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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2A8D31 it is the complementary color #D572CE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2A8D31. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #2A8D31 shade: #2F8D2C, #409F3F, #51B152, #62C365 and #73D578

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2A8D31. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #2A8D31 shade: #2A8D31, #197B1E, #08690B, #005700 and #004500

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #2A8D31 shade: #2A8D31, #3D8D2A, #588D2A, #738D2A and #8D8C2A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #2A8D31 shade: #2A8D31, #2A8D4B, #2A8D66, #2A8D81 and #2A7E8D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #2A8D31 shade matches the following richer shades: #2A8D31, #1B9C24 and #0CAB17

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #2A8D31 shade: #2A8D31, #397E3D, #476F4A, #566057 and #655164

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #2A8D31 shade: #588D2A, #3E8D2A, #2A8D30, #2A8D4B and #2A8D65

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #2A8D31 shade: #174D1B, #206D26, #2A8D31, #33AD3C and #43C64C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #2A8D31 shade: #2A8D31, #2A728D and #8D2A4B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #2A8D31 shade: #2A8D31, #302A8D and #8D302A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #2A8D31 shade: #2A8D31, #2A728D, #8D2A86 and #8D442A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #2A8D31 shade: #2A8D31, #2A558D, #8D2A86 and #8D622A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 70 / 0 / 65 / 45

HEX #2A8D31

RGB 42 141 49

HSL 124.24, 0.54%, 0.36%

LAB 51.57, -47.33, 39.81

 

Complementary color

CMYK 0 / 46 / 3 / 16

HEX #D572CE

RGB 213 114 206

HSL 304.24, 0.54%, 0.64%

LAB 62.2, 51.47, -30.9

 

CMYK 67 / 0 / 69 / 45

HEX #2F8D2C

RGB 47 141 44

HSL 118.14, 0.52%, 0.36%

LAB 51.65, -46.82, 42.16

 

CMYK 60 / 0 / 60 / 38

HEX #409F3F

RGB 64 159 63

HSL 119.38, 0.43%, 0.44%

LAB 58.27, -47.49, 41.07

 

CMYK 54 / 0 / 54 / 31

HEX #51B152

RGB 81 177 82

HSL 120.63, 0.38%, 0.51%

LAB 64.81, -47.77, 39.79

 

CMYK 50 / 0 / 48 / 24

HEX #62C365

RGB 98 195 101

HSL 121.86, 0.45%, 0.57%

LAB 71.26, -47.84, 38.47

 

CMYK 46 / 0 / 44 / 16

HEX #73D578

RGB 115 213 120

HSL 123.06, 0.54%, 0.64%

LAB 77.63, -47.77, 37.17

 

CMYK 70 / 0 / 65 / 45

HEX #2A8D31

RGB 42 141 49

HSL 124.24, 0.54%, 0.36%

LAB 51.57, -47.33, 39.81

 

CMYK 80 / 0 / 76 / 52

HEX #197B1E

RGB 25 123 30

HSL 123.06, 0.66%, 0.29%

LAB 44.89, -45.96, 40.72

 

CMYK 92 / 0 / 90 / 59

HEX #08690B

RGB 8 105 11

HSL 121.86, 0.86%, 0.22%

LAB 38.16, -43.5, 40.55

 

CMYK 100 / 0 / 100 / 66

HEX #005700

RGB 0 87 0

HSL 120, 1%, 0.17%

LAB 31.39, -39.37, 38

 

CMYK 100 / 0 / 100 / 73

HEX #004500

RGB 0 69 0

HSL 120, 1%, 0.14%

LAB 24.5, -33.65, 32.1

 

CMYK 70 / 0 / 65 / 45

HEX #2A8D31

RGB 42 141 49

HSL 124.24, 0.54%, 0.36%

LAB 51.57, -47.33, 39.81

 

CMYK 57 / 0 / 70 / 45

HEX #3D8D2A

RGB 61 141 42

HSL 108.48, 0.54%, 0.36%

LAB 52.07, -43.51, 43.59

 

