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Color name
HEX #2A8BC0

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2A8BC0 it is the complementary color #D5743F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2A8BC0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #2A8BC0 shade: #2F8BBB, #409DCE, #51AFE1, #62C1F4 and #73D3FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2A8BC0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #2A8BC0 shade: #2A8BC0, #1979AD, #08679A, #005587 and #004374

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #2A8BC0 shade: #2A8BC0, #2A62C0, #2A3AC0, #422AC0 and #6B2AC0

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #2A8BC0 shade: #2A8BC0, #2A62C0, #2A3AC0 and #2A2AC0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #2A8BC0 shade matches the following richer shades: #2A8BC0, #1790D3 and #0496E6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #2A8BC0 shade: #2A8BC0, #3D85AD, #50809A, #637A87 and #767574

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #2A8BC0 shade: #2AC0A4, #2AB3C0, #2A8BC0, #2A63C0 and #2A3BC0

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #2A8BC0 shade: #1B5A7C, #22729E, #2A8BC0, #3F9FD4 and #60B0DC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #2A8BC0 shade: #2A8BC0, #7C2AC0 and #C0B82A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #2A8BC0 shade: #2A8BC0, #C02A8B and #8BC02A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #2A8BC0 shade: #2A8BC0, #7C2AC0, #C05E2A and #6DC02A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #2A8BC0 shade: #2A8BC0, #A92AC0, #C05E2A and #40C02A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 78 / 28 / 0 / 25

HEX #2A8BC0

RGB 42 139 192

HSL 201.2, 0.64%, 0.46%

LAB 54.83, -9.38, -35.43

 

Complementary color

CMYK 0 / 46 / 70 / 16

HEX #D5743F

RGB 213 116 63

HSL 21.2, 0.64%, 0.54%

LAB 58.97, 33.81, 45.18

 

CMYK 75 / 26 / 0 / 27

HEX #2F8BBB

RGB 47 139 187

HSL 200.57, 0.6%, 0.46%

LAB 54.72, -10.56, -32.75

 

CMYK 69 / 24 / 0 / 19

HEX #409DCE

RGB 64 157 206

HSL 200.7, 0.59%, 0.53%

LAB 61.36, -11.76, -33.09

 

CMYK 64 / 22 / 0 / 12

HEX #51AFE1

RGB 81 175 225

HSL 200.83, 0.71%, 0.6%

LAB 67.91, -12.7, -33.39

 

CMYK 60 / 21 / 0 / 4

HEX #62C1F4

RGB 98 193 244

HSL 200.96, 0.87%, 0.67%

LAB 74.36, -13.44, -33.68

 

CMYK 55 / 17 / 0 / 0

HEX #73D3FF

RGB 115 211 255

HSL 198.86, 1%, 0.73%

LAB 80.43, -16.35, -30.16

 

CMYK 78 / 28 / 0 / 25

HEX #2A8BC0

RGB 42 139 192

HSL 201.2, 0.64%, 0.46%

LAB 54.83, -9.38, -35.43

 

CMYK 86 / 30 / 0 / 32

HEX #1979AD

RGB 25 121 173

HSL 201.08, 0.75%, 0.39%

LAB 48.13, -7.55, -35.04

 

CMYK 95 / 33 / 0 / 40

HEX #08679A

RGB 8 103 154

HSL 200.96, 0.9%, 0.32%

LAB 41.35, -5.15, -34.55

 

CMYK 100 / 37 / 0 / 47

HEX #005587

RGB 0 85 135

HSL 202.22, 1%, 0.26%

LAB 34.49, -2.02, -33.95

HEX #005587

CMYK 100 / 42 / 0 / 55

HEX #004374

RGB 0 67 116

HSL 205.34, 1%, 0.23%

LAB 27.51, 1.8, -33.25

HEX #004374

CMYK 78 / 28 / 0 / 25

HEX #2A8BC0

RGB 42 139 192

HSL 201.2, 0.64%, 0.46%

LAB 54.83, -9.38, -35.43

 

