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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2A8871 it is the complementary color #D5778E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2A8871. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #2A8871 shade: #2F886C, #409A7F, #51AC92, #62BEA5 and #73D0B8

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2A8871. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #2A8871 shade: #2A8871, #19765E, #08644B, #005238 and #004025

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #2A8871 shade: #298871, #298857, #29883E, #2F8829 and #488829

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #2A8871 shade: #298871, #298688, #296C88, #295388 and #293988

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #2A8871 shade matches the following richer shades: #298871, #1B9678 and #0DA580

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #2A8871 shade: #298871, #387A6A, #466B62, #555D5B and #634E53

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #2A8871 shade: #29883E, #298857, #298870, #298688 and #296D88

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #2A8871 shade: #16493C, #206857, #298871, #33A88B and #40C4A4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #2A8871 shade: #2A8871, #292E88 and #884B29

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #2A8871 shade: #2A8871, #702988 and #887029

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #2A8871 shade: #2A8871, #292E88, #882941 and #888329

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #2A8871 shade: #2A8871, #412988, #882941 and #708829

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 69 / 0 / 17 / 47

HEX #2A8871

RGB 42 136 113

HSL 165.32, 0.53%, 0.35%

LAB 51.03, -33.03, 4.44

 

Complementary color

CMYK 0 / 44 / 33 / 16

HEX #D5778E

RGB 213 119 142

HSL 345.32, 0.53%, 0.65%

LAB 61.04, 39.23, 3.86

 

CMYK 65 / 0 / 21 / 47

HEX #2F886C

RGB 47 136 108

HSL 161.12, 0.49%, 0.36%

LAB 51.03, -33.42, 7.37

 

CMYK 58 / 0 / 18 / 40

HEX #409A7F

RGB 64 154 127

HSL 162, 0.41%, 0.43%

LAB 57.78, -33.58, 6.19

 

CMYK 53 / 0 / 15 / 33

HEX #51AC92

RGB 81 172 146

HSL 162.86, 0.36%, 0.5%

LAB 64.43, -33.59, 5.15

 

CMYK 48 / 0 / 13 / 25

HEX #62BEA5

RGB 98 190 165

HSL 163.7, 0.41%, 0.56%

LAB 70.97, -33.51, 4.2

 

CMYK 45 / 0 / 12 / 18

HEX #73D0B8

RGB 115 208 184

HSL 164.52, 0.5%, 0.63%

LAB 77.41, -33.39, 3.32

 

CMYK 69 / 0 / 17 / 47

HEX #2A8871

RGB 42 136 113

HSL 165.32, 0.53%, 0.35%

LAB 51.03, -33.03, 4.44

 

CMYK 79 / 0 / 20 / 54

HEX #19765E

RGB 25 118 94

HSL 164.52, 0.65%, 0.28%

LAB 44.19, -32.4, 5.76

 

CMYK 92 / 0 / 25 / 61

HEX #08644B

RGB 8 100 75

HSL 163.7, 0.85%, 0.21%

LAB 37.25, -31.25, 7.31

 

CMYK 100 / 0 / 32 / 68

HEX #005238

RGB 0 82 56

HSL 160.98, 1%, 0.16%

LAB 30.21, -29.23, 9.19

 

CMYK 100 / 0 / 42 / 75

HEX #004025

RGB 0 64 37

HSL 154.69, 1%, 0.13%

LAB 23, -26.32, 11.4

 

CMYK 70 / 0 / 17 / 47

HEX #298871

RGB 41 136 113

HSL 165.47, 0.54%, 0.35%

LAB 51, -33.2, 4.41

 

CMYK 70 / 0 / 36 / 47

HEX #298857

RGB 41 136 87

HSL 149.05, 0.54%, 0.35%

LAB 50.41, -39.41, 18.52

 

CMYK 70 / 0 / 54 / 47

HEX #29883E

RGB 41 136 62

HSL 133.26, 0.54%, 0.35%

LAB 50.01, -43.95, 31.62

 

