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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2A951D it is the complementary color #D56AE2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2A951D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #2A951D shade: #2F9518, #40A72B, #51B93E, #62CB51 and #73DD64

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2A951D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #2A951D shade: #2A951D, #19830A, #087100, #005F00 and #004D00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #2A951D shade: #2A951D, #4A951D, #6A951D, #8B951D and #957E1D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #2A951D shade: #2A951D, #1D9530, #1D9550, #1D9571 and #1D9591

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #2A951D shade matches the following richer shades: #2A951D, #1FA30F and #13B100

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #2A951D shade: #2A951D, #35862B, #41783A, #4C6948 and #575B57

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #2A951D shade: #6B951D, #4B951D, #2B951D, #1D952F and #1D954F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #2A951D shade: #16500F, #207216, #2A951D, #34B724 and #41D52F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #2A951D shade: #2A951D, #1D8B95 and #951D5B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #2A951D shade: #2A951D, #1D2B95 and #951D2B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #2A951D shade: #2A951D, #1D8B95, #871D95 and #95271D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #2A951D shade: #2A951D, #1D6795, #871D95 and #954B1D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 72 / 0 / 81 / 42

HEX #2A951D

RGB 42 149 29

HSL 113.5, 0.67%, 0.35%

LAB 54.11, -51.88, 50.25

 

Complementary color

CMYK 6 / 53 / 0 / 11

HEX #D56AE2

RGB 213 106 226

HSL 293.5, 0.67%, 0.65%

LAB 61.61, 58.96, -43.05

 

CMYK 68 / 0 / 84 / 42

HEX #2F9518

RGB 47 149 24

HSL 108.96, 0.72%, 0.34%

LAB 54.2, -51.17, 51.86

 

CMYK 62 / 0 / 74 / 35

HEX #40A72B

RGB 64 167 43

HSL 109.84, 0.59%, 0.41%

LAB 60.69, -52.4, 52.11

 

CMYK 56 / 0 / 66 / 27

HEX #51B93E

RGB 81 185 62

HSL 110.73, 0.5%, 0.48%

LAB 67.12, -53.11, 51.54

 

CMYK 52 / 0 / 60 / 20

HEX #62CB51

RGB 98 203 81

HSL 111.64, 0.54%, 0.56%

LAB 73.48, -53.49, 50.59

 

CMYK 48 / 0 / 55 / 13

HEX #73DD64

RGB 115 221 100

HSL 112.56, 0.64%, 0.63%

LAB 79.77, -53.65, 49.46

 

CMYK 72 / 0 / 81 / 42

HEX #2A951D

RGB 42 149 29

HSL 113.5, 0.67%, 0.35%

LAB 54.11, -51.88, 50.25

 

CMYK 81 / 0 / 92 / 49

HEX #19830A

RGB 25 131 10

HSL 112.56, 0.86%, 0.28%

LAB 47.57, -49.8, 49.12

 

CMYK 93 / 0 / 100 / 56

HEX #087100

RGB 8 113 0

HSL 115.75, 1%, 0.22%

LAB 41, -46.53, 45.74

 

CMYK 100 / 0 / 100 / 63

HEX #005F00

RGB 0 95 0

HSL 120, 1%, 0.19%

LAB 34.36, -41.84, 40.38

 

CMYK 100 / 0 / 100 / 70

HEX #004D00

RGB 0 77 0

HSL 120, 1%, 0.15%

LAB 27.59, -36.22, 34.92

 

CMYK 72 / 0 / 81 / 42

HEX #2A951D

RGB 42 149 29

HSL 113.5, 0.67%, 0.35%

LAB 54.11, -51.88, 50.25

 

CMYK 50 / 0 / 81 / 42

HEX #4A951D

RGB 74 149 29

HSL 97.5, 0.67%, 0.35%

LAB 55.11, -43.77, 51.55

 

