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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2AE82D it is the complementary color #D517D2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2AE82D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #2AE82D shade: #2FE828, #40FA3B, #51FF4E, #62FF61 and #73FF74

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2AE82D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #2AE82D shade: #2AE82D, #19D61A, #08C407, #00B200 and #00A000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #2AE82D shade: #2AE82D, #5AE82A, #8EE82A, #C1E82A and #E8DC2A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #2AE82D shade: #2AE82D, #2AE860, #2AE894, #2AE8C7 and #2AD6E8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #2AE82D shade matches the following richer shades: #2AE82D and #17FB1B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #2AE82D shade: #2AE82D, #3DD540, #50C252, #63AF64 and #769C77

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #2AE82D shade: #90E82A, #5DE82A, #2AE82A, #2AE85D and #2AE890

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #2AE82D shade: #12AE14, #16D319, #2AE82D, #50EC52 and #75F077

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #2AE82D shade: #2AE82D, #2AC2E8 and #E82A76

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #2AE82D shade: #2AE82D, #2A2AE8 and #E82A2A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #2AE82D shade: #2AE82D, #2AC2E8, #E82AE8 and #E8502A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #2AE82D shade: #2AE82D, #2A89E8, #E82AE8 and #E8892A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 82 / 0 / 81 / 9

HEX #2AE82D

RGB 42 232 45

HSL 120.95, 0.81%, 0.54%

LAB 80.96, -76.41, 70.86

 

Complementary color

CMYK 0 / 89 / 1 / 16

HEX #D517D2

RGB 213 23 210

HSL 300.95, 0.81%, 0.46%

LAB 51.17, 83.24, -50.54

 

CMYK 80 / 0 / 83 / 9

HEX #2FE828

RGB 47 232 40

HSL 117.81, 0.81%, 0.53%

LAB 81, -76.12, 72.18

 

CMYK 74 / 0 / 76 / 2

HEX #40FA3B

RGB 64 250 59

HSL 118.43, 0.95%, 0.61%

LAB 86.89, -78.1, 72.62

 

CMYK 68 / 0 / 69 / 0

HEX #51FF4E

RGB 81 255 78

HSL 118.98, 1%, 0.65%

LAB 88.84, -75.55, 68.37

 

CMYK 62 / 0 / 62 / 0

HEX #62FF61

RGB 98 255 97

HSL 119.62, 1%, 0.69%

LAB 89.38, -70.54, 61.7

 

CMYK 55 / 0 / 55 / 0

HEX #73FF74

RGB 115 255 116

HSL 120.43, 1%, 0.73%

LAB 90.06, -64.63, 54.4

 

CMYK 82 / 0 / 81 / 9

HEX #2AE82D

RGB 42 232 45

HSL 120.95, 0.81%, 0.54%

LAB 80.96, -76.41, 70.86

 

CMYK 88 / 0 / 88 / 16

HEX #19D61A

RGB 25 214 26

HSL 120.32, 0.79%, 0.47%

LAB 75.06, -73.71, 69.83

 

CMYK 96 / 0 / 96 / 23

HEX #08C407

RGB 8 196 7

HSL 119.68, 0.93%, 0.4%

LAB 69.15, -70.22, 67.5

 

CMYK 100 / 0 / 100 / 30

HEX #00B200

RGB 0 178 0

HSL 120, 1%, 0.35%

LAB 63.21, -65.81, 63.52

 

CMYK 100 / 0 / 100 / 37

HEX #00A000

RGB 0 160 0

HSL 120, 1%, 0.31%

LAB 57.21, -60.83, 58.71

 

CMYK 82 / 0 / 81 / 9

HEX #2AE82D

RGB 42 232 45

HSL 120.95, 0.81%, 0.54%

LAB 80.96, -76.41, 70.86

 

CMYK 61 / 0 / 82 / 9

HEX #5AE82A

RGB 90 232 42

HSL 104.84, 0.81%, 0.54%

LAB 81.87, -68.69, 72.8

 

