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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2B233D it is the complementary color #D4DCC2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2B233D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #2B233D shade: #302338, #41354B, #52475E, #635971 and #746B84

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2B233D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #2B233D shade: #2B233D, #1A112A, #090017 and #000004

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #2B233D shade: #2B233D, #32233D, #39233D, #3D233A and #3D2333

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #2B233D shade: #2B233D, #24233D and #23233D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #2B233D shade matches the following richer shades: #2B233D, #281B45, #25134D, #220B55 and #1F045C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #2B233D shade: #2B233D, #2E2B35, #31332D, #343A26 and #37421E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #2B233D shade: #23293D, #24233D, #2B233D, #32233D and #39233D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #2B233D shade: #060509, #181423, #2B233D, #3D3257 and #504171

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #2B233D shade: #2B233D, #3D2330 and #253D23

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #2B233D shade: #2B233D, #3D2B23 and #233D2B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #2B233D shade: #2B233D, #3D2330, #353D23 and #233D30

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #2B233D shade: #2B233D, #3D2328, #353D23 and #233D38

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 30 / 43 / 0 / 76

HEX #2B233D

RGB 43 35 61

HSL 258.46, 0.27%, 0.19%

LAB 15.76, 10.59, -15.31

 

Complementary color

CMYK 4 / 0 / 12 / 14

HEX #D4DCC2

RGB 212 220 194

HSL 78.46, 0.27%, 0.81%

LAB 86.54, -7.24, 11.85

 

CMYK 14 / 38 / 0 / 78

HEX #302338

RGB 48 35 56

HSL 277.14, 0.23%, 0.18%

LAB 16.08, 11.07, -11.26

 

CMYK 13 / 29 / 0 / 71

HEX #41354B

RGB 65 53 75

HSL 272.73, 0.17%, 0.25%

LAB 24.25, 10.32, -11.53

 

CMYK 13 / 24 / 0 / 63

HEX #52475E

RGB 82 71 94

HSL 268.7, 0.14%, 0.32%

LAB 32.05, 9.72, -11.83

 

CMYK 12 / 21 / 0 / 56

HEX #635971

RGB 99 89 113

HSL 265, 0.12%, 0.4%

LAB 39.56, 9.22, -12.16

 

CMYK 12 / 19 / 0 / 48

HEX #746B84

RGB 116 107 132

HSL 261.6, 0.1%, 0.47%

LAB 46.84, 8.78, -12.51

 

CMYK 30 / 43 / 0 / 76

HEX #2B233D

RGB 43 35 61

HSL 258.46, 0.27%, 0.19%

LAB 15.76, 10.59, -15.31

 

CMYK 38 / 60 / 0 / 84

HEX #1A112A

RGB 26 17 42

HSL 261.6, 0.42%, 0.12%

LAB 7.12, 11.52, -15.33

 

CMYK 61 / 100 / 0 / 91

HEX #090017

RGB 9 0 23

HSL 263.48, 1%, 0.05%

LAB 1.08, 6.28, -9.86

 

CMYK 100 / 100 / 0 / 98

HEX #000004

RGB 0 0 4

HSL 240, 1%, 0.01%

LAB 0.08, 0.56, -1.51

 

CMYK 30 / 43 / 0 / 76

HEX #2B233D

RGB 43 35 61

HSL 258.46, 0.27%, 0.19%

LAB 15.76, 10.59, -15.31

 

CMYK 18 / 43 / 0 / 76

HEX #32233D

RGB 50 35 61

HSL 274.62, 0.27%, 0.19%

LAB 16.59, 13.2, -13.96

 

CMYK 7 / 43 / 0 / 76

HEX #39233D

RGB 57 35 61

HSL 290.77, 0.27%, 0.19%

LAB 17.5, 15.87, -12.47

 

CMYK 0 / 43 / 5 / 76

HEX #3D233A

RGB 61 35 58

HSL 306.92, 0.27%, 0.19%

LAB 17.92, 16.74, -9.69

 

CMYK 0 / 43 / 16 / 76

HEX #3D2333

RGB 61 35 51

HSL 323.08, 0.27%, 0.19%

LAB 17.61, 15.26, -5.25

 

CMYK 30 / 43 / 0 / 76

HEX #2B233D

RGB 43 35 61

HSL 258.46, 0.27%, 0.19%

LAB 15.76, 10.59, -15.31

 

CMYK 41 / 43 / 0 / 76

HEX #24233D

RGB 36 35 61

HSL 242.31, 0.27%, 0.19%

LAB 15.03, 8.12, -16.51

 

CMYK 43 / 43 / 0 / 76

HEX #23233D

RGB 35 35 61

HSL 240, 0.27%, 0.19%

LAB 14.93, 7.78, -16.67

 

CMYK 30 / 43 / 0 / 76

HEX #2B233D

RGB 43 35 61

HSL 258.46, 0.27%, 0.19%

LAB 15.76, 10.59, -15.31

 

CMYK 42 / 61 / 0 / 73

HEX #281B45

RGB 40 27 69

HSL 258.57, 0.44%, 0.19%

LAB 13.62, 17.81, -24.31

 

CMYK 52 / 75 / 0 / 70

HEX #25134D

RGB 37 19 77

HSL 258.62, 0.6%, 0.19%

LAB 11.92, 25, -32.61

 

CMYK 60 / 87 / 0 / 67

HEX #220B55

RGB 34 11 85

HSL 258.65, 0.77%, 0.19%

LAB 10.82, 31.49, -39.93

 

CMYK 66 / 96 / 0 / 64

HEX #1F045C

RGB 31 4 92

HSL 258.41, 0.92%, 0.19%

LAB 10.19, 36.6, -45.72

 

