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Color name
HEX #2ABEDE

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2ABEDE it is the complementary color #D54121. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2ABEDE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #2ABEDE shade: #2FBED9, #40D0EC, #51E2FF, #62F4FF and #73FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2ABEDE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #2ABEDE shade: #2ABEDE, #19ACCB, #089AB8, #0088A5 and #007692

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #2ABEDE shade: #2BBEDD, #2B8DDD, #2B5DDD, #2B2DDD and #592BDD

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #2ABEDE shade: #2BBEDD, #2B8DDD, #2B5DDD, #2B2DDD and #2B2BDD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #2ABEDE shade matches the following richer shades: #2BBEDD and #17CAF1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #2ABEDE shade: #2BBEDD, #3FB1CA, #52A4B6, #6697A2 and #7A8B8E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #2ABEDE shade: #2BDD9C, #2BDDCC, #2BC0DD, #2B90DD and #2B60DD

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #2ABEDE shade: #18869E, #1EA4C1, #2BBEDD, #4EC9E3 and #72D4E9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #2ABEDE shade: #2ABEDE, #6C2BDD and #DDB42B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #2ABEDE shade: #2ABEDE, #DD2BC0 and #C0DD2B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #2ABEDE shade: #2ABEDE, #6C2BDD, #DD492B and #9CDD2B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #2ABEDE shade: #2ABEDE, #A22BDD, #DD492B and #66DD2B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 81 / 14 / 0 / 13

HEX #2ABEDE

RGB 42 190 222

HSL 190.67, 0.73%, 0.52%

LAB 71.28, -26.37, -26.63

 

Complementary color

CMYK 0 / 69 / 85 / 16

HEX #D54121

RGB 213 65 33

HSL 10.67, 0.73%, 0.48%

LAB 49.54, 56.43, 50.27

 

CMYK 78 / 12 / 0 / 15

HEX #2FBED9

RGB 47 190 217

HSL 189.53, 0.69%, 0.52%

LAB 71.17, -27.52, -24.06

 

CMYK 73 / 12 / 0 / 7

HEX #40D0EC

RGB 64 208 236

HSL 189.77, 0.82%, 0.59%

LAB 77.43, -28.63, -24.74

 

CMYK 68 / 11 / 0 / 0

HEX #51E2FF

RGB 81 226 255

HSL 190, 1%, 0.66%

LAB 83.63, -29.52, -25.36

 

CMYK 62 / 4 / 0 / 0

HEX #62F4FF

RGB 98 244 255

HSL 184.2, 1%, 0.69%

LAB 89.17, -35.55, -16.94

 

CMYK 55 / 0 / 0 / 0

HEX #73FFFF

RGB 115 255 255

HSL 180, 1%, 0.73%

LAB 92.74, -37.72, -11.54

 

CMYK 81 / 14 / 0 / 13

HEX #2ABEDE

RGB 42 190 222

HSL 190.67, 0.73%, 0.52%

LAB 71.28, -26.37, -26.63

 

CMYK 88 / 15 / 0 / 20

HEX #19ACCB

RGB 25 172 203

HSL 190.45, 0.78%, 0.45%

LAB 64.98, -24.76, -25.88

 

CMYK 96 / 16 / 0 / 28

HEX #089AB8

RGB 8 154 184

HSL 190.23, 0.92%, 0.38%

LAB 58.62, -22.74, -25.03

 

CMYK 100 / 18 / 0 / 35

HEX #0088A5

RGB 0 136 165

HSL 190.55, 1%, 0.32%

LAB 52.2, -20.24, -24.08

 

CMYK 100 / 19 / 0 / 43

HEX #007692

RGB 0 118 146

HSL 191.51, 1%, 0.29%

LAB 45.68, -17.37, -23.04

 

CMYK 81 / 14 / 0 / 13

HEX #2BBEDD

RGB 43 190 221

HSL 190.45, 0.72%, 0.52%

LAB 71.26, -26.61, -26.12

 

CMYK 81 / 36 / 0 / 13

HEX #2B8DDD

RGB 43 141 221

HSL 206.97, 0.72%, 0.52%

LAB 56.86, 0.07, -48.57

 

