 / 1 / 53

HEX #2A7877

RGB 42 120 119

HSL 179.23, 0.48%, 0.32%

LAB 45.98, -23.5, -6.47

 

CMYK 1 / 65 / 0 / 53

HEX #772A78

RGB 119 42 120

HSL 299.23, 0.48%, 0.32%

LAB 31.66, 44.2, -28.58

 

CMYK 0 / 1 / 65 / 53

HEX #78772A

RGB 120 119 42

HSL 59.23, 0.48%, 0.32%

LAB 48.7, -10.14, 41.09

 

CMYK 65 / 0 / 1 / 53

HEX #2A7877

RGB 42 120 119

HSL 179.23, 0.48%, 0.32%

LAB 45.98, -23.5, -6.47

 

CMYK 53 / 65 / 0 / 53

HEX #382A78

RGB 56 42 120

HSL 250.77, 0.48%, 0.32%

LAB 23.18, 28.53, -42.63

 

CMYK 0 / 65 / 64 / 53

HEX #782A2B

RGB 120 42 43

HSL 359.23, 0.48%, 0.32%

LAB 28.96, 34.17, 17.56

 

CMYK 12 / 0 / 65 / 53

HEX #6A782A

RGB 106 120 42

HSL 70.77, 0.48%, 0.32%

LAB 47.83, -17.02, 39.81

 

CMYK 65 / 0 / 1 / 53

HEX #2A7877

RGB 42 120 119

HSL 179.23, 0.48%, 0.32%

LAB 45.98, -23.5, -6.47

 

CMYK 33 / 65 / 0 / 53

HEX #502A78

RGB 80 42 120

HSL 269.23, 0.48%, 0.32%

LAB 25.91, 34.05, -38.07

 

CMYK 0 / 65 / 64 / 53

HEX #782A2B

RGB 120 42 43

HSL 359.23, 0.48%, 0.32%

LAB 28.96, 34.17, 17.56

 

CMYK 32 / 0 / 65 / 53

HEX #52782A

RGB 82 120 42

HSL 89.23, 0.48%, 0.32%

LAB 46.17, -27.19, 37.52

 

Description

Color code: HEX #2A7877 | qconv.com Color code: HEX #2A7877 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 42 red, 120 green and 119 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
42 120 119 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 65 cyan, none magenta, 1 yellow and 53 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
65% 0% 1% 53% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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