CMYK 30 / 43 / 0 / 76

HEX #2B233D

RGB 43 35 61

HSL 258.46, 0.27%, 0.19%

LAB 15.76, 10.59, -15.31

 

CMYK 13 / 19 / 0 / 79

HEX #2E2B35

RGB 46 43 53

HSL 258, 0.1%, 0.19%

LAB 18.21, 3.82, -5.94

 

CMYK 4 / 0 / 12 / 80

HEX #31332D

RGB 49 51 45

HSL 80, 0.06%, 0.19%

LAB 20.87, -2.24, 3.51

 

CMYK 10 / 0 / 34 / 77

HEX #343A26

RGB 52 58 38

HSL 78, 0.21%, 0.19%

LAB 23.32, -6.73, 11.62

 

CMYK 17 / 0 / 55 / 74

HEX #37421E

RGB 55 66 30

HSL 78.33, 0.38%, 0.19%

LAB 26.16, -11.4, 20.31

 

CMYK 43 / 33 / 0 / 76

HEX #23293D

RGB 35 41 61

HSL 226.15, 0.27%, 0.19%

LAB 16.89, 3.43, -13.6

 

CMYK 41 / 43 / 0 / 76

HEX #24233D

RGB 36 35 61

HSL 242.31, 0.27%, 0.19%

LAB 15.03, 8.12, -16.51

 

CMYK 30 / 43 / 0 / 76

HEX #2B233D

RGB 43 35 61

HSL 258.46, 0.27%, 0.19%

LAB 15.76, 10.59, -15.31

 

CMYK 18 / 43 / 0 / 76

HEX #32233D

RGB 50 35 61

HSL 274.62, 0.27%, 0.19%

LAB 16.59, 13.2, -13.96

 

CMYK 7 / 43 / 0 / 76

HEX #39233D

RGB 57 35 61

HSL 290.77, 0.27%, 0.19%

LAB 17.5, 15.87, -12.47

 

CMYK 33 / 44 / 0 / 96

HEX #060509

RGB 6 5 9

HSL 255, 0.29%, 0.03%

LAB 1.51, 0.82, -1.42

 

CMYK 31 / 43 / 0 / 86

HEX #181423

RGB 24 20 35

HSL 256, 0.27%, 0.11%

LAB 7.37, 6.22, -9.68

 

CMYK 30 / 43 / 0 / 76

HEX #2B233D

RGB 43 35 61

HSL 258.46, 0.27%, 0.19%

LAB 15.76, 10.59, -15.31

 

CMYK 30 / 43 / 0 / 66

HEX #3D3257

RGB 61 50 87

HSL 257.84, 0.27%, 0.27%

LAB 23.54, 14.18, -20.62

 

CMYK 29 / 42 / 0 / 56

HEX #504171

RGB 80 65 113

HSL 258.75, 0.27%, 0.35%

LAB 31.06, 17.89, -25.44

 

CMYK 30 / 43 / 0 / 76

HEX #2B233D

RGB 43 35 61

HSL 258.46, 0.27%, 0.19%

LAB 15.76, 10.59, -15.31

 

CMYK 0 / 43 / 21 / 76

HEX #3D2330

RGB 61 35 48

HSL 330, 0.27%, 0.19%

LAB 17.5, 14.67, -3.32

 

CMYK 39 / 0 / 43 / 76

HEX #253D23

RGB 37 61 35

HSL 115.38, 0.27%, 0.19%

LAB 23.18, -15.65, 13.16

 

CMYK 30 / 43 / 0 / 76

HEX #2B233D

RGB 43 35 61

HSL 258.46, 0.27%, 0.19%

LAB 15.76, 10.59, -15.31

 

CMYK 0 / 30 / 43 / 76

HEX #3D2B23

RGB 61 43 35

HSL 18.46, 0.27%, 0.19%

LAB 19.4, 7.04, 8.47

 

CMYK 43 / 0 / 30 / 76

HEX #233D2B

RGB 35 61 43

HSL 138.46, 0.27%, 0.19%

LAB 23.23, -14.73, 8.02

 

CMYK 30 / 43 / 0 / 76

HEX #2B233D

RGB 43 35 61

HSL 258.46, 0.27%, 0.19%

LAB 15.76, 10.59, -15.31

 

CMYK 0 / 43 / 21 / 76

HEX #3D2330

RGB 61 35 48

HSL 330, 0.27%, 0.19%

LAB 17.5, 14.67, -3.32

 

CMYK 13 / 0 / 43 / 76

HEX #353D23

RGB 53 61 35

HSL 78.46, 0.27%, 0.19%

LAB 24.37, -8.62, 14.95

 

CMYK 43 / 0 / 21 / 76

HEX #233D30

RGB 35 61 48

HSL 150, 0.27%, 0.19%

LAB 23.37, -13.52, 4.9

 

CMYK 30 / 43 / 0 / 76

HEX #2B233D

RGB 43 35 61

HSL 258.46, 0.27%, 0.19%

LAB 15.76, 10.59, -15.31

 

CMYK 0 / 43 / 34 / 76

HEX #3D2328

RGB 61 35 40

HSL 348.46, 0.27%, 0.19%

LAB 17.21, 13.23, 1.92

 

CMYK 13 / 0 / 43 / 76

HEX #353D23

RGB 53 61 35

HSL 78.46, 0.27%, 0.19%

LAB 24.37, -8.62, 14.95

 

CMYK 43 / 0 / 8 / 76

HEX #233D38

RGB 35 61 56

HSL 168.46, 0.27%, 0.19%

LAB 23.61, -11.38, -0.07

 

Description

Color code: HEX #2B233D | qconv.com Color code: HEX #2B233D | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 43 red, 35 green and 61 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
43 35 61 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 30 cyan, 43 magenta, none yellow and 76 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
30% 43% 0% 76% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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