CMYK 81 / 58 / 0 / 13

HEX #2B5DDD

RGB 43 93 221

HSL 223.15, 0.72%, 0.52%

LAB 43.6, 30.04, -69.92

 

CMYK 81 / 80 / 0 / 13

HEX #2B2DDD

RGB 43 45 221

HSL 239.33, 0.72%, 0.52%

LAB 33.16, 58.22, -87.1

 

CMYK 60 / 81 / 0 / 13

HEX #592BDD

RGB 89 43 221

HSL 255.51, 0.72%, 0.52%

LAB 36.12, 62.65, -82.09

 

CMYK 81 / 14 / 0 / 13

HEX #2BBEDD

RGB 43 190 221

HSL 190.45, 0.72%, 0.52%

LAB 71.26, -26.61, -26.12

 

CMYK 81 / 36 / 0 / 13

HEX #2B8DDD

RGB 43 141 221

HSL 206.97, 0.72%, 0.52%

LAB 56.86, 0.07, -48.57

 

CMYK 81 / 58 / 0 / 13

HEX #2B5DDD

RGB 43 93 221

HSL 223.15, 0.72%, 0.52%

LAB 43.6, 30.04, -69.92

 

CMYK 81 / 80 / 0 / 13

HEX #2B2DDD

RGB 43 45 221

HSL 239.33, 0.72%, 0.52%

LAB 33.16, 58.22, -87.1

 

CMYK 81 / 81 / 0 / 13

HEX #2B2BDD

RGB 43 43 221

HSL 240, 0.72%, 0.52%

LAB 32.84, 59.17, -87.64

 

CMYK 81 / 14 / 0 / 13

HEX #2BBEDD

RGB 43 190 221

HSL 190.45, 0.72%, 0.52%

LAB 71.26, -26.61, -26.12

 

CMYK 90 / 16 / 0 / 5

HEX #17CAF1

RGB 23 202 241

HSL 190.73, 0.89%, 0.52%

LAB 75.31, -27.35, -30.73

 

CMYK 81 / 14 / 0 / 13

HEX #2BBEDD

RGB 43 190 221

HSL 190.45, 0.72%, 0.52%

LAB 71.26, -26.61, -26.12

 

CMYK 69 / 12 / 0 / 21

HEX #3FB1CA

RGB 63 177 202

HSL 190.79, 0.57%, 0.52%

LAB 67.1, -23.79, -22.02

 

CMYK 55 / 10 / 0 / 29

HEX #52A4B6

RGB 82 164 182

HSL 190.8, 0.41%, 0.52%

LAB 63.11, -19.8, -16.92

 

CMYK 37 / 7 / 0 / 36

HEX #6697A2

RGB 102 151 162

HSL 191, 0.24%, 0.52%

LAB 59.5, -13.53, -11

 

CMYK 14 / 2 / 0 / 44

HEX #7A8B8E

RGB 122 139 142

HSL 189, 0.08%, 0.52%

LAB 56.64, -5.45, -3.68

 

CMYK 81 / 0 / 29 / 13

HEX #2BDD9C

RGB 43 221 156

HSL 158.09, 0.72%, 0.52%

LAB 78.83, -57.83, 19.94

 

CMYK 81 / 0 / 8 / 13

HEX #2BDDCC

RGB 43 221 204

HSL 174.27, 0.72%, 0.52%

LAB 79.95, -46.02, -3.89

 

CMYK 81 / 13 / 0 / 13

HEX #2BC0DD

RGB 43 192 221

HSL 189.78, 0.72%, 0.52%

LAB 71.85, -27.6, -25.21

 

CMYK 81 / 35 / 0 / 13

HEX #2B90DD

RGB 43 144 221

HSL 205.96, 0.72%, 0.52%

LAB 57.73, -1.69, -47.2

 

CMYK 81 / 57 / 0 / 13

HEX #2B60DD

RGB 43 96 221

HSL 222.13, 0.72%, 0.52%

LAB 44.38, 28.11, -68.66

 