CMYK 39 / 0 / 82 / 9

HEX #8EE82A

RGB 142 232 42

HSL 88.42, 0.81%, 0.54%

LAB 83.77, -54.03, 75.23

 

CMYK 17 / 0 / 82 / 9

HEX #C1E82A

RGB 193 232 42

HSL 72.32, 0.81%, 0.54%

LAB 86.61, -35.28, 78.82

 

CMYK 0 / 5 / 82 / 9

HEX #E8DC2A

RGB 232 220 42

HSL 56.21, 0.81%, 0.54%

LAB 86.26, -13.56, 79.66

 

CMYK 82 / 0 / 81 / 9

HEX #2AE82D

RGB 42 232 45

HSL 120.95, 0.81%, 0.54%

LAB 80.96, -76.41, 70.86

 

CMYK 82 / 0 / 59 / 9

HEX #2AE860

RGB 42 232 96

HSL 137.05, 0.81%, 0.54%

LAB 81.32, -71.92, 52.64

 

CMYK 82 / 0 / 36 / 9

HEX #2AE894

RGB 42 232 148

HSL 153.47, 0.81%, 0.54%

LAB 82.02, -63.6, 28.43

 

CMYK 82 / 0 / 14 / 9

HEX #2AE8C7

RGB 42 232 199

HSL 169.58, 0.81%, 0.54%

LAB 83.09, -52.03, 3.35

 

CMYK 82 / 8 / 0 / 9

HEX #2AD6E8

RGB 42 214 232

HSL 185.68, 0.81%, 0.54%

LAB 78.7, -34.86, -20.7

 

CMYK 82 / 0 / 81 / 9

HEX #2AE82D

RGB 42 232 45

HSL 120.95, 0.81%, 0.54%

LAB 80.96, -76.41, 70.86

 

CMYK 91 / 0 / 89 / 2

HEX #17FB1B

RGB 23 251 27

HSL 121.05, 0.97%, 0.54%

LAB 86.63, -83.83, 79.6

 

CMYK 82 / 0 / 81 / 9

HEX #2AE82D

RGB 42 232 45

HSL 120.95, 0.81%, 0.54%

LAB 80.96, -76.41, 70.86

 

CMYK 71 / 0 / 70 / 16

HEX #3DD540

RGB 61 213 64

HSL 121.18, 0.64%, 0.54%

LAB 75.42, -66.82, 59.41

 

CMYK 59 / 0 / 58 / 24

HEX #50C252

RGB 80 194 82

HSL 121.05, 0.48%, 0.54%

LAB 70.1, -54.57, 46.08

 

CMYK 43 / 0 / 43 / 31

HEX #63AF64

RGB 99 175 100

HSL 120.79, 0.32%, 0.54%

LAB 65.15, -39.21, 31.24

 

CMYK 24 / 0 / 24 / 39

HEX #769C77

RGB 118 156 119

HSL 121.58, 0.16%, 0.54%

LAB 60.75, -20.64, 15.24

 

CMYK 38 / 0 / 82 / 9

HEX #90E82A

RGB 144 232 42

HSL 87.79, 0.81%, 0.54%

LAB 83.87, -53.36, 75.35

 

CMYK 60 / 0 / 82 / 9

HEX #5DE82A

RGB 93 232 42

HSL 103.89, 0.81%, 0.54%

LAB 81.95, -68, 72.91

 

CMYK 82 / 0 / 82 / 9

HEX #2AE82A

RGB 42 232 42

HSL 120, 0.81%, 0.54%

LAB 80.95, -76.57, 71.62

 

CMYK 82 / 0 / 60 / 9

HEX #2AE85D

RGB 42 232 93

HSL 136.11, 0.81%, 0.54%

LAB 81.29, -72.29, 53.92

 

CMYK 82 / 0 / 38 / 9

HEX #2AE890

RGB 42 232 144

HSL 152.21, 0.81%, 0.54%

LAB 81.96, -64.37, 30.37

 