CMYK 29 / 0 / 81 / 42

HEX #6A951D

RGB 106 149 29

HSL 81.5, 0.67%, 0.35%

LAB 56.73, -32.26, 53.64

 

CMYK 7 / 0 / 81 / 42

HEX #8B951D

RGB 139 149 29

HSL 65, 0.67%, 0.35%

LAB 59.04, -18.25, 56.59

 

CMYK 0 / 15 / 81 / 42

HEX #957E1D

RGB 149 126 29

HSL 48.5, 0.67%, 0.35%

LAB 53.38, -1.29, 51.87

 

CMYK 72 / 0 / 81 / 42

HEX #2A951D

RGB 42 149 29

HSL 113.5, 0.67%, 0.35%

LAB 54.11, -51.88, 50.25

 

CMYK 81 / 0 / 68 / 42

HEX #1D9530

RGB 29 149 48

HSL 129.5, 0.67%, 0.35%

LAB 53.99, -52.36, 42.85

 

CMYK 81 / 0 / 46 / 42

HEX #1D9550

RGB 29 149 80

HSL 145.5, 0.67%, 0.35%

LAB 54.38, -47.73, 27.55

 

CMYK 81 / 0 / 24 / 42

HEX #1D9571

RGB 29 149 113

HSL 162, 0.67%, 0.35%

LAB 55.02, -40.59, 10.1

 

CMYK 81 / 0 / 3 / 42

HEX #1D9591

RGB 29 149 145

HSL 178, 0.67%, 0.35%

LAB 55.89, -31.7, -6.94

 

CMYK 72 / 0 / 81 / 42

HEX #2A951D

RGB 42 149 29

HSL 113.5, 0.67%, 0.35%

LAB 54.11, -51.88, 50.25

 

CMYK 81 / 0 / 91 / 36

HEX #1FA30F

RGB 31 163 15

HSL 113.51, 0.83%, 0.35%

LAB 58.53, -58.77, 57.62

 

CMYK 89 / 0 / 100 / 31

HEX #13B100

RGB 19 177 0

HSL 113.56, 1%, 0.35%

LAB 63, -64.48, 63.39

 

CMYK 72 / 0 / 81 / 42

HEX #2A951D

RGB 42 149 29

HSL 113.5, 0.67%, 0.35%

LAB 54.11, -51.88, 50.25

 

CMYK 60 / 0 / 68 / 47

HEX #35862B

RGB 53 134 43

HSL 113.41, 0.51%, 0.35%

LAB 49.47, -42.84, 40.29

 

CMYK 46 / 0 / 52 / 53

HEX #41783A

RGB 65 120 58

HSL 113.23, 0.35%, 0.35%

LAB 45.44, -31.51, 28.33

 

CMYK 28 / 0 / 31 / 59

HEX #4C6948

RGB 76 105 72

HSL 112.73, 0.19%, 0.35%

LAB 41.39, -17.77, 15.23

 

CMYK 4 / 0 / 4 / 64

HEX #575B57

RGB 87 91 87

HSL 120, 0.02%, 0.35%

LAB 38.19, -2.43, 1.75

 

CMYK 28 / 0 / 81 / 42

HEX #6B951D

RGB 107 149 29

HSL 81, 0.67%, 0.35%

LAB 56.79, -31.86, 53.72

 

CMYK 50 / 0 / 81 / 42

HEX #4B951D

RGB 75 149 29

HSL 97, 0.67%, 0.35%

LAB 55.15, -43.45, 51.61

 

CMYK 71 / 0 / 81 / 42

HEX #2B951D

RGB 43 149 29

HSL 113, 0.67%, 0.35%

LAB 54.13, -51.69, 50.28

 

CMYK 81 / 0 / 68 / 42

HEX #1D952F

RGB 29 149 47

HSL 129, 0.67%, 0.35%

LAB 53.99, -52.46, 43.28

 

CMYK 81 / 0 / 47 / 42

HEX #1D954F

RGB 29 149 79

HSL 145, 0.67%, 0.35%

LAB 54.37, -47.91, 28.06

 

