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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2A90B0 it is the complementary color #D56F4F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2A90B0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #2A90B0 shade: #2F90AB, #40A2BE, #51B4D1, #62C6E4 and #73D8F7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2A90B0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #2A90B0 shade: #2A90B0, #197E9D, #086C8A, #005A77 and #004864

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #2A90B0 shade: #2A90B0, #2A6CB0, #2A48B0, #312AB0 and #552AB0

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #2A90B0 shade: #2A90B0, #2A6CB0, #2A48B0 and #2A2AB0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #2A90B0 shade matches the following richer shades: #2A90B0, #1999C2 and #07A3D4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #2A90B0 shade: #2A90B0, #3C879E, #4E7E8D, #5F747B and #716B69

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #2A90B0 shade: #2AB088, #2AB0AC, #2A91B0, #2A6DB0 and #2A49B0

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #2A90B0 shade: #1A5A6E, #22758F, #2A90B0, #36AACE and #57B8D6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #2A90B0 shade: #2A90B0, #642AB0 and #B09A2A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #2A90B0 shade: #2A90B0, #B02A91 and #91B02A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #2A90B0 shade: #2A90B0, #642AB0, #B0492A and #76B02A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #2A90B0 shade: #2A90B0, #8C2AB0, #B0492A and #4EB02A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 76 / 18 / 0 / 31

HEX #2A90B0

RGB 42 144 176

HSL 194.33, 0.61%, 0.43%

LAB 55.66, -17.73, -25.02

 

Complementary color

CMYK 0 / 48 / 63 / 16

HEX #D56F4F

RGB 213 111 79

HSL 14.33, 0.61%, 0.57%

LAB 58.11, 37.34, 35.74

 

CMYK 73 / 16 / 0 / 33

HEX #2F90AB

RGB 47 144 171

HSL 193.06, 0.57%, 0.43%

LAB 55.57, -18.76, -22.28

 

CMYK 66 / 15 / 0 / 25

HEX #40A2BE

RGB 64 162 190

HSL 193.33, 0.5%, 0.5%

LAB 62.21, -19.64, -22.83

 

CMYK 61 / 14 / 0 / 18

HEX #51B4D1

RGB 81 180 209

HSL 193.59, 0.58%, 0.57%

LAB 68.75, -20.29, -23.32

 

CMYK 57 / 13 / 0 / 11

HEX #62C6E4

RGB 98 198 228

HSL 193.85, 0.71%, 0.64%

LAB 75.19, -20.78, -23.77

 

CMYK 53 / 13 / 0 / 3

HEX #73D8F7

RGB 115 216 247

HSL 194.09, 0.89%, 0.71%

LAB 81.55, -21.16, -24.2

 

CMYK 76 / 18 / 0 / 31

HEX #2A90B0

RGB 42 144 176

HSL 194.33, 0.61%, 0.43%

LAB 55.66, -17.73, -25.02

 

CMYK 84 / 20 / 0 / 38

HEX #197E9D

RGB 25 126 157

HSL 194.09, 0.73%, 0.36%

LAB 48.96, -16.28, -24.42

 

CMYK 94 / 22 / 0 / 46

HEX #086C8A

RGB 8 108 138

HSL 193.85, 0.89%, 0.29%

LAB 42.17, -14.31, -23.7

 

CMYK 100 / 24 / 0 / 53

HEX #005A77

RGB 0 90 119

HSL 194.62, 1%, 0.23%

LAB 35.29, -11.64, -22.84

 

CMYK 100 / 28 / 0 / 61

HEX #004864

RGB 0 72 100

HSL 196.8, 1%, 0.2%

LAB 28.26, -8.33, -21.88

 

CMYK 76 / 18 / 0 / 31

HEX #2A90B0

RGB 42 144 176

HSL 194.33, 0.61%, 0.43%

LAB 55.66, -17.73, -25.02

 

CMYK 76 / 39 / 0 / 31

HEX #2A6CB0

RGB 42 108 176

HSL 210.45, 0.61%, 0.43%

LAB 44.73, 3.24, -42.13

 