CMYK 78 / 49 / 0 / 25

HEX #2A62C0

RGB 42 98 192

HSL 217.6, 0.64%, 0.46%

LAB 42.81, 15.71, -54.53

 

CMYK 78 / 70 / 0 / 25

HEX #2A3AC0

RGB 42 58 192

HSL 233.6, 0.64%, 0.46%

LAB 32.53, 41.51, -71.29

 

CMYK 66 / 78 / 0 / 25

HEX #422AC0

RGB 66 42 192

HSL 249.6, 0.64%, 0.46%

LAB 30.93, 52.61, -73.89

 

CMYK 44 / 78 / 0 / 25

HEX #6B2AC0

RGB 107 42 192

HSL 266, 0.64%, 0.46%

LAB 35.18, 57.8, -66.74

 

CMYK 78 / 28 / 0 / 25

HEX #2A8BC0

RGB 42 139 192

HSL 201.2, 0.64%, 0.46%

LAB 54.83, -9.38, -35.43

 

CMYK 78 / 49 / 0 / 25

HEX #2A62C0

RGB 42 98 192

HSL 217.6, 0.64%, 0.46%

LAB 42.81, 15.71, -54.53

 

CMYK 78 / 70 / 0 / 25

HEX #2A3AC0

RGB 42 58 192

HSL 233.6, 0.64%, 0.46%

LAB 32.53, 41.51, -71.29

 

CMYK 78 / 78 / 0 / 25

HEX #2A2AC0

RGB 42 42 192

HSL 240, 0.64%, 0.46%

LAB 29.3, 50.6, -76.64

 

CMYK 78 / 28 / 0 / 25

HEX #2A8BC0

RGB 42 139 192

HSL 201.2, 0.64%, 0.46%

LAB 54.83, -9.38, -35.43

 

CMYK 89 / 32 / 0 / 17

HEX #1790D3

RGB 23 144 211

HSL 201.38, 0.8%, 0.46%

LAB 56.91, -6.88, -42.91

 

CMYK 98 / 35 / 0 / 10

HEX #0496E6

RGB 4 150 230

HSL 201.24, 0.97%, 0.46%

LAB 59.48, -3.97, -49.46

 

CMYK 78 / 28 / 0 / 25

HEX #2A8BC0

RGB 42 139 192

HSL 201.2, 0.64%, 0.46%

LAB 54.83, -9.38, -35.43

 

CMYK 65 / 23 / 0 / 32

HEX #3D85AD

RGB 61 133 173

HSL 201.43, 0.48%, 0.46%

LAB 52.71, -9.82, -27.82

 

CMYK 48 / 17 / 0 / 40

HEX #50809A

RGB 80 128 154

HSL 201.08, 0.32%, 0.46%

LAB 51.24, -8.89, -19.01

 

CMYK 27 / 10 / 0 / 47

HEX #637A87

RGB 99 122 135

HSL 201.67, 0.15%, 0.46%

LAB 49.88, -5.18, -9.83

 

CMYK 0 / 1 / 2 / 54

HEX #767574

RGB 118 117 116

HSL 30, 0.01%, 0.46%

LAB 49.3, 0.18, 0.68

 

CMYK 78 / 0 / 15 / 25

HEX #2AC0A4

RGB 42 192 164

HSL 168.8, 0.64%, 0.46%

LAB 70.09, -44.4, 3.28

 

CMYK 78 / 7 / 0 / 25

HEX #2AB3C0

RGB 42 179 192

HSL 185.2, 0.64%, 0.46%

LAB 66.93, -30.44, -16.8

 

CMYK 78 / 28 / 0 / 25

HEX #2A8BC0

RGB 42 139 192

HSL 201.2, 0.64%, 0.46%

LAB 54.83, -9.38, -35.43

 

CMYK 78 / 48 / 0 / 25

HEX #2A63C0

RGB 42 99 192

HSL 217.2, 0.64%, 0.46%

LAB 43.1, 15.07, -54.07

 

CMYK 78 / 69 / 0 / 25

HEX #2A3BC0

RGB 42 59 192

HSL 233.2, 0.64%, 0.46%

LAB 32.76, 40.9, -70.92

 