CMYK 65 / 0 / 70 / 47

HEX #2F8829

RGB 47 136 41

HSL 116.21, 0.54%, 0.35%

LAB 49.95, -45.28, 41.62

 

CMYK 47 / 0 / 70 / 47

HEX #488829

RGB 72 136 41

HSL 100.42, 0.54%, 0.35%

LAB 50.86, -38.21, 42.86

 

CMYK 70 / 0 / 17 / 47

HEX #298871

RGB 41 136 113

HSL 165.47, 0.54%, 0.35%

LAB 51, -33.2, 4.41

 

CMYK 70 / 1 / 0 / 47

HEX #298688

RGB 41 134 136

HSL 181.26, 0.54%, 0.35%

LAB 51.04, -25.62, -8.95

 

CMYK 70 / 21 / 0 / 47

HEX #296C88

RGB 41 108 136

HSL 197.68, 0.54%, 0.35%

LAB 42.72, -11.54, -21.6

 

CMYK 70 / 39 / 0 / 47

HEX #295388

RGB 41 83 136

HSL 213.47, 0.54%, 0.35%

LAB 34.87, 3.89, -33.89

 

CMYK 70 / 58 / 0 / 47

HEX #293988

RGB 41 57 136

HSL 229.89, 0.54%, 0.35%

LAB 27.23, 21.46, -46.17

 

CMYK 70 / 0 / 17 / 47

HEX #298871

RGB 41 136 113

HSL 165.47, 0.54%, 0.35%

LAB 51, -33.2, 4.41

 

CMYK 82 / 0 / 20 / 41

HEX #1B9678

RGB 27 150 120

HSL 165.37, 0.69%, 0.35%

LAB 55.48, -39.44, 6.77

 

CMYK 92 / 0 / 22 / 35

HEX #0DA580

RGB 13 165 128

HSL 165.39, 0.85%, 0.35%

LAB 60.39, -44.71, 9.22

 

CMYK 70 / 0 / 17 / 47

HEX #298871

RGB 41 136 113

HSL 165.47, 0.54%, 0.35%

LAB 51, -33.2, 4.41

 

CMYK 54 / 0 / 13 / 52

HEX #387A6A

RGB 56 122 106

HSL 165.45, 0.37%, 0.35%

LAB 46.71, -25.24, 2.37

 

CMYK 35 / 0 / 8 / 58

HEX #466B62

RGB 70 107 98

HSL 165.41, 0.21%, 0.35%

LAB 42.31, -15.37, 0.85

 

CMYK 9 / 0 / 2 / 64

HEX #555D5B

RGB 85 93 91

HSL 165, 0.04%, 0.35%

LAB 38.75, -3.56, 0.07

 

CMYK 0 / 21 / 16 / 61

HEX #634E53

RGB 99 78 83

HSL 345.71, 0.12%, 0.35%

LAB 35.45, 9.71, 0.41

 

CMYK 70 / 0 / 54 / 47

HEX #29883E

RGB 41 136 62

HSL 133.26, 0.54%, 0.35%

LAB 50.01, -43.95, 31.62

 

CMYK 70 / 0 / 36 / 47

HEX #298857

RGB 41 136 87

HSL 149.05, 0.54%, 0.35%

LAB 50.41, -39.41, 18.52

 

CMYK 70 / 0 / 18 / 47

HEX #298870

RGB 41 136 112

HSL 164.84, 0.54%, 0.35%

LAB 50.98, -33.46, 4.95

 

CMYK 70 / 1 / 0 / 47

HEX #298688

RGB 41 134 136

HSL 181.26, 0.54%, 0.35%

LAB 51.04, -25.62, -8.95

 

CMYK 70 / 20 / 0 / 47

HEX #296D88

RGB 41 109 136

HSL 197.05, 0.54%, 0.35%

LAB 43.04, -12.12, -21.11

 