CMYK 76 / 59 / 0 / 31

HEX #2A48B0

RGB 42 72 176

HSL 226.57, 0.61%, 0.43%

LAB 34.52, 26.7, -58.58

 

CMYK 72 / 76 / 0 / 31

HEX #312AB0

RGB 49 42 176

HSL 243.13, 0.61%, 0.43%

LAB 27.96, 46, -69.33

 

CMYK 52 / 76 / 0 / 31

HEX #552AB0

RGB 85 42 176

HSL 259.25, 0.61%, 0.43%

LAB 31.17, 50.37, -63.94

 

CMYK 76 / 18 / 0 / 31

HEX #2A90B0

RGB 42 144 176

HSL 194.33, 0.61%, 0.43%

LAB 55.66, -17.73, -25.02

 

CMYK 76 / 39 / 0 / 31

HEX #2A6CB0

RGB 42 108 176

HSL 210.45, 0.61%, 0.43%

LAB 44.73, 3.24, -42.13

 

CMYK 76 / 59 / 0 / 31

HEX #2A48B0

RGB 42 72 176

HSL 226.57, 0.61%, 0.43%

LAB 34.52, 26.7, -58.58

 

CMYK 76 / 76 / 0 / 31

HEX #2A2AB0

RGB 42 42 176

HSL 240, 0.61%, 0.43%

LAB 27.53, 45.4, -70.07

 

CMYK 76 / 18 / 0 / 31

HEX #2A90B0

RGB 42 144 176

HSL 194.33, 0.61%, 0.43%

LAB 55.66, -17.73, -25.02

 

CMYK 87 / 21 / 0 / 24

HEX #1999C2

RGB 25 153 194

HSL 194.56, 0.77%, 0.43%

LAB 58.87, -17.91, -30.29

 

CMYK 97 / 23 / 0 / 17

HEX #07A3D4

RGB 7 163 212

HSL 194.34, 0.94%, 0.43%

LAB 62.5, -17.72, -34.72

 

CMYK 76 / 18 / 0 / 31

HEX #2A90B0

RGB 42 144 176

HSL 194.33, 0.61%, 0.43%

LAB 55.66, -17.73, -25.02

 

CMYK 62 / 15 / 0 / 38

HEX #3C879E

RGB 60 135 158

HSL 194.08, 0.45%, 0.43%

LAB 52.68, -16.01, -19.2

 

CMYK 45 / 11 / 0 / 45

HEX #4E7E8D

RGB 78 126 141

HSL 194.29, 0.29%, 0.43%

LAB 50.05, -12.07, -13.22

 

CMYK 23 / 6 / 0 / 52

HEX #5F747B

RGB 95 116 123

HSL 195, 0.13%, 0.43%

LAB 47.44, -6.02, -6.42

 

CMYK 0 / 5 / 7 / 56

HEX #716B69

RGB 113 107 105

HSL 15, 0.04%, 0.43%

LAB 45.7, 1.95, 1.95

 

CMYK 76 / 0 / 23 / 31

HEX #2AB088

RGB 42 176 136

HSL 162.09, 0.61%, 0.43%

LAB 64.42, -44.73, 10.54

 

CMYK 76 / 0 / 2 / 31

HEX #2AB0AC

RGB 42 176 172

HSL 178.21, 0.61%, 0.43%

LAB 65.37, -35.04, -8.05

 

CMYK 76 / 18 / 0 / 31

HEX #2A91B0

RGB 42 145 176

HSL 193.88, 0.61%, 0.43%

LAB 55.97, -18.27, -24.55

 

CMYK 76 / 38 / 0 / 31

HEX #2A6DB0

RGB 42 109 176

HSL 210, 0.61%, 0.43%

LAB 45.03, 2.62, -41.66

 

CMYK 76 / 59 / 0 / 31

HEX #2A49B0

RGB 42 73 176

HSL 226.12, 0.61%, 0.43%

LAB 34.79, 26.03, -58.15

 

