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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2B2B54 it is the complementary color #D4D4AB. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2B2B54. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #2B2B54 shade: #302B4F, #413D62, #524F75, #636188 and #74739B

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2B2B54. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #2B2B54 shade: #2B2B54, #1A1941, #09072E, #00001B and #000008

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #2B2B54 shade: #2B2B54, #362B54, #412B54, #4C2B54 and #542B50

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #2B2B54 shade: #2B2B54

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #2B2B54 shade matches the following richer shades: #2B2B54, #21215E, #161668, #0C0C73 and #02027D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #2B2B54 shade: #2B2B54, #353549, #3F3F3F, #4A4A35 and #54542A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #2B2B54 shade: #2B4154, #2B3654, #2B2B54, #362B54 and #412B54

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #2B2B54 shade: #0F0F1D, #1D1D38, #2B2B54, #39396F and #47478A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #2B2B54 shade: #2B2B54, #542B4B and #3B542B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #2B2B54 shade: #2B2B54, #542B2B and #2B542B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #2B2B54 shade: #2B2B54, #542B4B, #54542B and #2B5433

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #2B2B54 shade: #2B2B54, #542B3F, #54542B and #2B543F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 49 / 49 / 0 / 67

HEX #2B2B54

RGB 43 43 84

HSL 240, 0.32%, 0.25%

LAB 19.56, 12.43, -25.03

 

Complementary color

CMYK 0 / 0 / 19 / 17

HEX #D4D4AB

RGB 212 212 171

HSL 60, 0.32%, 0.75%

LAB 83.98, -6.73, 20.35

 

CMYK 39 / 46 / 0 / 69

HEX #302B4F

RGB 48 43 79

HSL 248.33, 0.3%, 0.24%

LAB 19.72, 12.27, -21.39

 

CMYK 34 / 38 / 0 / 62

HEX #413D62

RGB 65 61 98

HSL 246.49, 0.23%, 0.31%

LAB 27.69, 11.35, -21.27

 

CMYK 30 / 32 / 0 / 54

HEX #524F75

RGB 82 79 117

HSL 244.74, 0.19%, 0.38%

LAB 35.34, 10.63, -21.25

 

CMYK 27 / 29 / 0 / 47

HEX #636188

RGB 99 97 136

HSL 243.08, 0.17%, 0.46%

LAB 42.73, 10.04, -21.31

 

CMYK 25 / 26 / 0 / 39

HEX #74739B

RGB 116 115 155

HSL 241.5, 0.17%, 0.53%

LAB 49.91, 9.55, -21.43

 

CMYK 49 / 49 / 0 / 67

HEX #2B2B54

RGB 43 43 84

HSL 240, 0.32%, 0.25%

LAB 19.56, 12.43, -25.03

 

CMYK 60 / 62 / 0 / 75

HEX #1A1941

RGB 26 25 65

HSL 241.5, 0.44%, 0.18%

LAB 11.25, 14.01, -25.39

 

CMYK 80 / 85 / 0 / 82

HEX #09072E

RGB 9 7 46

HSL 243.08, 0.74%, 0.1%

LAB 3.68, 12.07, -23.87

 

CMYK 100 / 100 / 0 / 89

HEX #00001B

RGB 0 0 27

HSL 240, 1%, 0.05%

LAB 0.71, 5.02, -13.64

 

CMYK 100 / 100 / 0 / 97

HEX #000008

RGB 0 0 8

HSL 240, 1%, 0.02%

LAB 0.16, 1.11, -3.03

 

CMYK 49 / 49 / 0 / 67

HEX #2B2B54

RGB 43 43 84

HSL 240, 0.32%, 0.25%

LAB 19.56, 12.43, -25.03

 

CMYK 36 / 49 / 0 / 67

HEX #362B54

RGB 54 43 84

HSL 256.1, 0.32%, 0.25%

LAB 20.64, 15.76, -23.25

 

CMYK 23 / 49 / 0 / 67

HEX #412B54

RGB 65 43 84

HSL 272.2, 0.32%, 0.25%

LAB 21.91, 19.37, -21.16

 

CMYK 10 / 49 / 0 / 67

HEX #4C2B54

RGB 76 43 84

HSL 288.29, 0.32%, 0.25%

LAB 23.35, 23.12, -18.8

 

CMYK 0 / 49 / 5 / 67

HEX #542B50

RGB 84 43 80

HSL 305.85, 0.32%, 0.25%

LAB 24.3, 25.04, -14.58

 

CMYK 49 / 49 / 0 / 67

HEX #2B2B54

RGB 43 43 84

HSL 240, 0.32%, 0.25%

LAB 19.56, 12.43, -25.03

 

CMYK 49 / 49 / 0 / 67

HEX #2B2B54

RGB 43 43 84

HSL 240, 0.32%, 0.25%

LAB 19.56, 12.43, -25.03

 

CMYK 65 / 65 / 0 / 63

HEX #21215E

RGB 33 33 94

HSL 240, 0.48%, 0.25%

LAB 16.6, 20.8, -36.52

 

CMYK 79 / 79 / 0 / 59

HEX #161668

RGB 22 22 104

HSL 240, 0.65%, 0.25%

LAB 14.08, 30.37, -47.29

 

CMYK 90 / 90 / 0 / 55

HEX #0C0C73

RGB 12 12 115

HSL 240, 0.81%, 0.25%

LAB 13.1, 38.95, -56.12

 

CMYK 98 / 98 / 0 / 51

HEX #02027D

RGB 2 2 125

HSL 240, 0.97%, 0.25%

LAB 12.84, 45.88, -63.01

 

CMYK 49 / 49 / 0 / 67

HEX #2B2B54

RGB 43 43 84

HSL 240, 0.32%, 0.25%

LAB 19.56, 12.43, -25.03

 

