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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2B2436 it is the complementary color #D4DBC9. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2B2436. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #2B2436 shade: #302431, #413644, #524857, #635A6A and #746C7D

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2B2436. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #2B2436 shade: #2B2436, #1A1223 and #090010

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #2B2436 shade: #2B2437, #302437, #352437, #372433 and #37242E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #2B2436 shade: #2B2437, #262437 and #242437

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #2B2436 shade matches the following richer shades: #2B2437, #2A1D3E, #281545, #260E4D and #250754

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #2B2436 shade: #2B2437, #2D2C2F, #2F3328, #303A20 and #324219

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #2B2436 shade: #242737, #262437, #2B2437, #302437 and #352437

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #2B2436 shade: #040305, #18141E, #2B2437, #3F354F and #534568

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #2B2436 shade: #2B2436, #37242C and #253724

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #2B2436 shade: #2B2436, #372B24 and #24372B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #2B2436 shade: #2B2436, #37242C, #303724 and #24372F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #2B2436 shade: #2B2436, #372426, #303724 and #243734

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 20 / 33 / 0 / 79

HEX #2B2436

RGB 43 36 54

HSL 263.33, 0.2%, 0.18%

LAB 15.7, 7.82, -10.48

 

Complementary color

CMYK 3 / 0 / 8 / 14

HEX #D4DBC9

RGB 212 219 201

HSL 83.33, 0.2%, 0.82%

LAB 86.44, -5.56, 8.02

 

CMYK 2 / 27 / 0 / 81

HEX #302431

RGB 48 36 49

HSL 295.38, 0.15%, 0.17%

LAB 16.06, 8.57, -6.35

 

CMYK 4 / 21 / 0 / 73

HEX #413644

RGB 65 54 68

HSL 287.14, 0.11%, 0.24%

LAB 24.26, 7.93, -6.85

 

CMYK 6 / 17 / 0 / 66

HEX #524857

RGB 82 72 87

HSL 280, 0.09%, 0.31%

LAB 32.07, 7.42, -7.34

 

CMYK 7 / 15 / 0 / 58

HEX #635A6A

RGB 99 90 106

HSL 273.75, 0.08%, 0.38%

LAB 39.59, 6.99, -7.81

 

CMYK 7 / 14 / 0 / 51

HEX #746C7D

RGB 116 108 125

HSL 268.24, 0.07%, 0.46%

LAB 46.87, 6.62, -8.28

 

CMYK 20 / 33 / 0 / 79

HEX #2B2436

RGB 43 36 54

HSL 263.33, 0.2%, 0.18%

LAB 15.7, 7.82, -10.48

 

CMYK 26 / 49 / 0 / 86

HEX #1A1223

RGB 26 18 35

HSL 268.24, 0.32%, 0.1%

LAB 6.99, 8.46, -10.25

 

CMYK 44 / 100 / 0 / 94

HEX #090010

RGB 9 0 16

HSL 273.75, 1%, 0.03%

LAB 0.86, 4.73, -5.63

 

CMYK 22 / 35 / 0 / 78

HEX #2B2437

RGB 43 36 55

HSL 262.11, 0.21%, 0.18%

LAB 15.75, 8.1, -11.11

 

CMYK 13 / 35 / 0 / 78

HEX #302437

RGB 48 36 55

HSL 277.89, 0.21%, 0.18%

LAB 16.34, 10.1, -10.17

 

CMYK 4 / 35 / 0 / 78

HEX #352437

RGB 53 36 55

HSL 293.68, 0.21%, 0.18%

LAB 16.96, 12.13, -9.15

 

CMYK 0 / 35 / 7 / 78

HEX #372433

RGB 55 36 51

HSL 312.63, 0.21%, 0.18%

LAB 17.05, 12.03, -6.18

 

CMYK 0 / 35 / 16 / 78

HEX #37242E

RGB 55 36 46

HSL 328.42, 0.21%, 0.18%

LAB 16.85, 10.96, -2.96

 

CMYK 22 / 35 / 0 / 78

HEX #2B2437

RGB 43 36 55

HSL 262.11, 0.21%, 0.18%

LAB 15.75, 8.1, -11.11

 

CMYK 31 / 35 / 0 / 78

HEX #262437

RGB 38 36 55

HSL 246.32, 0.21%, 0.18%

LAB 15.22, 6.17, -11.98

 

CMYK 35 / 35 / 0 / 78

HEX #242437

RGB 36 36 55

HSL 240, 0.21%, 0.18%

LAB 15.02, 5.42, -12.3

 

CMYK 22 / 35 / 0 / 78

HEX #2B2437

RGB 43 36 55

HSL 262.11, 0.21%, 0.18%

LAB 15.75, 8.1, -11.11

 

CMYK 32 / 53 / 0 / 76

HEX #2A1D3E

RGB 42 29 62

HSL 263.64, 0.36%, 0.18%

LAB 13.94, 14.82, -18.89

 

CMYK 42 / 70 / 0 / 73

HEX #281545

RGB 40 21 69

HSL 263.75, 0.53%, 0.18%

LAB 12.07, 21.87, -26.8

 

CMYK 51 / 82 / 0 / 70

HEX #260E4D

RGB 38 14 77

HSL 262.86, 0.69%, 0.18%

LAB 11.01, 28.13, -34.1

 

CMYK 56 / 92 / 0 / 67

HEX #250754

RGB 37 7 84

HSL 263.38, 0.85%, 0.18%

LAB 10.45, 33.48, -39.83

 

CMYK 22 / 35 / 0 / 78

HEX #2B2437

RGB 43 36 55

HSL 262.11, 0.21%, 0.18%

LAB 15.75, 8.1, -11.11

 