CMYK 73 / 0 / 81 / 69

HEX #16500F

RGB 22 80 15

HSL 113.54, 0.68%, 0.19%

LAB 29.27, -32.23, 30.91

 

CMYK 72 / 0 / 81 / 55

HEX #207216

RGB 32 114 22

HSL 113.48, 0.68%, 0.27%

LAB 41.84, -42.19, 40.72

 

CMYK 72 / 0 / 81 / 42

HEX #2A951D

RGB 42 149 29

HSL 113.5, 0.67%, 0.35%

LAB 54.11, -51.88, 50.25

 

CMYK 72 / 0 / 80 / 28

HEX #34B724

RGB 52 183 36

HSL 113.47, 0.67%, 0.43%

LAB 65.53, -60.8, 59

 

CMYK 69 / 0 / 78 / 16

HEX #41D52F

RGB 65 213 47

HSL 113.49, 0.66%, 0.51%

LAB 75.4, -67.38, 65.19

 

CMYK 72 / 0 / 81 / 42

HEX #2A951D

RGB 42 149 29

HSL 113.5, 0.67%, 0.35%

LAB 54.11, -51.88, 50.25

 

CMYK 81 / 7 / 0 / 42

HEX #1D8B95

RGB 29 139 149

HSL 185, 0.67%, 0.35%

LAB 52.84, -25.52, -13.83

 

CMYK 0 / 81 / 39 / 42

HEX #951D5B

RGB 149 29 91

HSL 329, 0.67%, 0.35%

LAB 34.03, 52.87, -5.95

 

CMYK 72 / 0 / 81 / 42

HEX #2A951D

RGB 42 149 29

HSL 113.5, 0.67%, 0.35%

LAB 54.11, -51.88, 50.25

 

CMYK 81 / 71 / 0 / 42

HEX #1D2B95

RGB 29 43 149

HSL 233, 0.67%, 0.35%

LAB 24.19, 34.29, -59.21

 

CMYK 0 / 81 / 71 / 42

HEX #951D2B

RGB 149 29 43

HSL 353, 0.67%, 0.35%

LAB 32.79, 49.07, 23.57

 

CMYK 72 / 0 / 81 / 42

HEX #2A951D

RGB 42 149 29

HSL 113.5, 0.67%, 0.35%

LAB 54.11, -51.88, 50.25

 

CMYK 81 / 7 / 0 / 42

HEX #1D8B95

RGB 29 139 149

HSL 185, 0.67%, 0.35%

LAB 52.84, -25.52, -13.83

 

CMYK 9 / 81 / 0 / 42

HEX #871D95

RGB 135 29 149

HSL 293, 0.67%, 0.35%

LAB 34.4, 58.03, -42.06

 

CMYK 0 / 74 / 81 / 42

HEX #95271D

RGB 149 39 29

HSL 5, 0.67%, 0.35%

LAB 33.84, 45.05, 33.24

 

CMYK 72 / 0 / 81 / 42

HEX #2A951D

RGB 42 149 29

HSL 113.5, 0.67%, 0.35%

LAB 54.11, -51.88, 50.25

 

CMYK 81 / 31 / 0 / 42

HEX #1D6795

RGB 29 103 149

HSL 203, 0.67%, 0.35%

LAB 41.42, -5.48, -31.43

 

CMYK 9 / 81 / 0 / 42

HEX #871D95

RGB 135 29 149

HSL 293, 0.67%, 0.35%

LAB 34.4, 58.03, -42.06

 

CMYK 0 / 50 / 81 / 42

HEX #954B1D

RGB 149 75 29

HSL 23, 0.67%, 0.35%

LAB 40.43, 27.77, 39.79

 

Description

Color code: HEX #2A951D | qconv.com Color code: HEX #2A951D | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 42 red, 149 green and 29 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
42 149 29 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 72 cyan, none magenta, 81 yellow and 42 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
72% 0% 81% 42% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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