CMYK 27 / 27 / 0 / 71

HEX #353549

RGB 53 53 73

HSL 240, 0.16%, 0.25%

LAB 22.94, 5.24, -12.3

 

CMYK 0 / 0 / 0 / 75

HEX #3F3F3F

RGB 63 63 63

HSL 0, 0%, 0.25%

LAB 26.65, 0, -0

 

CMYK 0 / 0 / 28 / 71

HEX #4A4A35

RGB 74 74 53

HSL 60, 0.17%, 0.25%

LAB 30.9, -4.02, 12.59

 

CMYK 0 / 0 / 50 / 67

HEX #54542A

RGB 84 84 42

HSL 60, 0.33%, 0.25%

LAB 34.79, -6.92, 24.41

 

CMYK 49 / 23 / 0 / 67

HEX #2B4154

RGB 43 65 84

HSL 207.8, 0.32%, 0.25%

LAB 26.55, -2.69, -14.1

 

CMYK 49 / 36 / 0 / 67

HEX #2B3654

RGB 43 54 84

HSL 223.9, 0.32%, 0.25%

LAB 22.97, 4.71, -19.65

 

CMYK 49 / 49 / 0 / 67

HEX #2B2B54

RGB 43 43 84

HSL 240, 0.32%, 0.25%

LAB 19.56, 12.43, -25.03

 

CMYK 36 / 49 / 0 / 67

HEX #362B54

RGB 54 43 84

HSL 256.1, 0.32%, 0.25%

LAB 20.64, 15.76, -23.25

 

CMYK 23 / 49 / 0 / 67

HEX #412B54

RGB 65 43 84

HSL 272.2, 0.32%, 0.25%

LAB 21.91, 19.37, -21.16

 

CMYK 48 / 48 / 0 / 89

HEX #0F0F1D

RGB 15 15 29

HSL 240, 0.32%, 0.09%

LAB 4.8, 3.44, -9.05

 

CMYK 48 / 48 / 0 / 78

HEX #1D1D38

RGB 29 29 56

HSL 240, 0.32%, 0.17%

LAB 12.13, 8.49, -17.6

 

CMYK 49 / 49 / 0 / 67

HEX #2B2B54

RGB 43 43 84

HSL 240, 0.32%, 0.25%

LAB 19.56, 12.43, -25.03

 

CMYK 49 / 49 / 0 / 56

HEX #39396F

RGB 57 57 111

HSL 240, 0.32%, 0.33%

LAB 26.57, 15.79, -31.42

 

CMYK 49 / 49 / 0 / 46

HEX #47478A

RGB 71 71 138

HSL 240, 0.32%, 0.41%

LAB 33.31, 19, -37.5

 

CMYK 49 / 49 / 0 / 67

HEX #2B2B54

RGB 43 43 84

HSL 240, 0.32%, 0.25%

LAB 19.56, 12.43, -25.03

 

CMYK 0 / 49 / 11 / 67

HEX #542B4B

RGB 84 43 75

HSL 313.17, 0.32%, 0.25%

LAB 24.07, 24.04, -11.6

 

CMYK 30 / 0 / 49 / 67

HEX #3B542B

RGB 59 84 43

HSL 96.59, 0.32%, 0.25%

LAB 32.8, -18.01, 20.93

 

CMYK 49 / 49 / 0 / 67

HEX #2B2B54

RGB 43 43 84

HSL 240, 0.32%, 0.25%

LAB 19.56, 12.43, -25.03

 

CMYK 0 / 49 / 49 / 67

HEX #542B2B

RGB 84 43 43

HSL 0, 0.32%, 0.25%

LAB 22.95, 18.89, 8.45

 

CMYK 49 / 0 / 49 / 67

HEX #2B542B

RGB 43 84 43

HSL 120, 0.32%, 0.25%

LAB 31.87, -24.1, 19.56

 

CMYK 49 / 49 / 0 / 67

HEX #2B2B54

RGB 43 43 84

HSL 240, 0.32%, 0.25%

LAB 19.56, 12.43, -25.03

 

CMYK 0 / 49 / 11 / 67

HEX #542B4B

RGB 84 43 75

HSL 313.17, 0.32%, 0.25%

LAB 24.07, 24.04, -11.6

 

CMYK 0 / 0 / 49 / 67

HEX #54542B

RGB 84 84 43

HSL 60, 0.32%, 0.25%

LAB 34.8, -6.8, 23.85

 

CMYK 49 / 0 / 39 / 67

HEX #2B5433

RGB 43 84 51

HSL 131.71, 0.32%, 0.25%

LAB 32.02, -22.62, 14.95

 

CMYK 49 / 49 / 0 / 67

HEX #2B2B54

RGB 43 43 84

HSL 240, 0.32%, 0.25%

LAB 19.56, 12.43, -25.03

 

CMYK 0 / 49 / 25 / 67

HEX #542B3F

RGB 84 43 63

HSL 330.73, 0.32%, 0.25%

LAB 23.58, 21.83, -4.25

 

CMYK 0 / 0 / 49 / 67

HEX #54542B

RGB 84 84 43

HSL 60, 0.32%, 0.25%

LAB 34.8, -6.8, 23.85

 

CMYK 49 / 0 / 25 / 67

HEX #2B543F

RGB 43 84 63

HSL 149.27, 0.32%, 0.25%

LAB 32.29, -19.99, 7.88

 

Description

Color code: HEX #2B2B54 | qconv.com Color code: HEX #2B2B54 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 43 red, 43 green and 84 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
43 43 84 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 49 cyan, 49 magenta, none yellow and 67 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
49% 49% 0% 67% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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