CMYK 78 / 27 / 0 / 51

HEX #1B5A7C

RGB 27 90 124

HSL 201.03, 0.64%, 0.3%

LAB 35.99, -7.29, -24.81

 

CMYK 78 / 28 / 0 / 38

HEX #22729E

RGB 34 114 158

HSL 201.29, 0.65%, 0.38%

LAB 45.42, -8.13, -30.5

 

CMYK 78 / 28 / 0 / 25

HEX #2A8BC0

RGB 42 139 192

HSL 201.2, 0.64%, 0.46%

LAB 54.83, -9.38, -35.43

 

CMYK 70 / 25 / 0 / 17

HEX #3F9FD4

RGB 63 159 212

HSL 201.34, 0.63%, 0.54%

LAB 62.17, -11.01, -35.17

 

CMYK 56 / 20 / 0 / 14

HEX #60B0DC

RGB 96 176 220

HSL 201.29, 0.64%, 0.62%

LAB 68.54, -12.01, -29.63

 

CMYK 78 / 28 / 0 / 25

HEX #2A8BC0

RGB 42 139 192

HSL 201.2, 0.64%, 0.46%

LAB 54.83, -9.38, -35.43

 

CMYK 35 / 78 / 0 / 25

HEX #7C2AC0

RGB 124 42 192

HSL 272.8, 0.64%, 0.46%

LAB 37.38, 60.47, -63.04

 

CMYK 0 / 4 / 78 / 25

HEX #C0B82A

RGB 192 184 42

HSL 56.8, 0.64%, 0.46%

LAB 73.32, -12.52, 67.1

 

CMYK 78 / 28 / 0 / 25

HEX #2A8BC0

RGB 42 139 192

HSL 201.2, 0.64%, 0.46%

LAB 54.83, -9.38, -35.43

 

CMYK 0 / 78 / 28 / 25

HEX #C02A8B

RGB 192 42 139

HSL 321.2, 0.64%, 0.46%

LAB 45.26, 65.56, -18.2

 

CMYK 28 / 0 / 78 / 25

HEX #8BC02A

RGB 139 192 42

HSL 81.2, 0.64%, 0.46%

LAB 71.8, -38.32, 64.31

 

CMYK 78 / 28 / 0 / 25

HEX #2A8BC0

RGB 42 139 192

HSL 201.2, 0.64%, 0.46%

LAB 54.83, -9.38, -35.43

 

CMYK 35 / 78 / 0 / 25

HEX #7C2AC0

RGB 124 42 192

HSL 272.8, 0.64%, 0.46%

LAB 37.38, 60.47, -63.04

 

CMYK 0 / 51 / 78 / 25

HEX #C05E2A

RGB 192 94 42

HSL 20.8, 0.64%, 0.46%

LAB 51.13, 35.89, 46.32

 

CMYK 43 / 0 / 78 / 25

HEX #6DC02A

RGB 109 192 42

HSL 93.2, 0.64%, 0.46%

LAB 70.26, -49.01, 62.32

 

CMYK 78 / 28 / 0 / 25

HEX #2A8BC0

RGB 42 139 192

HSL 201.2, 0.64%, 0.46%

LAB 54.83, -9.38, -35.43

 

CMYK 12 / 78 / 0 / 25

HEX #A92AC0

RGB 169 42 192

HSL 290.8, 0.64%, 0.46%

LAB 44.08, 68.5, -51.87

 

CMYK 0 / 51 / 78 / 25

HEX #C05E2A

RGB 192 94 42

HSL 20.8, 0.64%, 0.46%

LAB 51.13, 35.89, 46.32

 

CMYK 67 / 0 / 78 / 25

HEX #40C02A

RGB 64 192 42

HSL 111.2, 0.64%, 0.46%

LAB 68.72, -61.08, 60.31

 

Description

Color code: HEX #2A8BC0 | qconv.com Color code: HEX #2A8BC0 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 42 red, 139 green and 192 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
42 139 192 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 78 cyan, 28 magenta, none yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
78% 28% 0% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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