CMYK 90 / 0 / 89 / 32

HEX #12AE14

RGB 18 174 20

HSL 120.77, 0.81%, 0.38%

LAB 62.04, -63.15, 59.64

 

CMYK 90 / 0 / 88 / 17

HEX #16D319

RGB 22 211 25

HSL 120.95, 0.81%, 0.46%

LAB 74.08, -73.13, 69.15

 

CMYK 82 / 0 / 81 / 9

HEX #2AE82D

RGB 42 232 45

HSL 120.95, 0.81%, 0.54%

LAB 80.96, -76.41, 70.86

 

CMYK 66 / 0 / 65 / 7

HEX #50EC52

RGB 80 236 82

HSL 120.77, 0.8%, 0.62%

LAB 83.08, -69.26, 60.7

 

CMYK 51 / 0 / 50 / 6

HEX #75F077

RGB 117 240 119

HSL 120.98, 0.8%, 0.7%

LAB 85.72, -58.15, 47.8

 

CMYK 82 / 0 / 81 / 9

HEX #2AE82D

RGB 42 232 45

HSL 120.95, 0.81%, 0.54%

LAB 80.96, -76.41, 70.86

 

CMYK 82 / 16 / 0 / 9

HEX #2AC2E8

RGB 42 194 232

HSL 192, 0.81%, 0.54%

LAB 72.83, -25.14, -29.68

 

CMYK 0 / 82 / 49 / 9

HEX #E82A76

RGB 232 42 118

HSL 336, 0.81%, 0.54%

LAB 51.97, 73.33, 5.33

 

CMYK 82 / 0 / 81 / 9

HEX #2AE82D

RGB 42 232 45

HSL 120.95, 0.81%, 0.54%

LAB 80.96, -76.41, 70.86

 

CMYK 82 / 82 / 0 / 9

HEX #2A2AE8

RGB 42 42 232

HSL 240, 0.81%, 0.54%

LAB 33.93, 62.85, -92.12

 

CMYK 0 / 82 / 82 / 9

HEX #E82A2A

RGB 232 42 42

HSL 0, 0.81%, 0.54%

LAB 50.66, 69.41, 48.26

 

CMYK 82 / 0 / 81 / 9

HEX #2AE82D

RGB 42 232 45

HSL 120.95, 0.81%, 0.54%

LAB 80.96, -76.41, 70.86

 

CMYK 82 / 16 / 0 / 9

HEX #2AC2E8

RGB 42 194 232

HSL 192, 0.81%, 0.54%

LAB 72.83, -25.14, -29.68

 

CMYK 0 / 82 / 0 / 9

HEX #E82AE8

RGB 232 42 232

HSL 300, 0.81%, 0.54%

LAB 56.72, 86.57, -53.98

 

CMYK 0 / 66 / 82 / 9

HEX #E8502A

RGB 232 80 42

HSL 12, 0.81%, 0.54%

LAB 55.13, 57.03, 52.42

 

CMYK 82 / 0 / 81 / 9

HEX #2AE82D

RGB 42 232 45

HSL 120.95, 0.81%, 0.54%

LAB 80.96, -76.41, 70.86

 

CMYK 82 / 41 / 0 / 9

HEX #2A89E8

RGB 42 137 232

HSL 210, 0.81%, 0.54%

LAB 56.3, 6.44, -55.62

 

CMYK 0 / 82 / 0 / 9

HEX #E82AE8

RGB 232 42 232

HSL 300, 0.81%, 0.54%

LAB 56.72, 86.57, -53.98

 

CMYK 0 / 41 / 82 / 9

HEX #E8892A

RGB 232 137 42

HSL 30, 0.81%, 0.54%

LAB 65.92, 29.69, 62.12

 

Description

Color code: HEX #2AE82D | qconv.com Color code: HEX #2AE82D | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 42 red, 232 green and 45 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
42 232 45 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 82 cyan, none magenta, 81 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
82% 0% 81% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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