CMYK 76 / 18 / 0 / 57

HEX #1A5A6E

RGB 26 90 110

HSL 194.29, 0.62%, 0.27%

LAB 35.32, -12.65, -17.19

 

CMYK 76 / 18 / 0 / 44

HEX #22758F

RGB 34 117 143

HSL 194.31, 0.62%, 0.35%

LAB 45.7, -15.25, -21.2

 

CMYK 76 / 18 / 0 / 31

HEX #2A90B0

RGB 42 144 176

HSL 194.33, 0.61%, 0.43%

LAB 55.66, -17.73, -25.02

 

CMYK 74 / 17 / 0 / 19

HEX #36AACE

RGB 54 170 206

HSL 194.21, 0.61%, 0.51%

LAB 64.95, -20.11, -27.54

 

CMYK 59 / 14 / 0 / 16

HEX #57B8D6

RGB 87 184 214

HSL 194.17, 0.61%, 0.59%

LAB 70.29, -19.78, -23.69

 

CMYK 76 / 18 / 0 / 31

HEX #2A90B0

RGB 42 144 176

HSL 194.33, 0.61%, 0.43%

LAB 55.66, -17.73, -25.02

 

CMYK 43 / 76 / 0 / 31

HEX #642AB0

RGB 100 42 176

HSL 265.97, 0.61%, 0.43%

LAB 32.92, 52.7, -61

 

CMYK 0 / 13 / 76 / 31

HEX #B09A2A

RGB 176 154 42

HSL 50.15, 0.61%, 0.43%

LAB 63.76, -3.83, 57.82

 

CMYK 76 / 18 / 0 / 31

HEX #2A90B0

RGB 42 144 176

HSL 194.33, 0.61%, 0.43%

LAB 55.66, -17.73, -25.02

 

CMYK 0 / 76 / 18 / 31

HEX #B02A91

RGB 176 42 145

HSL 313.88, 0.61%, 0.43%

LAB 42.66, 62.5, -26.09

 

CMYK 18 / 0 / 76 / 31

HEX #91B02A

RGB 145 176 42

HSL 73.88, 0.61%, 0.43%

LAB 67.45, -28.54, 60.39

 

CMYK 76 / 18 / 0 / 31

HEX #2A90B0

RGB 42 144 176

HSL 194.33, 0.61%, 0.43%

LAB 55.66, -17.73, -25.02

 

CMYK 43 / 76 / 0 / 31

HEX #642AB0

RGB 100 42 176

HSL 265.97, 0.61%, 0.43%

LAB 32.92, 52.7, -61

 

CMYK 0 / 59 / 76 / 31

HEX #B0492A

RGB 176 73 42

HSL 13.88, 0.61%, 0.43%

LAB 44.46, 40.22, 38.7

 

CMYK 33 / 0 / 76 / 31

HEX #76B02A

RGB 118 176 42

HSL 85.97, 0.61%, 0.43%

LAB 65.8, -39.16, 58.24

 

CMYK 76 / 18 / 0 / 31

HEX #2A90B0

RGB 42 144 176

HSL 194.33, 0.61%, 0.43%

LAB 55.66, -17.73, -25.02

 

CMYK 20 / 76 / 0 / 31

HEX #8C2AB0

RGB 140 42 176

HSL 283.88, 0.61%, 0.43%

LAB 38.49, 59.92, -51.69

 

CMYK 0 / 59 / 76 / 31

HEX #B0492A

RGB 176 73 42

HSL 13.88, 0.61%, 0.43%

LAB 44.46, 40.22, 38.7

 

CMYK 56 / 0 / 76 / 31

HEX #4EB02A

RGB 78 176 42

HSL 103.88, 0.61%, 0.43%

LAB 64.03, -52.16, 55.91

 

Description

Color code: HEX #2A90B0 | qconv.com Color code: HEX #2A90B0 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 42 red, 144 green and 176 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
42 144 176 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 76 cyan, 18 magenta, none yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
76% 18% 0% 31% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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