CMYK 85 / 15 / 0 / 38

HEX #18869E

RGB 24 134 158

HSL 190.75, 0.74%, 0.36%

LAB 51.51, -20.36, -21.07

 

CMYK 84 / 15 / 0 / 24

HEX #1EA4C1

RGB 30 164 193

HSL 190.67, 0.73%, 0.44%

LAB 62.23, -23.68, -24.53

 

CMYK 81 / 14 / 0 / 13

HEX #2BBEDD

RGB 43 190 221

HSL 190.45, 0.72%, 0.52%

LAB 71.26, -26.61, -26.12

 

CMYK 66 / 11 / 0 / 11

HEX #4EC9E3

RGB 78 201 227

HSL 190.47, 0.73%, 0.6%

LAB 75.41, -26.02, -22.95

 

CMYK 51 / 9 / 0 / 9

HEX #72D4E9

RGB 114 212 233

HSL 190.59, 0.73%, 0.68%

LAB 79.92, -23.22, -19.22

 

CMYK 81 / 14 / 0 / 13

HEX #2ABEDE

RGB 42 190 222

HSL 190.67, 0.73%, 0.52%

LAB 71.28, -26.37, -26.63

 

CMYK 51 / 81 / 0 / 13

HEX #6C2BDD

RGB 108 43 221

HSL 261.91, 0.72%, 0.52%

LAB 38.09, 64.76, -78.79

 

CMYK 0 / 19 / 81 / 13

HEX #DDB42B

RGB 221 180 43

HSL 46.18, 0.72%, 0.52%

LAB 74.94, 2.2, 69.25

 

CMYK 81 / 14 / 0 / 13

HEX #2ABEDE

RGB 42 190 222

HSL 190.67, 0.73%, 0.52%

LAB 71.28, -26.37, -26.63

 

CMYK 0 / 81 / 13 / 13

HEX #DD2BC0

RGB 221 43 192

HSL 309.78, 0.72%, 0.52%

LAB 52.85, 78.56, -37.42

 

CMYK 13 / 0 / 81 / 13

HEX #C0DD2B

RGB 192 221 43

HSL 69.78, 0.72%, 0.52%

LAB 83.49, -30.59, 75.83

 

CMYK 81 / 14 / 0 / 13

HEX #2ABEDE

RGB 42 190 222

HSL 190.67, 0.73%, 0.52%

LAB 71.28, -26.37, -26.63

 

CMYK 51 / 81 / 0 / 13

HEX #6C2BDD

RGB 108 43 221

HSL 261.91, 0.72%, 0.52%

LAB 38.09, 64.76, -78.79

 

CMYK 0 / 67 / 81 / 13

HEX #DD492B

RGB 221 73 43

HSL 10.11, 0.72%, 0.52%

LAB 52.19, 56.22, 48.49

 

CMYK 29 / 0 / 81 / 13

HEX #9CDD2B

RGB 156 221 43

HSL 81.91, 0.72%, 0.52%

LAB 81.27, -44.55, 73.01

 

CMYK 81 / 14 / 0 / 13

HEX #2ABEDE

RGB 42 190 222

HSL 190.67, 0.73%, 0.52%

LAB 71.28, -26.37, -26.63

 

CMYK 27 / 81 / 0 / 13

HEX #A22BDD

RGB 162 43 221

HSL 280.11, 0.72%, 0.52%

LAB 45.12, 72.43, -66.99

 

CMYK 0 / 67 / 81 / 13

HEX #DD492B

RGB 221 73 43

HSL 10.11, 0.72%, 0.52%

LAB 52.19, 56.22, 48.49

 

CMYK 54 / 0 / 81 / 13

HEX #66DD2B

RGB 102 221 43

HSL 100.11, 0.72%, 0.52%

LAB 78.88, -61.94, 69.95

 

Description

Color code: HEX #2ABEDE | qconv.com Color code: HEX #2ABEDE | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 42 red, 190 green and 222 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
42 190 222 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 81 cyan, 14 magenta, none yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
81% 14% 0% 13% C M Y K

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Provide designers and agencies with accurate color values.

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