CMYK 4 / 6 / 0 / 82

HEX #2D2C2F

RGB 45 44 47

HSL 260, 0.03%, 0.18%

LAB 18.21, 1.17, -1.78

 

CMYK 8 / 0 / 22 / 80

HEX #2F3328

RGB 47 51 40

HSL 81.82, 0.12%, 0.18%

LAB 20.54, -4.2, 6.41

 

CMYK 17 / 0 / 45 / 77

HEX #303A20

RGB 48 58 32

HSL 83.08, 0.29%, 0.18%

LAB 22.86, -9.6, 14.81

 

CMYK 24 / 0 / 62 / 74

HEX #324219

RGB 50 66 25

HSL 83.41, 0.45%, 0.18%

LAB 25.7, -14.36, 22.55

 

CMYK 35 / 29 / 0 / 78

HEX #242737

RGB 36 39 55

HSL 230.53, 0.21%, 0.18%

LAB 16.01, 3.26, -10.77

 

CMYK 31 / 35 / 0 / 78

HEX #262437

RGB 38 36 55

HSL 246.32, 0.21%, 0.18%

LAB 15.22, 6.17, -11.98

 

CMYK 22 / 35 / 0 / 78

HEX #2B2437

RGB 43 36 55

HSL 262.11, 0.21%, 0.18%

LAB 15.75, 8.1, -11.11

 

CMYK 13 / 35 / 0 / 78

HEX #302437

RGB 48 36 55

HSL 277.89, 0.21%, 0.18%

LAB 16.34, 10.1, -10.17

 

CMYK 4 / 35 / 0 / 78

HEX #352437

RGB 53 36 55

HSL 293.68, 0.21%, 0.18%

LAB 16.96, 12.13, -9.15

 

CMYK 20 / 40 / 0 / 98

HEX #040305

RGB 4 3 5

HSL 270, 0.25%, 0.02%

LAB 0.92, 0.54, -0.67

 

CMYK 20 / 33 / 0 / 88

HEX #18141E

RGB 24 20 30

HSL 264, 0.2%, 0.1%

LAB 7.12, 4.58, -6.26

 

CMYK 22 / 35 / 0 / 78

HEX #2B2437

RGB 43 36 55

HSL 262.11, 0.21%, 0.18%

LAB 15.75, 8.1, -11.11

 

CMYK 20 / 33 / 0 / 69

HEX #3F354F

RGB 63 53 79

HSL 263.08, 0.2%, 0.26%

LAB 24.22, 10.62, -14.26

 

CMYK 20 / 34 / 0 / 59

HEX #534568

RGB 83 69 104

HSL 264, 0.2%, 0.34%

LAB 32.02, 13.89, -18.23

 

CMYK 20 / 33 / 0 / 79

HEX #2B2436

RGB 43 36 54

HSL 263.33, 0.2%, 0.18%

LAB 15.7, 7.82, -10.48

 

CMYK 0 / 35 / 20 / 78

HEX #37242C

RGB 55 36 44

HSL 334.74, 0.21%, 0.18%

LAB 16.78, 10.55, -1.65

 

CMYK 33 / 0 / 35 / 78

HEX #253724

RGB 37 55 36

HSL 116.84, 0.21%, 0.18%

LAB 21.03, -11.96, 9.64

 

CMYK 20 / 33 / 0 / 79

HEX #2B2436

RGB 43 36 54

HSL 263.33, 0.2%, 0.18%

LAB 15.7, 7.82, -10.48

 

CMYK 0 / 22 / 35 / 78

HEX #372B24

RGB 55 43 36

HSL 22.11, 0.21%, 0.18%

LAB 18.66, 4.25, 6.65

 

CMYK 35 / 0 / 22 / 78

HEX #24372B

RGB 36 55 43

HSL 142.11, 0.21%, 0.18%

LAB 21.14, -10.8, 5.1

 

CMYK 20 / 33 / 0 / 79

HEX #2B2436

RGB 43 36 54

HSL 263.33, 0.2%, 0.18%

LAB 15.7, 7.82, -10.48

 

CMYK 0 / 35 / 20 / 78

HEX #37242C

RGB 55 36 44

HSL 334.74, 0.21%, 0.18%

LAB 16.78, 10.55, -1.65

 

CMYK 13 / 0 / 35 / 78

HEX #303724

RGB 48 55 36

HSL 82.11, 0.21%, 0.18%

LAB 21.9, -7.07, 10.96

 

CMYK 35 / 0 / 15 / 78

HEX #24372F

RGB 36 55 47

HSL 154.74, 0.21%, 0.18%

LAB 21.25, -9.8, 2.57

 

CMYK 20 / 33 / 0 / 79

HEX #2B2436

RGB 43 36 54

HSL 263.33, 0.2%, 0.18%

LAB 15.7, 7.82, -10.48

 

CMYK 0 / 35 / 31 / 78

HEX #372426

RGB 55 36 38

HSL 353.68, 0.21%, 0.18%

LAB 16.57, 9.41, 2.3

 

CMYK 13 / 0 / 35 / 78

HEX #303724

RGB 48 55 36

HSL 82.11, 0.21%, 0.18%

LAB 21.9, -7.07, 10.96

 

CMYK 35 / 0 / 5 / 78

HEX #243734

RGB 36 55 52

HSL 170.53, 0.21%, 0.18%

LAB 21.41, -8.45, -0.58

 

Description

Color code: HEX #2B2436 | qconv.com Color code: HEX #2B2436 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 43 red, 36 green and 54 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
43 36 54 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 20 cyan, 33 magenta, none yellow and 79 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
20% 33% 0% 79% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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