CMYK 70 / 0 / 18 / 71

HEX #16493C

RGB 22 73 60

HSL 164.71, 0.54%, 0.19%

LAB 27.47, -20.56, 2.83

 

CMYK 69 / 0 / 16 / 59

HEX #206857

RGB 32 104 87

HSL 165.83, 0.53%, 0.27%

LAB 39.4, -26.6, 3.13

 

CMYK 70 / 0 / 17 / 47

HEX #298871

RGB 41 136 113

HSL 165.47, 0.54%, 0.35%

LAB 51, -33.2, 4.41

 

CMYK 70 / 0 / 17 / 34

HEX #33A88B

RGB 51 168 139

HSL 165.13, 0.53%, 0.43%

LAB 62.15, -39.3, 5.65

 

CMYK 67 / 0 / 16 / 23

HEX #40C4A4

RGB 64 196 164

HSL 165.45, 0.53%, 0.51%

LAB 71.72, -43.25, 5.7

 

CMYK 69 / 0 / 17 / 47

HEX #2A8871

RGB 42 136 113

HSL 165.32, 0.53%, 0.35%

LAB 51.03, -33.03, 4.44

 

CMYK 70 / 66 / 0 / 47

HEX #292E88

RGB 41 46 136

HSL 236.84, 0.54%, 0.35%

LAB 24.33, 28.89, -50.89

 

CMYK 0 / 45 / 70 / 47

HEX #884B29

RGB 136 75 41

HSL 21.47, 0.54%, 0.35%

LAB 38.6, 22.74, 31.02

 

CMYK 69 / 0 / 17 / 47

HEX #2A8871

RGB 42 136 113

HSL 165.32, 0.53%, 0.35%

LAB 51.03, -33.03, 4.44

 

CMYK 18 / 70 / 0 / 47

HEX #702988

RGB 112 41 136

HSL 284.84, 0.54%, 0.35%

LAB 31.37, 46.1, -39.11

 

CMYK 0 / 18 / 70 / 47

HEX #887029

RGB 136 112 41

HSL 44.84, 0.54%, 0.35%

LAB 48.24, 1.17, 41.53

 

CMYK 69 / 0 / 17 / 47

HEX #2A8871

RGB 42 136 113

HSL 165.32, 0.53%, 0.35%

LAB 51.03, -33.03, 4.44

 

CMYK 70 / 66 / 0 / 47

HEX #292E88

RGB 41 46 136

HSL 236.84, 0.54%, 0.35%

LAB 24.33, 28.89, -50.89

 

CMYK 0 / 70 / 52 / 47

HEX #882941

RGB 136 41 65

HSL 344.84, 0.54%, 0.35%

LAB 32.26, 42.11, 8.11

 

CMYK 0 / 4 / 70 / 47

HEX #888329

RGB 136 131 41

HSL 56.84, 0.54%, 0.35%

LAB 53.63, -9.47, 47.08

 

CMYK 69 / 0 / 17 / 47

HEX #2A8871

RGB 42 136 113

HSL 165.32, 0.53%, 0.35%

LAB 51.03, -33.03, 4.44

 

CMYK 52 / 70 / 0 / 47

HEX #412988

RGB 65 41 136

HSL 255.16, 0.54%, 0.35%

LAB 25.22, 35.99, -49.35

 

CMYK 0 / 70 / 52 / 47

HEX #882941

RGB 136 41 65

HSL 344.84, 0.54%, 0.35%

LAB 32.26, 42.11, 8.11

 

CMYK 18 / 0 / 70 / 47

HEX #708829

RGB 112 136 41

HSL 75.16, 0.54%, 0.35%

LAB 53.18, -22.78, 46

 

Description

Color code: HEX #2A8871 | qconv.com Color code: HEX #2A8871 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 42 red, 136 green and 113 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
42 136 113 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 69 cyan, none magenta, 17 yellow and 47 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
69% 0% 17% 47% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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