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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2A835C it is the complementary color #D57CA3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2A835C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #2A835C shade: #2F8357, #40956A, #51A77D, #62B990 and #73CBA3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2A835C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #2A835C shade: #2A835C, #197149, #085F36, #004D23 and #003B10

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #2A835C shade: #2A825C, #2A8244, #2A822C, #40822A and #58822A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #2A835C shade: #2A825C, #2A8274, #2A7982, #2A6282 and #2A4A82

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #2A835C shade matches the following richer shades: #2A825C, #1C905D, #0E9E5F and #00AD61

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #2A835C shade: #2A825C, #38745A, #466658, #545856 and #624A55

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #2A835C shade: #2A822B, #2A8243, #2A825B, #2A8272 and #2A7B82

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #2A835C shade: #164430, #206346, #2A825C, #34A272 and #3FC087

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #2A835C shade: #2A835C, #2A4082 and #82372A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #2A835C shade: #2A835C, #5B2A82 and #825B2A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #2A835C shade: #2A835C, #2A4082, #822A52 and #826C2A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #2A835C shade: #2A835C, #2E2A82, #822A52 and #7E822A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 68 / 0 / 30 / 49

HEX #2A835C

RGB 42 131 92

HSL 153.71, 0.51%, 0.34%

LAB 48.88, -35.98, 13.58

 

Complementary color

CMYK 0 / 42 / 23 / 16

HEX #D57CA3

RGB 213 124 163

HSL 333.71, 0.51%, 0.66%

LAB 62.68, 39.44, -5.77

 

CMYK 64 / 0 / 34 / 49

HEX #2F8357

RGB 47 131 87

HSL 148.57, 0.47%, 0.35%

LAB 48.91, -36.08, 16.52

 

CMYK 57 / 0 / 29 / 42

HEX #40956A

RGB 64 149 106

HSL 149.65, 0.4%, 0.42%

LAB 55.71, -36.14, 15.15

 

CMYK 51 / 0 / 25 / 35

HEX #51A77D

RGB 81 167 125

HSL 150.7, 0.35%, 0.49%

LAB 62.4, -36.06, 13.92

 

CMYK 47 / 0 / 22 / 27

HEX #62B990

RGB 98 185 144

HSL 151.72, 0.38%, 0.55%

LAB 68.97, -35.89, 12.81

 

CMYK 43 / 0 / 20 / 20

HEX #73CBA3

RGB 115 203 163

HSL 152.73, 0.46%, 0.62%

LAB 75.45, -35.68, 11.79

 

CMYK 68 / 0 / 30 / 49

HEX #2A835C

RGB 42 131 92

HSL 153.71, 0.51%, 0.34%

LAB 48.88, -35.98, 13.58

 

CMYK 78 / 0 / 35 / 56

HEX #197149

RGB 25 113 73

HSL 152.73, 0.64%, 0.27%

LAB 42, -35.45, 15.13

 

CMYK 92 / 0 / 43 / 63

HEX #085F36

RGB 8 95 54

HSL 151.72, 0.84%, 0.2%

LAB 35.01, -34.3, 16.93

 

CMYK 100 / 0 / 55 / 70

HEX #004D23

RGB 0 77 35

HSL 147.27, 1%, 0.15%

LAB 27.92, -32.07, 19.02

 

CMYK 100 / 0 / 73 / 77

HEX #003B10

RGB 0 59 16

HSL 136.27, 1%, 0.12%

LAB 20.69, -28.5, 21.19

 

CMYK 68 / 0 / 29 / 49

HEX #2A825C

RGB 42 130 92

HSL 154.09, 0.51%, 0.34%

LAB 48.55, -35.53, 13.12

 

CMYK 68 / 0 / 48 / 49

HEX #2A8244

RGB 42 130 68

HSL 137.73, 0.51%, 0.34%

LAB 48.1, -40.41, 26.06

 

CMYK 68 / 0 / 66 / 49

HEX #2A822C

RGB 42 130 44

HSL 121.36, 0.51%, 0.34%

LAB 47.8, -43.85, 37.91

 