CMYK 38 / 0 / 70 / 45

HEX #588D2A

RGB 88 141 42

HSL 92.12, 0.54%, 0.36%

LAB 53.27, -34.71, 45.21

 

CMYK 18 / 0 / 70 / 45

HEX #738D2A

RGB 115 141 42

HSL 75.76, 0.54%, 0.36%

LAB 54.93, -23.95, 47.45

 

CMYK 0 / 1 / 70 / 45

HEX #8D8C2A

RGB 141 140 42

HSL 59.39, 0.54%, 0.36%

LAB 56.67, -12.02, 49.86

 

CMYK 70 / 0 / 65 / 45

HEX #2A8D31

RGB 42 141 49

HSL 124.24, 0.54%, 0.36%

LAB 51.57, -47.33, 39.81

 

CMYK 70 / 0 / 47 / 45

HEX #2A8D4B

RGB 42 141 75

HSL 140, 0.54%, 0.36%

LAB 51.89, -43.57, 27.1

 

CMYK 70 / 0 / 28 / 45

HEX #2A8D66

RGB 42 141 102

HSL 156.36, 0.54%, 0.36%

LAB 52.4, -38.02, 12.72

 

CMYK 70 / 0 / 9 / 45

HEX #2A8D81

RGB 42 141 129

HSL 172.73, 0.54%, 0.36%

LAB 53.09, -30.98, -1.84

 

CMYK 70 / 11 / 0 / 45

HEX #2A7E8D

RGB 42 126 141

HSL 189.09, 0.54%, 0.36%

LAB 48.68, -19.72, -15.43

 

CMYK 70 / 0 / 65 / 45

HEX #2A8D31

RGB 42 141 49

HSL 124.24, 0.54%, 0.36%

LAB 51.57, -47.33, 39.81

 

CMYK 83 / 0 / 77 / 39

HEX #1B9C24

RGB 27 156 36

HSL 124.19, 0.7%, 0.36%

LAB 56.23, -55.97, 49.88

 

CMYK 93 / 0 / 87 / 33

HEX #0CAB17

RGB 12 171 23

HSL 124.15, 0.87%, 0.36%

LAB 61.02, -62.55, 58.07

 

CMYK 70 / 0 / 65 / 45

HEX #2A8D31

RGB 42 141 49

HSL 124.24, 0.54%, 0.36%

LAB 51.57, -47.33, 39.81

 

CMYK 55 / 0 / 52 / 51

HEX #397E3D

RGB 57 126 61

HSL 123.48, 0.38%, 0.36%

LAB 47.14, -36.2, 28.74

 

CMYK 36 / 0 / 33 / 56

HEX #476F4A

RGB 71 111 74

HSL 124.5, 0.22%, 0.36%

LAB 43.07, -22.4, 16.28

 

CMYK 10 / 0 / 9 / 62

HEX #566057

RGB 86 96 87

HSL 126, 0.05%, 0.36%

LAB 39.63, -5.82, 3.82

 

CMYK 0 / 20 / 1 / 60

HEX #655164

RGB 101 81 100

HSL 303, 0.11%, 0.36%

LAB 37.06, 12.03, -7.86

 

CMYK 38 / 0 / 70 / 45

HEX #588D2A

RGB 88 141 42

HSL 92.12, 0.54%, 0.36%

LAB 53.27, -34.71, 45.21

 

CMYK 56 / 0 / 70 / 45

HEX #3E8D2A

RGB 62 141 42

HSL 107.88, 0.54%, 0.36%

LAB 52.11, -43.23, 43.64

 

CMYK 70 / 0 / 66 / 45

HEX #2A8D30

RGB 42 141 48

HSL 123.64, 0.54%, 0.36%

LAB 51.56, -47.45, 40.25

 

CMYK 70 / 0 / 47 / 45

HEX #2A8D4B

RGB 42 141 75

HSL 140, 0.54%, 0.36%

LAB 51.89, -43.57, 27.1

 

CMYK 70 / 0 / 28 / 45

HEX #2A8D65

RGB 42 141 101

HSL 155.76, 0.54%, 0.36%

LAB 52.38, -38.25, 13.26

 