CMYK 51 / 0 / 68 / 49

HEX #40822A

RGB 64 130 42

HSL 105, 0.51%, 0.34%

LAB 48.54, -38.16, 39.84

 

CMYK 32 / 0 / 68 / 49

HEX #58822A

RGB 88 130 42

HSL 88.64, 0.51%, 0.34%

LAB 49.75, -29.63, 41.5

 

CMYK 68 / 0 / 29 / 49

HEX #2A825C

RGB 42 130 92

HSL 154.09, 0.51%, 0.34%

LAB 48.55, -35.53, 13.12

 

CMYK 68 / 0 / 11 / 49

HEX #2A8274

RGB 42 130 116

HSL 170.45, 0.51%, 0.34%

LAB 49.15, -29.37, -0.03

 

CMYK 68 / 7 / 0 / 49

HEX #2A7982

RGB 42 121 130

HSL 186.14, 0.51%, 0.34%

LAB 46.68, -20.6, -11.97

 

CMYK 68 / 25 / 0 / 49

HEX #2A6282

RGB 42 98 130

HSL 201.82, 0.51%, 0.34%

LAB 39.31, -7.57, -23.26

 

CMYK 68 / 43 / 0 / 49

HEX #2A4A82

RGB 42 74 130

HSL 218.18, 0.51%, 0.34%

LAB 31.81, 7.74, -35.07

 

CMYK 68 / 0 / 29 / 49

HEX #2A825C

RGB 42 130 92

HSL 154.09, 0.51%, 0.34%

LAB 48.55, -35.53, 13.12

 

CMYK 81 / 0 / 35 / 44

HEX #1C905D

RGB 28 144 93

HSL 153.62, 0.67%, 0.34%

LAB 52.93, -43.34, 18.5

 

CMYK 91 / 0 / 40 / 38

HEX #0E9E5F

RGB 14 158 95

HSL 153.75, 0.84%, 0.34%

LAB 57.44, -49.54, 23.41

 

CMYK 100 / 0 / 44 / 32

HEX #00AD61

RGB 0 173 97

HSL 153.64, 1%, 0.34%

LAB 62.3, -55.21, 28.7

 

CMYK 68 / 0 / 29 / 49

HEX #2A825C

RGB 42 130 92

HSL 154.09, 0.51%, 0.34%

LAB 48.55, -35.53, 13.12

 

CMYK 52 / 0 / 22 / 55

HEX #38745A

RGB 56 116 90

HSL 154, 0.35%, 0.34%

LAB 44.33, -26.22, 8.46

 

CMYK 31 / 0 / 14 / 60

HEX #466658

RGB 70 102 88

HSL 153.75, 0.19%, 0.34%

LAB 40.43, -14.99, 4.2

 

CMYK 5 / 0 / 2 / 65

HEX #545856

RGB 84 88 86

HSL 150, 0.02%, 0.34%

LAB 37, -2.02, 0.6

 

CMYK 0 / 24 / 13 / 62

HEX #624A55

RGB 98 74 85

HSL 332.5, 0.14%, 0.34%

LAB 34.29, 12.17, -2.57

 

CMYK 68 / 0 / 67 / 49

HEX #2A822B

RGB 42 130 43

HSL 120.68, 0.51%, 0.34%

LAB 47.79, -43.96, 38.36

 

CMYK 68 / 0 / 48 / 49

HEX #2A8243

RGB 42 130 67

HSL 137.05, 0.51%, 0.34%

LAB 48.09, -40.58, 26.59

 

CMYK 68 / 0 / 30 / 49

HEX #2A825B

RGB 42 130 91

HSL 153.41, 0.51%, 0.34%

LAB 48.53, -35.76, 13.66

 

CMYK 68 / 0 / 12 / 49

HEX #2A8272

RGB 42 130 114

HSL 169.09, 0.51%, 0.34%

LAB 49.1, -29.93, 1.07

 

CMYK 68 / 5 / 0 / 49

HEX #2A7B82

RGB 42 123 130

HSL 184.77, 0.51%, 0.34%

LAB 47.33, -21.66, -10.99

 

CMYK 68 / 0 / 29 / 73

HEX #164430

RGB 22 68 48

HSL 153.91, 0.51%, 0.18%

LAB 25.32, -21.28, 7.56

 

CMYK 68 / 0 / 29 / 61

HEX #206346

RGB 32 99 70

HSL 154.03, 0.51%, 0.26%

LAB 37.25, -28.65, 10.42

 

CMYK 68 / 0 / 29 / 49

HEX #2A825C

RGB 42 130 92

HSL 154.09, 0.51%, 0.34%

LAB 48.55, -35.53, 13.12

 

CMYK 68 / 0 / 30 / 36

HEX #34A272

RGB 52 162 114

HSL 153.82, 0.51%, 0.42%

LAB 59.69, -42.51, 16.13

 

CMYK 67 / 0 / 30 / 25

HEX #3FC087

RGB 63 192 135

HSL 153.49, 0.51%, 0.5%

LAB 69.83, -48.43, 18.7

 

CMYK 68 / 0 / 30 / 49

HEX #2A835C

RGB 42 131 92

HSL 153.71, 0.51%, 0.34%

LAB 48.88, -35.98, 13.58

 

CMYK 68 / 51 / 0 / 49

HEX #2A4082

RGB 42 64 130

HSL 225, 0.51%, 0.34%

LAB 28.83, 14.53, -39.85

 

CMYK 0 / 58 / 68 / 49

HEX #82372A

RGB 130 55 42

HSL 8.86, 0.51%, 0.34%

LAB 33.23, 31.38, 23.9

 

CMYK 68 / 0 / 30 / 49

HEX #2A835C

RGB 42 131 92

HSL 153.71, 0.51%, 0.34%

LAB 48.88, -35.98, 13.58

 

CMYK 30 / 68 / 0 / 49

HEX #5B2A82

RGB 91 42 130

HSL 273.41, 0.51%, 0.34%

LAB 28.09, 39.28, -40.79

 

CMYK 0 / 30 / 68 / 49

HEX #825B2A

RGB 130 91 42

HSL 33.41, 0.51%, 0.34%

LAB 41.84, 10.7, 33.91

 

CMYK 68 / 0 / 30 / 49

HEX #2A835C

RGB 42 131 92

HSL 153.71, 0.51%, 0.34%

LAB 48.88, -35.98, 13.58

 

CMYK 68 / 51 / 0 / 49

HEX #2A4082

RGB 42 64 130

HSL 225, 0.51%, 0.34%

LAB 28.83, 14.53, -39.85

 

CMYK 0 / 68 / 37 / 49

HEX #822A52

RGB 130 42 82

HSL 332.73, 0.51%, 0.34%

LAB 31.83, 41.53, -3.76

 

CMYK 0 / 17 / 68 / 49

HEX #826C2A

RGB 130 108 42

HSL 45, 0.51%, 0.34%

LAB 46.5, 0.74, 39.02

 

CMYK 68 / 0 / 30 / 49

HEX #2A835C

RGB 42 131 92

HSL 153.71, 0.51%, 0.34%

LAB 48.88, -35.98, 13.58

 

CMYK 65 / 68 / 0 / 49

HEX #2E2A82

RGB 46 42 130

HSL 242.73, 0.51%, 0.34%

LAB 23.16, 30.1, -49.02

 

CMYK 0 / 68 / 37 / 49

HEX #822A52

RGB 130 42 82

HSL 332.73, 0.51%, 0.34%

LAB 31.83, 41.53, -3.76

 

CMYK 3 / 0 / 68 / 49

HEX #7E822A

RGB 126 130 42

HSL 62.73, 0.51%, 0.34%

LAB 52.47, -13.41, 45.2

 

Description

Color code: HEX #2A835C | qconv.com Color code: HEX #2A835C | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 42 red, 131 green and 92 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
42 131 92 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 68 cyan, none magenta, 30 yellow and 49 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
68% 0% 30% 49% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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