CMYK 70 / 0 / 65 / 70

HEX #174D1B

RGB 23 77 27

HSL 124.44, 0.54%, 0.2%

LAB 28.3, -29.4, 24.11

 

CMYK 71 / 0 / 65 / 57

HEX #206D26

RGB 32 109 38

HSL 124.68, 0.55%, 0.28%

LAB 40.22, -38.76, 32.19

 

CMYK 70 / 0 / 65 / 45

HEX #2A8D31

RGB 42 141 49

HSL 124.24, 0.54%, 0.36%

LAB 51.57, -47.33, 39.81

 

CMYK 71 / 0 / 65 / 32

HEX #33AD3C

RGB 51 173 60

HSL 124.43, 0.54%, 0.44%

LAB 62.44, -55.69, 47.03

 

CMYK 66 / 0 / 62 / 22

HEX #43C64C

RGB 67 198 76

HSL 124.12, 0.53%, 0.52%

LAB 70.94, -59.54, 49.66

 

CMYK 70 / 0 / 65 / 45

HEX #2A8D31

RGB 42 141 49

HSL 124.24, 0.54%, 0.36%

LAB 51.57, -47.33, 39.81

 

CMYK 70 / 19 / 0 / 45

HEX #2A728D

RGB 42 114 141

HSL 196.36, 0.54%, 0.36%

LAB 44.87, -13.09, -21.27

 

CMYK 0 / 70 / 47 / 45

HEX #8D2A4B

RGB 141 42 75

HSL 340, 0.54%, 0.36%

LAB 33.62, 44.28, 3.65

 

CMYK 70 / 0 / 65 / 45

HEX #2A8D31

RGB 42 141 49

HSL 124.24, 0.54%, 0.36%

LAB 51.57, -47.33, 39.81

 

CMYK 66 / 70 / 0 / 45

HEX #302A8D

RGB 48 42 141

HSL 243.64, 0.54%, 0.36%

LAB 24.35, 34.22, -53.96

 

CMYK 0 / 66 / 70 / 45

HEX #8D302A

RGB 141 48 42

HSL 3.64, 0.54%, 0.36%

LAB 33.87, 39.06, 25.12

 

CMYK 70 / 0 / 65 / 45

HEX #2A8D31

RGB 42 141 49

HSL 124.24, 0.54%, 0.36%

LAB 51.57, -47.33, 39.81

 

CMYK 70 / 19 / 0 / 45

HEX #2A728D

RGB 42 114 141

HSL 196.36, 0.54%, 0.36%

LAB 44.87, -13.09, -21.27

 

CMYK 0 / 70 / 5 / 45

HEX #8D2A86

RGB 141 42 134

HSL 304.24, 0.54%, 0.36%

LAB 36.06, 52.34, -30.12

 

CMYK 0 / 52 / 70 / 45

HEX #8D442A

RGB 141 68 42

HSL 15.76, 0.54%, 0.36%

LAB 37.78, 28.88, 29.72

 

CMYK 70 / 0 / 65 / 45

HEX #2A8D31

RGB 42 141 49

HSL 124.24, 0.54%, 0.36%

LAB 51.57, -47.33, 39.81

 

CMYK 70 / 40 / 0 / 45

HEX #2A558D

RGB 42 85 141

HSL 213.94, 0.54%, 0.36%

LAB 35.81, 4.65, -35.45

 

CMYK 0 / 70 / 5 / 45

HEX #8D2A86

RGB 141 42 134

HSL 304.24, 0.54%, 0.36%

LAB 36.06, 52.34, -30.12

 

CMYK 0 / 30 / 70 / 45

HEX #8D622A

RGB 141 98 42

HSL 33.94, 0.54%, 0.36%

LAB 45.03, 11.68, 37.81

 

Description

Color code: HEX #2A8D31 | qconv.com Color code: HEX #2A8D31 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 42 red, 141 green and 49 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
42 141 49 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 70 cyan, none magenta, 65 yellow and 45 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
70% 0% 65% 45% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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